Archive for the ‘CLASSIC ALBUMS’ Category

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John Grant has announced his new album ‘Love Is Magic’ and unveiled its title track – check it out below.

The US singer-songwriter’s last album, ‘Grey Tickles, Black Pressure’, was released in 2015. described as “moving, funny, unnerving and angry; one of the albums of the year.” His debut ‘Queen of Denmark’ came in 2010, followed by ‘Pale Green Ghosts’ in 2013.

Now, Grant has shared news of his fourth studio effort, which he co-produced alongside Midlake’s Paul Alexander.

Describing the upcoming release, Grant says: “Love’s a shitshow that requires work. It’s not all lollipops and rainbows and ’67 Dodge Dart Hemis and STD’s and macaroni and cheese and John Carpenter. But nothing can distract from the fact that, in spite of it all, love is still magic.”

The six-and-a-half-minute title track opens with pulsing synth brass and crashing drums. The colourful lyric video features the lines “Have you got depression? / Passive aggression? /Did they stop loving you / And you’re the only one who doesn’t know?”

‘Love Is Magic’ is released October 12th on Partisan Records and Bella Union. It features track titles such as ‘Metamorphosis’, ‘Smug Cunt’ and ‘Diet Gum’. John Grant will tour the UK in support of ‘Love Is Magic’ in October and November see the full schedule below.

Oct 30 – O2 Academy Brixton, London
Oct 31 – Bath Forum, Bath
Nov 2 – Octagon, Sheffield
Nov 3 – Albert Hall, Manchester 

With Joy, Ty Segall & White Fence’s new collaborative set of songs accelerate wildly from where we last found them, sharing one debaucherous mind. Their hits are like mementos buried in the ground, crawling up from the earth with attractive deformity – an auditory return to Salem’s Lot with fresh, mutated sounds bubbling from beneath the surface!
The new album drops July 20th and whatta Joy it is! Patience is a virtue, good things come to those who wait blah, blah, blah— all that’s totally overrated, and it’s why the Presley/Segall hive-mind is dropping “Body Behavior” today, no waiting required! “Body Behavior” absolutely rips, a shock-and-aaahh-hell-yeah clocking in at just over two minutes! It’s damn catchy, some of the purest post-punk-pop imaginable that only two of the most prolific living musicians can offer! Activating the undeniable chemistry you’ve come to love from Ty and Tim, “Body Behavior” roughs up the edges with jagged results that hurt Too good – but we know you can handle it!

Listen to “Body Behavior” now and hang on for the release of Joy, coming July 20th

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There’s some rather good albums out tomorrow. We have new records from Cowboy Junkies, Mattiel, Luluc, Rayland Baxter, Dirty Projectors, Lotic, Body/Head, The Hunna, The Ophelias, Immersion and a new ‘Black Mirror‘ soundtrack, this time from Alex Somers and Sigur Ros on limited white vinyl.

Some nice reissues as well, with coloured vinyl from Tom Waits for the ‘Foreign Affairs‘ album which hasn’t been on vinyl for some years. We also have old albums made new from The Libertines, Grateful Dead, a repress of the King Gizzard ‘Polygondwanaland’ coloured vinyl on Fuzz Club (in standard sleeve packaging) and a Trojan Records 50th anniversary picture disc. Special mention must go to the Holger Czukay/David Sylvian ‘Plight & Premonition and Flux and Mutability’ albums released as a double LP.

Dirty Projectors – Lamp Lit Prose

‘Lamp Lit Prose’ arrives just over a year after 2017’s self-titled ‘Dirty Projectors.’ Here David Longstreth’s band returns with a new album that is the yang to the yin of the 2017 effort. The songs signal a page turned for Longstreth: hope instead of heartbreak, a restorative balance. Guitars have returned to the Dirty Projectors’ world, intricate and gorgeous vocal harmony too. The album begins with “Right Now,” David singing, “there was silence in my heart, but now I’m striking up the band.” In addition to the core musicians and guests, LA string group the Calder Quartet, and The Brass Players of Los Angeles both appear on several songs. ‘Lamp Lit Prose’ is a recommitment to the sounds and ideals of Dirty Projectors, embracing the band’s trademarks while pushing forward the sonic envelope.

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Cowboy Junkies   –  All That Reckoning

With Cowboy Junkies’ new album, All That Reckoning, the band once again gently shakes the listener to wake up. Whether commenting on the fragile state of the world or on personal relationships, this new collection of songs encourages the listener to take notice. It also may be the most powerful album Cowboy Junkies have yet recorded.

