Posts Tagged ‘Melbourne’

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Melbourne lo-fi rock duo Good Morning have built quite an impressive resume for themselves despite flying largely under the radar for much of their career. Melbourne’s slacker jangle pop outfit Good Morning join the Dinked series with their latest landing on exclusive wax with a poster insert.

The two high school friends have been making bright and breezy tunes together for almost a decade now, and ‘Barnyard’ hears them at their most melodic and attentive to the outside world. The pair recorded the album at Wilco’s Loft studio following a US tour, and is set for release in October.

They’ve had a consistent output of short albums, EPs and singles over the years, their song “Warned You” has become a veritable indie hit, and A$AP Rocky even sampled their song “Don’t Come Home Today” on his last album Testing. The duo’s new album “The Option” is largely devoid of the hazy psych trappings of their past, but it’s also their most sprawling and fully realized record to date.

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‘Barnyard’ sees Australian lo-fi slacker-indie duo Good Morning firmly settling into the laidback sound they brought us on 2019’s ‘Basketball Breakups’. This is an LP of off-kilter, gently strummed melodies and jangling lead guitar lines. Their influences come from the likes of SmogSebadohPavement and the Flying Nun roster.
“The Option” includes 8 new rock songs by the band Good Morning.
Good Morning are played this time by Stefan Blair, John Considine, James Macleod & Liam Parsons.
released April 5th, 2019

based off the short film ‘cornerstone’ (2009) by Richard Ayoade taken from the album ‘The Option’ out now

The Murlocs fifth studio album, Bittersweet Demons is dropping June 25th! On the band’s most personal and boldly confident work yet, The Murlocs share a collection of songs reflecting on the people who leave a profound imprint on our lives, the saviours and hell-raisers and assorted other mystifying characters. Pre-order the Blue-Eyed Runner vinyl now in the ATO shop, shipping June 18th.

‘Eating At You’ is OUT NOW!! John Angus Stewart.Here’s a couple words for you about the meaning behind it all. “ It’s an ode to all the loveable train wrecks out there that have gone off the rails and keep going back for more. The never-ending vortex cycle. Some seem to never learn their lesson even when it smacks them right in the face constantly. It’s important to address these issues before disaster strikes and it’s too late. Never give up on your loved ones when they’re in need of a helping hand.”

“On their fifth album “Bittersweet Demons“, The Murlocs share a collection of songs reflecting on the people who leave a profound imprint on our lives: The saviours and hellraisers and assorted other mystifying characters. From the 11 infectious tracks emerges a beautifully complex body of work, one that shines a light on the fragilities of human nature while inducing the glorious head rush that accompanies any Murlocs outing.”

From The Murlocs new album “Bittersweet Demons” out June 25, 2021

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As Melbourne-via-Tasmania outfit Quivers gear up to release their new album, “Golden Doubt”, in June, the four-piece have released their latest single, with “Hold You Back” arriving yesterday. Following on from “Gutters of Love”, Quivers’ new single is a refreshing piece of cinematic indie rock, with the upbeat nature reminiscent of genre heavyweights The Go-Betweens, R.E.M., or even Australia’s own Dappled Cities.

Pairing a driving backbeat, fuzzy guitar, and intoxicating strings, the group explain that the track is written about standing on the precipice of overwhelming opportunity, and what the future holds. “It is a song about being overwhelmed by someone, and somewhere, but also overwhelmed by the beauty of those strange, new experiences we used to have when travel was possible,” they note.

Having risen through the ranks in recent years, Quivers were set to see 2020 bring them a wave of international attention thanks to a planned 21-date US tour. While COVID quickly saw these dates canned, the group remained undeterred by such an inconvenience, instead focusing on their craft, with Golden Doubt set to arrive on June 11th.

As singer Sam Nicholson explains, the record and its title relates to previous personal tragedies band members have experienced, and the resilient nature it awakens inside of you.

The track also comes accompanied by a charming phone-filmed video for the track, which was shot and edited by the band while “on a 24-hour deadline”, and serves as “a sort of visual powerpoint presentation” for the song.

