Archive for the ‘LEICESTER CITY VENUES’ Category

Meet the women of Chastity Belt in their charming new music video for “Cool Slut,” off of them acclaimed new record Time to Go Home, out now on Hardly Art Records. Chastity Belt is a rock band consisting of four friends – guitarists Julia Shapiro and Lydia Lund, bassist Annie Truscott, and drummer Gretchen Grimm.

They met in a tiny college town in Eastern Washington, but their story begins for real in Seattle, that celebrated home of Macklemore and the Twelfth Man. Following a post-grad summer apart, a handful of shows and enthusiastic responses from the city’s DIY community led them, as it has countless others, into a cramped practice space. They emerged with a debut album, No Regerts, sold it out faster than anyone involved thought possible, and toured America, a country that embraced them with open-ish arms. Now they’re back and the tab is settled, the lights are out, the birds are making noise even though the sun isn’t really up yet: it’s “Time to Go Home”, their second long-player and first for Hardly Art Records.

Recorded by José Díaz Rohena, Time to Go Home sees Seattle four-piece Chastity Belt take the nights out and bad parties of their past to their stretching points, watch the world around them break apart in anticipatory haze, and rebuild it in their own image with stunning clarity before anyone gets hung over. Time to Go Home is their first full-length for Hardly Art.

Chastity Belt performing live in the KEXP studio. Recorded March 28th, 2015.

Songs:
Dull
Time To Go Home
Drone
Joke

Members: Julia Shapiro Gretchen Grimm Lydia Lund Annie Truscott

In the outside world, they realized something crucial: they didn’t have to play party songs now that their audience didn’t consist exclusively of inebriated 18-22 year olds, as it did in that college town. Though still built on a foundation of post-post-punk energy, jagged rhythms, and instrumental moves that couldn’t be anyone else’s, the songs they grew into in the months that followed are equal parts street-level takedown and gray-skied melancholy. They embody the sensation of being caught in the center of a moment while floating directly above it; Shapiro’s world spins around her on “On The Floor,” grounded by Grimm and Truscott’s most commanding playing committed to tape. They pay tribute to writer Sheila Heti on “Drone” and John Carpenter with “The Thing,” and deliver a parallel-universe stoner anthem influenced by Electrelane with “Joke.”

Recorded by José Díaz Rohena at the Unknown, a deconsecrated church and former sail factory in Anacortes, and mixed with a cathedral’s worth of reverb by Matthew Simms (guitarist for legendary British post-punks and one-time tourmates Wire), Time to Go Home sees Chastity Belt take the nights out and bad parties of their past to their stretching points, watch the world around them break apart in anticipatory haze, and rebuild it in their own image with stunning clarity before anyone gets hungover.

Tom Petty and the Heartbreakers have digitally released Through The Cracks and Nobody’s Children via the Tom Petty & the Heartbreakers Store and all digital distributors including Spotify, Amazon, and Apple Music.
Songs on these releases span from 1973 to 1993 and include early Mudcrutch recordings, demos and alternate versions from Tom Petty and the Heartbreakers albums pre-1995, plus some great cover versions. Until now these two discs were previously only available as part of 1995’s Playback box set.

1 On The Street (Mudcrutch Demo)
2 Depot Street (Mudcrutch)
3 Cry To Me (Mudcrutch)
4 Don’t Do Me Like That (Mudcrutch version)
5 I Can’t Fight It (Mudcrutch)
6 Since You Said You Loved Me
7 Louisiana Rain
8 Keeping Me Alive
9 Turning Point
10 Stop Draggin’ My Heart Around (demo)
11 The Apartment Song (demo)
12 Bog Boss Man
13 The Image Of Me
14 Moon Pie
15 The Damage You’ve Done (Country Version)

Got My Mind Made Up (Original Version),  Ways To Be Wicked, Can’t Get Her Out, Waiting For Tonight,  Travelin’ Baby, Let’s Play House,   Wooden Heart, God’s Gift To Man, You Get Me High, Come On Down To My House,  You Come Through,  Up In Mississippi Tonight.