Jason Isbell  –  Sirens Of The Ditch

The debut album from accomplished guitarist and songwriter Jason Isbell, formerly of Drive By Truckers, is reissued with four unreleased tracks from the original recording sessions. The addition of those extra songs finds ‘Sirens Of The Ditch’ clocking in at 15 total tracks.

‘Sirens Of The Ditch’’s mystical quality can be partially attributed to the FAME recording studio (Aretha Franklin, Duane Allman, Otis Redding) in Isbell’s hometown of Muscle Shoals, AL, where the album was recorded.

Co-produced by Isbell and Patterson Hood (Drive By Truckers), ‘Sirens Of The Ditch’ features Isbell singing lead vocals and playing guitar throughout, joined by Shonna Tucker (formerly of Drive By Truckers) on bass and Brad Morgan (Drive By Truckers) on drums. Several musicians pop in for cameos including Spooner Oldham and David Hood (Patterson’s father) on ‘Down In A Hole’, John Neff (formerly of Drive By Truckers) on ‘Dress Blues’ and Patterson himself guests on ‘Shotgun Wedding’.

“A strong debut, full of the kind of confident, charismatic songwriting that just can’t be taught.”

Deafheaven – Ordinary Corrupt Human Love

Deafheaven’s new album, Ordinary Corrupt Human Love, finds them working with old friends again. The Jack Shirley-produced and Nick Steinhardt-art directed (of Touché Amoré) collection gets its title from Graham Greene’s novel The End of the Affair, referencing a moment when someone is looking for love, in all of its imperfection and simple beauty. This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them.

Clarke describes the composition of Ordinary Corrupt Human Love beginning with “small seeds of healing, repair, and rebirth,” and like each subsequent Deafheaven album, this record is, in fact, a revelation. Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life. If you’re an artist, this kind of new self-knowledge can lead to creating something universal and remembered, something that can live longer than you do.

While Deafheaven have managed to cross over this road in the past, they’ve nailed the feeling wholly with Ordinary Corrupt Human Love, a feeling that comes with experience and wisdom. Yes, everybody deals with hurt, everybody’s been the cause of their own implosions, and everybody has the capacity to overcome and love again. Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism.

Body/Head – The Switch

Body/Head, the duo of Kim Gordon (CKM, Sonic Youth, Free Kitten, etc.) and guitarist Bill Nace (X.O.4, Vampire Belt, Ceylon Mange, etc), will release their second studio album, ‘The Switch’, on the 13th of July on Matador Records. Their debut album together as Body/Head, ‘Coming Apart’, from 2013, was more of a rock record

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Ben Folds  –  Brick

Brick – The Songs of Ben Folds, 1996-2012 features 13CDs housed in a unique brick box set.
This collection of 194 tracks spans the career to date of one of the most adventurous and exciting songwriters and performers of his generation, who has not only worked with a diverse range of artists including William Shatner, Sara Bareilles and Regina Spektor, but authors Nick Hornby and Neil Gaiman.
In addition to featuring all the Ben Folds Five and Ben Folds’ solo studio albums, the box set also includes the 2002 Ben FoldsLive album, the live album Songs For Goldfish which accompanied the 2005 album Songs For Silverman, the alternative Seeds versions from Stems And Seeds, and all the bonus tracks, b-sides and rarities from the whole period. Ben Folds Five formed in in 1993, accompanied by Robert Sledge (bass, synthesizers, backing vocals) and Darren Jessee (drums,backing vocals), with Folds on lead vocals and piano, this outstanding musical trio forged a path as an incendiary live band. Releasing their self-titled debut album in 1995, the album featured such BFF’s classics as Underground and Philosophy. This was followed in 1997 by Whatever and Ever Amen. The album featured the singles, Battle Of Who Could Care Less and Kate, as well as UK Top 30 and mainstream radio hit in the USA and Australia, Brick. The third and final BFF’s album (until their 2012 reformation) was The Unauthorized Biography of Reinhold Messner.

In 2001 Folds released his first solo album, Rockin’ The Suburbs, which was recorded in Adelaide, Australia, where he was living at the time. The title track was remade for the 2006 film Over The Hedge, featuring William Shatner on vocal duties (both versions appear on this box set, as well as the five other songs recorded for the film). This was followed in 2005 by Songs For Silverman, which reached no.13 on the Billboard chart. The next year Folds released Supersunnyspeedgraphic, a compilation of songs,which were originally released on the EPs Sunny 16, Speed Graphic and Super D. The final Folds solo album to appear in this box set is 2008’s Way To Normal, which is his highest-charting solo album to date in the US, having entered at no.11 on the Billboard chart. The album featured a guest appearance by Regina Spektor, as well as are mastered follow up version, Stems and Seeds. For this Folds created a different track order and stem files, which allowed the listener to use computer applications to produce their own remixes. In 2011, Ben Folds Five reunited to record new tracks for a Ben Folds retrospective. Excited by the experience, the band reconvened in Folds’ studio and recorded what would become the first BFF’s album for 13 years. With the title track’s lyric supplied by Folds collaborator Nick Hornby, The Sound of the Life of The Mind was to be their highest charting album, reaching no.10 on the Billboardchart. The box includes a 60 page booklet featuring a brand new interview with Paul Myers.

