Archive for the ‘THIS WEEKS ESSENTIAL PURCHASES’ Category

Image result for cartoon record player

So, we’re in the final home straight on the lead-up to Christmas, we’ve had some last-minute releases that might just be perfect for that special someone. plus, there is loads to look forward to for next year, back in the present (pun intended), the album at the top of your want list this week ‘Popcorn Lung: a Polytechnic Youth Collection’, which collects rare and exclusive tracks from some of this label’s brightest artists.

If you’re in the mood for something loud, the ever-active Ty Segall has a scuzzy treat for us that’ll blow the winter lurgy clean out of our systems. teaming up with wife & caustic vocalist, Denee Segall, The C.i.a.’s debut leans towards the heavier, punkier side of Ty’s work & features more than enough guitar freakouts to keep us elated. The always brilliant Decemberists’ aptly-timed December ep release features a delicious set of b-sides from the ‘I’ll be Your Girl’ recording sessions. You also get a cheeky little surprise from Aliment’s latest instalment: Barcelona’s answer to Meat wave & Menace beach – noisy & nice punk in equal measure.

The Wave Pictures’ ‘Look Inside Your Heart’ is on cd & vinyl. have a wonderful Christmas & a Happy Vinyl new year,

John Mellencamp, Other People’s Stuff

Other People’s Stuff is a new collection of covers that shows Mellencamp applying his knack for storytelling to ten staples from the American music canon. The material is culled mostly from his own albums, hard-to-find compilations, and documentary soundtracks. Mellencamp also recorded a brand-new version of “Eyes on the Prize,” a standard that he had performed at The White House for the 2010 Celebration of Music from the Civil Rights Movement at the request of President Obama.

Image of The Felice Brothers - The Felice Brothers (10th Anniversary Reissue)

This reissue marks the 10th anniversary of the release of their seminal Self Titled album. This special re-issue includes two never-before-heard outtakes from the Self Titled recording sessions: Baltimore, and Watersider... included on a 7” with the LP (180G), and as bonus tracks on CD.

Cherished by fans and critics alike, this fifteen track opus by the Catskill Mountain based band of brothers boasts classics like Frankie’s Gun, Wonderful Life, Whisky In My Whisky and Don’t Wake The Scarecrow, and remains one of the most influential works of this century’s indie-folk-rock revival.

Hailing from upstate New York’s Catskills Mountains, the Felice Brothers look like their entire approach was based on staring long and hard at the Band’s second album cover: Beards, white shirts, hats and ill-fitting suits. The comparisons to Big Pink/Basement-era Dylan are also inevitable.

Yet this second album proper from the three siblings and their bass player Christmas (an ex-travelling dice player, apparently) is so chock full of whiskey-soaked, ramshackle bonhomie that it’d be a hard-hearted music critic indeed who didn’t succumb to the charms contained therein. The group have somehow taken Americana and wrung out some more good times. It’s time to visit the bar again…

With most of the numbers croaked out by brother Ian, whose vocal chords draw most of the Zimmerman comparisons, this is a collection of songs that are equal parts travelogue, shaggy dog story, drunken lament and filched traditional fare. They’re all captured in gloriously scratchy lo-fi (complete with ambient chat, phone conversations and other audio verite) as befits a band whose last recordings were supposedly completed in a chicken coup on a two-track.

Like Dylan, their self-mythologising puts them not in the modern age, but somewhere in the early part of the last century. Jaunty, piano-led ballads like Greatest Show On Earth or Take This Bread are lifted by parping brass and rollicking choruses, like a night out in a riverfront bar, filled with unfaithful women and gun-toting men (guns are mentioned in just about every song) bent on drunken revenge. Elsewhere the waltz time of Ruby Mae approaches a Tom Waits-like pathos. Whiskey In My Whiskey sounds like a murder ballad that’s centuries old.

Yet all these tales are shot through with a red-eyed humour that sounds as authentic as their beards. This is how they manage to convince the listener. Frankie’s Gun! With it’s truck driving narrative and wheezing accordion is particularly hilarious. Rather than some studious authenticity, they sound like they’re just having a good time. And that’s just about the only recommendation you need to seek out this fine album…

759718532821 main

The CIA – The CIA

“This record is an encapsulation. The omnipresent fear and anger. Why? Why? Why? Why? Why? Why? Why? Why? Why? And what is really going on? Consternation…today… There is difficulty, frustration, strain and a large snake. You can feel the pressure of it breathing on the streets, in media, and in your lunch. This s/t, by The C.I.A., is an urgent musical notice. I feel it immediately. The pointed vocal cadence and lyrics of Denée Segal is a sharp scythe, and the actual time is…now. “I feel the same distress call and disposition from Crass records like Penis Envy or DIRT. In fact, if you took that, mixed in “Black Silk Stocking” by Chrisma and a touch of early Nic Endo (Atari Teenage Riot) and even Dinah Cancer (45 Grave) Autopsy era, you can get a feeling. And, similarly to those mentioned, Denée is putting a time stamp on this time. The spirit and her viability is strong in many a corner, and in many a heart. The alarm is ringing. “This is survival sound, put on record well backed by Ty Segall and Emmett Kelly, who have added anything-musthappen, mercurial, constantly moving instrumentation. The sounds, consistent with unique monochrome, move like an engine, made gas-tight by piston rings. Sonic rings moving in tight machine patterns. And at the vocal helm is Denée, steering this machine in vocal directions across an exclamation point motorway. No salt, all salt. Traction and reaction. They built a sound machine with, and for each other. Survival sound lifts its head up when it needs to. Thankfully it gets put on record and released when it needs to.” —Tim Presley

Bbc 65

The Yardbirds – 1964 – 1966 Live at the BBC (Vol 2)

Broadcasts from the BBC archives and beyond. Recorded between 1964 and 1966. It features seminal performances by guitarists Eric Clapton, Jeff Beck and Jimmy Page.

20000000051033

Estrons  –  You Say I’m Too Much, I Say You’re Not Enough

The hotly-tipped Welsh alt-rock outfit Estrons release their much-anticipated debut album You Say I’m Too Much, I Say You’re Not Enough. The record is the culmination of over two years hard touring and honing of a sound that has become theirs and theirs alone.

thanks everyone for your views and support,

Advertisements

Image result for cartoon record player

New release time once again, and there is a healthy whack of excellent reissues this week, with Kate Bush taking the top spot with Aerial, The Directors Cut and 50 Words For Snow all landing. As well as all of the individual albums, part 2 of the ‘Remastered’ box set seeing it’s release as well as the vinyl counterparts, Remastered In Vinyl Parts III and IV.

This week also the latest in a long line of much anticipated Fall live shows from the mid 90’s with Derby in ’94 and London in ’95 both show the range and excitement of the live show’s they were so well known for.

There is brand new album from Liverpool band ‘The Fernweh’ to be released on James Skelly’s (of The Coral fame) label, Skeleton Key Records. Psychedelic hooks, folky ruminations and shimmering acoustic meanderings. It’s a beautiful thing indeed. Plus A new full-length from Johnny Flynn. 

Neil young songs for judy

Neil Young – Songs For Judy

Songs For Judy is the debut release on Shakey Pictures Records, Young’s own imprint distributed by Reprise Records. Songs For Judy is thoroughly engaging collection of live acoustic performances culled from Neil’s November 1976 solo tour and features twenty-two songs recorded at various cities along the tour. This song cycle of live recordings is particularly powerful and unique. Young had spent much of the year traveling around the world on tour with Crazy Horse. When touring on his own, he recharged and focused on songs that would not surface in recorded form for several years. Of the albums many treasures, No One Seems To Know would not see the light of day until now and it remains unreleased in any other iteration. The raw versions of the tracks found on Songs For Judy reflect an artist completely unvarnished and unafraid to allow the songs to breath and to find their own shape when performed in a solo setting. Songs written in that era would come into focus and then seemingly disappear only to re-enter Young’s orbit somewhere down the road. White Line and Give Me Strength are such examples of finding the light in 1990 and 2017 respectively. It’s also fascinating to hear Young revisit early gems such as Springfield’s Mr. Soul (’67), Here We Are In The Years (’68), andThe Losing End (’69) from some of his earliest solo recordings which remain as timeless as ever.

Johnny flynn live at the roundhouse trans367x

Johnny Flynn And The Sussex Wit – Live At The Roundhouse

‘Live At The Roundhouse’ is an electric performance of ten years’ worth of songs; recorded without overdubs, it pays homage to the past whilst pointing propitiously to the group’s future. The album also features a bonus studio cut; the much requested and never released 3-verse rendition of Johnny’s ‘Detectorists’ theme.

Live At The Roundhouse’ is 24 tracks long and pulled from a decade’s worth of music. Fans will hear renditions of songs from Johnny’s “Masterclass” (4/5 The Independent) debut album ‘A Larum’, sophomore ‘Been Listening’, an album “radical in its honesty” (8/10 Drowned in Sound), ‘Country Mile’, “an extremely clever and nuanced record” (Mojo) and his most recent effort, ‘Sillion’, which explored the idea of man’s endeavour to connect with the earth while separated from it; “Another exploratory and remarkably high-caliber LP” (AllMusic 4.5/5). The album also features a bonus studio cut; the much requested and never released 3-verse rendition of Johnny’s ‘Detectorists’ theme. Johnny Flynn and the Sussex Wit are without a doubt one of the most consistently exhilarating live bands around, inspiring an undying devotion among fans and peers who will cherish ‘Live At The Roundhouse’ for its gritty and impassioned renditions of now-classic songs.

Gxd1wse7 400x400

The Fernweh – The Fernweh

Recorded in seclusion on the North Yorkshire coast and transporting listeners on musical journey. Three friends, Jamie Backhouse (guitars), Ned Crowther (vocals and guitar) and Oz Murphy (keys/saxophone) gathered to make the album they always knew they could make, based on a pure and profound love for a golden era for British and US folk rock. Wringing every last drop of their combined experience into a cup that overflows with melody, song craft and deeply evocative imagery of a quintessentially British era of ‘mainstream psychedelia’, they are joined by Maja Agnevik (vocals/flute)and Phil Murphy (drummer).

Melodies and stories inspired by distinctly British, coal-fired version of 60s/70s psychedelia. Layered vocal harmonies, gentle, steam-train percussion and strokes of piano, acoustic guitars and subtle string arrangements are a feature of this sublime and compelling debut. A return journey into Britain’s explosively creative, post-war period. Arriving back in 2018, the band uses such deeply evocative influences to deliver an irrepressible psych-pop-folk non-genre record.

Bowie

David Bowie –  Glastonbury 2000

DAVID BOWIE ‘GLASTONBURY 2000’ documents Bowie’s legendary Sunday night headline performance on 25th June at the most famous festival on earth. The legendary full performance released for the first time including many of David’s greatest hits and never before seen footage.

All formats feature David’s diary, originally written for Time Out, which documents him preparing for the show in his own inimitable manner. In addition to newly mastered audio and upgraded video DAVID BOWIE ‘GLASTONBURY 2000’ features new artwork from Jonathan Barnbrook (who worked with Bowie on the sleeves for Heathen, The Next Day & ★) and notes from the renowned author and Bowie fan Caitlin Moran who reviewed the show for The Times.

Jefftweedy warm cover 1537635528 640x640

Jeff Tweedy  –  Warm

Jeff Tweedy releases Warm, a solo album of all new material via dBpm Records. Warm was produced and recorded entirely by Jeff at his now legendary Loft Studio in Chicago’s  (with help from some of his usual collaborators – Spencer Tweedy, Glenn Kotche and Tom Schick). Warmfollows the acoustic retrospective release, Together at Last (2017), and Wilco’s 2016 album, Schmilco.

It is a tender manifesto of self-doubt, a shout fading into a murmur. It’s a journey beyond self-consciousness and towards mature vulnerability, to an evolved idea of what is musically pure.

A brief inquiry into online relationships

The 1975 – A Brief Inquiry Into Online Relationships

Winners of 2017’s Best British Group at the BRIT Awards, The 1975 release their 3rd album ‘A Brief Inquiry Into Online Relationships.’ 
The album is a follow up to ‘I like it when you sleep for you are so beautiful yet so unaware of it,’ which charted at Number 1 on both sides of the Atlantic going Platinum in the UK in the process.

Bs269 digital cover

Laura Jane Grace & The Devouring Mothers – Bought To Rot

14 tracks spanning Laura Jane Grace’s fractured relationship with her adopted hometown of Chicago, true friendship, complicated romance, and reconciling everything in the end, Bought to Rot stands as the most musically diverse collection of songs Grace has written to date.

Inspired in large part by Tom Petty’s Full Moon Fever, the first album Grace ever owned, Bought to Rot finds her at the same age Petty was when he created his solo debut masterpiece. In light of his recent passing, Grace was motivated to pay homage to one of her lifelong heroes.

Laura Jane Grace & the Devouring Mothers are Laura Jane Grace, Atom Willard, and Marc Jacob Hudson. Grace is a musician, author, and activist best known as the founder, lead singer, songwriter, and guitarist of the punk rock band Against Me!. Willard, also of Against Me!, is a drummer who has played in iconic punk bands such as Rocket from the Crypt, Social Distortion, and The Offspring. Devouring Mothers bassist Hudson is a recordist and mixer at Rancho Recordo, a recording studio and creative space in the woods of Michigan, and the sound engineer for Against Me

P

Batts  –  62 Moons

Batts is the moniker for Melbourne based singer-songwriter Tanya Batt, and this is her mesmerising and melancholic debut EP 62 Moons. Named after the 62 Moons of Saturn, the obsession with space is an underlying theme throughout the record, from the Nasa recording of Saturn’s rings which opens the recording, to the EP title. Batts explains “I had the thought of combining the music we create as humans, with the natural music of things out in space that have existed for billions and billions of years. I want to instil knowledge of space within music to people, but not via lyrics – via sounds.”

Screen shot 2018 08 28 at 21.14.02

The Fall – The Rough Trade Singles

The Rough Trade Singles collects The Fall’s four singles recorded for this influential label in 1980 and 1983 – How I Wrote ‘Elastic Man’ / City Hobgoblins, Totally Wired / Putta Block, The Man Whose Head Expanded / Ludd Gang and Kicker Conspiracy – none of which appeared on any of the band’s studio LPs. With 7-inches being the era’s vehicle for buzzing communiqués, The Fall would use the format for short-form, standalone works rather than as mere promotional devices for forthcoming albums.

“Totally Wired” is often cited (and rightfully so) as The Fall’s most infectious tune – an amphetamine-fueled anthem with stuttering nods to forebears, yet too incisive to have been made by anyone else. “How I Wrote ‘Elastic Man'” is another mad hoedown, one reimagined for the post-punk age. While the playful rhythm machine on “The Man Whose Head Expanded” almost suggests danceability, Mark E. Smith’s idiosyncratic shriek on “Kicker Conspiracy” pierces through the twin drumming of Paul Hanley and Karl Burns and the group’s unpredictable / unmistakable racket. Together these songs remain some of the absolute best material The Fall would ever release.

Tmr531 billcallahan livesleeve 1

Bill Callahan – Live at Third Man Nashville

Bill Callahan, aka Smog, is simultaneously a staple of strange American country, lo-fi, folk and independent music. His lyricism comes across as challenging and deeply autobiographical, equal parts “poetry leaning on true-to-life darkness” and “three chords and the truth.” So, it is fitting that Callahan’s live set would command the same sense of friendliness-with-difficulty that the recorded songs do. With brief, candid, and charming interludes between older and newer material, an outsider can hear that this performance was obviously a full-bodied (and multi-era) engagement, no space left for distraction. The full album is an experience; make it one you look after.

8332

DIIV  –  Covers

Originally shared on DIIV’s YouTube channel and then later given away on a limited edition cassette run of 50 copies at an acoustic DIIV show in a synagogue in New York City, Captured Tracks now presents a vinyl version of Zachary Cole Smith’s lauded Sparklehorse and (Sandy) Alex G covers. Pressed on Clear Vinyl and limited to 500 copies to celebrate Captured Tracks’ 10th Anniversary.

Image result for cartoon record player

 

Jason isbell and the 400 unit live from the ryman ser9989

Jason Isbell and The 400 Unit – Live From the Ryman

Americana icon Jason Isbell and his band the 400 Unit release a new live album release. The album is set in none other than the Mother Church of Country Music, the Ryman Auditorium. Live From the Ryman was recorded at Nashville’s famous auditorium, and will feature live versions of songs from Isbell’s three latest releases, Southeastern, Something More Than Free andThe Nashville Sound. Songs included on the project are Last of My Kind, Hope the High Road, Something More Than Free and the Grammy Awards-winning If We Were Vampires, among others.

Hay012cd lp lpc

The Lucid Dream – Actualisation

The Lucid Dream return with the release of their 4th album, Actualisation. Driven by fans raising £10,000 to help replace all equipment robbed after a Paris show in early 2017, a new album became the instant focus in the summer of 2017 for a rejuvenated The Lucid Dream. Actualisation is soaked in the influence of acid house, amalgamated with dub and kosmische. The album was penned over the summer of 2017 by Mark Emmerson (vocals/guitar/synths), using only the classic Roland 303/808 synths, bass and vocals as tools for writing. Inspiration for the writing was formed via continuous listening to the Chicago to UK acid house works of 1986-1992, the focus predominantly on the groove. Several months on from those writing sessions and The Lucid Dream have completed their 4th album in 5 years. A record made for the dancefloor. Recorded at Whitewood Studios, Liverpool, with Rob Whiteley, the album is produced alongside long-time collaborator Ross Halden (Ghost Town Studios, Leeds), with mastering via Dean Honer (All Seeing I/I Monster/The Moonlandingz). The confrontational techno-punk of Alone In Fear opens the album, a 9-minute attack fuelled by the frustration and anger spawned by Brexit, government and a realisation of what 2018 Britain currently is. Recent single SX1000 (the first work from the album, unveiled via 12′ vinyl in April this year) is the band’s first move into pure acid house. The acid house fusion runs throughout the record, represented furthermore by Ardency, a track already praised by live critics when aired live for the first time earlier this year as ‘even on first hearing, would’ve raised the roof of The Hacienda’. The 2-part opus of Zenith follows, commencing with a space-dub / house instrumental groove before building into a track that will go for your head as much as your hips. Only Breakdown harks back to sounds of old for the band, a little reminder of the skull-crushing impact they can make when stripped to the bare bones. No Sunlight Dub closes the album, a dark-dub that invites the classic acid-house tool (Roland 808) into the dub. The track makes a stop-off into drum ‘n’ bass / jungle along the way before rounding up in a manner suited to Lee Perry, King Tubby, Augustus Pablo and other Jamaican greats.