This is the second single from Anna von Hausswolff´s The Miraculous. Out November 13th, 2015
Pre-Order “The Miraculous” Some seriously heavy vibes from Anna and her organ – pitched somewhere between drone and indie-noise-rock. Sounds intense, which it is, but also amazing. In the year I fell back in love with Spacemen 3, this was the perfect accompaniment.

The cover of Anna von Hausswolff’s forthcoming album The Miraculous features stunning black-and-white photography courtesy of the fantastic Anders Nydam, who ended up working outside of his comfort zone to create the visuals. With a love of Scandinavian Black/Death metal albums, and why he’d join Anna’s army in the event of an interstellar dogfight.


Swedish organist Anna Von Hausswolff released the gorgeously austere Ceremony a couple years back, and she’s prepping a new LP titled The Miraculous, which was recorded on a colossal pipe organ in Northern Sweden. Her forthcoming album’s first takeaway Come Wander With Me/Deliverance is a sprawling, 11 minute behemoth that sweeps between gothic ambience and dramatic, heavy metal. “An oath,” her latest single, is a fiery and vociferous 3-minute song that wastes no time to cast you into its flames. Beginning with a simple organ melody, it quickly takes off into a siren of brazen celebration. It’s a confident and carousing song, as if its marking an epic, historical event or leading an army into a storm. Hear the awe-inspiring track below.

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The Miraculous is out on November 13th; Anna von Hausswolff plays London’s Oslo on December 8th. Check out the video for Ny – which was directed by Anna’s sister Maria and shot by Anders Nydam.

Bully is a young Nashville four-piece blasting out of the gates with high-powered grunge punk reminiscent of the beginnings of indie rock. The band is fronted by Alicia Bognanno, an audio engineer who has been cutting her teeth on the soundboards of indie clubs and studios in recent years. After opening for the likes of Best Coast, JEFF the Brotherhood, and Superchunk, Bully is ready to grab their own audience.
The dynamic melodies and high-speed percussion section help Bully cut through the noise quickly and repeatedly. Tracks like “Milkman” and “Brainfreeze” lay it all on the line with scrappy energy until the last crunchy bass note fades out.

Catch Bully with Kid Wave at the scholar Bar at the Leicester 02 Academy,
Having interned at Steve Albini’s studio, Bully frontwoman Alicia Bognanno is a musical force to be reckoned with – writing, singing, playing and recording all of Bully’s material. And yes, Albini is a fan of the Nashville-based band too. He told us he’s “rooting” for them in 2015. We can’t argue with that.
Nashville rockers Bully, who were in Austin for SXSW, are currently on a tour with JEFF the Brotherhood which wraps up mid-April. , but Bully are set to tour the UK  stopping here next month for their first UK tour, playing

After their UK tour, Bully will be back in NYC for the Northside Festival, playing the big 50 Kent show on June 13 with Best Coast, Built to Spill and Alvvays.

 

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Kid Wave’s swooning big rock single “Honey” reminds me of Swedish indie-pop vets Shout Out Louds—which makes a metric ton of sense, because surprise surprise, these dudes are from Sweden too. This anthemic song, which sounds like a gentler Oasis at times, is from the band’s forthcoming LP Wanderlust, which drops June 2nd via Heavenly Recordings.

“I remember wanting to write something with drive, something that would just keep moving forward, on and on like a train,” commented the band’s singer/songwriter Lea Emmery  “I’m a sucker for that sound and guitars chewing on the same chords. I find a sound or chord I like (often a lot of open strings) and like to keep it simple. As a person I tend to write and talk in really long sentences, like I think. But with music, its almost the opposite. I think we all need to float away from reality sometimes, some people more than others. Some do drugs, some dream, some overload themselves with work, some people do all of these and some don’t do anything. This song was written after some lonely years when every day felt the same and my own thoughts like my only companion. I’ve always been a bit of a dreamer and during this time I was probably living more of a fictional life in my head than in reality. But I think it kept me going.”

kid

 

British-based quartet Kid Wave feel their way through varying strains of garage rock on their upcoming EP. The title, Gloom, doesn’t exactly imply the overall mood of the record, which lands in a beach-y dreamworld at times and a reverberating, psychedelic realm at others. Twisted, driving guitars on “All I Want” are evened out by its sunny, hook-laden chorus. “Young Blood” is where the consistently disaffected vocals are at their best, riding alongside convulsing, surf-inspired riffs. Kid Wave’s serrated edges, wistful lyrics and mid-tempo melodies intertwine on Gloom for four breezy rock ‘n’ roll tracks.

