Posts Tagged ‘Los Angeles’

The kind of music Massage makes sunny, bittersweet, tender is less a proper genre than a minor zip code nested within guitar pop. Take a little “There She Goes” by the La’s, some “If You Need Someone” by the Field Mice; the honey-drizzled guitars from The Cure’s “Friday I’m In Love”, a Jesus & Mary Chain backbeat, and you’re almost all the way there. Indie pop, jangle pop, power pop—whatever you call it, pushing too hard scares the spirit right out of this sweet, diffident music, and Massage have a touch so light the songs seem to form spontaneously, like wry smiles.

Still Life was more deliberate. Romano, Naidus, and Ferrer split their song writing duties, sending each other demos by email, an arrangement that grew permanent when quarantine hit. The songs brought out competition, even if Romano teases Naidus for denying it. “I own it. I love it,” he says. “When Alex sent me ‘Made of Moods,’ I was blown away. I thought it was the best thing he’d ever written. I got jealous, so I immediately wrote ‘In Gray & Blue.’”

The band recorded Still Life with Lewis Pesacov (Fool’s Gold, Foreign Born, Peel’d), testing and teasing out new sounds at his intimate backyard studio in Echo Park. Calling it “warm and tender guitar pop,” some of “the shoegazey sparkle and endearing moody charm of institutional indie pop spirits like Jesus and Mary Chain, Echo & the Bunnymen and early R.E.M.” We hope you like what you hear, too.

Alex Naidus: Vocals, guitar
Andrew Romano: Vocals, guitar
Gabrielle Ferrer: Vocals, keyboards
David Rager: Bass
Natalie de Almeida: Drums

This is a co-release between Mt. St. Mtn., Tear Jerk and Bobo Integral Records.

Releases July 2nd, 2021

Los Angeles’s La Luz have released a new Numero Group 7″ single where they cover “Tale of My Lost Love” which was originally written and performed in 1966 by Female Species. The flip side features the original song and it’s out to promote the new Female Species compilation the label just released.

Our Los Angeles friends La Luz just cut this cover of “Tale Of My Lost Love,” originally written and performed in 1966 by Female Species. The surf and undertow-inspired La Luz are one of the best in the business right now—check their three albums on Hardly Art if you don’t know. Their compelling version of “Tale” is the first fresh take on a Female Species original in many a moon. We suspect it will not be the last.

Behold the Female Species! A once-in-a-decade discovery of two sisters, married to music for life, always charging forward, indefatigable, indomitable, at last seen and heard. From their origins as the archetypal mid-’60s southern California girl group to their destiny as top-flight songwriters in the ’80s and ’90s Nashville country-industrial complex, Vicki and Ronni Gossett have never been much further than 20 feet from stardom. Fifty-five years into their remarkable story,Tale Of My Lost Love was the Gossetts‘ debut album – an ode to what could have been, and still might be.

Tale Of My Lost Love (Cover) · La Luz released through Numero Group on: 2021-04-16

May be an image of 2 people, hair and people standing

Bedroom pop rarely comes in as sardonic and incisive a flavor as Wallice’s “Hey Michael,” the kind of expertly delivered kiss-off of a song that takes the knowing tropes of a revenge anthem and reworks them to remind the listener that sometimes the person taking revenge isn’t exactly innocent. Over a burbling, slightly distorted beat, in which guitars and indie-rock riffs do battle with distant synths, the musician castigates the object of her scorn (“You don’t gotta say you like Pulp Fiction, I already know”), before revealing a less-than-ideal side to her narrator (“I think I wanna start a fight, which one is your girlfriend?”). It’s smart and slick in equal measure, and the unabashed nods to a more rock ’n’ roll spirit help the song rise among so many of its more laconic competitors.

Her debut EP is still forthcoming, but already the artist is an exciting new voice with a gift for more electric, intense pop, and a voice that exudes the quiet cool of a Soccer Mommy at the punk show.

Deep Vally has announced a forthcoming album to be titled, “American Cockroach”, due out June 18th via Cooking Vinyl. The four-track EP announced by the Los Angeles-based rock duo on Friday will follow their recent Digital Dream EP which arrived back in February, and is set to feature guest appearances from Jennie Vee (Eagles Of Death Metal) and Ayse Hassan (Savages).

The ballad hears Deap Vally ditch their trademark distortion and high-adrenaline sound in exchange for stripped-down instrumentation and heart-wrenching melodies courtesy of a vulnerable vocal performance from guitarist/singer Lindsey Troy.

