Posts Tagged ‘Los Angeles’

Neil Young 2017

Julien’s Auctions has announced that PROPERTY FROM THE COLLECTION OF NEIL YOUNG will close the world-record breaking auction house’s 2017 season on December 9th, 2017. Property from the two time inducted Rock and Roll Hall of Fame legend will be presented in a single owner sale, and include his extraordinary personal collection of model trains, classic cars, guitars, recording gear, clothing, memorabilia and more. Over 200 items from Young’s vast Lionel train collection will be presented, featuring dozens of rare and unique items such as prototypes for Lionel production locomotives and rolling stock, many of them from the fabled Lionel archives. Highlights include the Lionel 773 New York Central Hudson Factory Prototype locomotive ($10,000-$20,000), the Lionel Western Pacific “1954” Blue Feather Boxcar Factory Prototype (estimate: $5,000-$10,000); the Lionel Santa Fe “Clear Shell” F-3 locomotive (estimate: $3,000-$5,000) and the HORDE Tour Psychedelic Vanderbilt Hudson locomotive (estimate: $12,000-$15,000) that ran in a layout Young brought to the Horizons of Rock Developing Everywhere Tour.

Neil Young’s classic cars, that served as muses many of his songs are featured including a 1948 Buick Roadmaster Hearse built by Flxible (estimate: $8,000-$10,000) identical to the one used by Young and his band, The Squires, to haul their equipment to gigs in the early 1960’s, decorated with backstage passes and bumper stickers and served as the theme of Young’s song, “Long May You Run;” a 1953 Buick Roadmaster code 76X Skylark Convertible Buick’s 50th anniversary special edition, (total production 1,690) with a steering wheel hub that denotes “customized for Neil Young” (estimate: $100,000-$130,000) and a 1941 Chrysler Series 28 Windsor Highlander 2-Door 3-Person Coupe (estimate: $15,000-$20,000), considered the most prestigious model Chrysler had to offer.

Studio gear, recording equipment and instruments featured include two Studer A800 Mark III Master recorders known as ‘The Twins’ and used together in Young’s studio (estimate: $10,000-$12,000); four Marshall Full Stack Amplifiers (estimates ranging from $2,000-$3,500); a 1935 Martin F-7 acoustic guitar (estimate: $4,000-$4,500); a 1965 Gibson ES-345 left handed electric guitar, with a Varitone, original tailpiece, original pickguard, a strap and a handwritten chord chart (estimate: $3,500-$5,000); a 1999 Gretsch White Falcon SS (estimate: $2,000-$2,500) sixteen Universal Audio 610 preamp console modules (estimate: $9,000-$12,000) and a hurdy gurdy used on Young’s song “Red Sun” from his album Silver and Gold (estimate: $200-$400). Young’s clothing worn on stage and at events will also make an appearance including an Abercrombie & Fitch red and blue plaid flannel shirt worn in a performance with Paul McCartney at a benefit concert for the Bridge School (estimate: $300-$500); a tan and cream striped seersucker J. Crew jacket, worn in a performance at Hard Rock live in Hollywood, Florida (estimate: $400-$600) as well as bolo ties and designer jackets.


Acetone was an American rock band formed in 1992 in Los Angeles, California, The three core members first came together in 1987 as Spinout when Lee on bass and Mark Lightcap (guitar) were attending the Cal Arts Institute in Valencia, Calif. Lee and Lightcap, a compositional music student and tuba player, recruited local high school student Steve Hadley to play drums. The group disbanded after Lee committed suicide on July 23rd, 2001.

The band played together behind a succession of singers under the name Spinout before finally settling as a trio. Acetone released several well-received albums beginning with their debut record Cindy, the album generated comparisons to the Velvet Underground. While Acetone toured in support of label mates the Verve, the band’s debut was lost amidst a glut of alternative rock releases. In addition to pursuing music, Lee earned a degree in Fine Arts from Cal Arts. Both a painter and a photographer, Lee frequently contributed artwork and photography on the band’s releases.

In 1994 Acetone released I Guess I Would, an EP of country covers that included an eleven minute version of Kris Kristofferson’s “Border Lord,” as well as covers of Jerry Cole and John Prine tunes. If You Only Knew, their next full-length release and a critical favorite followed in 1996, but failed to make any waves in the already waning alternative music scene, and the band was dropped from Vernon Yard in 1997. They signed to Neil Young’s label Vapor Records and released their self-titled third album that year and last October released York Blvd..