Titus halloween 1538401087 640x640

Titus Andronicus – Home Alone on Halloween

Limited to 1,300 for world on Orange Vinyl with Download. With Home Alone on Halloween, noted rock band Titus Andronicus celebrate the spookiest of the seasons by staring into the abyss and confronting the bone-chilling terror which lies at the haunted heart of our human experience. Bearing the justly feared catalog number MRG666, the 12-inch EP spans 31 minutes and features three tracks recorded concurrently with the group’s most recent full-length A Productive Cough, offering an autumnal tableauof dread and decay to complement its LP companion’s springtime visions of rebirth and new possibilities. The title track remixes A Productive Cough’s hardest-rocking selection, foregrounding its ominous strings and swelling organ and featuring a soulful new lead vocal from frequent captain Matt “Money” Miller, while Only a Hobo plucks an oft-forgotten gem from the dusty corners of the Bob Dylan songbook to paint a grim portrait of hopes dashed and potential squandered. Eeriest of all is A Letter Home, which, across nearly 17 minutes and more than 1,200 words, drags the listener along for a harrowing descent into the darkness and proves definitively that this ceremony is no mere monster mash.

Moshicd88

Kiran Leonard – Western Culture

Kiran Leonard is a 22 year old musician from Saddleworth, Greater Manchester. Debut album proper Bowler Hat Soup(2014) and follow-up Grapefruit (2016) were both recorded at home, with Kiran playing virtually every instrument himself. Dervaun Seraun (2017), a concept album in five movements inspired by five pieces of literature and arranged for piano, strings and voice, was an ambitious departure from his usual sound. Western Culture now sees him return to the signature sound of his first two records, yet marks a huge sonic progression thanks to the involvement of his venerable live band on record for the first time, as well as being the first to have been made in a professional studio (Old Granada Studios in central Manchester).

Image007

Novo Amor – Birthplace

Novo Amor, aka multi-instrumentalist, songwriter and producer Ali Lacey comes from deep in the Welsh mountains. Recording, mixing and producing everything in his home studio, Lacey’s emotive vocals and the sounds he uses, often formed through sonic experimentation, make for fantastically atmospheric songs that are moving and striking. On his debut album Birthplace, the sounds of his home bleed in – the chatter of a party across the street, Bonfire Night fireworks, the seagulls that gather on the building site next door. Even the sound of the late-night recording hours kept to avoid the sounds of construction make their presence felt. The songs cover many theme and thoughts – Repeat Until Death deals with friends experiencing drug addiction, Seneca is rooted in the story of a town in Nebraska that tore itself apart over a dispute over how many horses might be kept in a yard.

LP – Single LP made from recycled vinyl, housed in full-colour printed inner sleeve and full-colour printed reverse board outer sleeve. Includes download card and 8-page 12’’ tracing paper booklet, featuring gold Pantone detail to mirror the effect of the original artwork used on the cover. As using recycled vinyl every record will be unique, no two colours will be the same. All cardboard used is FSC certified.

A2760049983 16

The Oscillation – Wasted Space

The Oscillation are back with their sixth and most ambitious album to date, Wasted Space. A meditation on the nature of existence in the face of what can be insurmountable odds, Wasted Space finds The Oscillation painting from the darker shades of the kaleidoscopic scale. “The origins of Wasted Space go back to Monographic in 2016,” muses Demian Castellanos – themastermind behind The Oscillation. “That was a very bleak and heavy record and I really needed to move out of that mindset. Making U.E.F freed me up to write a coherent collection of narrative songs and compositions. Wasted Space is a partial continuation of a journey started with U.E.F., but one that re-incorporates more song-based ideas again.”What’s immediately apparent is that Wasted Space sets it stall well away from the prosaic third-eye tropes that have become orthodoxy. Album opener ‘Entity’ establishes the pace with a focus on the dance floor as much as on the navigation of existence. Fusing muscular grooves with an industrial wall of sound,these are bold steps into wholly new territories. “There’s an irony at play here,” considers Castellanos. “It’s a twisted party song, albeit a party for one.” But what a party it is. The mutant disco is bolstered by the rhythmic call-and-response of ‘Drop’, a track that eschews conventional methods of dance sensibility for more instinctive and primal urges. This is music that calls out to the suitably attuned.

Webb550lp cloudnothings lbb ps

Cloud Nothings – Last Building Burning

Last Building Burning is the product of eight days with producer Randall Dunn (Sunn O))), Wolves in the Throne Room, Boris) in Texas studio Sonic Ranch. Clocking in just over half an hour, the eight-song album sees Cloud Nothings capture their onstage appeal with help from Dunn, who Dylan Baldi describes as “technically minded without relying on technology to perfect the live sound.” In that, Last Building Burning is a return to Cloud Nothing’s sharpest form – the unhinged, feverish, guitar-heavy sound that they explode with onstage – without their early angst. “It’s not an angry record,” says Baldi. “It’s a very joyous thing for me. And it feels so nice to scream again, especially when you know people in the crowd will be screaming along back at you.”

Holsapple vs chilton death of rock ov 303 600x600

Peter Holsapple vs Alex Chilton  –  The Death Of Rock

Newly discovered recordings of early solo Peter Holsapple and Like Flies On Sherbert–era Alex Chilton. Liner notes by Peter Holsapple and author / filmmaker, Robert Gordon. Previously unseen photos from the collections of Peter Holsapple and Pat Rainer. It’s 1978 at Sam Phillips Recording Service in Memphis, TN. Peter Holsapple had rolled into town chasing the essence of Big Star. He hooked up with musician / engineer / friend-of-Big-Star, Richard Rosebrough after approaching, and being turned down by, Chris Bell who Holsapple had hoped might be interested in producing him. Together Richard and Peter started laying down tracks during the off hours at the studio. Chilton meanwhile, was knee deep in the making ofLike Flies On Sherbert, also being tracked at Phillips. He told Peter, “I heard some of that stuff you’re working on with Richard . . . and it really sucks.” Alex promised to come by and show Peter “how it’s done.” The results? Alex’s tracks definitely line up with the chaos found on Flies, while several of Peter’s songs found homes on The dB’s albums (Bad Reputationand We Were Happy There) and on an album by The Troggs (The Death Of Rock retooled as I’m In Control), so not a loss at all. What we have in these newly discovered tapes, is a fascinating pivot point with both artists moving past each other headed in distinctly different directions. Chilton moved toward punk/psychobilly as he began playing with Tav Falco’s Panther Burns and produced The Cramps debut, Songs The Lord Taught Us, within a few months of these recordings. Holsapple was off to New York to audition for The dB’s and enter the world of “sweet pop.” Liner notes by Peter Holsapple tell the story of these recordings firsthand and author / filmmaker / Memphian, Robert Gordon, helps pull the time and place into focus. Previously unseen photos included in the package are drawn from the collections of Peter Holsapple and Pat Rainer.

Dmb come tomorrow

Dave Matthews Band – Come Tomorrow

ATO records release Dave Matthews Band’s long-awaited new albumCome Tomorrow. Come Tomorrow is the band’s ninth studio release and its first since 2012’s Away From The World, which debuted at No. 1 on Billboard 200. Working between tours at studios in Seattle, Los Angeles and Charlottesville, Dave Matthews Band chose to record with several different producers, including John Alagia, Mark Batson, Rob Cavallo and Rob Evans. The cover art for Come Tomorrow is by Béatrice Coron, who creates narrative allegories in silhouette to render archetypal stories.

20000000051509

Insecure Men – Karaoke for One: Vol 1

Insecure Men return with a 10 track covers record, featuring takes on Bruce Springsteen, The Pogues, The Carpenters, Peter Andre et al.

Rem bbc productshot box

R.E.M.  –  Live At The BBC

REM grew up with the BBC, and this historic relationship is lovingly celebrated across an incredible collection that beautifully illustrates the career trajectory of one of modern music’s greatest bands. The collection comprises a treasure trove of rare and unreleased live and studio recordings culled from the BBC and band archives. This is a must-have collection for REM fans and an authoritative introduction for newcomers.

9CD – In-studio performances featured in the 8-CD / 1-DVD box set include a John Peel Session (1998), Drivetime and Mark and Lard appearances (2003) and a glorious Radio 1 Live Lounge performance (2008). Live broadcasts include a rough-and-tumble show from Nottingham’s Rock City (1984), the stunning 1995 Milton Keynes Monster Tour (their first after a six-year break), a blistering 1999 Glastonbury headline set and an invitation-only 2004 show at London’s St James’s Church. The DVD kicks off with a sixty-minute intimate retrospective of the band’s legendary performances at the BBC in the Accelerating Backwards film – previously broadcast only in the UK and available commercially for the first time here. Accelerating Backwards also includes revealing interviews with Peter Buck, Mike Mills and Michael Stipe, further testifying to R.E.M.’s long, special relationship with the BBC. The DVD also offers a complete 1998 Later….With Jools Holland episode uniquely dedicated to the band, plus TV appearances on Top of the Pops and more.

Image result for cartoon record player

lots of new releases and reissues out tomorrow as well, the major titles including  –

New Ed Harcourt album ‘Beyond The End’.
A limited Morrissey 7″ – ‘Back On The Chain Gang’
A very limited Type O Negative coloured vinyl reissue of ‘Bloody Kisses’.
Three more Bauhaus reissues – The Bela Session, ‘The Sky’s Gone Out’ and ‘Press Eject…’.
Vol.2 of the Marc Bolan ‘Home Demos’ is finally out after some delay.
A very lovely looking Chic box set. along with the vinyl version Boxed Set of the Tom Petty American Treasure

And in other news…….
King Gizzard & The Flying Wizard 
coloured vinyl reissues are flying out – have you got your copies yet?
Mumford & Sons 
latest album is also selling fast on coloured vinyl.
the excellent new album from Marianne Faithfull.
Post Malone – ‘Beerbongs and Bentleys’.   

0.jpg

Songs: Ohia ‘Love & Work: The Lioness Sessions’ ltd vinyl box set

Songs: Ohia – ‘Love & Work: The Lioness Sessions’ limited translucent purple coloured double vinyl LP.

The release also includes a 16-page booklet with photos and meditations by Jason’s family and collaborators, as well as replications of ephemera from Jason’s guitar case & life from the time (a handwritten love letter, a postcard, a 2 of Hearts playing card, and more)

Hc bambi lp digital tg web

Hippo Campus – Bambi

Hippo Campus release their second album, Bambi through Transgressive Records. On their sophomore album Bambi, the St. Paul, Minnesota-bred band navigate that upheaval with deliberate self-reflection. The result is a selection of songs that drift into much darker terrain, but unfold with a frenetic yet fragile beauty that makes even the most painful moments feel glorious. Partly recorded at Steve Albini’s Electrical Audio in Chicago, Bambi finds Hippo Campus working again with producer BJ Burton (Bon Iver, Low, Francis and the Lights), who handled production on their 2017 full-length debut Landmark. And in sculpting Bambi’s distinctly inventive arrangements, Hippo Campus significantly expanded their use of drum machines and synth. Throughout Bambi, Hippo Campus match their relentless self-examination with a joyfully adventurous sonic approach, ultimately transforming the emotional experience of the problems they’re exploring.

unnamed.png

Breeders ‘Safari EP’ ltd 12″ reissue

Being released this November as part of Record Store Day’s sister Black Friday event is a faithful repress of the 12” version of The Breeders’ Safari EP, complete with Shinro Ohtake’s 1983 charcoal drawing Nairobi VIII adorning its cover. Originally released in April 1992, sandwiched between their first two albums (Pod and Last Splash), The Breeders’ Safari EP came at a time when Kim’s Pixies commitments were winding down and her new band were on the cusp of releasing a platinum-selling album.

Their first record to feature Kim Deal’s twin Kelley, the EP was recorded in two studios with the bulk coming from a session in New York, which provided an early version of Do You Love Me Now?, Don’t Call Home and a cover of The Who’s So Sad About Us. The title track, Safari, was recorded separately in London by Kim, Josephine Wiggs and drummer Jon Mattock (Spacemen 3 / Spiritualized).

181011_stooges_rsd_rarepower.jpg

Iggy & The Stooges – ‘Rare Power’

The untamed energy of Iggy and The Stooges comes to vinyl for Record Store Day Black Friday on Rare Power, a collection of rare tracks from the sessions that produced their landmark 1973 album Raw Power. Eight of these nine outtakes and alternate mixes are available on vinyl for the first time, and composer Josh Mobley’s remix of Gimme Danger (heard in the best selling video game Watch Dogs) is commercially available for the first time ever.

The Byrds – Sweetheart Of The Rodeo (4 X 12″ Vinyl LP)

By the time Sweetheart Of The Rodeo was released in 1968, The Byrds had already changed the sound of rock music twice; from jangling folk-rock to experimental acid-rock, they constantly sought to push the boundaries of what rock music could be. The 1967 departure of David Crosby left a creative void filled quickly by country music-loving Gram Parsons, whose addition led Roger McGuinn, Chris Hillman and company to record an album comprised mostly of authentic country material in Nashville, with the aid of local session aces (including future Byrd Clarence White). For the first time on vinyl—and on the heels of a 50th anniversary tour of the album by original members McGuinn and Hillman—this Legacy Edition of Sweetheart Of The Rodeo showcases this country-rock masterpiece alongside 28 bonus tracks, including demos, outtakes, rehearsal versions and tracks by Parsons’ pre-Byrds outfit, The International Submarine Band.

91g01oveqol. sy355

Chris Robinson Brotherhood – Betty’s Midwestern Magic Blends

The Chris Robinson Brotherhood is indisputably one of the hardest working bands in rock ‘n’ roll. 2018 marks the fourth year in a row that they’ll play over 200 shows across the U.S. and Europe. Through that prolific touring schedule, the band has emerged a razor sharp, riveting live unit. Each evening The CRB plays two sets of music with a dynamic, ever-changing setlist. Presenting original material stretching across six studio albums, plus a repertoire of covers that runs from Slim Harpo to Bob Dylan and beyond, it’s only fittng that the band would document this output. They’ve done exactly that through a series of live recordings dubbed, ‘Betty’s Blends’ taking its moniker from legendary Grateful Dead archivist and recording engineer Betty Cantor-Jackson who is called upon to capture The CRB’s performances in multi-dimensional, audio-verite. ‘Betty’s Midwestern Magik Blends’ is the fourth volume from the acclaimed series, gathering highlights from three shows in Milwaukee, Madison and Chicago in October 2016. Available as a vinyl exclusive, 3-LP set with only 3500 copies released, the collection finds The CRB in peak form delivering highlights like “New Cannonball Rag,” “Forever As The Moon” and “Shadow Cosmos,” as well as adapting two from The Rolling Stones: “Down Home Girl” and “Let It Bleed” and the seldom played fan favorite, Steppenwolf’s “Magic Carpet Ride.”

81ybxn599xl. sy355

Violent Femmes – Permanent Record: The Very Best Of Violent Femmes

Permanent Record: The Very Best of Violent Femmes provides a comprehensive overview of The Violent Femmes historic recording career – beginning with tracks from their legendary debut up until their 2000 release, Freak Magnet. The compilation includes the original studio recordings for hit singles such as Blister In The Sun, American Music, Gone Daddy Gone, amongst others, and is a must have for both new listeners and devoted fans alike.

A1vthrny8hl 696x1051

Jeff Tweedy – Let’s Go (So We Can Get Back)

Through his pioneering work in the legendary country-punk band, Uncle Tupelo, to his enduring legacy as the creative force behind the unclassifiable sound of Wilco, Jeff Tweedy has weaved his way between the underground and the mainstream – and back again.

Funny, disarming, and deeply honest, his memoir casts light on his unique creative process and the stories that shaped his life and career, from a childhood spent in Illinois to the release of No Depression in the early 90s – which set the blueprint for alt-country – and later working with Mavis Staples and, posthumously, Woody Guthrie.

Screen shot 2018 10 01 at 09.54.42

The Go Betweens – Right Here

Grant McLennan and Robert Forster, the founding members of seminal Brisbane band The Go-Betweens had been close friends and collaborators since their late teens some thirty years before. As it unfolds, we discover how relationships – both creative and romantic – are continually tested, challenged, remoulded and, in some cases, destroyed. The film truthfully exposes all the highs, lows, joy, pain, sorrow and beauty of being in a cult band and of trying to survive the harsh, brutal realities of an at times exploitative music industry. Unflinching, insightful and at times painfully honest, the film tells the story of The Go-Betweens from the inside out, from the people who lived it and from those whose lives were transformed by it.