“Golden, because musically we daydream with the guitars of Teenage Fanclub and The Cure, the singing of The Roches’ sisters, the basslines of Another Sunny Day, and the drums of Lower Dens or Car Seat Headrest,” Nicholson states. “Golden Doubt, because hitting your thirties after losing people knocks you off balance for a while, but no longer caring what the world thinks is always a breakthrough feeling.”

While “Golden Doubt” will be released in June, Quivers are also set to hit the stage in Melbourne on Friday, April 23rd for a launch show in support of their previous single. Supported by Georgia Knight, the group will play two shows, with full details available below.

Quivers’ “Hold You Back” is out now, while the album “Golden Doubt” will be released on June 11th via Spunk Records

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On May 28th, Melbourne-via-Tasmania jangle-pop quartet Quivers will release “Golden Doubt”, their second album (and first on Ba Da Bing Records), and the follow-up to their 2018 debut We’ll Go Riding on the Hearses and 2021 full-length cover of R.E.M.’s Out of Time. Lead single and Golden Doubt opener “Gutters of Love” begins simply with singer Sam Nicholson’s voice and a three-chord progression, building patiently to an achingly anthemic climax. Gleaming guitar work, vocal harmonies from Quivers members Holly Thomas and Bella Quinlan, and keen production courtesy of Matthew Redlich (Holy Holy, Husky, Ainslie Wills) all elevate the song into a bruised, yet beautiful rock anthem that makes its home in the fleeting space between joy and pain. “‘Gutters of Love’ is a song about serotonin levels but mostly about love.

We wanted a guitar song that was in love with love, but also knows a comedown is coming and you might need your friends to help you get through it,” Nicholson says in a statement. “That’s why the song is all Holly and Bella harmonies, big guitars, broken Farfisa organ, piano, and a shouty choir. It will be OK.”

Coming from Australia and the strong indie rock area of Melbourne music scene, Quivers have been releasing music for half-a-decade, since their initially self-released debut, “We’ll Go Riding On The Hearses”. After last year’s R.E.M covers of “Out Of Time”, the band are about to release their third record, “Golden Doubt”, due out in June as a co-release between an impressive collaboration between a trio of wonderful labels. Ahead of that release, this week the band have shared a brand-new track, “Gutters Of Love”.

Described by the band as, “a song about serotonin levels but mostly about love”, “Gutters Of Love” muses on the amount of time we all spend talking and thinking about love, whether we’re shouting across dance-floors or sitting on bedroom floors trying to make sense of it all. The track comes in on a muted chord-sequence, slowly morphing into something altogether more melodic, as an abundance of vocals and a wavering Farfisa organ lift it to a scream-along crescendo as a make-shift choir ask as one, “after the serotonin’s gone, could you ever fall in love?” 

Filmclip directed by the band from super 8 footage collected in late 2020 in Melbourne and Brisbane, Australia. Edited by Michael Panton. Thanks to our friends who appeared here & also Louie the dog and all the chickens.

Quivers have described Golden Doubt as a record about grief and what puts us back together; how with friends, music and a sense of humour, we somehow manage to find a way to keep-on-keeping-on.

Golden Doubt is out June 11th via Ba Da Bing Records (UK/North America), Bobo Integral (Europe).

Khan from Melbourne, Australia meld hazy psychedelia and heavy stoner riffs with progressive rhythms and song structures. The songs are lyrically evocative, exuding a sense of despondency and vocally shift from gentle crooning to impassioned wailing. Mitchell Kerr’s driving bass mixed with Josh Bill’s chilling vocals and Beau Heffernan’s delicate drumming confirm 70’s prog still lives on fuzzed up and tripped out. The group does a fantastic job building up to impacts that feel as though they bring clarity but only for a moment before slipping back into misty noise. Defiantly a Table worth Turning

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Seriously intoxicating. So Dreamy Blend of Fuzz and Bluesy riffs that causes life-threatening Euphoria.