Grateful Dead  – Anthem of the Sun: 50th Anniversary Edition

Anthem of the Sun: 50th Anniversary Deluxe Edition includes two versions of Grateful Dead’s original album, both of which have been newly remastered: first, the original 1968 mix, and second, the 1971 remix. Both mixes of the albums were remastered by Grammy-winning engineer David Glasser from the original analog master tapes. The second disc boasts a previously unreleased complete live show recorded on October 22nd, 1967 at San Francisco’s Winterland.  It’s been newly  remastered by Jeffrey Norman and marks the first known recording of the Dead with Mickey Hart, who joined the band in September 1967.  A picture disc vinyl edition features the remastered 1971 mix only.

The Rolling Stones  – From the Vault: No Security – San Jose 1999 

The Rolling Stones revisit a 1989 performance from their No Security tour which extended from the band’s Bridges to Babylon outing.  This title will be released on DVD, 2CD/SD (Standard Definition) Blu-ray, 2CD/DVD, 3 LP, and digital audio and video platforms.  Whew!  (The 1998 concert album entitled No Security featured tracks culled from the Bridges to Babylon tour.)

Ben Folds Five  –  The Complete Sessions at West 54th 

This week brings a release from another longtime favorite!  Real Gone Music has the audio debut of Ben Folds Five’s June 9th, 1997 performance for PBS’ Sessions at West 54th of 15 songs including “Brick,” “Kate,” and “Battle of Who Could Care Less.”

This Week’s Releases

Rick Astley – ‘Beautiful Life’ LP
Rayland Baxter – ‘Wide Awake’ LP
Body/Head – ‘The Switch’ LP
Cowboy Junkies – ‘All That Reckoning’ LP
Holger Czukay & David Sylvian – ‘Plight & Premonition/Flux & Mutability’ 2LP reissue
Mikaela Davis – Delivery’ LP
Dirty Projectors – ‘Lamp Lit Prose’ LP
Grateful Dead – ‘Anthem Of The Sun’ picture disc LP reissue
The Hunna – ‘Dare’ limited sparkle vinyl LP
Immersion – ‘Sleepless’ LP
Jason Isbell – ‘Sirens Of The Ditch’ 2LP reissue
The Jayhawks – ‘Back Roads & Abandoned Motels’ LP
The Libertines – ‘Time For Heroes: The Best Of’ red vinyl LP reissue
Lotic – ‘Power’ limited LP
LULUC – ‘Sculptor’ limited maroon vinyl LP
Mattiel – ‘Mattiel’ limited coloured vinyl LP
Nightmares On Wax – ‘Deep Shadows Remixes’ 12″
The Ophelias – ‘Almost’ green vinyl LP
OST: Alex Somers & Sigur Ros – ‘Black Mirror: Hang The DJ’ limited white vinyl LP
Pariah – ‘Her From Where We Are’ LP
The Rolling Stones – ‘From The Vault: No Security – San Jose 1999’ 3LP
Tom Waits – ‘Foreign Affairs’ LP reissue
Wolf Eyes – ‘Dread’ LP reissue
Yes – ‘90125’ limited coloured vinyl LP reissue
Adrian Younge & Ali Shaeed Muhammad – ‘The Midnight Hour’ 2LP
Various Artists – ‘Trojan Records 50th Anniversary’ picture disc LP

There were an astonishing amount of forthcoming albums announced this week that we now have for preorder.  Paul Weller has a new record ‘True Meanings’, out 14th September and a week later there is a new one from Christine & The Queens; you can choose between an English version, a French version or a deluxe box set that contains both versions. October 12th sees a brand new album from John Grant, ‘Love Is Magic’ is released on standard black vinyl 2LP and a limited deluxe clear vinyl 2LP that only us indie stores will have. Nick Cave & The Bad Seeds release a live EP on the 28th September called ‘Distant Sky’.