This Week
Art Brut – ‘WHAM! BANG! POW! LETS ROCK OUT!’ LP
Bauhaus – ‘The Bela Session’ LP reissue
Bauhaus – ‘Press Eject & Give Me The Tape’ ltd white vinyl LP reissue
Bauhaus – ‘The Sky’s Gone Out’ ltd violet vinyl LP reissue
Marc Bolan – ‘Tramp King Of The City: Home Demos Vol. 2’ LP
Bouquet Of Dead Crows – ‘Motus Octo’ splatter vinyl LP
Breeders – ‘Safari EP’ limited 12″ reissue
Mansur Brown – ‘Shiroi’ LP
Lindsey Buckingham – ‘Solo Anthology’ 6LP Box set
Calexico – ‘The Black Light’ ltd clear vinyl 2LP reissue
The Chic Organisation – ‘1977 – 1979’ 5LP + 12″ vinyl box set
Ry Cooder – ‘Mambo Sinuendo’ 2LP
Deep Purple – ‘In Rock’ purple vinyl LP reissue
Deep Purple – ‘Fireball’ purple vinyl LP reissue
Ed Harcourt
 – ‘Beyond The End’ LP
Hippo Campus – ‘Bambi’ ltd coloured vinyl LP
Hozier – ‘Nina Cried Power’ ltd 12″ EP
Durad Jones & The Indications – ‘Live Vol. 1’ blue vinyl LP
Laibach – ‘The Sound Of Music’ gold vinyl LP reissue
Levellers – ‘Levellers’ ltd orange vinyl 2LP reissue
Amy Macdonald – ‘Woman Of The World: 2007-2018’ 2LP
Morrissey – ‘Back On The Chain Gang’ limited 7″
OST – ‘Dredd’ ltd red vinyl LP
OST – ‘End Of Days’ 2LP

Tom Petty – ‘An American Treasure’ 6LP Box Set
Planet B – ‘Planet B’ coloured vinyl LP
Irmin Schmidt – ‘5 Klavierstucke’ LP reissue
Songs: Ohia – ‘Love & Work: The Lioness Sessions’ ltd coloured vinyl box set
Mikael Tariverdiev – ‘Sevnteen Moments Of Spring’ LP
Transmaniacon – ‘The Strange World Of Suzie Pellet’ limited colour vinyl LP

Type O Negative – ‘Bloody Kisses’ ltd silver vinyl 2LP
Vessel – ‘Queen Of Golden Dogs’ LP

Image result for images of vinyl records

This week we have a superb collection of early material from The Fleet Foxes, including their seminal debut album, a couple EP’s and some well-worth-it B-Sides and outtakes. It’s a hefty swathe of music, and all in a lovely clamshell box affair inc liner notes and booklet.

Jmascis elasticdays cover 600x600 300

J Mascis – Elastic Days

Everyone’s favourite tiny dinosaur is back too, with Mr. Mascis‘ first solo release since 2014’s ‘Tied To A Star’ encompassing aspects of Dinosaur Jr’s rockier moments but imbued with tender folkish acousticry, swooning Americana and soaring rock solos, delivered with the unmistakable gravelly vox we’ve come to know and love from Mr. M. 

Since then, through the reformation of the original Dinosaur Jr lineup in 2005, J has recorded solo albums now and then. And those album, Sings and Chant for AMMA (2005), Several Shades of Why (2011) and Tied to a Star (2014) had all delivered incredible sets of songs presented with a minimum of bombast and a surfeit of cool. Like its predecessors, Elastic Days was recorded at J’s own Bisquiteen studio. Mascis does almost all his own stunts, although Ken Miauri (who also appeared on Tied to a Star) plays keyboards and there are a few guest vocal spots. These include old mates Pall Jenkins (Black Heart Procession), and Mark Mulcahy (Miracle Legion, etc.), as well as the newly added voice of Zoë Randell (Luluc) among others. But the show is mostly J’s and J’s alone. For those expecting the hallucinatory overload of Dinosaur Jr’s live attack, the gentleness of the approach here will draw easy comparisons to Neil Young’s binary approach to working solo versus working with Crazy Horse. This is a lazy man’s shorthand, but it still rings true. Elastic Days brims with great moments. Epic hooks that snare you in surprisingly subtle ways, guitar textures that slide against each other like old lovers, and structures that range from a neo-power-ballad (Web So Dense) to jazzily-canted West Coasty post-psych (Give It Off) to a track that subliminally recalls the keyboard approach of Scott Thurston-era Stooges (Drop Me). The album plays out with a combination of holism and variety that is certain to set many brains ablaze.

3cd design

In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.

For it’s 50th anniversary, The Beatles release a suite of lavishly presented ‘White Album’ packages. The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.

“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.

This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.

“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”

The minimalist artwork for ‘The White Album’ was created by artist Richard Hamilton, one of Britain’s leading figures in the creation and rise of pop art. The top-loading gatefold sleeve’s stark white exterior had ‘The BEATLES’ embossed on the front and printed on the spine with the album’s catalogue number. Early copies of ‘The White Album’ were also individually numbered on the front, which has also been done for the new edition’s Super Deluxe package. The set’s six CDs and Blu-ray disc are housed in a slipsleeved 164-page hardbound book, with pull-out reproductions of the original album’s four glossy color portrait photographs of John, Paul, George, and Ringo, as well as the album’s large fold-out poster with a photo collage on one side and lyrics on the other. The beautiful book is illustrated with rare photographs, reproductions of handwritten and notated lyrics, previously unpublished photos of recording sheets and tape boxes, and reproduced original ‘White Album’ print ads. The book’s comprehensive written pieces include new introductions by Paul McCartney and Giles Martin, and in-depth chapters covering track-by-track details and session notes reflecting The Beatles’ year between the release of ‘Sgt. Pepper’ and recording sessions for ‘The White Album,’ the band’s July 28 1968 “Mad Day Out” photo shoot in locations around London, the album artwork, the lead-up and execution of the album’s blockbuster release, and its far-ranging influence, written by Beatles historian, author and radio producer Kevin Howlett; journalist and author John Harris; and Tate Britain’s Senior Curator of Modern and Contemporary Art Andrew Wilson.

The Deluxe 3CD is presented in an embossed digipak with the fold-out poster and portrait photos, plus a 24-page booklet abridged from the Super Deluxe book. Presented in a lift-top box with a four-page booklet, the limited edition Deluxe 4LP vinyl set presents the 2LP album in a faithful, embossed reproduction of its original gatefold sleeve with the fold-out poster and portrait photos, paired with the 2LP Esher Demos in an embossed gatefold sleeve.

Much of the initial songwriting for ‘The White Album’ was done in Rishikesh, India between February and April 1968, when John Lennon, Paul McCartney, George Harrison, and Ringo Starr joined a course at the Maharishi’s Academy of Transcendental Meditation. In a postcard to Ringo, who had returned to England before the others, John wrote, “we’ve got about two L.P.s worth of songs now so get your drums out.”

During the last week of May, The Beatles gathered at George’s house in Esher, Surrey, where they recorded acoustic demos for 27 songs. Known as the Esher Demos, all 27 recordings are included in the new edition’s Deluxe and Super Deluxe packages, sourced from the original four-track tapes. Twenty-one of the demoed songs were recorded during the subsequent studio sessions, and 19 were ultimately finished and included on ‘The White Album.’

The Beatles’ studio sessions for The BEATLES (‘White Album’) began on May 30, 1968 at Abbey Road Studios. In the 20 weeks that followed, The Beatles devoted most of their time to sessions there for the new album, with some recording also done at Trident Studios. The final session for the album took place at Abbey Road on October 16, a 24-hour marathon with producer George Martin to sequence the double album’s four sides and to complete edits and cross-fades between its songs. The Beatles’ approach to recording for ‘The White Album’ was quite different from what they had done for ‘Sgt. Pepper.’ Rather than layering individually overdubbed parts on a multi-track tape, many of the ‘White Album’ session takes were recorded to four-track and eight-track tape as group performances with a live lead vocal. The Beatles often recorded take after take for a song, as evidenced by the Super Deluxe set’s Take 102 for “Not Guilty,” a song that was not included on the album. This live-take recording style resulted in a less intricately structured, more unbridled album that would shift the course of rock music and cut a path for punk and indie rock.

The Beatles’ newly adopted method of recording all through the night was time consuming and exhausting for their producer, George Martin. Martin had other duties, including his management of AIR (Associated Independent Recording), and he had also composed the orchestral score for The Beatles’ animated feature film, Yellow Submarine, released in July 1968. After the first three months of ‘White Album’ sessions, Martin took a three-week holiday from the studio, entrusting the control room to his young assistant Chris Thomas and balance engineer Ken Scott. Scott had taken the place of engineer Geoff Emerick, who left the sessions in mid-July. On August 22, Ringo Starr also left the sessions, returning 11 days later to find his drum kit adorned with flowers from his bandmates. While the sessions’ four and a half months of long hours and many takes did spark occasional friction in the studio, the session recordings reveal the closeness, camaraderie, and collaborative strengths within the band, as well as with George Martin.

The BEATLES (‘White Album’) was the first Beatles album to be released on the group’s own Apple Records label. Issued in both stereo and mono for the U.K. and in stereo for the U.S., the double album was an immediate bestseller, entering the British chart at number one and remaining there for eight of the 22 weeks it was listed. ‘The White Album’ also debuted at number one on the U.S. chart, holding the top spot for nine weeks of its initial 65-week chart run. In his glowing ‘White Album’ review for Rolling Stone, the magazine’s co-founder Jann Wenner declared: “It is the best album they have ever released, and only The Beatles are capable of making a better one.” In the U.S., ‘The White Album’ is 19-times platinum-certified by the RIAA and in 2000, it was inducted into the Recording Academy’s GRAMMY® Hall of Fame, recognizing “recordings of lasting qualitative or historical significance.”

Boygenius

Boygenius  –

Julien Baker, Phoebe Bridgers, and Lucy Dacus formed boygenius after booking a tour together, but the trio had subconsciously been in the works for longer than that. Through a series of tours and performances together, and chance encounters that led to friendships – including Bridgers’ and Dacus’ first in-person meeting backstage at a Philadelphia festival, greenroom hangouts that felt instantly comfortable and compatible, a couple of long email chains and even a secret handshake between Baker and Dacus – the lyrically and musically arresting singer-songwriters and kindred spirits got to know each other on their own terms.

Fleet foxes first collection 2006 2009

Fleet Foxes  –  First Collection

First Collection 2006-2009 is a special limited edition collection to mark the 10th year anniversary of Fleet Foxes’ debut album.
The collection comprises content spanning the early days of the group’s career, including the eponymous debut album, as well as the Sun Giant EP, The Fleet Foxes EP, and a compilation of B-sides & Rarities.

Available on limited edition 4-disc vinyl, as well as CD, the release also includes an extensive booklet featuring show flyers, lyrics, and artwork from the period.

Bs269 digital cover

Laura Jane Grace & the Devouring Mothers – Bought to Rot

14 tracks spanning Laura Jane Grace’s fractured relationship with her adopted hometown of Chicago, true friendship, complicated romance, and reconciling everything in the end, Bought to Rot stands as the most musically diverse collection of songs Grace has written to date.
Inspired in large part by Tom Petty’s Full Moon Fever, the first album Grace ever owned, Bought to Rot finds her at the same age Petty was when he created his solo debut masterpiece. In light of his recent passing, Grace was motivated to pay homage to one of her lifelong heroes.

Laura Jane Grace & the Devouring Mothers are Laura Jane Grace, Atom Willard, and Marc Jacob Hudson. Grace is a musician, author, and activist best known as the founder, lead singer, songwriter, and guitarist of the punk rock band Against Me!. Willard, also of Against Me!, is a drummer who has played in iconic punk bands such as Rocket from the Crypt, Social Distortion, and The Offspring. Devouring Mothers bassist Hudson is a recordist and mixer at Rancho Recordo, a recording studio and creative space in the woods of Michigan, and the sound engineer for Against Me

Cpk128d

The Beths  –  Future Me Hates Me

The Beths from New Zealand occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard The Breeders / Jale / Veruca Salt..

Front and center on these ten infectious tracks is lead singer and primary songwriter Elizabeth Stokes. Stokes has previously worked in other genres within Auckland’s rich and varied music scene, recently playing in a folk outfit, but it was in exploring the angst-ridden sounds of her youth that she found her place. From the irresistible title track to future singles Happy Unhappy and You Wouldn’t Like Me, Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis.

Beths guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks signing, Wax Chattels brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y. Channeling their stew of personal-canon heroes while drawing inspiration from contemporaries like Alvvays and Courtney Barnett, The Beths serve up deeply emotional lyrics packaged within heavenly sounds that delight in probing the limits of the pop form. “That’s another New Zealand thing,” Stokes concludes with a laugh. “We’re putting our hearts on our sleeves—and then apologizing for it.” The result is nothing less than one of the standout records of 2018.

Look inside your heart v3

The Wave Pictures -Look Inside Your Heart

The Wave Pictures return with the promised second album of the year, Look Inside Your Heart – a warm, joyous record celebrating friendship, happiness and drunken party times. Like the first album they released this year, the more contemplative Brushes With Happiness, this one was recorded late at night whilst inebriated back at the tiny Booze Cube Studio in Stoke Newington, live to reel-to-reel tape with no computers of any kind. The album is peppered with giggles and chatter, which adds a sense of spontaneity and place.

Image003

Sun Kil Moon – This Is My Dinner

Prolific singer / songwriter Mark Kozelek presents yet another Sun Kil Moon album, focusing less on actual singing and more on storytelling and observation. The 10-track effort follows the chronological journey of Sun Kil Moon’s November 2017 European tour. After the trek, the band set up shop at TAPF Studio in Copenhagen, Denmark before finishing the record at San Francisco, California’s Hyde Street Studios. In addition to eight original numbers, This Is My Dinner includes a cover of AC/DC’s Rock ‘N Roll Singer (featuring Jordan Cook of Reignwolf) and the iconic theme song to The Partridge Family, Come On Get Happy.

Mary Lattimore and Meg Baird  –  Ghost Forests

Musical conversations between Meg Baird (Espers) and Mary Lattimore are intimate, fluid, effortless and spontaneous. They’re filled with the euphoria of creation and, at times, they articulate hard truths and tangled emotions with an ease only trusted friends can manage. The songs alternate between extended ethereal instrumental excursions, gauzy and dreamy pop, blown-out Bull of the Woods heavy haze, and modern re-imaginations of epic traditional balladry all while touching on the strange and otherworldly places between these stations.

81lrxbnfggl. sy355

Jimi Hendrix Experience – Electric Ladyland 50th Anniversary Edition

In celebration of the 50th anniversary of the Jimi Hendrix Experience’s 1968 album Electric Ladyland. Electric Ladyland was remastered by Bernie Grundman, who did an analog direct to disc vinyl transfer of the original LP, as well as a new 5.1 surround sound mix of the original album by Hendrix’s original engineer Eddie Kramer. The box set includes Electric Ladyland: The Early Takes with demos, studio outtakes, and more. It also includes the 1997 documentary At Last… The Beginning: The Making of Electric Ladyland on Blu-ray and the unreleased live recording Jimi Hendrix Experience: Live at the Hollywood Bowl 9/14/68. The 50th anniversary reissue arrives with a 48-page book featuring Jimi’s handwritten lyrics, poem, and instructions to his record label Reprise, previously unpublished photos from studio sessions by Kramer, and more. The Deluxe Edition comes with new cover art that features a photo of the band at New York City’s Alice in Wonderland statue by Linda McCartneyHendrix’s personal choice for the album art. Electric Ladyland was Hendrix’s last studio album. It included the iconic tracks Voodoo Child, their cover of Bob Dylan’s All Along the Watchtower, Crosstown Traffic, and others. It was the only Hendrix LP to reach No. 1 on the Billboard chart.

Dave kusworth world of dave kusworth lp front

Dave Kusworth  –  World of Dave Kusworth Vol 1 and 2

Career spanning anthology from 1983-2018, includes newly remastered classic tracks from The Jacobites, The Bounty Hunters, The Tenderhooks and The Dave Kusworth Group as well as solo material including a track from the as yet, unreleased new album 22b.The very first time a ‘Best Of ‘has been committed to vinyl. Compiled by Dave himself and designed by long standing designer Dave Twist.

R 953368 1296843312.jpeg

Alela Diane – The Pirate’s Gospel (Deluxe Edition)

An Album Of The Year when it was first released and it is still an Essential listen. Now with a swanky remastered edition of Alela Diane’s first mythical album including 10 bonus tracks. 2006’s The Pirate’s Gospel was the debut release from singer and songwriter Alela Diane. Hailing from the deep woods and winding rivers of Northern California Gold Rush town Nevada City, Alela grew up singing songs with her parents (both musicians). During a stay in San Francisco in 2003, she began teaching herself guitar and writing her first songs, blending tense, trance-like arpeggios, with warm, thick vocals and meditative lyrics about family and nature. Written in response to a loss of home and familiarity, The Pirate’s Gospel is a powerful document of personal re-evaluation and renewal set against the backdrop of generations past and future, mothers and fathers, life, death, and birth.

Jethro tull this was cd dvd expanded packshot

Jethro Tull – This Was – The 50th Anniversary Edition

After several name changes, Jethro Tull played its first show as Jethro Tull in February 1968. Months later, Ian Anderson, Mick Abrahams, Glenn Cornick and Clive Bunker released the band’s debut – This Was. The album debuted at number 10 on the U.K. album chart, but more important, it was the first step in a 50-year (and counting) journey that made Jethro Tull one of the world’s most successful progressive rock bands. To celebrate the album’s 50th anniversary, a special deluxe edition

Recorded during the summer of 1968, This Was is the only Jethro Tull album to feature guitarist Mick Abrahams, who left the group shortly after the album came out to form Blodwyn Pig. The title of the album refers to the band moving away from its early blues-based sound, which was referenced in the original liner notes: “This was how we were playing then – but things change – don’t they?” The album includes songs that have been in and out of Jethro Tull’s live show for 50 years, like My Sunday Feeling and Beggar’s Farm. Also featured are several bonus tracks: Love Story, A Christmas Song. Sunshine Day and Aeroplane. In 1968, BBC Radio featured the band twice on its award-winning program, “BBC Top Gear Session.” Both of those performances – nine songs in total – are featured on the second disc, including live versions of Serenade To A Cuckoo, Love Story and My Sunday Feeling. Rounding out the disc are b-sides, outtakes, radio advertisements, and an unreleased mono mix of Someday The Sun Won’t Shine For You(Faster Version). The final CD features the album’s original U.K. stereo mix and its original mono mix.