The band said of their forthcoming album in a press statement, ‘American Cockroach’ is a collection of songs we’ve been working on for a while, including collaborations with Jennie Vee and Ayse Hassan, that run the gamut from deeply personal, to outright satire and everything in between. These are songs for the underdog, the outlaw, the defeated, for days when you feel like no one understands you or you can’t do anything right.

Troy also said of their new single, “[This] is a deeply personal song. It will always mark a very specific time in my life. Sonically, it’s adventurous territory for us, unlike anything else we’ve ever put out before. Produced by long time friend and engineer Josiah Mazzaschi, who recorded our very first demo back in 2012, the use of unusual instrumentation like the Optigan elevates the sense of melancholy and anguish this song is so heavy with, and we love it very much.”

Listen to “Give Me A Sign” .

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Releases June 18th, 2021

 

May be art

Los Angeles-based quartet Milly have shared their second EP via Dangerbird Records, following their 2019 debut “Our First Four Songs”, whichwas hailed as one of that year’s best EPs. “Wish Goes On’s” five tracks include October 2020’s Star Thistle Blossom and February 2021’s “Denial.” Milly make gauzy slowcore that vacillates between guitar-rock crunch and emotive dream pop, and on Wish Goes On, they do with it a noticeable new cohesion, as principal songwriter and guitarist Brendan Dyer is now joined by Spencer Light on guitar, Yarden Erez on bass and Zach Capitti Fenton on drums. Their new songs reckon with change, assuming perspectives both collective (“Star Spangled Banner”) and individual (“Denial”), and changing themselves, shifting instrumental gears with newfound fluidity. Ultimately, Wish Goes On is about finding a flicker of hope to light the way, like when Dyer sings on the EP’s closer, “When her birds fly free / This life goes on / Could it be all you want?” 

Milly is a rock band from Los Angeles fronted by songwriter and multi-instrumentalist Brendan Dyer. Their sound melds together elements of classic shoegaze, slowcore, and lo-fi indie rock, coalescing into an intense, singular musical impression. Milly began as Dyer’s home recording project in his hometown of Bristol, Connecticut before finally taking its current formation as a live band in Los Angeles.

TRACKLISTING:

1. Star Spangled Banner
2. Denial
3. Star Thistle Blossom
4. Teach Old Dogs New Tricks
5. Birds Fly Free

Psych-punk psychic warrior, ear worm-farmer, and possessor of many stamped passport pages John Dwyer does not let up. His group Oh Sees (aka Thee Oh Sees, OCS, The Oh Sees, etc) have transmogrified to fit many a moment – from hushed druggy folk to groovy demonic pop chants to science fictional krautrock expanse and beyond – to suit his omnivorous whims.

Back in September, OSEES performed a blistering set out in the desert at Pappy & Harriet’s, which aired on the Levitation Sessions streaming series.  

The live album is now being pressed on 3 limited vinyl pressings via The Reverberation Appreciation Society record label. OSEES and the label are donating 100% of proceeds to independent music venues. Music venues have been hit particularly hard by the Covid-19 pandemic, with many in danger of closing their doors permanently. Unfortunately some have already.

 The NIVA Edition proceeds will be donated to the National Independent Venue Association’s Emergency Relief Fund. The fund has been launched to raise money for the most vulnerable venues, and keep them afloat during these unprecedented times for live music.

Special editions for two independent clubs have also been created: Zebulon Edition – benefitting Zebulon in Los Angeles, California, Hotel Vegas Edition – benefitting Hotel Vegas in Austin, Texas 

Both venues hold a special place in OSEES history, and have irreplaceable roles as incubators of their local indie music scene.  

“During this particularly hard year, it was a pleasure to work with our good friends over at Levitation and Pappy and Harriet’s to reach out to some of our fans, if only for a fleeting hour.  This is the proper plastic that came from that evening. We are trying to keep some of our favourite haunts, dives, glorious old venues and bars open through this triail, as it’s obvious the lizards that make up the current administration have no real interest in extending any realistic help to struggling businesses.  

Venues have been hit particularly hard by this and without them, there is no us….so this is a small token of appreciation and a grassroots effort to lend a helping hand in their time of need.  Take care, be well and keep your eyes on the horizon.”

 John Dwyer

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The live album from OSEES episode of Levitation Sessions.