Lots more new albums coming soon too on the way from Seasick Steve, The Proclaimers, Mikey Collins, Slaves,The Lemon Twigs, Black Honey, Nothing, Paul Haig, The Joy Formidable, Mudhoney,Marissa Nadler, Black Peaks, Birdpen and a limited remix 12″ from Parquet Courts.

Terry returned this week with the first track from their new album ‘I’m Terry’.
The Whip kicks the jangles aside, clips a driving punk guitar line to a curdled coif of organ squeal and gives this track an off the rails quality that’s biting harder than usual for the laid-back bunch. While I love the band’s cowpunk preening and clang-hearted dirges its good to see them go for the pop pounce – albeit with enough squirm to make it pure Terry.
‘The Whip’ is taken from TERRY’s brand new, third album ‘I’m Terry’, coming out August 31st through Upset The Rhythm Records.

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Primo are Xanthe Waite, Violetta DelConte Race and Suzanne Walker. As a trio from Melbourne writing up-tempo, terse chorus and verse, Primo make use of two guitars, drums, sound effects and a group vocal sensibility to ornament their enquiries into deconstructed punk and indie rock. Their songs chime and charm, sounding at times bountiful, at others brittle, always buoyant with attention to detail.

‘Amici’ is Primo’s debut album, following on from their split 7” last year and a cassette of early work entitled ‘Primo Cassetto’ from 2016 on Hidiotic. ‘Amici’ was recorded and mixed by friend Al Montfort through 2017. The collected songs reference the 40-hour working week, the city, bureaucracy, walking, a mirage and a ghost. In form the songs are short and purposeful, “leaving footsteps in the snow” much like the protagonist of their wistful invocation to ‘Daphne’.

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A sense of haste and motion is imbued through Primo’s songs, linking up with the album’s lyrical themes of acute observation, mindful conservancy and the dislocated meaning behind modern life. “Got the paper, got the pen, got the deadline, in the line, out of traffic, got the stapler” they sing united on ‘Future’. ‘Bronte Blues’ is a similar rapid tumble of melody and problem solving, detonated by the line “you’re a magnetic strip, living on borrowed chips”. The vocal clarity of these tracks place Primo promptly in our own heads, the band’s intriguing lyrics springing forth like our very own flights of fancy. There’s an honesty and emotional distance at play in these songs too, with their instructions, lists and procedures leaking into our semblance of self. “Tell me more, tell me more” voice the band throughout ‘Disco Eyeballs’. The quest to lucidly understand underpins the whole record.

Primo take you from A-to-B with their songs, from the appetite of another place to the bird’s eye view. ‘Family Dinner Club’ deals with anonymity and suburbia, whilst ‘Ticking Off A List’ admits “there’s a fogginess to some beauty, you look outside, I can’t know what you see” before urging us to take to the footpath. ‘You’ve Got A Million’ races all over town, whilst ‘Closed Tomorrow’ talks of a “a car going by, one day out of life, going home or to another man-made space”. These songs are alive and inquisitive, chasing down questions for answers long sped-away, amidst minimalist shuffle beats and ringing-out chords. ‘Amici’ is a triumph of the underplayed, its small details pull focus, allowing the album to treat us to unexpected truths in plain sight.

Primo’s newest member since 2018 is Amy Hill, who also plays in Terry and Constant Mongrel, on bass. Outside of Primo, Xanthe and Violetta have both lent their guitar skills to Terry and The Shifters respectively, whilst Suzanne works in film too. The band’s debut album ‘Amici’ will be released as LP and CD on Upset The Rhythm on July 13th and followed up in August with a European tour.

Website: https://primocassetto.bandcamp.com/releases

‘Mirage’ is taken from Primo’s debut album ‘Amici’, out July 13th through Upset The Rhythm.

Valley Queen have been described as Neil Young meets Florence Welch. That’s fairly apt description as lead singer Natalie Carol has a powerful and beguiling voice. But as I’ve always said, having a great voice is one thing; lots of people have great voices. But give me a great writing and a ripping band as well, and then you’ll have my attention.

And that’s what we have here now. “Supergiant” came together as the band fractured at a point with two members being replaced. As the band grew, Carol attempted to persuade bassist Shawn Morones and drummer Gerry Doot to join her and Neil Wogensen to record the album. She wanted that chemistry back and while Morones came back, Mike DeLuccia grabbed the seat behind the kit.

Mission was accomplished. This album is where the whole is greater that the sum of its parts. Everybody knows their role and the band weaves Carol’s Americana-inspired vocals with some crunching, fuzzy indie influences. The band is constantly setting Carol up and her voice is almost chameleon-like throughout; always hitting the right note. She’s got a bit of Neko in her in that regard. The title track, Chasing The Muse and and the closing track Highway Pearls are among the highlights.