The DVD features the original album and bonus tracks remixed by Steven Wilson in 4.1 DTS and AC3 Dolby Digital surround and 96/24 LPCM stereo. There are also 5.1 surround versions of Love Story and A Christmas Song. Also included in 96/24 LPCM stereo is the 1969 stereo mix that was released in the U.S.

Image result for images of vinyl records

The album of the week shines in every facet of its existence. Phosphorescent (aka Matthew Houck) has meticulously crafted an intensely warm album of americana pop, drawing together a multitude of instrumental textures – from guitars and pedal steels, to synths, to his own voice – and yoking them into perfect harmony. his lush melodies are executed with the utmost sincerity, giving his music a widescreen poignancy.

There are many more tasty treats out this week…big thief vocalist Adrianne Lenker has struck out on her own with an absolute pearl of an album. sweet & understated, this collection of songs poured out of her in the moments between performing & practicing with her band, resulting in her most intimate work yet. that’s on very limited glow-in-the-dark vinyl, for people who like to listen with the lights off. picking up the tempo a little, Molly Burch’s country pop sophomore features that same beautiful, warbling voice channelled through a stronger, more confident set of songs founded upon indelible melodies.. we’ve also been loving the debut from kentucky’s the Other Years, whose angelically pure vocal harmonies, underpinned by a sweet backing of violin & banjo, are a thing of simple beauty. this is the perfect album to come home to after a strenuous day – trust. predictably, Cat Power’s new album is a stone-cold stunner! her largely acoustic set of folk-tinged, blues-tinted songs continue to prove her to be one of the strongest songwriters working today.

Further recomendations Throwing Muses’ Kristin Hersh delivers another powerful solo album of darkly melodic scuzz-songwriting Will Hoge injects his rumbly-voiced country with an invigorating dash of soul and an exhilarating bolt of rock bravado;  it’s also worth knowing that Blood Orange’s ‘negro swan’ is finally in on vinyl, amy helm’s red vinyl lp has finally popped in & settled its round little body into our shelves. & Marie Davidson’s excellent new record – which had me & mark jiving away.

Reissues this week, Bloc Party‘s classic debut ‘silent alarm’ arrives for the very first time on sturdy 180 gram vinyl. john Lennon’s ‘imagine’ gets a new stereo remaster, along with a bounty of alternate mixes & alternate takes that offer tremendous insight into his recording process. and possibily the greatest guitar album ever Television’s very seminal ‘Marquee Moon’ is in on blue vinyl, with a bonus disc of alternate versions – yum!

Imagine (2018 reissue)

John Lennon  –  Imagine (2018 reissue)

this truly unique edition of one of the most iconic albums of all time sees the timeless record remastered with a new stereo remix and some additional non-album singles.

digging through extensive archival content, Yoko and her team deliver us an incredibly personal journey through the entire songwriting and recording process – from the very first writing and demo sessions at John’s home studio at tittenhurst park through to the final co-production with Phil Spector – providing a remarkable testament of the lives of John Lennon and Yoko Ono in their own words. ***the deluxe 2cd comes with an extensive bonus disc of different mixes, demos and alternate takes. *** ***the super deluxe boxset comes with an incredibly vast array of different mixes, demos and alternate takes, the restored ‘Imagine’ and ‘Gimme Some Truth’ films and a 120 page hardcover book documenting the album’s creation***

Abysskiss

Adrianne Lenker – Abysskiss

the big thief vocalist lays down a mesmerising set of songs that are hushed & disarmingly intimate, in which we climb into her consciousness without encountering any barriers & revel in the sweet beauty of her gentle melancholy.

the songs chosen for this collection were the songs that felt the most alive in the room. these are not castaways or b-sides. some of these songs have been alive for years while some were written just days before the recording session. with this collection, Lenker further illuminates to the listening public that she is a songwriter of the highest order, following her voice & the greater voices that pass through her with an unflinching openness & clarity of translation. “it’s an invitation to peer into the hidden spaces of an extraordinary modern songwriter, where calm & quiet moment prompt superlative work”

C’est La Vie

Phosphorescent  –  C’est La Vie

Matthew Houck has crafted an electrifying collection of songs that blend a dreamy, psychedelic americana aesthetic with solid pop foundations that never fail to engage.

this album reveals a crystallisation of what made ‘Muchacho’ such a breakout record release — a little sweetness and a little menace, sometimes boot-stomping and sometimes meditative. the magic of Matthew Houck’s music has always been the way he weaves shimmering, almost golden-sounding threads through elemental, salt-of-the-earth sounds. it’s not experimental, exactly, but it’s singular and it’s definitely not traditional. that knack, the through-line across the phosphorescent catalogue, is front and centre here. fans of bon iver, iron and wine, bonnie prince billy, damien jurado and okkervil river will love this! “songs of experience make up Matthew Houck’s heavenly seventh”

First Flower

Molly Burch  –  First Flower

a walk through Molly Burch’s most intimate thoughts – broken friendships, sibling relationships and overwhelming anxiety – ‘First Flower’ is a bright, beautiful album peppered with moments of triumph with Burch’s voice as strong and dexterous as ever.

opening track “Candy” is a swinging, playful hit, while “Wild” deals with pushing away fear. title track “First Flower” is classic Burch, a simple love song that gives you goosebumps when she breaks into the chorus. but the album’s true stand-out is “To the Boys”, a courageous, sassy fuck-you to her own self-deprecation where she learns to love all the things she hated about herself. if you enjoyed angel olsen’s ‘My Woman’, this is the album for you. “more dreamy, torchy country-pop goodness from this Austin breakout”

Stardust Birthday Party

Ron Gallo –  Stardust Birthday Party

Ron Gallo’s punk-poet persona remains intact, backed by a generous injection of scuzz and fuzz.

“the details of my path are pointless because everyone’s path is different. it is about me sitting with myself for the first time and confronting the big question ‘what am i, really?’ it’s about the love and compassion for all things that enters when you find out you are nothing and everything. i think at one point i wanted to change the world, but now i know i can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. and that’s what this album is about, it’s me dancing while destroying the person i thought i was, and hopefully forever”. fans of oh sees, ty segall and warm drag should check this out

WANDERER

Cat Power  –  Wanderer

Chan Marshall’s return to the folkier, bluesier side of the tracks is very welcome on this lustrous set of understated, yet quietly powerful, acoustic ballads.

produced in its entirety by Marshall, ‘Wanderer’ includes appearances by long-time friends & compatriots, as well as guest vocals courtesy of Lana del Rey & an exquisite cover of Rihanna’s ‘Stay’. the 11 tracks encompass “my journey so far,” says Marshall. “the course my life has taken in this journey – going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. folk singers, blues singers, & everything in between. they were all wanderers, & i am lucky to be among them.” “the set has both strength & a lean, lustrous beauty, tapping Carole King-style classicism & american folk standards”

Fall Into the Sun

Swearin’ – Fall Into The Sun

their scuzztastic reunion has gifted us a blissful set of melodic bangers that go hard on distortion and easy on the ears.

much like the band’s previous albums, Gilbride anchored the recording and producing of the record, but this time around, the band worked to make the process feel more collaborative than ever before. “i feel like this was the first time i could look at a Swearin’ record and say that i co-produced it, and that felt really good,” said Crutchfield. Crutchfield and Gilbride always had an innate ability to mirror the other’s movements in songs, but here, they build a focused lyrical perspective across their songs, one that’s thankful for their past, but looks boldly toward the future. fans of rilo kiley, the beths, speedy ortiz and forth wanderers need to check this out!

Masana Temples

Kikagaku Moyo – Masana Temples

the psych-prog quintet return with a serene set of wah-heavy motifs, seasoned with moments of exquisitely delicate, hushed vocals.

more than the literal interpretation of being on a journey, the album’s ever-changing sonic panorama reflects the spiritual connection of the band moving through this all together. inspecting the harmonies and disparities between their evolving perspectives, the group reflects the emotional impact of their nomadic paths. the music is the product of time spent in motion and all of the bending mindsets that come with it. fans of minami deutsche and sundays & cybele should check this out.

Possible Dust Clouds

Kristin Hersh  – Possible Dust Clouds

enveloping the juxtaposition of the concept of ‘dark sunshine’, this brooding solo album expands her off-kilter sonic vision; a squally, squeaky cocktail of discordant beauty.

feedback and phasing gyrate from simply strummed normality, imagine Dinosaur jr and My Bloody Valentine cranking up a Dylan couplet. messing with both extremes of the sonic spectrum: atonal and arrhythmic, a unique sound and a glorious return to form for one of alternative rock’s true innovators. “sometimes the most subversive thing i can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we’ve heard before, twisted into different shapes” – Kristin Hersh, july 2018. “the prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician.”

LIVE AT THIRD MAN RECORDS

Father John Misty – Live at Third Man Records

Live at Third Man Records covers songs from the first three of his albums, heard here stripped totally bare, you lucky tikes.  In September last year, Josh Tillman stopped by Third Man’s Nashville headquarters on an otherwise ordinary Tuesday afternoon and surprised them with a lunchtime solo, acoustic set before his sold-out Ryman Auditorium performance. They, of course, had our 1955 Scully Lathe warmed at the ready to capture the occasion. As is typical for direct-to-acetate recordings in the Blue Room, Josh warmed up the room (and our engineers) with two songs before they started cutting the LP. He began with the debut performance of his newly penned Mr. Tillman(foreshadowing its release as the first single on God’s Favorite Customer 9 months later). They then used the second song as an opportunity to carve a 12” on-the-spot single of Now I’m Learning to Love the War, which was promptly handed it to a lucky attendee for safe keeping. If you want to know more about that, you’ll have to scour the depths of FJM’s fan net. Live at Third Man Records covers songs from all three Father John Misty albums out at the time of its recording, heard here stripped totally bare

my american dream

Will Hoge  –  My American Dream

Hoge gives it his all on this blazing album of gritty, country soul, newly infused with a furious rock energy.

with ‘My American Dream’, Hoge hopes that others will follow his lead, see the world through someone else’s eyes, and maybe begin to fix the mess we’re living in. “i don’t want to write songs telling people how they should feel” Hoge says. “if anything, maybe there’s a 16- or 17-year-old kid in the small-town south who has rumblings of these feelings but doesn’t have anybody in his little community to go, ‘hey man, think about it like this for a second. here’s another group of people’s perspectives’”. fans of chris stapleton, lydia loveless, steve earle’s ‘copperhead road’ and nikki lane will love this!

ICON OF EGO

Arc Iris  –  Icon of Ego

the trio’s third is a vividly expressionistic record that reflects their protean talents, creating an avantgarde experimental pop that’s entirely their own.

‘Icon of Ego’ finds a stronger, more experienced band. the band has evolved into a concentrated pop-prog explosion, mixing styles with disparate elements that captivate and surprise. with heavy synthesiser work by Tenorio and Jocie Adams, and seemingly impossible transitions executed effortlessly by Belli, the songs here carry a thick, analogue electronic sound that harks back to the ’70s. presiding over these are Adams’ powerful vocals that house the energy under pop forms. fans of cocorosie and deerhoof should check these guys out.

I

Terry – I’m Terry

the Melbourne quartet capture their particular kind of witty diy, garage pop beautifully on this lp.

there are few rules in Terry’s world. “they seem to make a song out of whatever sounds good to them. the only stylistic consistency is in their hat wear. terry are like Steely Dan or 10cc. both bands make me queasy after a certain point. Terry probably also make me a bit queasy, singing about police beatings and nationalism and all that. but they’re not out to hurt you. they’re like the kindly bearer of bad news. Terry puts it in terms that speak to me. it’s a tragicomedy.” – fans of the go-betweens, courtney barnett and rolling blackouts coastal fever need to hear this.

henry / I

Soccer Mommy – Henry / I’m on Fire

Soccer Mommy aka Sophie Allison puts her own heavenly spin on the boss’ timeless classic, plus reworks the lead track from her obscure 2016 album ‘For Young Hearts’, previously only physically available as a rare cassette release. we think she’s done Bruce proud. Soccer Mommy is a must for fans of snail mail, phoebe bridgers, lucy dacus and julien baker.

LIVE AT THIRD MAN RECORDS

Kevin Morby – Live at Third Man Records

Kevin Morby performs two tracks for third man, stripping them down and revealing something completely new, in relation to their studio counterparts.

Formally a member of New York folk group Woods, Kevin Morby has made a name for himself with his four acclaimed solo releases. these songs, “Destroyer” and “Black Flowers”, come from his third record ‘Singing Saw’. “Destroyer” is an autobiographical minimalistic keyboard ballad, a distant cousin of the full band album version. “Black Flowers” on this single borrows less from the sweeping orchestras of leonard cohen’s catalogue and more from the melancholic austerity of bert jansch.

Image result for images of vinyl records

The big records releases from Kurt Vile, John Grant, St Vincent and at last The Lucid Dream plus loads of fantastic reissues from Mute and Dark Entries (that Eric Random is amazing) and the next David Bowie box set. Among new artists with records you should be listening too goes to Anna St. Louis, I have to say that I hadn’t heard her before but when I saw the press release compare her to Loretta Lynn, Townes Van Zandt and John Fahey I had to give it a spin. It is sooooooo good. Easily eyeing up a top spot in our albums of the year list. Its one of those records that everyone asks who it is when you hear a song, each track gets better as it goes along until when the album finishes you have just got to stick it straight back on.
I love records that are a surprise and I think you will love it too.

Screen shot 2018 10 01 at 11.42.31

St. Vincent – Masseducation

A year on (to the week) from the release of the critically acclaimed Masseduction album, St. Vincent releases re-imagined piano versions of the album. Performed with Thomas Bartlett over two days in a studio in Midtown Manhattan, August 2017.

Image001

Kurt Vile – Bottle It In

Kurt Vile is back with his first record in three years, the eclectic and electrifying Bottle It In, which he recorded at various studios around America over two very busy years, during sessions that usually punctuated the ends of long tours or family road trips.

Every song, whether it’s a concise and catchy pop composition or a sprawling guitar epic, becomes a journey unto itself, taking unexpected detours, circuitous melodic avenues, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better, to continue absorbing new music, new sounds, new ideas—it’s due to his precise, witty playing style, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next.

Using past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who, like his hero John Prine, can make you laugh and break your heart, often in the same line, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise, laconic jive-talkin’ drawl. He revels in the minutiae of the music— not simply incorporating new instruments but emphasizing how they interact with his guitar and voice, how the glockenspiel evokes cirrocumulus clouds on Hysteria, how Kim Gordon’s “acoustic guitar distortion” (her term) engulfs everything at the end of Mutinies, how the banjo curls around his guitar lines and backing vocals from Lucius to lend a high-lonesome aura to Come Again.

Johng

John Grant  –  Love Is Magic

With his fourth solo album, Love Is Magic, Grant has continued evolving, creating his most electronic record yet.

In collaboration with Benge (Ben Edwards), analogue synth expert / collector and a member of electronic trio Wrangler, Grant’s collaborators earlier this year under the collective name of Creep Show on the album Mr Dynamite. Anyone familiar with Grant’s story will recognise his battles – with addiction and health, with trusting love and relationships. From this turbulence he’s forged another riveting collection of often brutal diatribes and confessionals, where humour, fear, anxiety and anger overlap as Grant, with trademark candour, figuratively exposes the machinations of his saturated brain. It’s epitomised by the album’s brilliant opener Metamorphosis, almost as if his warring psyches are facing up to one another, as impervious synth-pop and brain-on-fire imagery (“Tiki bar, rat soufflé, Buik regal, Marvin Gaye”) melts into dream-ballad introspection (“Questions left unanswered, spiritual extortion”) and back to synth-backed mania. The magic of love pervades in two gorgeous, magisterial ballads toward the end of the album,Is He Strange and The Common Snipe – referring to the wader bird that makes a unique ‘bleating’ sound by rubbing its tailfeathers together.

Screen shot 2018 07 19 at 12.38.49

David Bowie  –  Loving the Alien (1983 – 1988)

The box contains newly remastered versions of David’s most commercially successful period Let’s Dance, Tonight, Never Let Me Down (Original and 2018 Versions), the live album Glass Spider (Live Montreal ’87)’, the previously unreleasedSerious Moonlight live album, a collection of original remixes entitled Dance and the non-album / alternate version / b-sides and soundtrack music compilation Re:Call 4. The highlight of this latest box is the brand new production of the 1987 album Never Let Me Down by Bowie producer / engineer Mario McNulty with new instrumentation by Bowie collaborators Reeves Gabrels (guitar), David Torn (guitar), Sterling Campbell (drums), Tim Lefebvre (bass) as well as string quartet with arrangements by Nico Muhly and a guest cameo by Laurie Anderson on Shining Star (Makin’ My Love). The seeds of this new reimagining of the albums were first sown in 2008 when David asked Mario McNulty to remix the track Time Will Crawl and record new drums by longtime Bowie drummer, Sterling Campbell along with strings. The track was issued on the iSelect compilation to much acclaim, and in the notes, for that record, David remarked ‘Oh, to redo the rest of that album’. The new re-workings have revealed Never Let Me Down as a very strong collection of songs with a dark thematic thread running through them. Fans listening to Never Let Me Down (2018)would be forgiven for thinking that they were listening to a brand new ‘lost’ Bowie record. Also in each box is the never before released Serious Moonlight live album recorded in Montreal in 1983. Originally mixed at the time by Bob Clearmountain, the double album captures Bowie on what at that time was his most successful tour. The artwork features shots taken by photographer Denis O’Regan. Exclusive to each box is Re:Call 4 and Dance. The former a new compilation featuring remastered contemporary single versions, non-album singles, album edits, b-sides and songs featured on soundtracks such as Labyrinth, Absolute Beginners and When The Wind Blows. Dance features 12 contemporaneous remixes some of which are appearing on CD and vinyl for the first time and is named after an unreleased Bowie remix album that was originally slated for release in November 1985. The box set’s accompanying 128 page book features rarely seen and previously unpublished photos by photographers including Denis O’Regan, Greg Gorman, Herb Ritts and many others as well as historical press reviews and technical notes about the albums from producers / engineers Nile Rodgers, Hugh Padgham, Mario McNulty and Justin Shirley-Smith.