“Lots of old favorites and 7 never before performed live hits from the crypt recorded dusk till dawn in Pioneertown, California
its raw and shreddy with a bit of elastic improvisation thrown in come hang out with us for a few crack a beer meant to be played loud” – JPD
Released October 9th, 2020
 
OSEES - LEVITATION Sessions Vinyl (PRE-ORDER)

Former Pains of Being Pure at Heart bassist Alex Nadius leads Los Angeles band Massage whose debut album, Still Life, was produced by Jed Smith (My Teenage Stride) and will be out June 25th. Opening cut “Half a Feeling” has a definite Jesus & Mary Chain vibe to it.

The kind of music Massage makes — sunny, bittersweet, tender — is less a proper genre than a minor zip code nested within guitar pop. Take a little “There She Goes” by the La’s, some “If You Need Someone” by the Field Mice; the honey-drizzled guitars from The Cure’s “Friday I’m In Love”, a Jesus & Mary Chain backbeat, and you’re almost all the way there. Indie pop, jangle pop, power pop—whatever you call it, pushing too hard scares the spirit right out of this sweet, diffident music, and Massage have a touch so light the songs seem to form spontaneously, like wry smiles.

Still, on their sophomore effort, Still Life, they manage to take a quantum leap forward in song writing, production, and depth, all somehow without seeming to try. These 12 deft songs are full of late-summer sunlight and deep shadows, pained grins and shared jokes, shy declarations of love and quietly nursed heartbreak. Still Life resurrects a brief, romantic moment in the late-’80s, right after post-punk and immediately before alt-rock, when it seemed like any scrappy indie band might stumble across a hit.

The result is the finest batch of songs they’ve ever produced. From Naidus’ velvet-lined JAMC tribute “Half A Feeling” to Ferrer’s Let It Be-era Replacements-tinged lament “The Double” to Romano’s “In Gray & Blue,” these are gold-standard indie-pop gems from emerging masters of the form. The lyrics are downcast, empathetic, and quiet, little sketched portraits of evanescent feelings. “I got half a feeling/you’re not the one who’s really alive,” Naidus sings on first single “Half A Feeling,” while overdriven guitar churns up dirt clouds and the do, do-do, POW drumbeat sends the song racing towards sunset. “At the end of the world/Where were you?” he wonders on “At the End or the World,” a simple, affecting plea for pure companionship and love as structures large and small crumble outside.

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Massage is:

Alex Naidus: Vocals, guitar
Andrew Romano: Vocals, guitar
Gabrielle Ferrer: Vocals, keyboards
David Rager: Bass
Natalie de Almeida: Drums

Releases June 25th, 2021

OSEES on Levitation Sessions! Full set recorded out in the desert with the hits from the crypt! +7 tracks never performed live before + some old favourites and tracks off their new album:. The incredible live performance premiered on Saturday, September 26th, 2020. You can buy their music from the levitation sessions on: https://ohsees.bandcamp.com/album/lev…

Osees taped a full band show for Levitation fest’s virtual series that was streamed back in September. It was also released digitally as a live album, and now the Levitation Sessions are getting a vinyl release on March 5th with proceeds going to support independent venues.

There are three different coloured vinyl editions, and each one benefits something different: one pressing benefits NIVA, the National Independent Venue Association; another benefits Austin’s Hotel Vegas; and the third benefits Los Angeles’ Zebulon. Each one comes with a bonus 7″ featuring the last song of the set, “Block of Ice.” All three editions of Levitation Sessions 

OSEES have shared “Stinking Cloud” from their upcoming Levitation Sessions II streaming show and live album. It’s a deep cut from 2011’s ’60s-psych-pop influenced Castlemania and not the typical ripper you associate with the band but it sounds pretty great. It’s so deep that it’s the first time it’s ever been played in a live band setting. The ‘Levitation Sessions II’, which was shot in “a cavernous Los Angeles factory,” promises more where “Stinking Cloud” came from with a “handful of never-before-played-live tunes & some new surprises,.

Meanwhile John Dwyer is dipping a toe into the world of NFTs — and no, it doesn’t seem to be an April Fools joke. He has put two NFTs up for auction that are related to the Levitation Sessions II streaming show and album. 

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THE TEXT This piece uses a lenticular process to bring John Dwyer’s original mixed media painting to life. Sound tracked by a radioactive live version of “Opposition”. The tendrils of flowers and foliage grow and wilt while we gaze at our screens through empty eye sockets, taking in the vast glory of the information superhighway.

John Dwyer’s painting comes to life in a hypnotic infinite zoom loop. Sound tracked by a live cut of “Stinking Cloud”, taken from the band’s upcoming Levitation Sessions II live album.  “Vol 4” is being released an 1/1 NFT, while “THE TEXT” is in an edition of 13. Both NFTs also come with a stream ticket, signed screen print and the 2xLP shipped worldwide. 

