The Fat Angel Sings

The Drums is the debut studio album by the American indie pop band The Drums. It wasoriginally released June 7th, 2010. The album contains the singles “Let’s Go Surfing,” “Best Friend,” “Me and the Moon” and “Forever and Ever, Amen” as well as “Down By The Water,” which had previously been released as part of the band’s “Summertime!” EP.

The album was recorded in Jacob Graham’s apartment in Florida, the band’s apartment in New York City, and in a shack in Woodstock, New York. The Album is certified gold in the UK, The single “Let’s Go Surfing” was used in advertising for Volkswagen, and it featured frequently in the third series of the E4 coming-of-age sitcom The Inbetweeners and October 2011,

NME placed it at number 60 on its list of the “150 Best Tracks of the Past 15 Years”. To celebrate the albums 15th anniversary in 2025 the album has been repressed on Transparent Blue Vinyl.

The band Triggerfinger are massive in mainland Europe, once replacing Foo Fighters at Pinkpop without a squeak of protest. While their UK footprint doesn’t quite measure up, Ruben Block (vocals/guitar) and Mario Goossens (drums) could yet cross over, with sixth album “Tarmac” evoking a continental Queens Of The Stone Age.

We started writing “Tarmac” in 2023. You become so attached to it. It’s addictive. Then suddenly it’s not yours any more. It’s out there in the world, and everyone has an opinion about it.

Ruben Block: This album is not a one-trick pony. We write about life, the joyous and tragic events. Taking care of your parents and them passing away. Having kids of your own who start finding their way in life. That’s why we thought “Tarmac” was a good title. It’s both a landing place and a place to depart from.

“Tarmac” marks a new era for the Belgian rock band Triggerfinger, as it is their first album without longtime bassist Monsieur Paul. The record was written and recorded in Antwerp and Los Angeles with producer Mitchell Froom.

“Tarmac” is Triggerfinger’s sixth studio album, released in September 2026, featuring 11 tracks including “Everybody’s Looking,” “Stars,” and “Geronimo,” and issued on and multiple vinyl editions.

Pink Floyd have shared a newly restored high-resolution footage of George Greenough’s iconic short film of their classic track “Echoes”, from 1973 cult-classic surf film Crystal Voyager.

It comes as Pink Floyd get ready to release a coloured vinyl edition of their landmark 1971 album “Meddle”, for this year’s National Album Day, through Sony Music on October 17th.

The footage of “Echoes” is taken from cult-classic 1973 Australian surf film Crystal Voyager, a 1973 documentary directed by David Elfick. Searching for an appropriate soundtrack for footage which allowed the audience to see footage from inside a wave for the first time ever, surfer, photographer and filmmaker George Greenough, who wrote and narrated the film, stumbled across a record his mother had bought for him. Upon hearing the closing track, “Echoes”, he noted its perfectly matched 23-minute running time.

“We watched it for the first time when we were on tour in Australia and we were all blown away by it,” says Nick Mason. “It was absolutely sensational. Nowadays everyone’s got a GoPro fixed to their wetsuit, but at the time it was mind-blowing to see the guy with the camera strapped to his chest, going through the water tunnel.

“It did feel experimental at the time because basically we were left to our own devices, and we didn’t have a producer as such. We sort of made the album ourselves, and of course that meant that the engineering staff in Abbey Road were very happy to come along and see what they could do. The great thing with “Meddle” is that it’s the band playing for the enjoyment of it. It probably is one of the freest albums of all in terms of how we played it. It was one of those things that we really looked forward to playing.”

U2’s have annouced a 2027 world tour which will kick off in Mexico City in February with details of Irish shows due to follow. “Carnaval De Luz” presents: “The Greatest Show On Earth” will see the veteran band, who recently celebrated their 50th anniversary, return to “select stadiums in 2027 and beyond”.