11CD – The CD box set includes faithfully reproduced mini-vinyl versions of the original albums, and the CDs are gold coloured rather than the usual silver. Includes 128 Page hardback book. Let’s Dance (remastered) (1CD) Serious Moonlight (Live ’83) (previously unreleased) (2CD) Tonight (remastered) (1CD) Never Let Me Down (remastered) (1CD) Never Let Me Down 2018(previously unreleased) (1CD)* Glass Spider (Live Montreal ’87) (2CD) Dance (1CD)* Re:Call 4(non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (2CD)*

* Exclusive to Loving The Alien (1983-1988)

15LP – LP Box Set includes a 88 Page hardback book. Let’s Dance (remastered) (1LP) Serious Moonlight (Live ’83) (previously unreleased) (2LP)* Tonight(remastered) (1LP) Never Let Me Down (remastered) (1LP) Never Let Me Down (2018) (previously unreleased) (2LP – side 4 is etched)* Glass Spider (Live Montreal ’87) (previously unreleased on vinyl) (3LP)* Dance(2LP)* Re:Call 4 (non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (3LP)*

* Exclusive to Loving The Alien (1983-1988) LP box.

Primal scream give out but don't give up the original memphis recordings %28compressed%29

Primal Scream  –  Give Out But Don’t Give Up – The Original Memphis Recordings

In 1993 Primal Scream went to Memphis to make an album with Tom Dowd and the Muscle Shoals rhythm section, that album never saw the light of day, until now. Following the recent discovery of these tracks in a box lurking in Andrew Innes’ basement, Primal Scream release the original studio recordings from Memphis of the tracks that eventually became their 1994 album Give Out But Don’t Give Up. Teaming up with legendary producer Tom Dowd and the Muscle Shoals rhythm section of David Hood (bass) and Roger Hawkins (drums) at Ardent Studios in Memphis, the resulting recordings from those classic sessions showcase the more country soul, rock’n’roll side to a band who continue to surprise. It’s Primal Scream as you’ve never heard them before. Dowd’s deft production, coupled with the merging of this sublime rhythm section and one of the UK’s best ever bands, led to the creation of nine glorious tracks that run the gamut between blues, gospel and brilliant songwriting, available for the first time.

Elvis costello look now 768x768

Elvis Costello and The Imposters  –  Look Now

Costello returns with his first new collection of songs since his Wise Up Ghost collaboration with The Roots in 2013. It features The Imposters (bassist Davey Faragher along with original Attractions members, drummer Pete Thomas and keyboardist Steve Nieve). The album was co produced by Costello with Latin Grammys winner Sebastian Krys. Two standout tracks are Under Lime and Unwanted Number. The former is a spry, heavily textured pop rocker with Beatles-esque harmonies and horn arrangements on which Costello sings, “It’s a long way down from that high horse you’re on.” The latter is more low-key and boasts a soul groove and lush backup vocals, which allows Costello to belt lyrics about enduring a sour relationship. “I knew if we could make an album with the scope of Imperial Bedroom and some of the beauty and emotion of Painted From Memory, we would really have something,” Costello said in a statement, referring to the 1982 album he recently revisited on the road and his collaboration with songwriter Burt Bacharach. Bacharach co-wrote a few songs on Look Now, and sat in on piano with the Imposters on two of them, Don’t Look Now and Photographs Can Lie. Costello wrote another Look Now song, Burnt Sugar Is So Bitter, with Carole King.

A2391578665 16

Arc Iris – Icon of Ego

Arc Iris releases Icon Of Ego, its third groundbreaking album, as a trio that packs the heft of a far bigger band with fully realized sonic and visual intensity. On this latest album, vocalist / guitarist Jocie Adams, keyboardist / sample artist Zach Tenorio-Miller and drummer Ray Belli have crafted a vividly expressionistic new album that reflects both the group’s protean talents as well as its journey of survival. After its self-named 2014 debut on the nti- label, Arc Iris achieved critical acclaim, along with tours with St. Vincent and Jeff Tweedy and festivals like Bonnaroo followed. Within two years, the band self-released Moon Saloon in the US while Bella Union released the album in Europe. Tours supporting Kimbra, Gene Ween, and a complete re-imagination of Joni
Mitchell’s Blue performed at Washington’s Kennedy Center followed, which added to a growing, international fan base that has remained dedicated throughout.Icon of Ego finds a stronger, more experienced band. Recording at Providence’s Columbus Theater, home to silent movies and vaudeville during the ’20s, the band has evolved into a concentrated pop-prog explosion, mixing styles with disparate elements that captivate and surprise. With heavy synthesizer work by Tenorio and Adams, and seemingly impossible transitions executed effortlessly by Belli, the songs here carry a thick, analog electronic sound that harks back to the ’70s. Presiding over these are Adams’ powerful vocals that house the energy under pop forms.

Hay012cd lp lpc

The Lucid Dream – Actualisation

The Lucid Dream return with the release of their 4th album, Actualisation. Driven by fans raising £10,000 to help replace all equipment robbed after a Paris show in early 2017, a new album became the instant focus in the summer of 2017 for a rejuvenated The Lucid Dream. Actualisation is soaked in the influence of acid house, amalgamated with dub and kosmische. The album was penned over the summer of 2017 by Mark Emmerson (vocals/guitar/synths), using only the classic Roland 303/808 synths, bass and vocals as tools for writing. Inspiration for the writing was formed via continuous listening to the Chicago to UK acid house works of 1986-1992, the focus predominantly on the groove. Several months on from those writing sessions and The Lucid Dream have completed their 4th album in 5 years. A record made for the dancefloor. Recorded at Whitewood Studios, Liverpool, with Rob Whiteley, the album is produced alongside long-time collaborator Ross Halden (Ghost Town Studios, Leeds), with mastering via Dean Honer (All Seeing I/I Monster/The Moonlandingz). The confrontational techno-punk of Alone In Fear opens the album, a 9-minute attack fuelled by the frustration and anger spawned by Brexit, government and a realisation of what 2018 Britain currently is. Recent single SX1000 (the first work from the album, unveiled via 12′ vinyl in April this year) is the band’s first move into pure acid house. The acid house fusion runs throughout the record, represented furthermore by Ardency, a track already praised by live critics when aired live for the first time earlier this year as ‘even on first hearing, would’ve raised the roof of The Hacienda’. The 2-part opus of Zenith follows, commencing with a space-dub / house instrumental groove before building into a track that will go for your head as much as your hips. Only Breakdown harks back to sounds of old for the band, a little reminder of the skull-crushing impact they can make when stripped to the bare bones. No Sunlight Dub closes the album, a dark-dub that invites the classic acid-house tool (Roland 808) into the dub. The track makes a stop-off into drum ‘n’ bass / jungle along the way before rounding up in a manner suited to Lee Perry, King Tubby, Augustus Pablo and other Jamaican greats.

A0826696641 16

Anna St Louis  –  If Only There Was a River

If Only There Was A River is the first full-length studio album from Anna St. Louis. The songwriter, who originally hails from Kansas City, began writing songs after moving to Los Angeles five years ago and has previously released a cassette of recordings on Woodsist / Mare Records, appropriately titled First Songs. On her proper debut, St. Louis spreads her wings and expands on the promise hinted at on First Songs. To achieve that end, she enlisted Kyle Thomas (King Tuff) and Kevin Morby to produce the album, which was engineered by Thomas in his home in Mount Washington, LA. The collection of eleven songs also features Justin Sullivan (Night Shop) on drums and multi-instrumentalist Oliver Hill (Pavo Pavo). While hints of influences like Loretta Lynn, John Fahey and Townes Van Zandt peek out of the corners of the songs, this album is not a nostalgic affair. Rather it marks the emergence of an artist fully coming into their own.

Inv204 packshot

The KVB  –  Only Now Forever

The KVB release their sixth album, entitled Only Now Forever via Invada Records. Whilst holding evident inspiration from previous times, the sound this London-founded duo present is progressive and distinctly new in every sense. Idyllic at times; gritty in others, each bar is as enchanting as the last, leaving you in a melancholic trance. Offering poignant lyricism that explores modern anxieties that plague many, the duo manage to imbue feelings of empowerment, fighting such struggles with a deceivingly sanguine sound. This seamless juxtaposition is perhaps their best trait. Will appeal to fans of Depeche Mode, The Soft Moon, New Order, Nine Inch Nails and My Bloody Valentine.

Ofdesirelp

The KVB  –  Of Desire

The fifth album from UK darkwave duo The KVB is released on Invada Records. Of Desire is Kat Day and Nicholas Wood’s second release on Portishead member Geoff Barrow’s Bristol-based label. It follows a string of releases for operations like Downwards, Minimal Wave sublabel Cititrax and Ukraine’s ~taqueOT, most of which explored a moody shoegaze aesthetic. The recording of In Deep saw the The KVB raid Portishead and BEAK> man Geoff Barrow’s synth collection, as well as roping in Sonic Boom to master it. Their most fully formed record and considered in terms of dynamics, arrangements and instrumentation, taking in influences such as Death In Vegas, Scott Walker and Roxy Music, The KVB have managed to create something that is at once familiar and yet inventive and original.

Tct th 3000

Cocteau Twins – Treasure Hiding: The Fontana Years

There was perhaps a sense, after a while, that the world was taking The Cocteau Twins for granted. Late Eighties reviews had routinely described them as The Voice of God, yet 4AD, concerned that we’d get tired of appreciating the rarefied genius which shimmered in front of our noses, would keep reminding us that they were truly special. The irony was that The Cocteaus were themselves evolving, morphing, reconstituting and taking on new shapes. This wasn’t widely registered at the time. It can be now, as The Fontana Years demonstrates a musical marvel which still makes your ears feel like they’re sucking citrus fruits after years of licking ashtrays, while the rings of Saturn crash-land in your front room. This 4-CD set brings together the two albums the band recorded for Fontana along with B-Sides, EP’s, Radio One sessions and the odd rarity. The set was mastered at Abbey Road from the original tapes and approved by Robin Guthrie. Housed in a study box designed by James Issacs – the booklet contains photos a discography from the era as well as a sleeve note by noted author Chris Roberts.

Bb the three e.p.'s 20th anniversary remaster packshot cmyk

Beta Band  –  The Three Eps (20th Anniversary Remaster)

Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation. After acquiring the Beta Band’s catalogue last year, Because Music reissue their releases, with a double vinyl edition featuring the EPs Champion Versions, The Patty Patty Soundand Los Amigos Del Beta Bandidos with remastered tracks and coloured vinyls, to celebrate the 20th anniversary of the 1998 compilation.

Screen shot 2018 08 28 at 13.33.48

Tokyo Police Club  – TPC

If the universe had tilted the tiniest bit, there would be no TPC – the not-quite self-titled fourth (and best) Tokyo Police Club album. By 2016, singer-bassist and chief songwriter Dave Monks had settled into life in New York City; he made a solo record and did some co-writing. Drummer Greg Alsop was living and working in L.A. Keyboard player Graham Wright and guitarist Josh Hook remained in the band’s native Canada. Tokyo Police Club created songs via e-mail, thinking they had enough natural chemistry and experience to make that setup work. But eventually, the lack of friction meant there was less musical spark, and it dawned on everybody that the end was near. There was resignation, not anger, when Wright, Alsop, and Hook told Monks they were done with the band. After putting aside the idea of splitting up and back-burnering their commercial expectations, there was just one thing left to do: go to church. Specifically a church in rural Ontario, where the foursome could recapture the energy of their early years by playing in a room together. Songs that Monks had written were abandoned when they didn’t feel right for this new energy, and TPC started to take shape, built on camaraderie and esprit de corps.

Monks’ friends could once again help shape his songs into TPC songs, and the batch that ended up on the record aren’t quite like anything they’d done before. Album opener New Blues signals that Tokyo Police Club doesn’t need a racing tempo to introduce themselves; Pigs takes a sneering look at record-business politics; Simple Dude is unabashedly horny. Not giving a fuck—or, more accurately, only giving a fuck about those things closest to your heart—paid off. It’s the channeling of energy, which flows into every song on TPC, that makes the record their best. They’re through being cool, through doubting themselves, and through wasting time on ancillary things. TPC is self-titled, almost, because it’s Tokyo Police Club circa 2018—scarred but smarter, fully re-energized.

Holsapple vs chilton death of rock ov 303 600x600

Peter Holsapple vs Alex Chilton – The Death Of Rock

Newly discovered recordings of early solo Peter Holsapple and Like Flies On Sherbert–era Alex Chilton. Liner notes by Peter Holsapple and author / filmmaker, Robert Gordon. Previously unseen photos from the collections of Peter Holsapple and Pat Rainer. It’s 1978 at Sam Phillips Recording Service in Memphis, TN. Peter Holsapple had rolled into town chasing the essence of Big Star. He hooked up with musician / engineer / friend-of-Big-Star, Richard Rosebrough after approaching, and being turned down by, Chris Bell who Holsapple had hoped might be interested in producing him. Together Richard and Peter started laying down tracks during the off hours at the studio. Chilton meanwhile, was knee deep in the making ofLike Flies On Sherbert, also being tracked at Phillips. He told Peter, “I heard some of that stuff you’re working on with Richard . . . and it really sucks.” Alex promised to come by and show Peter “how it’s done.” The results? Alex’s tracks definitely line up with the chaos found on Flies, while several of Peter’s songs found homes on The dB’s albums (Bad Reputationand We Were Happy There) and on an album by The Troggs (The Death Of Rock retooled as I’m In Control), so not a loss at all. What we have in these newly discovered tapes, is a fascinating pivot point with both artists moving past each other headed in distinctly different directions. Chilton moved toward punk/psychobilly as he began playing with Tav Falco’s Panther Burns and produced The Cramps debut, Songs The Lord Taught Us, within a few months of these recordings. Holsapple was off to New York to audition for The dB’s and enter the world of “sweet pop.” Liner notes by Peter Holsapple tell the story of these recordings firsthand and author / filmmaker / Memphian, Robert Gordon, helps pull the time and place into focus. Previously unseen photos included in the package are drawn from the collections of Peter Holsapple and Pat Rainer. Produced by Cheryl Pawelski with mastering by Mike Graves at Osiris Studio and Jeff Powell at Take Out Vinyl / Sam Phillips Recording Service in Memphis, who brings it all right back to where it started.

Unspecified 9 grande

John Hiatt  –  The Eclipse Sessions

The Eclipse Sessions, John Hiatt’s newest album, offers up his strongest set of songs in years. Long celebrated as a skilled storyteller and keen observer of life’s twists and turns, Hiatt can get at the heart of a knotty emotion or a moment in time with just a sharp, incisive lyric or witty turn of phrase. The 11 tracks presented in The Eclipse Sessions, from the breezy opener Cry To Meto the stark Nothing In My Heart, the lost-love lamentation Aces Up Your Sleeve to the rollicking Poor Imitation Of God, demonstrate that the singer-songwriter, now 66, is only getting better with age, his guitar playing more rugged and rootsy, his words wiser and more wry. Hiatt goes all in with The Eclipse Sessions. There’s a grit to these songs – a craggy, perfectly-imperfect quality that colours every aspect of the performances, right down to Hiatt’s vocals, which are quite possibly his most raw and expressive to date. “They ain’t pretty, that’s for sure,” he says about the creaks and cracks that punctuate his phrases in songs like Poor Imitation Of God and One Stiff Breeze. “But I don’t mind a bit. All the catches and the glitches and the gruffness, that sounds right to me. That sounds like who I am.” The Eclipse Sessions is the sound of an artist not only living in but also capturing the moment.

Spacemen 3 forged prescriptions orbit060cd

Spacemen 3 – Forged Prescriptions

Forged Prescriptions is a double album by Spacemen 3, containing alternative takes and demo versions of songs from their album The Perfect Prescription, plus some previously unreleased tracks. In his liner notes

Bbcts24695cd

Jeff Buckley –  Live In Pilton UK, June 24, 1995

Recorded in Pilton, Somerset, England at the legendary Glastonbury Festival – running nearly 50 years now, since 1970 – on June 24, 1995, this is one of Jeff Buckley’s most famous live recordings. Raw, heavy, heartfelt, and deeply emotional, the set is comprised almost entirely of Buckley originals, mostly off of 1994’s Grace as well as one unreleased track and an unexpected cover of the MC5. Required live listening for any fan of this great 90s artist gone way too soon, who left only a small but nearly perfect legacy of recorded music.

Nk201809

The Rolling Stones – The BBC Sessions 1963-1965

Amazing early live BBC recordings from The Rolling Stones, even including recordings made before the release of their first record. Essential stuff for any fan of the greatest rock and roll group of all-time, including a ton of their great early R&B and blues cover versions! Including early Stones classic covers like Memphis, TN, It’s All Over Now, and Hi-Heel Sneakers, this is a party on wax. Nothing beats early Stones with Mick and Keith wailing and the band as amped up as they ever were! Classic.

Nk201807

Small Faces – The BBC Sessions 1965-1966

Collecting some of their earliest BBC sessions onto one disc this is Steve Marriott and his Small Faces at their absolute rocking R&B rave up best. Featuring classic originals like Watcha Gonna Do About It, E Too D, and Understanding, as well as killer covers of Motown and Otis Redding, this set is guaranteed to get you go-go’ing on the dancefloor. The greatest UK blue eyed R&B group of all-time at their live best.