Released April 2nd, 2018

Josh Bills – Vocals/Guitar/Synth/Keys
Mitchell Kerr – Bass
Beau Heffernan – Drums

Recorded, produced, mixed and mastered by Josh Bills at Vagabond Studios

Maple Glider’s aka Tori Zietsch striking emotionality is at the centre of her performances, leaning into an intimacy that is achieved by way of deeply personal reflections and velvety melodic compositions. Her vocals melt into layers of plucked acoustic guitar and lulling piano, drawing on the sombre styles of folk contemporaries with a stark tenderness and introspection that assumes the listener is inside her bedroom as she plays for herself. After experiencing falling in and out of love, traveling extensively, writing non-stop, and basking in the lengthy European summer hours, Tori returned to Melbourne late 2019 with a soundcloud account full to capacity of demos. Maple Glider was officially set to take flight.

Tori enlisted Tom Iansek (Big Scary, #1 Dads, The Paper Kites, Lisa Mitchell, Hockey Dad, ) to produce and record some of the many, many songs she was ready to get down. During the shared time spent at our studio BellBird, the wider team (Jo & Tom F. lol) got to fully appreciate the wonderful artistry and beauty of Maple Glider, and welcomed her to the family.
To date Maple Glider has released two gorgeous singles – “As Tradition” and “Good Thing”.

 Both songs’ music videos were made with creative collaborator and housemate Bridgette Winten, in the 5km radius around their Brunswick home (a limit due to COVID lockdown measures). Working with colour and contrast, and shot on Super 8, Maple Glider plays off her surroundings, whether it’s lush creek-beds, neighbourhood rose gardens, or a party for One at home.

We’re also very happy to announce we’ve teamed up with the very passionate Partisan Records (Laura Marling / Fela Kuti / Cigarettes After Sex / John Grant) to release Tori’s music all over the world!

Great songwriting, wonderful arranging and a great voice. electric first moment when you hear a song for the first time that sounds like a classic that’s been part of your soundtrack for years but you know you haven’t it’s just perfectly constructed. a restorative for the soul.

One of those special occasions when a new song becomes an instant classic in the blink of an eye – Triple J Unearthed

Beautiful and devastating… ‘Good Thing’ is a gorgeous indie folk number and a perfect example of that uninhibited, vulnerable quality. – American Songwriter

A series of hairs-on-the-back-of-your-arm moments – For The Rabbits

 ‘Good Thing’ is a delicate ballad, but with all the emotional resonance of a greek tragedy – The Rodeo

Channelling a rich and supple aesthetic throughout, her bold yet tortured voice reigns supreme on this light and airy composition – Mystic Sons

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Empowering Australian indie punk trio Camp Cope have announced an 11-date UK tour this September. Last September saw them play a sold out Tufnell Park Dome at their first ever London show, having upgraded from the smaller room after they sold it out in a matter of hours.

Camp Cope have become somewhat of a force in music since forming in a Melbourne backyard over home job tattoos a few years ago. They’re a band whose work far extends that which happens on stage, or in the recording studio. They use their resilience and strength to fight for the betterment for the music industry and related communities, and have proven that they aren’t afraid to put their heads on the chopping block to do so.

They share this experience on their acclaimed second album ‘How to Socialise & Make Friends”, which was released in 2018. It features the standout opener ‘The Opener’, a rally cry which called the music industry to task on its sexist and inequitable structures, and ‘The Face of God’, a harrowing account of sexual assault at the hands of someone whose art you admire.

On ‘How To Socialise…’, Sarah Thompson lays powerful drumlines that rise steady, laying a foundation for Kelly Hellmrich’s driving, winding bass riffs (that exclusively centre around the G and D strings – much to the dismay of men in basements around the world). Their watertight rhythm provides the platform from which singer and guitarist Georgia McDonald stands with strength and ferocity, taking listeners on a trip through the pages of a personal diary, thriving in the uncomfortable and the unspoken.

The energy at a Camp Cope show is rare. Not just because they write good songs that have the audience on their feet. They’re a band that takes action – they say no, they stand their ground, they take up space, and the audience can feel the power from those words. They unite in a space that is truly equal as they scream back every word, arms in the air, veins pulsating. You can feel it in the air. It doesn’t just feel a show – it feels like an uprising.