I was a fan of their EP but they have really upped their game here.

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Band Members
Natalie Carol – Lead Vocals/Rhythm Guitar
Neil Wogensen – Bass/Vocals
Shawn Morones – Guitar/Vocals
Mike DeLuccia – Drums

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Mikaela Davis is a young harpist, pianist, singer and songwriter who crafts sweet and salty songs that straddle the lines of folk and funk, AM rock and 80s pop experimentation. Mikaela had dreams of joining a symphony and studied classical harp at music conservatory, but after she began writing her own songs and touring them on school breaks her path changed course. Mikaela makes her full-length debut with Delivery on Rounder Records, which was produced by John Congleton (St. Vincent, Future Islands, Angel Olsen, Alvvays). Delivery is a thrilling adventure over 10 tracks: a sonic exploration that challenges what the harp can do, and one that details the sometimes arduous path to self-acceptance and feeling comfortable in your own skin. For fans of Carole King, kate bush and St Vincent.

Glorietta is a musical project that brings Matthew Logan Vasquez of Delta Spirit together with some of his closest friends: Noah Gundersen, Kelsey Wilson, David Ramirez, Jason Robert Blum and Adrian Quesada. The group is releasing their debut, self-titled record Glorietta on August. 24th. Even Nathaniel Rateliff, who had an album with The Night Sweats come out earlier this year, joined in and learnt vocals to the track “I Know.”  The release of second single “Golden Lonesome,” which followed the premiere of “Heatstroke” last week.

The track comes from a moment of crisis for Gundersen who, before flying out to the sessions in Glorietta, N.M., was feeling the effects of a recently ended relationship. “I was having a bit of a meltdown,” Gundersen recalled. “I almost considered cancelling my flight. But instead I wrote this song and then called a Lift to the airport.”

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The lyrics of “Golden Lonesome” distinctly come from this place of pain and change: “Better to kill it quickly than to slowly watch it die,” reasons one of the lines. With the vocals at its forefront, the song generates a warm intimacy between performer and listener as a slight echo adds depth while maintaining a live rawness. “Tape ran constantly” during the band’s nine days of recording, capturing an overflowing confessional in “Golden Lonesome.”

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The Philadelphia five-piece likes amps and layers of guitars, loud clouds of thick noise that saturate every inch of available space. Their new lead single “The Red Door” off their upcoming fourth album LP5000 tumbles towards you, bursting with their usual rolling energy. It’s a satisfying anthem with a deeper, more cynical backbone.

The pains of gentrification weigh heavy, glaring through the desperately repeated lyric, “What remains? Every corner, a new name.” A red door becomes an omen of gentrification’s sweeping damage, both physical and emotional. Lead singer Jon Loudon recently spoke of his own neighborhood’s transformation saying, ”Philadelphia (and perhaps your town, too?) is rapidly changing. I wonder about where people go when they can’t afford to live in these new neighborhoods anymore. The red doors on all the new buildings feels like some kind of warning sign.”

Band Members
Dave Klyman – Guitar/Backing Vocals
Jon Loudon – Guitar/Vocals
Ben Pierce – Keys/Guitar/Backing Vocals
Dan Zimmerman – Bass/Backing Vocals
Jeff Meyers- Drums/Percussion

Restorations “LP5000” out 9/28/18 on Tiny Engines Records

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There’s something special about the band Wild Pink and their new album. The Brooklyn indie rock trio’s 2017 debut paired insightful, wide-eyed lyrics with heavy chords and twinkly emo tunings, spilling out about frustrations familiar to any twenty-something urbanite struggling to find a place in this mixed-up world. Buried beneath lines about smartphones and the Redskins/Cowboys NFL rivalry, the album offered a glimmer of sprawling Americana, and considering what we heard with “Lake Erie,” the band appears to continue that pursuit on the upcoming Tiny Engines album.

The track “Jewels Drossed In The Runoff” evokes the rushing swell of the crusty industrial oceanside. With anthemic guitars and chilling, crystalline synth pads, the track channels some of the biggest moments of mid-’80s heartland rock, with chords and lyrics that feel like a dead match for Tom Petty. Frontman John Ross sings about a committed lover with an earnest falsetto that can’t seem to get past doubting himself. “I grew up removed / And you have a heart like a star, you give away your best,” he sings in the track’s final moments. It’s a planetarium of spirit delivered in the most honest form imaginable.

Band Members
John Ross,
TC Brownell,
Dan Keegan,

Wild Pink “Yolk In The Fur” out 7/20/2018 on Tiny Engines Records