Between 1993 and 2001 the trio released two LPs and an EP on Vernon Yard Label-a Virgin subsidiary-and two LPs on Vapour, the L.A.-based label . In that span, they were selected to tour with Oasis, Mazy Star, The Verve, and Spiritualized. Against a rising tide of post-Nirvana grunge and slipshod indie rock, Acetone tapped into a timeless Southern California groove by fusing elements of psychedelia, surf, and country. They rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music.

This fall, the independent literary press All Night Menu will publish Sam Sweet’s Hadley Lee Lightcap, a nonfiction novel that traces the backstories of the three members in Acetone, a band that played in Los Angeles for nine years. Though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. Light In the Attic has partnered with All Night Menu to present Acetone 1992-2001, the first anthology of the trio’s music. The book and the album will be released concurrently on September 22nd.

Counting their early years in the scuzz-rock band Spinout, whose sole self-titled release came out in 1991 on Delicious Vinyl, guitarist Mark Lightcap, bassist Richie Lee, and drummer Steve Hadley played together for a total of 15 years. They disbanded in July 2001, when Lee committed suicide in the garage next to the house where the trio practiced. Afterwards, Rolling Stone ran a short obituary saying Acetone’s albums were “well received” but “failed to make any waves.” It was the first and only time they were featured in the national music press.

They rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music.

“I think our music is all about moods and feeling but hopefully it will get as weird as it possibly can,” said Richie Lee in 1997. “We want things to get weird in the way that you could hear an Acetone song and know that no one else in the world could make that kind of music but us.”

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Young Jesus, are a indie rock band born in Chicago and now residing in Los Angeles, they have just signed with Saddle Creek Records with an album release due February 2018. Their lead single is nearly 10 minute track that wanders all over the place. Herre’s a little something about the band.

Young Jesus, looks to communicate the tensions between proximity and distance, chaos and order. On their upcoming debut record S/T, released by Saddle Creek, the band focuses on seemingly small moments in everyday life: phone calls with Mom, landscapes along the highway, crows in a tree. Yet with time these strange intimacies add up to a life. A life full of anxiety, confusion, sadness, joy, boredom, and ultimately wonder.

Band Members
John Rossiter (Guitar/Vox)
Kern Haug (Drums)
Marcel Borbon (Bass)
Eric Shevrin (Keys/Vox)

Attention all Starcrawlers and Rough Trade followers! LA rockers Starcrawler – described by Gigwise as “simply the most exciting and best band Rough Trade have signed in years” – have announced details of their upcoming self-titled debut album. Recorded by Ryan Adams – who rightly states the album “is gonna peel the paint off your brain!” –  on analog tape at his Pax-Am studio, it will be released on 19th January 2018.

‘Starcrawler’ is available to pre-order digitally and on CD and LP , where bone white vinyl and a 200 copy limited edition alternative sleeve are available from the Rough Trade webstore. A limited edition calendar (ex-US) is also available to make sure you crawl into 2018 properly.

The band have also revealed the official video for “I Love LA” from the album, Directed by frontwoman Arrow’s mum – aka famed music photographer Autumn de Wilde –  it features levitation, a whole lotta donuts and moves that prove why Starcrawler being hailed as the most thrilling live band to emerge from Los Angeles in years.

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Ty Segall’s been nothing short of prolific this year, dropping LPs, EPs, and singles with an almost feverish consistency. He’s back again, this time with the track  “My Lady’s On Fire”, a song that breaks from the thunderous, crackling fire of his usual output. As with recent singles like “Meaning” and “Alta”, the song patiently ambles out of the gate before finding its melody; what’s different, however, is that Segall’s electric guitar plays a supporting role here, content to mirror the vocal melody against steady acoustic strums and strains of fiery, upbeat saxophone and twinkling electric piano. Ty Segall’s new song, “My Lady’s On Fire” has been heard on the tour trail over the course of 2017, quickly becoming an audience favorite with its classic pop ballad style that offers provocation to the unrightous creators of chaos. Insane or not insane, you heard it here first.

It’s one of Ty Segall’s most laid back tracks, and apparently one he’s been honing on tour throughout the year. A press release describes it as a “provocation to the unrighteous creators of chaos.”