Nk201808

The Kinks – The BBC Sessions 1964-1967

Spanning tracks from the classic 1964 self-titled debut to their 1967 masterpiece Something Else by the Kinks, this collection features nearly two dozen Kinks klassics, recorded live on the BBC. With stunning sound quality and a near perfect group of songs, hear the Davies Bros and Co. at their live, raw best. From the psych-pop brilliance of David Watts to the foot-pounding R&B of All Day And All Of The Night this collection runs the full spectrum of The Kinks’ sound. Essential live cuts from one of the top British Invasion and psychedelic era groups!

This Weeks Releases —-
Anna St. Louis – If Only There Was A River – Woodist
Daniel Brandt – Channels – Erased Tapes (Indie Exclusive)
John Grant – Love Is Magic – Bella Union (Deluxe)
Kurt Vile – Bottle It In – Matador (Indie Exclusive)
Yves Tumor – Safe In The Hands Of Love – Warp
Factory Floor – A Soundtrack For A Film – Heart Of Data (Indie Exclusive)
A Certain Ratio – The Graveyard & The Ballroom – Muts (Indie Exclusive)
Silicon Teens – Music For Parties – Mute
William Basinski & Lawrence English – Selva Oscura – Temporary Residence (Indie Exclusive)
Goatman – Rhythms – Rocket Recordings (Indie Exclusive)
Groundhogs – Blues Obituary – Fire Records (Indie Exclusive)
The Fall – I Am Kurious Orange – Beggars Banquet
Eric Random – A Boy Alone – Dark Entries
Talking Drums – Courage – Dark Entries
Cyrnai – To Subtle Drive – Dark Entries
Tess Parks & Anton Newcombe – Tess Parks & Anton Newcombe – A Recordings
Holger Czukay – Rome Remains Rome – Gronland
Holger Czukay – Der Osten Ist Rot – Gronland
Haley – Pleasureland – Memphis Industries (Indie Exclusive)
Exek – A Casual Assembly – Superior Viaduct

 

Image result for images of vinyl records

A Big, big day for new releases tomorrow, Pixies re-release ‘Come On Pilgrim’ and ‘Surfer Rosa’ with an unreleased bonus LP!
New Live EP from Nick Cave & The Bad Seeds!
New Amber Arcades record!
Pigs Pigs Pigs Pigs Pigs Pigs Pigs new album – is that enough Pigs for you?
New Graham Parker record – on limited pink vinyl!
A very limited Soft Cell 7″ – hurry, these are going quick!

More new albums out tomorrow from the likes of Alt-J, Blackfield, Gouge Away, Dave Grohl, Hater,Jlin, Ava Luna, Metric, Mini Mansions, Mudhoney, Marissa Nadler, Eddi Reader and Ana Da Silva & Phew.

It’s a bumper reissue day tomorrow as well. With a set of Stereolab reissues. plus the excellent Joe Strummer box set, but with the expensive price tag, there’s thankfully a slimmed down 4LP set as well. The Pink Floyd ‘Best Of’finally makes its way to vinyl, as does a collection of Aretha Franklin singles from the Atlantic label. Throw in new re-releases from U2, John & Beverley MartynHouse Of Love .

4ad0048lpx pixies copisr mockups clear

The Pixies  – Come On Pilgrim… It’s Surfer Rosa

30th Anniversary Deluxe Edition of Pixies’ Debut EP and Album, Come On Pilgrim and Surfer Rosa, includes Bonus 1986 Radio Concert Live From The Fallout Shelter. It’s been thirty years since the release of Surfer Rosa – a record made up of rage, religion, gore, incest and superheroes named Tony – a debut album so good that it’s since seen as a masterpiece. A year prior came Come On Pilgrim, an eight-track mini-album released in 1987 which contained cuts culled from their first ever studio session, where they famously recorded seventeen tracks in just three days (in full, this session makes up the band’s much bootlegged and now officially released The Purple Tape). These formative records showed the Pixies to be an alien breed; four oddball outsiders from Boston blending US underground thrash rock, indie surf pop and Spanish-language flamenco with the Biblical mythology of Frances’s childhood. They would go on to record another masterpiece in 1989’s Doolittle but it’s the gruesome glory of Surfer Rosa, and the ruined sexuality of its cover image (a topless flamenco dancer in a crumbling Mexican bar) that set a fresh blueprint for an indie rock dynamism that not only planted the seeds of grunge (Kurt Cobain would admit that he was trying to imitate the record while writing Nevermind) but of much of the best rock music made since. The thirtieth anniversary edition contains Come On Pilgrim, Surfer Rosa and Live From The Fallout Shelter, a concert-cum-session that first aired in late-1986 on WJUL in Lowell, MA. In addition to both a three CD and three LP edition, there’s also a super-limited and stunning deluxe clothbound hardbook three LP version, which will be a must for all fans. Like all other Pixies sleeves, Vaughan Oliver returns as designer, stunningly reinterpreting his original artwork with Simon Larbalestier’s iconic photographs remaining these record’s crowning glory.

3LP – Triple Gold Vinyl with Download Card of Live from the Fallout Shelter.

3LP+ – Deluxe Version in Clothbound Hardbook, Triple Clear Vinyl, Lyric Booklet, Art Book and Download Card of Live From The Fallout Shelter.

3CD – Triple CD in Hardbook Wallet Case with Lyric Booklet.

Nc distant sky packshot 01

Nick Cave – Distant Sky (Live In Copenhagen)

Filmed at Copenhagen’s Royal Arena in October 2017, Distant Skycaptured an extraordinary and triumphant live concert from Nick Cave and The Bad Seeds. Performing new album Skeleton Tree’s beautiful compositions alongside songs from their essential catalogue. 4 track 12” taken from the performance

Joyf

The Joy Formidable – AAARTH

The Welsh trio (vocals & guitar RItzy / bass Rhydian / drums Matt) release their fourth album. It was recorded in their mobile recording studio with songs created all over the world then brought home to roost in the Welsh hills and made into a lush new album.

A little bit grungy, a little bit hard rocky, even a little bit of metal-tinged chug. Ritzy’s smooth vocals soar and dive over churning, swaying lurching fluttering guitars, grinding bass and relentless drums. It’s not all hard-hitting alt-rock though – a skilful hand on the power-on button means there’s room for a sweeter side and a push me, pull me tug on the dynamics.

Pigsx7 kingofcowards launch150

Pigs Pigs Pigs Pigs Pigs Pigs Pigs – King of Cowards

Indeed, not only do psychologists theorise that the human braincan only memorise a sequence of this length, but Pigs Pigs Pigs Pigs Pigs Pigs Pigs – the Newcastle -based maximalists whose riffs, raw power and rancour have blazed a trail across the darker quarters of the underground in the last five years -have made a second album in King Of Cowards which does its damnedest to take consciousness to its very limits. Moreover, another notable seven is dealt with here -that of the deadly sins. As vocalist and synth player Matt Baty notes “For a long time I’ve questioned how and where guilt can be used as a form of oppression. When can guilt be converted into positive action? After typing all of the lyrics up I realised I’d unwittingly referenced every one of the seven deadly sins throughout the album. That’s my fire and brimstone Catholic upbringing coming into play there!” Building on the momentum this band has built since their January 2017 debut Feed The Rats, this opus sees them entering a new phase as a sleeker and still more dangerous swineherd. The Iggy-esque drive to dementia, Sabbath-esque squalor and Motörhead-style dirt may still be present and correct, yet the songs are leaner, the long-drawn-out riff-fests sharpened into addictive hammerblows and the nihilistic dirges of yore alchemically transformed into an uplifting and inviting barrage of hedonistic abandon.“The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which” So George Orwell noted at the end of a certain slim volume. King Of Cowards is nothing less than just sucha metamorphosis, one in which -in a blur of primal urges and beastly physicality -this band shows us just which animals are really in charge of the farm.

Amberarcades

Amber Arcades –  European Heartbreak

Dutch dream poppers Amber Arcades return with the elegant and romantic European Heartbreak was recorded and co-produced in LA with Chris Cohen from Deerhoof and in Richmond, Virginia with Trey Pollard (Natalie Prass, The Waterboys, Bedouine), who oversaw horn and string overdubs from Spacebomb. A vast step forward from Amber Arcades’ critically acclaimed debut album Fading Lines, this selection of songs flit around Europe, from Berlin to Spain to the south of France. It’s European not just in lyrical theme but also in the sly sophistication of its music: songs that carry with them the air of open-topped cars on clifftop roads, of cocktails on the terrace at sunset. And then the lyrics undercut that sunny mood, artfully and skilfully. For fans of Belle and Sebastian, Camera Obscura and the mellower parts of Alvvays.

A0723799470 16

Lala Lala  –  The Lamb

“The Lamb was written during a time of intense paranoia after a home invasion, deaths of loved ones and general violence around me and my friends,” says Lillie West, the Chicago-based songwriter behind Lala Lala. “I began to frequently and vividly imagine the end of the world, eventually becoming too frightened to leave my house. This led me to spend a lot of time examining my relationships and the choices I’d made, often wondering if they were correct and / or kind.” West initially started Lala Lala as a way to communicate things that she felt she could never say out loud. But on The Lamb, her sophomore LP and debut for Hardly Art, she has found strength in vulnerability. Through bracing hooks and sharp lyrics, the 24-year-old songwriter and guitarist illustrates a nuanced look on her own adulthood – her fraught insecurity, struggles with addiction, and the loss of several people close to her. Across the album’s 12 tracks, West carefully examines the skeletons in her closet for the first time, hoping to capture honest snapshots of her past selves. Many of the songs show West asking herself agonizing questions about her life with a clever and hopeful curiosity. On the album’s first single and opening track, Destroyer, she reflects on feeling self-destructive and the delayed realization something in the past has irrevocably hurt you. In Water Over Sex, West laments her old precarious lifestyle, while trying to readjust to her newfound sobriety, and Copycat confronts her feelings of alienation and boredom. “Some of this album is about being frustrated that everything is always repeating itself and being bored with your own feelings,”she explains. Copycat in particular is about how everyone talks exactly the same on the Internet and how it sometimes feels futile to try and be yourself.”

172177

Metric  –  Art of Doubt

Toronto’s Metric emphasize guitars on the band’s latest album, a collection of 12 new songs packed with massive riffs, driving rhythm and raw / smooth vocals that have become their instantly identifiable signature sound. Produced by Justin Meldal-Johnsen (M83, Beck, Nine Inch Nails), Metric’s seventh LP addresses a climate of cultural and political anxiety while refusing to give despair the upper hand. In many ways, it’s the most Metric album the band has ever made as Emily Haines, Jimmy Shaw, Joshua Winstead and Joules Scott-Key rediscover their shared love of music and how good they are at making it together.

A3516283329 16

Eyelids – Maybe More

After coming home fired up from their 2017 tours (which included UK / Euro / US dates with Drive-By Truckers, Dream Syndicate, Fruit Bats, The Cribs) Eyelids headed into various studios in Portland to finish up a new batch of songs they had been working on. They ended up with a perfect combination of
the lilting, powerful hooks of their recent Peter Buck-produced album or alongside the spookier, more meditative moments from their debut 854 . Oh and they added in a fiery rendition of The Gun Club’s Sex Beat (with Scott McCaughey and Peter Buck of R.E.M. throwing down alongside them) just to hammer the point home. Now Eyelids could always write a earworm of a song (which is why or ended up many best of 2017 lists) and from the minute the needle hits this vinyl, there it is again. With its rolling and
intricate jangle the band (like XTC, R.E.M. and The Byrds— their three biggest comparisons from the press) make their three distinct personalities / guitars become an amazingly powerful whole.

Bbcts24695cd MC5

Jeff Buckley – Live In Pilton UK, June 24, 1995

Recorded in Pilton, Somerset, England at the legendary Glastonbury Festival – running nearly 50 years now, since 1970 – on June 24th, 1995, this is one of Jeff Buckley’s most famous live recordings. Raw, heavy, heartfelt, and deeply emotional, the set is comprised almost entirely of Buckley originals, mostly off of 1994’s Grace as well as one unreleased track and an unexpected cover of the. Required live listening for any fan of this great 90s artist gone way too soon, who left only a small but nearly perfect legacy of recorded music.

Ofdesirelp

The KVB  –  Of Desire

The fifth album from UK darkwave duo The KVB is released on Invada Records. Of Desire is Kat Day and Nicholas Wood’s second release on Portishead member Geoff Barrow’s Bristol-based label. It follows a string of releases for operations like Downwards, Minimal Wave sublabel Cititrax and Ukraine’s ~taqueOT, most of which explored a moody shoegaze aesthetic. The recording of In Deep saw the The KVB raid Portishead and BEAK> man Geoff Barrow’s synth collection, as well as roping in Sonic Boom to master it. Their most fully formed record and considered in terms of dynamics, arrangements and instrumentation, taking in influences such as Death In Vegas, Scott Walker and Roxy Music, The KVB have managed to create something that is at once familiar and yet inventive and original.

Hater siestsa

Hater  –  Siesta

Effortless and assured, the Scandi quartet drift eloquently into well-structured and stunning melodies.

Resolute in their sound, Siesta is the perfect soundtrack for that summer romance and the inevitable break up. Heartbreak has never sounded so sweet!. Produced by Joakim Lindberg (Yast and Hey Elbow) at Studio Sickan within old railway sheds outside of Malmö Sweden. Hater tackle their personal experiences of life, love and relationships yet through their shared songwriting there’s a togetherness. Synth pop earworm It’s So Easy contrasts the slower paced I Wish I Gave You More Time Because I Love You that blends beautiful sweeping sax from Inge Petersson Lindback. Hater boast Marr-esque guitars and vocals reminiscent of fellow Swedes and The Concretes whilst having the pop sensibilities of The Chills, Alvvays, Snail Mail and Makthaverskan.

Marissa nadler for my crimes

Marissa Nadler  –  For My Crimes

The eighth album from Marissa Nadler, For My Crimes, is the sound of turmoil giving way to truth. The songs stare down the dark realization that love may not be enough to keep two people together through distance and differing needs. By asking these difficult questions about her relationships, Nadler has found a stronger sense of self and a sharper voice as both a songwriter and a vocalist, culminating in her most evocative entry in an already impressive discography. The album is released via Bella Union and Sacred Bones. The opening title track is classic Nadler: a sweeping, vaguely Southern drama of voices, strings, and acoustic guitar, that walks the fine line between character song and personal indictment by metaphor. For My Crimes spawned out of a songwriting exercise in which Nadler wrote from the perspective of someone on death row, but the song casts a dark shadow over an album that turns marital conflict into inner reflection. Helping Nadler dig down into the song’s remorseful soul is her old friend Angel Olsen, who serves as a distraught echo from beyond in the chorus. Dreaminess and eeriness have often been two sides of the same coin in Marissa Nadler songs. Where For My Crimes and Blue Vapor come from her dark side, the album has plenty of moments that twinkle in their sadness and sentimentality. I Can’t Listen to Gene Clark Anymore is one of those highly specific songs you’ll get if you’ve ever lost a favourite band to your own broken heart.

Squirrelflower

Squirrel Flower – Contact Sports and Bonus Tracks

For fans of Big Thief, Mitski and Sharon Van Etten. Squirrel Flower is the alias 21-year-old Ella Williams adopted for herself when writing and performing songs as a child. Since those early days her movement through music has progressed at a staggering pace and now a reissue of her second EP Contact Sports, available on vinyl for the first time. Contact Sports is a perfectly formed collection of songs about relationships; intimacy, dependency, betrayal and place set to the unique backdrop of the American Midwest. The first three songs represent the push and pull of love and intimacy while the last three are more meditative, more place-based. From the fulsome guitar and visceral, cathartic breakdowns of lead single Conditions to the carefully layered beauty of Hands Melt, this varied collection frequently impresses with its maturity and craftsmanship. Lyrically too, tracks like the fuzzy, dimly-lit euphoria of Daylight Savings are spellbinding in their turn of phrase as Williams sings “I know we’ve gained an hour, but I feel like we’ve lost two”.

Image002

Goggs  –  Pre Strike Sweep

With their second album Pre Strike Sweep, Goggs add a new level of primordial anxiety to their already catastrophic symphony. Recorded and mixed in 2017 by Goggs guitarist and co-founder Ty Segall, the album explores the damaging affects of modern life before blowing them up one by one. Singer Chris Shaw uses terms like “space rinse” and “roadside surgery” to inform the listener that this is a strange and different trip, far and away from the Glendale Junkyard he romanticized in 2016 on their self-titled album. In fact, all expectations brought on by that acclaimed debut are crushed into dust, revealing a new standard by which the Goggs march thumps. Ty Segall side project featuring Chris Shaw (Ex-Cult) on vocal duty and Charles Moothart (Fuzz) on drums.

Unknown

Parquet Courts – Wide Awake Remixes

Limited 12″. Standout tracks from Parquet Courts’ latest album Wide Awake! get the dancefloor treatment in a collection of remixes available on 12” vinyl. The A-side features a re-work of the danceable title track by legendary first wave NYC disco pioneer Danny Krivit, who has delivered classic vinyl re-edits of tunes from Visage, James Brown, Giorgio Moroder, Kraftwerk, and many more. The B-side features remixes of two tracks by prolific Australian producer and engineer Mikey Young, known for his work in Total Control and Eddie Current Suppression Ring. “Mikey has always impressed me as a musician and person,” says Parquet Courts’ A. Savage, “but he’s developed a remarkable talent for producing electronic music, as evidenced by projects like Lace Curtain and Total Control. He has a skill of impressing his genius and personality into a track and elevating it to something more.