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Maple Glider is the project of Lismore-born, Melbourne-based songwriter Tori Zietsch, a brand new face on the scene. She’s also a brand new signing to Pieater, the Melbourne record label home to Big Scary, #1 Dads, Airling, and more. 

Zietsch originally rubbed shoulders with the label during their Pie School initiative, where she entered a winning demo and ended up recording a track with label head Tom Iansek and the crew. The single unfortunately never saw the light of day – it was recorded under a two-piece band Zietsch was in at the time which has since folded. The music I create as Maple Glider exists because I write to make sense of my experience, to learn, and because to me, it has always felt like my easiest form of communication. However, it wasn’t to be the end of her story. In 2019 Lansek was enlisted once again to produce and record a series of songs Zietsch had written for her solo project, Maple Glider. “As Tradition” was the first song to be released from that collection of tunes, and you can see why the label wanted to sign her.

My songs centre around the lyrics, exploring intimate themes that are often cathartic to write. I don’t have rules when I make music. I play around, express freely, let go of my expectations, have fun, and stay open

Many of you will know I started working with Pieater last year and it has been the best ever. More recently, I have signed to the incredible Partisan Records to release these songs worldwide. I am so grateful to be working with such a hard working and passionate group of people!!! I want to say a massive Thank You to everyone who has worked on the release of “Good Thing” and supported it thus far. It is a song very close to my heart and I’m damn lucky to be able to do this.

After a break of over four years between album releases, Australian duo Big Scary announce fourth LP ‘Daisy’. Their most playful collection to date, the tracks are full of drama – a little bit spooky and a little bit silly. It’s ok to LOL when you listen (and do a little boogie), but equally there is a thoughtfulness to be discovered within the themes and arrangements. The pair of Joanna Syme and Tom Iansek reflect broadly on superficiality, naivety and fantasy, compared with the complexities of reality, and the ongoing exercise in thoughtful living. Dynamic relationships are explored, between lovers old and new; and with the voice in your head.

Since releasing their last album ‘Animal’ in 2016 the pair have dived into broader creative projects. Tom has released three albums across solo project #1 Dads and duo No Mono, and produced or engineered releases for Maple Glider, Tom Snowdon, The Paper Kites, Airling and Bec Sykes. Jo created a second label imprint Hotel Motel Records (the first being Pieater, run with Tom Iansek and manager Tom Fraser); releasing four LPs, eight EPs and many singles; and toured Australia and Canada with the likes of Quivers and Cool Sounds, as well as working the Pieater releases.

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All songs written and performed by Big Scary, except for “Bursting At The Seams” where extra percussion was performed by Jim Rindfleish and live strings were performed by Emma Kelly

Releases April 30th, 2021

Hailing originally from Melbourne, AustraliaHeligoland have been making oceanic dreampop for over 20 years, forming in 1999 and having released their debut album in 2003. The band’s inspirations are pretty clear, right down from their name (which means “Holy Land” in Dutch), drawing from the gentler side of ’80s/’90s shoegaze and slowcore. Cocteau Twins’ Robin Guthrie produced their third album, 2010’s All Your Ships are White, which tells you a lot but their sound is more in the Slowdive (Mojave 3 )/ Low / Cowboy Junkies style, evoking sun-baked cracked earth and sand as much as the sea.

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Heligoland went dormant after All Your Ships, though they popped up from time to time with new EPs, all produced by Guthrie. They also left Australia for the suburbs of Paris. Now just the core duo of Karen Vogt (vocals, guitar) and Steve Wheeler (bass, guitar), Heligoland are back with their first album in 11 years. Guthrie is back for this one as well, and in addition to producing the record, he also plays on it — everything but guitar, contributing drums, bass and keyboards. No real surprise, but This Quiet Fire is gorgeous stuff. Vogt is an emotive singer, a quality you don’t usually associate with dreampop like this, sounding closer to Tracy Thorn than Elizabeth Fraser. Her voice elevates stunners like “Hope,” “Running” and “Palomino,” distinguishing This Quiet Fire in a genre that in too many less-skilled hand can play like ethereal wallpaper.