Osees pine for our fans and friends out there in the world, so we have come together for another stream with the mighty Levitation.

I personally got stoned and stuck my face into the muck of our past catalog to bob for some dusty tumescent gems. There will be some oldies, and some mouldies and some surprises along the way. I’m quite happy with how this one turned out. Shot in an insane old factory warehouse in Los Angeles (it looks like a fight scene set from Point Blank or the John Wick trilogy 🙂

If you had told me a year ago we’d be doing these streams now i would have thought you were crazy, but, egg on my face, and here we are. I’m so glad to have this little thing to share a moment with y’all until we can meet face to face on the field of battle again.

Mastered this time in advance of the stream by the Guru JJ Golden, it will hopefully turn some frowns inside out and upside down….grossssss” – JPD Releases
 
April 23rd, 2021 The live album from OSEES Volume II of Levitation Sessions.

We are so excited to announce the official Record Store Day release of Frankie and the Witch Fingers’ fourth album “Brain Telephone !” For the first time via Greenway Records, the record is newly re-mastered and re-packaged with brand new art, the jacket features a UV-Gloss treatment like we’ve never seen before.  Totally re-imagined for Record Store Day 2021 and available on June 12th!, I have been waiting for this album to pop up and I was not disappointed. The groovy baselines mixed with funky smooth guitar riffs, sick organ/piano solo’s and harmonica will have you dancing wherever you hear this album. The fuzzy lyrics add to the 60’s vibe this album gives off and I highly recommend it!!

This heavy dose of ebb-and-flow rock ‘n roll now looks and sounds better than ever before! Run to your local record store and make sure they order a copy! Record Store Day exclusive “Brain Matter” Splatter will be available in the US, Canada, UK, EU and Australia while supplies last.

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originally released February 2nd, 2018.

“Wish Goes On” soundtracks the (re)birth of a band called Milly. It is something new emerging from something old; something old from something older, made new again. In 2019, Milly hit the road with labelmates and fellow fans of fuzz, Swervedriver. At the time, their line up was rotating consistently as Brendan Dyer, Milly’s principle songwriter, searched for permanence in the form of a live band. It was on this tour that something clicked for Dyer, who recalls the feeling as nothing short of cosmic. He remembers thinking one day, simply, “This is the band,” and so it was. Spencer Light on guitar, Yarden Erez on bass, and Zach CapittiFenton on drums, with Dyer playing guitar and singing the songs.

The dynamic that burst into existence on this tour only deepened in the following months. “So much of it for me are those in-between moments,” Dyer says about the band’s blossoming friendships, “driving in the car listening to music, or being on break from rehearsal getting something to eat from Lassens.” Dyer would bring sketches of songs to the group, most of which he’d already been developing for years. “This release marks the transition from Milly as a solo project to Milly as something more unified,” Dyer explains. CapittiFenton, Erez, and Light were invited to dissect and rework his demos  a process that continued right up until the time they found themselves in rural Colorado actively recording Wish Goes On with Gleemer’s Corey Coffman. Coffman, who engineered and produced, also became involved in the song writing process at this point, offering ideas the band would take home and play with before returning to the studio the next day.

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The result is five songs which complement one another artfully. By the time Dyer sings, “But it’s different now, feels like the same old town but I know it’s not” on the EP’s second track, “Denial,” it is not only a hometown that has disappeared in change, but also the sordid illusion of US supremacy as it is incessantly propagandized, especially to children — a notion which opener “Star Spangled Banner” openly unsettles. Dyer wrote “Denial” and the three songs that follow at around the same time in his life, with “Star Spangled Banner” coming significantly later, sometime after Milly’s formative tour in 2019. There is something to be said about these conversations across time, the album receding in a sense into the past even as one advances through it. Maybe it has something to do with the idea that longing, wishful thinking, and hope are always reaching both backwards and forwards. Maybe when Dyer sings that he “can’t get past denial,” he’s referring in a sense to the denial of anything but the present moment. Maybe, in the way of Alan Watts, Wish Goes On furthers the idea that “The only way to make sense out of change is to plug into it, move with it, and join the dance.” Dyer describes something to this effect when he says he’s been “trying to keep my head down and follow my path, knowing things will work out.” In the same conversation, he openly acknowledges that “even if that’s not true, it still feels helpful,” which is to say, of course, “Wish Goes On.”
 

Released April 9th, 2021

Written and performed by Milly