3000x3000 jpg

Alt J  –  Reduxer

Reduxer is a set of 11 incredible reinterpretations of songs from their award winning third album ​Relaxer, ​reimagined by a host of fans, friends and peers, including a globe-straddling cross-section of some of the world’s most influential and prolific hip hop artists and producers. Putting their own indelible vocals on the songs are, amongst others, Grammy-nominated US hip hop high flyer GoldLink​, platinum-certified Parisian rapper ​Lomepal​, Berlin powerhouse ​Kontra K​, Dublin-born breakthrough rapper ​Rejjie Snow​, Australian auteur ​Tuka​, Puerto Rican rapper ​PJ Sin Suela​ and London’s acclaimed ​Little Simz. The project was first hinted at when Virginia Beach hip hop superstar​ PushaT​ and LA synthpop polymath Twin Shadow both joined alt-J for a surprise performance of In Cold Blood on The Late Show With Stephen Colbert, before swiftly releasing the studio version of the collaboration. Another standout is a new version of Deadcrush reworked by legendary producer ​The Alchemist and Latin American production powerhouse ​Trooko​, and featuring the unmistakable vocals of hip hop iconoclast​ Danny Brown​.

Mudhoney digitalgarbage 2400x2400 72dpi

Mudhoney –  Digital Garbage,

Since the late ’80s, Mudhoney – the Seattle-based foursome whose muck-crusted version of rock, shot through with caustic wit and battened down by a ferocious low end – has been a high-pH tonic against the ludicrous and the insipid. Thirty years later, the world is experiencing a particularly high-water moment for both those ideals. But just in time, vocalist Mark Arm, guitarist Steve Turner, bassist Guy Maddison, and drummer Dan Peters are back with Digital Garbage, a barbed-wire-trimmed collection of sonic brickbats. Arm’s raw yawp and his bandmates’ long-honed chemistry make Digital Garbage an ideal release valve for the 2018 pressure cooker. “My sense of humor is dark, and these are dark times,” says Arm. “I suppose it’s only getting darker.”

Digital Garbage opens with the swaggering Nerve Attack, which can be heard as a nod both to modern-life anxiety and the ever-increasing threat of warfare. The album’s title comes from the outro of Kill Yourself Live, which segues from a revved-up Arm organ solo into a bleak look at the way notoriety goes viral. Arm says: “people really seem to find validation in the likes—and then there’s Facebook Live, where people have streamed torture and murder, or, in the case of Philando Castile, getting murdered by a cop. In the course of writing that song, I thought about how, once you put something out there online, you can’t wipe it away. It’s always going to be there – even if no one digs it up, it’s still out there floating somewhere.”

Appropriately enough, bits of recent news events float through the record: Please Mr. Gunman, on which Arm bellows “We’d rather die in church!” over his bandmates’ careening charge, was inspired by a TV-news bubblehead’s response to a 2017 church shooting, while the ominous refrain that opens the submerged-blues of Next Mass Extinction calls back to last summer’s clashes in Charlottesville. Mudhoney’s core sound – steadily pounding drums, swamp-thing bass, squalling guitar wobble, Arm’s hazardous-chemical voice – remains on Digital Garbage, which the band recorded with longtime collaborator (and Digital Garbage pianist) Johnny Sangster at the Seattle studio Litho. The anti-religiosity shimmy 21st Century Pharisees builds its case with Maddison’s woozy synths, which Arm says “add a really nice touch to the proceedings.” Digital Garbage closes with Oh Yeah, a brief celebration of skateboarding, surfing, biking, and the joy provided by these escape valves. “I would’ve really just loved to write songs about just hanging out on the beach, and going on a nice vacation,” says Arm. “But, you know, that probably doesn’t make for great rock.” Mudhoney, however, know what does make great rock – and the riffs and fury of Digital Garbage will stand the test of time, even if the particulars fade away. “I’ve tried to keep things somewhat universal, so that this album doesn’t just seem like of this time – hopefully some of this stuff will go away,” Arm laughs. “You don’t want to say in the future, ‘Hey, those lyrics are still relevant. Great!’”

Tompetty an american treasure d2c packshot

Tom Petty – An American Treasure

Reprise Records release An American Treasure – a career-spanning Tom Petty box set. The 60-track set unveils dozens of previously unreleased recordings, alternate versions of classic songs, rarities, historic live performances and deep tracks that spotlight Tom’s remarkable depth and evolution as a revered and tremendously influential songwriter, recording artist and performer. An American Treasure marks the first release of Tom Petty music since the artist’s tragic passing in October 2017. The first single from An American Treasure isKeep A Little Soul—a previously unreleased recording from 1982 sessions that resulted in Tom Petty and The Heartbreakers’ classic album, Long After Dark. Tom’s daughter, Adria Petty, and his wife, Dana Petty, were the primary catalysts for the commission, creation and release of An American Treasure­ – a tribute and love letter pointing to the music in between the hits, and a strong musical portrait of the person they know in their hearts. Adria and Dana both serve as the project’s Executive Producers, and, together with Tom’s bandmates of 45 years, Heartbreakers Mike Campbell and Benmont Tench, and his studio collaborator, Ryan Ulyate, curated the box set’s track list from Petty’s rich song catalog. Campbell, Tench and Ulyate also produced An American Treasure.

2CD – Double CD Set that features 26 career spanning tracks chosen from the Deluxe editions, as well as Bud Scoppa’s detailed track-by-track.

4CD – Four CD set housed in Hard Cover Book Sleeve that features all 60 tracks, plus a 52-page booklet with rare and previously unseen photographs of Tom, his bandmates, family and friends. The booklet also features detailed track-by-track liner notes by noted journalist and Tom Petty aficionado Bud Scoppa, who drew upon his previous interviews with Tom and new conversations with Mike Campbell, Benmont Tench and Ryan Ulyate, as well as Adria and Dana Petty.

6LP – 6-LP Set that features all 60 tracks and a 48-page booklet containing all of the photographic and editorial elements found in the CD Deluxe Edition. This set also includes the Nicholas Dawidoff essay.

Igncd53 strummerjewel rs1 200618.158

Joe Strummer  –  001

Joe Strummer 001 is the first compilation to span Joe Strummer’s career outside of his recordings with The Clash.

Joe Strummer 001 includes fan favourites from his recordings with the 101ers and The Mescaleros, all of his solo albums, soundtrack work and an album of unreleased songs. Standouts include It’s A Rockin’ World, produced by Rick Rubin and taken from the ‘South Park’ Soundtrack and London Is Burning (an alternative / early version of Burnin’ Street from Joe Strummer and The Mescaleros final album Streetcore).

All of the formats include tracks that have never appeared anywhere before as well as new remasters. Exclusive to all formats is an album of unreleased material including an early demo of This Is England entitled Czechoslovak Song / Where Is England, a solo demo of Letsagetabitarockin recorded in Elgin Avenue in 1975, outtakes from Sid and Nancy featuring Mick Jones and unreleased songs Rose Of Erin, the biographical and mythical recording The Cool Impossible and London Is Burning one of the last songs Joe recorded. Punk pioneer, singer, songwriter, recording artist, activist, musical and political inspiration for a generation and mighty diamond Joe Strummer was the most charismatic and passionate frontman to emerge from the punk explosion of the late seventies.

After Joe’s untimely death in December 2002 it was discovered that Joe had been quite an archivist of his own work, having barns full of writings and tapes stored in his back garden. There are now over 20,000 items in the Joe Strummer Archive. The archiving of this material and compiling of Joe Strummer 001 was overseen by Joe’s widow Luce and Robert Gordon McHarg III. All tracks were restored and mastered by Grammy Award winner Peter J. Moore at the E. Room in Toronto Canada. On-going through cassettes and recording tapes it was discovered that Joe was rather frugal and keen on hiding tracks. On cassettes he would leave 20 minutes between songs. On the 1” 8 track recordings it was discovered there were hidden tracks superimposed onto each other. For example tracks 1-4 were taken by one song and tracks 5-8 by two other songs which were thought when played back to be caused by tape denigration until the tapes went to Peter J Moore who was able to separate one song from another. The cover of all formats is taken from Joe’s 1990 Californian driving license.

4LP+ – Limited Edition Deluxe Box Set: Quadruple Heavyweight Vinyl, 7” Vinyl Single (exclusive tracks on 7”This Is England(Side A) and Before We Go Forward (Side B), Cassette (previously unheard and unreleased U.S North (Basement Demo) – with artwork replicated from the original cassette recording from Joes’s archive), A4 Book, Enamel Badge, envelope containing a screen print, a high quality image of Joe, two original art prints, and a sticker sheet. The book features rarely seen and previously unpublished memorabilia from Joe’s personal collection as well as historical press reviews and technical notes about the albums. Limited to 3000 Copies.

2CD+ – Limited Edition Deluxe Double CD in A4 Book. Limited to 5000 Copies.

2CD – Double CD in Slipcase.

4LP – Quadruple Heavyweight Vinyl in Slipcase. Limited to 3000 Copies.

49368

John and Beverley Martyn – Stormbringer!

Originally released in February 1970 by Island Records this is the first and classic album by John and Beverley Martyn. After being rehearsed in Woodstock, NY Stormbringer! was recorded and mixed in only 8 days with engineer John Wood and producer Joe Boyd. John Martyn, inspired by the Band’s Music from Big Pink, worked hard to find a distinctive guitar sound and in two tracks (Would You Believe Me? and The Ocean) introduced his pioneering guitar technique. Levon Helm guested on drums on two tracks while John Simon and Paul Harris are among the other contributors. jazzy undertones, spirit lifting vocals, and buttery folk guitar leads for such a unique and beautiful record.

Screen shot 2018 08 28 at 13.26.26

John and Beverley Martyn – The Road To Ruin

John and Beverley’s 2nd album, also released in 1970, was Produced by Joe Boyd and engineered by John Wood at Sound Techniques, the Island Records studio. Features contributions from Danny Thompson, Dave Pegg and Wells Kelly. Contains the single Primrose Hill.

Brc 012 bigcartel

Redd Kross – Third Eye

The American alternative rock band Redd Kross reached their peak in the early 1980s by releasing clever punk rock song. Their 1990 album Third Eye shows how much they changed their sound over the years. Their aggressive approaches have been changed to fascinating power-pop and alternative rock songs. The colourful choruses on this genre-defining record gives the album more depth than you’d think on first listen. Positively Beatlesque they sound on Bubblegum Factory, while Shonen Knife is a tribute to the contemporary Japanese rockers. Rooted in 1978 as the punk band The Tourists Redd Kross went on to become a well-known name in the punk and power pop music scene.

The Big news this week is the widely anticipated, ‘The White Album’ from The Beatles is getting a 50th Anniversary reissue. Newly remastered and remixed in stereo by Giles Martin, this comes a regular 2LP set, a 4LP set with The Esher Demos and a gigantic 6CD & 1 Blu-Ray box set that throws just about everything in. The 4LP set looks pretty damn essential in our eyes.

Other news this week
A live Father John Misty album, record by Third Man Records!
New Ty Segall album!
A new Mumford & Sons record
A new Ryley Walker record! Covering Dave Matthews Band But don’t let that put you off.

Also added to the site this week are forthcoming albums from Night Beats, Richard Swift, Vessel, a compilation from the Brainfeeder label, Unknown Mortal Orchestra and another in the series of From The Vault recordings live Rolling Stones 3LP set from the Voodoo Lounge tour. Limited blue vinyl for two early Fleetwood Mac albums. A very limited Aretha Franklin 2LP & 10″ set from Music On Vinyl.

looking forward to next week with new albums from Cat Power, Kristin Hersh, Phosphorescent and reissues from XTC and Television. have a great weekend!

This Week’s Releases

Tony Allen & Jeff Mills – ‘Tomorrow Comes The Harvest’ 10″ EP
Alt-J – ‘Reduxer’ LP
Amber Arcades – ‘European Heartbreak’ blue vinyl LP
Barenaked Ladies – ‘Stunt’ 2LP reissue
Blackfield – ‘Open Mind: The Best Of’ limited coloured vinyl 2LP
Nick Cave & The Bad Seeds – ‘Distant Sky (Live In Copenhagen)’ 12″ EP
Aretha Franklin – ‘The Atlantic Singles Collection’ 2LP reissue
Gaika – ‘Basic Volume’ 2LP
Dave Grohl – ‘Play’ LP
Hater – ‘Siesta’ 2LP
Trevor Horn – ‘Reflection’ limited pink vinyl 2LP
Jlin – ‘Autobiography’ limited red vinyl 2LP
The Joy Formidable – ‘AAARTH’ LP
The KVB – ‘Of Desire’ coloured vinyl LP
Kodaline – ‘Politics Of Living’ LP
Ava Luna – ‘Moon 2’ LP
John & Beverley Martyn – ‘Stormbringer’ LP reissue
John & Beverley Martyn – The Road To Ruin’ LP reissue
Paul McCartney – ‘Egypt Station’ LP

The Meters – ‘The Meters’ LP reissue
Metric – ‘Art Of Doubt’ LP

Mudhoney – ‘Digital Garbage’ limited blue vinyl LP
Marissa Nadler – ‘For My Crimes’ smoke coloured vinyl LP

Graham Parker – ‘Cloud Symbols’ pink vinyl LP

Parquet Courts – ‘Wide Awake: Remixes’ 12″
Peluche – ‘Unforgettable’ 2LP
Pigs Pigs Pigs Pigs Pigs Pigs Pigs – ‘King Of Cowards’ LP
Pink Floyd – ‘A Foot In The Door: The Best Of’ 2LP reissue
Pixies – ‘Come On Pilgrim…It’s Surfer Rosa’ standard coloured vinyl 3LP set
Eddi Reader – ‘Cavalier’ limited blue vinyl 2LP
Redd Kross – ‘Third Eye’ limited purple vinyl LP reissue
Ana Da Silva & Phew – ‘Island’ 2LP
Soft Cell – ‘Northern Lights/Guilty (Cos I Say You Are)’ limited 7″ single
Stereolab – ‘Switched On Vol.1, 2 & 3’ 6LP bundle package
Stereolab – ‘Switched On’ LP reissue
Stereolab – ‘Refried Ectoplasm’ 2LP reissue
Stereolab – ‘Aluminium Tunes’ 3LP reissue

Joe Strummer – ‘Joe Strummer 001’ limited deluxe box set
U2 – ‘The Best Of: 1990-2000’ 2LP reissue
Tony Joe White – ‘Bad Mouthin” white vinyl 2LP

Image result for images of vinyl records

 

Ourgirl

Our Girl – Stranger Today

Our Girl inhabit a space bigger than the first loves, sleepless nights and growing pains that define Stranger Today. Don’t miss this very special debut. For fans of The Big Moon, Lush and The Breeders

A4215691253 16

Oh Sees – Smote Reverser

Crack the coffers, Oh Sees have spawned another frothy album of head-destroying psych-epics to grok and rock out to. Notice the fresh dollop of organ and keyboard prowess courtesy of Memory Of A Cut Off Headalum and noted key-stabber Tom Dolas, while the Paul Quattrone / Dan Rincon drum-corps polyrhythmic pulse continues to astound and pound in equal measure, buttressed by the nimble fingered bottom end of Sir Tim Hellman the Brave and the shred-heaven fret frying of John Dwyer, whilst Lady Brigid Dawson again graces the wax with her harmonic gifts. Aside from the familiar psych-scorch familiar to soggy pit denizens the world over, there’s a fresh heavy-prog vibe that fits like a worn-in jean jacket comfortably among hairpin metal turns and the familiar but no less horns-worthy guitar fireworks Dwyer’s made his calling card. Perhaps the most notable thing about Smote Destroyer is the artistic restlessness underpinning its flights of fancy. Dwyer refuses to repeat himself and for someone with such a hectic release schedule, that stretching of aesthetic borders and omnivorous appetite seems all the more superhuman!

Mitski

Mitski – Be The Cowboy

Hailed as the new vanguard of indie rock following the breakout success of 2016’s Puberty 2, Mitski returns with Be The Cowboy via Dead Oceans Records.

Mitski’s carefully crafted songs have often been portrayed as emotionally raw, overflowing confessionals from a fevered chosen girl, but in her fifth album, Mitski introduces a persona who has been teased before but never so fully present until now—a woman in control. “For this new record, I experimented in narrative and fiction,” comments Mitski. Though she hesitates to go so far as to say she created full-on characters, she reveals she had in mind “a very controlled icy repressed woman who is starting to unravel. Because women have so little power and showing emotion is seen as weakness, this ‘character’ clings to any amount of control she can get. Still, there is something very primordial in her that is trying to find a way to get out.”

Throughout the 14 songs, the music swerves from the cheerful to the plaintive. Mournful piano ballads lead into deceptively uptempo songs. “I had been on the road for a long time, which is so isolating, and had to run my own business at the same time. A lot of this record was me not having any feelings, being completely spent but then trying to rally myself and wake up and get back to Mitski.”

Mikey collins hoick

Mikey Collins – Hoick

Hoick is the solo album from Allo Darlin’drummer Mikey Collins, who combines his love of solid grooves and joyous harmonies to create a fun and sonically varied record. Mikey played most of the instruments and mixed the record himself, with some assistance from Laura Kovic (Tigercats) on vocals and fellow Allo Darlin’ member Paul Rains on lead guitar. The flicker of his previous band provided the building blocks of an upbeat, positive record, but Mikey wanted to add his own quirky, disco spin and sonic expansiveness. The aim to make a record that people stood a chance of being able to dance to. Mikey draws on influences as far flung as Dexy’s, Bruce Springsteen, Night Works, Matthew E White and Father John Misty. Mikey began working on the album while he was in Allo Darlin’. The last few years were a conveyor belt of change as he; got married, had a child, bought a house, moved from London to be by the Kent coast and opened a residential studio Big Jelly Studios (Girl Ray, Metronomy, Pete Doherty, Mt Wolf, Seamus Fogarty and Elva). In short, he grew up. The record journeys through these changes but has its roots firmly grounded in his new seaside habitat.

Slaves actsoffear love ps

Slaves – Acts Of Fear And Love

Slaves release their third album Acts of Fear and Love via Virgin EMI/AMF Records. The band’s third album reflects that fear and love may actually be the biggest motivators in the world at the moment. Working with previous collaborator, producer Jolyon Thomas (Royal Blood, U2) in Brussels, the band opened themselves up to a new sonic territory. Not concerning themselves with other people’s expectations of what a Slaves album should sound like the band have experimented with their style, without any boundaries; embracing pop song writing and tender moments alongside the more traditional hardcore riffs and scream-along choruses. Standouts include the joyous thrash of Bugs, the sprawling and tense title track and the Blur mixed with Weezer esque banger Chokehold.