Miya Folick

Miya Folick’s new EP, ‘Give It To Me’ is an electrifying and bold instalment into the Los Angeles-born’s catalogue. From the head-banging opening track, ‘Trouble Adjusting’ to the gentle cover of Joni Mitchell’s ‘Woodstock’Folick’s crafted a collection of songs that are both soaring and gut-wrenchingly honest.

Miya comments on the EP  I’ve been writing these songs for probably a year and a half, but it wasn’t really deliberately for an EP. I just wanted new material to play live and we’ve been performing a lot of that material for a while and they just don’t stylistically work for the album I’m working on. They were songs I didn’t want to disappear. I like that it works out that way – it feels like a nice collection of memories for us now.

The song ‘Give It To Me’ is the bold centre-piece , It’s one of those songs that just have some kind of magic. The song is not specific enough so that it relatable in a lot of different situations – I don’t really like to talk about what it specifically means because it doesn’t really matter. Plus it always changes for me. I don’t remember what I was talking about when I wrote it – I have no idea. Every time it means something new.


Los Angeles trio DWNTWN released their debut album Racing Time in July via Jullian Records and today we are sharing with you the album’s first single, “Bloodshot Eyes.” “...catchy melancholy pop with twinkling electronics that could be sung by thousands during a festival twilight in the near future.”

It’s a track that takes a page out of the nostlagic rock of the 80s, finding a Cure-like groove that sense of wonder that adds some glossy vocals and guitar riffs to make it a very pleasant and memorable listen that speaks well for the rest of the record.

Take a listen to “Bloodshot Eyes” below and if you like what you hear, check out the album.


Los Angeles Police Department -

Ryan Pollie is gearing up to release his second album as Los Angeles Police Department, also called Los Angeles Police Department (just like the first), and so far we’ve heard “Grown” and “The Plane 2” from it. Today, he’s shared another new song called “If I Lied,” and it’s a plaintively-strummed and twangy song that sees Pollie playing with different perspectives (he says it’s “the story of a train hopper in denial of how he’s mistreated the love of his life – unsure if he’s losing her or if he’s lost her already”), and it’s a sorta pathetic but desperately sweet plea to engage in a conversation: “There are still so many things to say that day/ And if I walk, then you might run away, no way,” Pollie sings with a backing drum that sounds like the rumble of the train tracks.



There are many echoes of rock’s greatest women in Miya Folick’s new Give It To Me EP. “Trouble Adjusting” is basically a Hole song. “Woodstock” is literally a Joni Mitchell song. Folick can smolder like Sharon Van Etten and wail with the startling fury of Corin Tucker. Yet once you’ve beheld the LA musician’s latest recordings you won’t mistake them for anyone else. The EP leaves a profound impression even before you read the fascinating tidbits in her bio (raised Buddhist, reluctant former basketball player, met her band on Tinder). An in-your-face intensity animates these songs — a sense of deeper passion and higher stakes. Folick has grown from an enjoyable singer-songwriter with adventurous tendencies into an artist whose every disparate creation seems to be summoning elemental forces. When she screams, “Give it to me!” you feel compelled to comply


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It’s tough to keep up with garage rock’s wunderkind Ty Segall. Between his steady release schedule of LPs, raucous side projects like Fuzz and GØGGS, and collaborations with fellow songwriters Mikal Cronin and Tim Presley, it’s as if a season can’t pass without Segall dropping a new record. And that’s not even taking his cassettes, splits, and EPs into consideration. Fortunately, Segall’s bottomless well of creativity, production savvy, and boundless fascination with the various niches of the rock world makes every new release an occasion to celebrate. Suicide Squeeze Records is proud to offer the latest entry in Ty’s impressive canon with the Sentimental Goblin 7”. Side A features “Pan”, a fuzz-soaked proto-metal jam that links Beatles’ pioneering guitar dirge “I Want You (She’s So Heavy)” to later lurch classics by Sir Lord Baltimore and Pentagram. In true Segall fashion, he switches gears on side B and conjures the erudite pop appeal of T. Rex and Bowie with the lush glam rocker “Black Magick”. Suicide Squeeze Records is proud to release Sentimental Goblin to the world on March 17, 2017. The initial pressing consists of 1000 copies on half blue / half yellow vinyl and includes a download card. The third pressing consists of 1000 copies on half pink / half purple vinyl and includes a download card. In a testament to his restless creativity and tireless work ethic, Ty also provides the artwork for the record.