Kid Wave has signed with Heavenly Recordings in the UK, (Temples, the Wytches and TOY). Gloom was released on November 24th 2014.

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Pinkshinyultrablast, are a five-piece band from Saint-Petersburg in Russia. Hailing from a city more synonymous with the State Conservatory rather than a gang of shoegaze addicts, they’ve been compared to Lush. But this is no mere throwback tribute – due to their sharp, icy electronics and ability to subvert the genre, bringing something new to the table. They possess not only the spirit of late 80s/early 90s British bands like Ride, but also machine-made sounds of the same era from Sabres Of Paradise or Global Communication, not to mention wider vibrations like Cluster, Popul Vuh, Terry Riley and Philip Glass.

Disdain for a stagnant scene can often be a driving force of creativity; the band say of St Petersburg that, “we realized the local indie scene was totally boring and wanted to play something radically different.” That vision has been realized – this is a sound brimming with playful melody and finely-crafted songwriting. Imagine the scope of a Caribou record, fronted by Elizabeth Fraser soundtracking a grizzly Raskolnikov crime.

The band take their name from an Astrobrite album, an act who were, according to the band, instrumental in how they “researched spaces between ambient, heavy guitar and pop music.” The spaces are what stand out, the production creates a dream-like affair, while space to breathe and reflect on the beauty of the music is accommodated. There exists a sparseness to their sound, that, in turn gives spaciousness, even expansiveness. The album is full of melodic gems, rich with complexity, while underpinned with a beauty that both beguiles and entrances. Everything Else Matters evokes the spirit of bands like Slowdive and Cocteau Twins, but at the same time remaining undeniably modern.

Everything Else Matters is a co-release with Club AC30 in the UK in a limited edition of 600 copies worldwide with mp3 download. There will be unique colored vinyl per label — 300 copies on amber glitter for the US and 300 on starry sky glitter for the UK.

Pinkshinyultrablast are Igor – bass, Lyubov – vocals, Sergey – drums, Rustam – synths and electronics and Roman – guitars.

 

Put on your favorite pair of ripped jeans, and prep for an epic solo dance party in your bedroom—it’s what London-based Kid Wave would want. Although there isn’t much to their latest video, “Wonderlust,” (the four-piece essentially just rock out), watching it will make you feel all warm and fuzzy. And you will start to uncontrollably sway your head from side to side. The song is emotionally gripping as Emmery’s low voice rises behind the wave of crashing guitar chords. Similar to the nostalgic nature of their glam gloom sound, the video has a dated quality to it as the camera spins around in a hazy, faded out state.

Consisting of Lea Emmery, Serra Petale, Harry Deacon and Mattias Bhatt, the band originally comes from the likes of Sweden, Australia and London. With a steady following on the Internet over the past two years, enough sold-out shows in the U.K., and a cool label behind them (Heavenly Recordings), it’s only a matter of time before all eyes are watching them.

Kid Wave’s debut album Wonderlust will be released June 2nd via Heavenly Recordings. Until then, we’ll be playing this video and bobbing our heads non-stop

Kid Wave’s new single “Wonderlust” is released on Monday 30th March.

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Pusher are emerging as one of the UK’s brightest new guitar bands. ‘Let It Break’ looks set to catapult them to a wider audience and rightly so’ from Yorkshire Pusher, a heavy Psychedelic sonic assault’ frantic beat’s, hypnotic guitar and an urgent vocals an enormous sound that instantly captivates the listener, draws you in and has you clambering for more’ –