Anno lp sleeve

Anna Meredith – Anno

Anna Meredith releases Anno, a boundary-pushing collaboration with the Scottish Ensemble, in which original pieces of work by the classical-electronic composer are intertwined with Vivaldi’s Four Seasons. Released via Moshi Moshi, the project began as an immersive 360 degree live experience but is now available on double vinyl and CD. After a recording process using the unusual ‘binaural recording head’ the project will also be available in an exclusive binaural recording – allowing the listener to experience the unique spatial aspects of the piece through headphones.

A0822150048 10

Follakzoid  – London Sessions with J Spaceman

It should come as no surprise to fans of the Chilean trio Follakzoid that upon meeting the legendary Jason Pierce AKA J. Spaceman (Spacemen 3, Spiritualized), they discovered they were kindred spirits. Follakzoid and Spaceman’s projects share a restless drive to explore the outer limits of music, as well as an uncanny ability to lock into a groove until it infiltrates the deepest recesses of the listener’s psyche. When Follakzoid met Spaceman backstage at a Wooden Shjips gig at London’s Electric Ballroom several years ago, they instantly became friends. For London Sessions, the Chileans and Spaceman joined forces for new, live-to-tape renditions of Electricand Earth, two highlights from Föllakzoid’s III. The recordings were made in a private studio in London while Follakzoid was on tour in Europe in June 2016, and Spaceman’s contributions breathe new life into the songs. “Jason added a very different harmonic atmosphere to the songs,” guitarist Domingo Garcia-Huidobro explained. “It somehow rearticulated the space and metric that already existed in a way the band never could. These new versions have a different edge.”

100000x100000 999

The Myrrors – Borderlands

If you see The Myrrors as the dust-caked disciples of a specific strain of desert-drone mysticism, theres little on Borderlands, their fourth full-length Myrrors album released in as many years, to dissuade you from that vision. Theres only confirmation an intoxicating combination of outlook and output that clarifies and crystallizes the bands many sonic strengths throughout the albums fantastically unfolding forty-plus minutes. From the beginning, with an appropriately Albert Ayler-ish blast of Awakening, to the epic 20-minute B-sidelong excursion, Note From the Underground, the beating heart of The Myrrors current statement. Borderlands will be extremely satisfying to otherworldly music seekers who find aural transcendence through the works of artists such as International Harvester, Taj Mahal Travellers, Trad Gras och Stenar, Kikagaku Moyo, Amon Duul, and Agitation Free, to name a few.

Image result for images of vinyl records

Have you picked out your favourites to win the Mercury Prize tonight ,can’t wait to find out who’s bagged it. (i reckon there’s a 3-way fight in the shop between Nadine Shah, Sons of Kemet & King Krule coming out on top)

Christine & the Queens’ follow-up is another masterful pop record that once more marries slick electro pop production with Letissier’s equally stylish & emotive vocals. there are two separate english & french language versions. both are included on the 2cd & in the limited 4lp box set, which also includes exclusive posters. back in the land of england (via germany in the 70’s), beak> have crafted yet another superb record that marries the motorik world of their heroes with an addictive pop songwriting persuasion. across the pond,

Jordan lee’s Mutual Benefit project has thoroughly charmed us with his latest record of lush alt-folk compositions. the album is the perfect way to unwind at the end of the day, or for listening to on a relaxing sunday morning, especially on limited, soothing blue vinyl. the most explosive release of the week must be the Blinders, whose huxley & orwell-worshipping album takes the catchy pizzazz of the arctic monkeys’ heaviest material & adds an extra layer of distorted punk attitude that’ll be an instant hit for fans of idles & shame.

Also worth knowing about: Suede return in sweeping, cinematic form, which can be yours on limited exclusive blue vinyl & as the most deluxe-y boxset you ever saw; Prince’s pre-‘purple rain’ studio session is an emotionally stirring, intimate recording that feels as if we’re hearing his true self, completely unguarded – there’s a deluxe version including a hardback book of liner notes from his studio engineer & previously unseen photos;

Conor O’Brien’s Villagers project is his most approachable to date & the deluxe version includes a red 10” with two bonus tracks;  Lala lala’s gorgeous album of wounded, jangly guitar songwriting will enamour fans of snail mail & soccer mommy; Lonnie Holly’s deeply spiritual new record’s the Field’s cosmic, ambient techno has melted the hearts of nigh on everyone who’s heard it; & the simple beauty of Mountain Man’s vocal harmony-driven album – their first in 8 years – is utterly beguiling & on clear vinyl.

There are some humdinger reissues too: all three Mc5 albums are collected on multi-coloured vinyl (red, white & blue) in one fancy boxset; there’s a heap of new Felt reissues; & Ramones‘ 4th record gets a more “punk” remaster, plus a load of bonus tracks & a live performance, exclusive to the deluxe version.

Screen shot 2018 07 05 at 16.51.15

Christine and the Queens – Chris

Billingual, compelling upbeat second from modern day pop star Christine and the Queens. Titled Chris the album is released as double CD and vinyl versions, as well as limited edition boxset, There are two versions of the album; one sung exclusively in English and one sung exclusively in French. Each track has earworm irresistibility with losing any edge. The album celebrates her polysexual desire, without sidelining her emotional pain, It’s a lean, thrilling muscular set from a real talent that sits next to Michael Jackson, Madonna, Chic and Peter Gabriel.

2CD – Double CD in 3-panel softpack with 28-page stapled booklet. Contains English and french Versions of the album.

2LP – Double French Version. Double Black Vinyl with discobag inner-sleeves in gatefold sleeve. 30x60cm French version poster. French CD version included.

2LP+ – Double English Version. Double Black Vinyl with discobag inner-sleeves in gatefold sleeve. 30x60cm English version poster. English CD version included.

4LP – Limited Boxset. 2LP and CD French Edition and 2LP and CD English Edition. Limited numbered edition (10 000 copies worldwide). Contains:

Black honey deluxe

Black Honey  –  Black Honey

Bursting out of the ether in 2014 with their squalling guitars, vivid colours and cinematic vignettes, there’s no other British band out there quite like Black Honey. Having spent the last four years perfecting the indie game, everything you think you know about them and their unique surrealist world is about to be wonderfully shaken up as they prepare to release their hugely anticipated debut album. With contradiction at every turn, it’s an album that celebrates being human, in all its different forms and by doing so, will touch the hearts of everyone that hears it. We’ve already heard Bad Friends earlier this year, but with the exception of 2016’s Hello, Today (the track that saw the band become a household name at Radio 1), and the 2017 closer Dig, the album is made up of entirely new music with 9 brand new songs on offer. Album opener I Only Hurts The Ones I Love is a fascinating Garbage-flavoured meander that sets the tone for the record brilliantly. From there, there’s stone cold classic Wasting Time, Lana Del Ray nodding slow-burner Blue Romanceand disco-pop Trojan horse Midnight – to name just a few. However, across the entirety of the record, you can always feel the bare bones of front lady Izzy B Phillips diary scribbles are just around the corner as the varying tracks switch between chart-headed bangers and scuzzy, industrial David Lynch inspired strangeness.

It’s the weird and wonderful mind of Philipps – her lovable but villainous, Milky-Bar-kid- meets-Debbie Harry persona – that you find very much at the heart of Black Honey. An open sufferer of both dyslexia and ADHD, she’s a huge advocate for self-expression without limit and has relied hugely on her band – Tom Dewhurst (drums), Tom Taylor (bass) and Chris Ostler (guitar) – to channel everything that comes from her obsessive and dizzyingly creative head and bottle it into music. The album as a result is ultimately a collage of chaos, shot straight at the heart – honest, inspiring and deeply infectious.

Psychedelic porn crumpets high visceral pt1 pt2 lp render

Psychedelic Porn Crumpets – High Visceral Part 1 and Part 2

A limited edition repressing of High Visceral Part One and Part Two. Having burst onto the scene in their homeland, releasing their first two LPs to widespread national acclaim, alongside supports with Royal Blood, Dune Rats and Black Mountain, the band have developed a staunch grassroots following with their captivating blend of psychedelia. The albums are fuzzy, heavy and echoes in your cranium with every beat. An epic detour of neon flavoured noise grows to entangle your dissolving brain. Savagely mutant energies bubble through the air. Your body is out of reach, turning itself into a sponge as your mind floats towards another dimension.

Image001

Villagers  –  The Art of Pretending to Swim

On O’Brien’s fourth studio album, he excels at creating feverish moods while writing effortlessly accessible tunes, making it the perfect entry point for newcomers and raising the bar for what old fans should expect of him.

This record reconnects with the multi-faceted approach of ‘Becoming a Jackal’ and ‘Awayland’, while adding a new-found soulfulness, rhythmic nous and dazzling panoply of sonic detail, both analogue and digital. balanced with subtle aspects and lyrical themes that embrace existential fears and hopes in this desperate, technologically-centred dystopian age, this is his most brilliantly realised album to date. “Conor O’Brien dials down the intensity. the listener reaps the rewards” 4/5 – mojo. ***the deluxe lp exclusively includes a red vinyl 10” of a 12-minute version of ‘ada’ and b-side ‘this is the art of pretending to swim

Mountain man magic ship

Mountain Man  – Magic Ship

Mountain Man did not intend to disappear for the better part of a decade, or to take eight years to release its second album, Magic Ship. But for a trio of devoted friends for whom music has always seemed so effortless and graceful, that’s simply how life went. The wondrous Magic Ship a magnetic fourteen-song reflection on the joys, follies, and oddities of existence—was well worth the wait. Magic Ship is a captivating album: The stunning Boat, where cooing harmonies frame Sauser-Monnig like drapes around a sunny window, sees a world of possibility in a little vessel along the riverbanks. The dashing AGT finds inspiration in flower blooms and bumble bees, discovering in the sights of nature a pure self-reliance. The magnetic Rang Tang Ring Toon celebrates a night spent hosting friends, sharing beans and music, and a skinny dip under the stars. There is sincerity and humour, depth and mirth, all rendered with three voices that have never been more connected. These songs distill eight years of experience between Made the Harbor and now—of sights seen, pleasures had, feelings hurt, forgiveness extended. These tunes are wise and tender, open and honest. Magic Ship conveys absolute warmth—like a snowbound afternoon spent indoors, passing a bottle of brown liquor between friends while putting old favourites on the turntable, or a long summer evening spent lounging beneath a shade tree, swapping stories and sharing laughs until the sun has vanished. after an eight year gap, these three young women return with a sophomore fortified by a deeper friendship, their harmonies sounding all the warmer and sweeter for it.

There is sincerity and humour, depth and mirth, all rendered with three voices that have never been more connected. fans of deep throat choir, trembling bells and lankum should check this out!

The Lamb

Lala Lala  –

Lillie West is a songwriter who finds strength in vulnerability, through bracing hooks, sharp lyrics, and songs drenched in a profound, dreamy ambience ffo snail mail, mattiel, and tomberlin.

the 24-year-old songwriter and guitarist illustrates a nuanced look on her own adulthood – her fraught insecurity, struggles with addiction, and the loss of several people close to her. across the album’s 12 tracks, west carefully examines the skeletons in her closet asking herself agonizing questions about her life with a clever and hopeful curiosity. this mixture of melancholy and hope describes the tone of this album perfectly. it’s the kind of album to bolster your good times whilst softening the downs. “lala lala’s music is like watching an open wound being stitched up—jarring and healing”

Trans360x 3000px packshot

Mutual Benefit -Thunder Follows the Light

Mutual Benefit, the songwriting outlet for multi-instrumentalist and producer Jordan Lee releases a new album Thunder Follows The Light via Transgressive Records. Following his last outing, 2016’s acclaimed Skip A Sinking Stone, Lee marks his return with a patient and prismatic collection of songs accrued over the past two years. Lee — who grew up in Ohio and is currently based in New York — has crafted pop experiments for almost a decade, blending orchestral instrumentation and ambient electronic sounds. His new album features an array of friends and many returning collaborators. New History is the album’s truest folk song, with twangy harmonica and slide guitar. Its inspiration came to him while spending time in the economically depressed area of Ohio where his parents grew up. Storm Cellar Heart, is an ode to taking shelter and the fraught impulse to hide from the loudness of the outside world. It’s more of a long question than an answer: “Is it storms that help make the heart grow?”

Fuzz Club Session

The Myrrors  –  Fuzz club Session

Complete with the band’s signature meandering violins, droning vocals and sprawling instrumentation, this live recording allows the tracks to take on an even more alluring and  hypnotic form.

The Myrrors are a mythical force in contemporary psychedelia and one of fuzz club’s most celebrated bands. the Arizona band’s fuzz club session is comprised of three utterly bewitching tracks that invoke images of the sandy plains of the sonoran desert which they call home, yet also draped in an influence of traditional eastern psychedelia

Suedebh

Suede  –  The Blue Hour

After the critical and commercial success of the top 10 album – Night Thoughts (2016) Suede return with their stunning new album The Blue Hour. Brett and co amp up the melodrama with an anthemic record of widescreen balladry, augmented by the Prague Philharmonic Orchestra.

This album was produced by Alan Moulder and Suede, and shares the same line-up as 1996’s ‘coming up’ – vocals by Brett Anderson, guitars by Richard Oakes, bass by Mat Osman, drums by Simon Gilbert, synthesisers and piano by Neil Codling. ***the super duper deluxe box set contains includes a specially mastered instrumental, a dvd featuring album commentary from the band and Alan Moulder, plus a never-before-seen video for ‘Don’t Be Afraid if Nobody Loves You’, an exclusive bonus track – ‘Manipulation’ – on 7” vinyl, lyric sheets and a collection of art cards. plenty to be getting on with!***

Image result for suede blue hour boxset

 

 

Rs 600x600 180606122115 600 prince album

Prince  –  Piano and Microphone 1983

hearing this legendary figure peacefully tinkering away on a humble cassette recording, we’re struck more than ever by the raw talent that would eternally be right at his fingertips.

The nine track, 35-minute album features a previously unreleased home studio cassette recording of Prince at his piano captured in 1983. the rehearsal provides a rare, intimate glimpse into his creative process as he worked through songs including “17 days” & “Purple Rain” (neither to be released until 1984), a cover of Joni Mitchell’s “A Case Of You”, “Strange Relationship” (not released until 1987 on ‘Sign O’ the Times’), & “International Lover”. the album also includes a rare recording of “Mary Don’t You Weep”, which many will have heard playing during the end credits of ‘Blackkklansman’. “the whole thing feels – thrillingly, poignantly – like you’re in the room with him” 4/5 – mojo. ***the deluxe edition includes a 12” booklet featuring brand new liner notes written by Prince’s then engineer Don Batts, as well as candid shots of prince & never before seen photos.

Roadtoruin

Ramones  –  Road to Ruin 40th Anniversary Deluxe Edition

Limited Copies of the deluxe editon come with 13’ x 13” print of the Holmstrom drawing from the front cover of the album, 11×17″ poster and a postcard. The Ramones released the band’s fourth studio album, Road To Ruin, 40 years ago this September. Dee Dee, Joey, and Johnny were joined for the first time by drummer Marky Ramone, who replaced founding member Tommy Ramone, who’d left to do more producing and writing for the band. It was also the album that introduced a nation of pinheads to the all-time Ramones’ classic I Wanna Be Sedated. To celebrate the milestone, the band release two versions on September 21st, a day before the anniversary of the album’s original release on September 22, 1978 – a 3CD/1LP 40th Anniversary Deluxe Edition and a newly remastered 1CD version of the original album.

3CD – The first disc of the Road To Ruin: 40th Anniversary Deluxe Edition features a remastered version of the original stereo mix for Road To Ruin and a new 2018 40th Anniversary Road Revisited mix created by Stasium, who strips off the original record’s commercial gloss and restores the album to its punk rock core. Stasium’s new mix is also featured on the 180-gram LP that accompanies this deluxe edition. The second disc offers up over twenty unreleased recordings, including rough mixes for every album track, starkly different alternate takes of two songs, and two unreleased outtakes: I Walk Out and S.L.U.G. – unfinished during the original recording sessions in 1978, and completed by Stasium for this anniversary release. Other highlights include three different versions of I Wanna Be Sedated, including the Ramones-on-45-Mega-Mix! released in 1988 as part of the campaign for the Ramones Mania compilation, as well as acoustic versions ofQuestioningly, Needles And Pins, and Don’t Come Close. The final disc has a previously unreleased recording of the band’s entire 1979 New Year’s Eve concert, which was mixed live by Stasium, and broadcast on WNEW-FM. Recorded in New York City at The Palladium, with audio sourced from Tommy Ramone’s original cassette of the console recording, it features blistering performances of Blitzkrieg Bop, Rockaway Beach, and Sheena Is A Punk Rocker, along with several songs from Road To Ruin: I Don’t Want You, I Wanna Be SedatedandI Wanted Everything.

TOTAL ASSAULT: 50TH ANNIVERSARY COLLECTION

MC5  –  Total Assault

For the 50th anniversary of the band’s incendiary debut, ‘Kick Out the Jams’, this limited edition collection features all 3 of the band’s albums with new art and previously unseen photographs.

Mc5 only released three albums, but they were ferocious, adventurous, and confrontational enough to secure the group’s place as one of the greatest rock ’n’ roll bands ever. the music on ‘total assault’ shows why the Mc5 is held is such high regard today with indelible tracks like “kick out the jams,” “human being lawnmower” and “sister anne.”

That’s quite enough of that. come back next week for some live action from nick cave, pixies’ ‘come on pilgrim’ & ‘surfer rosa’ 30th anniversary celebrations, & new music from mudhoney & marissa nadler. that’s just the start of it!