The tour will be in support of the band’s forthcoming 16th studio album “Carnaval De Luz” and begins in Mexico City on 23rd February, 2027 with support from Beck, followed by shows in São Paulo and Buenos Aires, the only three Latin American cities the tour will visit next year. In a statement, the band said, “The Greatest Show on Earth”? Now that’s a throwdown. It’s a dare, to ourselves as much as anyone, to try and have the best night of anybody’s life.

“A bit of showman, a bit of shaman, a riot of colour, unreasonable guitar, bass and drums, and tunes you can hold onto. Because if people are gonna show up, we certainly are.”

Long acknowledged as one of the best live acts in the world and credited for their ground-breaking stage shows, “Carnaval De Luz” presents: The Greatest Show On Earth World Tour marks U2’s return to a stadium setting with a set list drawn from across the band’s entire catalogue.

The track listing for the album is: Go (Carnaval De Luz), La Reina, Street Of Dreams, The Mirror Maker (Rosalía), Superficiality, If The World Is At War We Better Not Be, Silencio, The Greatest Show On Earth, Glorify, Midnight Sunshine, Can’t Stop Us Now, Torn (Feat. Dolly Parton).

U2 also released two well-received EPs, entitled Days of Ash and Easter Lily, earlier this year.

The tour will be the band’s first stadium dates since closing The Joshua Tree Tour at Mumbai’s DY Patil Stadium in December, 2019.

Jonathan Meiburg calls the many talented musicians who contributed to Shearwater’s new album “the wildest ensemble we’ve ever assembled.” He’s not really overstating things, either. In addition to regular bandmates Emily Lee and Dan Duszynski, “The New World” features Shahzad Ismaily, Xiu Xiu’s Jamie Stewart, Thor Harris, woodwinds player Doug Wieselman, qanunist Farouz Zreik, ngonist Mamadou Kouyate, and percussionists Mahamadou Tounkara and Moctar Kouyate (of Malian group Ngoni Ba). Oh, and spoken word by one Laurie Anderson.

If you don’t know what some of those instruments are (or some of the musicians who play them), you are not alone, but just know that Shearwater puts them all to good use. About three minutes into the album, on the beautiful, slowly pulsing “Even Song,” a slow build-up leads to a minor chord being unleashed on an acoustic guitar. It has the kind of widescreen ’80s grandeur that brings to mind Trevor Rabin-era Yes, early Peter Gabriel, and Love and Rockets, a tiny moment that awakens your senses, letting you know something special lies ahead.

“The New World” is a Shearwater album of the highest order: lush, proggy, and orchestral; dramatic, just a little gothy, mysterious, and full of wonder and towering melodies. Produced by the band and recorded and mixed by Duszynski, it sounds amazing. (Headphone Album alert!) In addition to all the skilled players and exotic instruments, Meiburg layered the songs with field recordings made on expeditions around the world — he is a geographer and ornithologist when not playing in bands. “I used to worry about keeping those worlds separate,” Meiburg says. “But now it all feels like one big project.” Shearwater’s universe is expanding, and it is a thing of beauty worth getting lost in.

Slow and steady wins the race. Scotland’s Trashcan Sinatras have been making sparkling, literate guitar pop with the same five-piece lineup for four decades. While there’s often a gap between releases, they’ve maintained an equally remarkable level of quality, which continues with “Ever the Optimist”, their seventh album and first in 10 years. “We’re all gambling, trying to hold it together,”

Frank Reader sings on “Ever the Optimist‘s” sprightly title track and opening song. “Always, forever, through stormy weather.” The guitars chime, Reader’s voice sounds just like it did on the band’s debut album, “Cake”, and when the rest of the band join in on harmonies, the song really takes off. They just keep flying from there. Not unlike fellow Glaswegians Teenage Fanclub and Aztec Camera, Trashcan Sinatras have an effortless way with melody, a knack for earworm choruses, and an even better way with middle eights, not to mention a disposition for marrying warm tunes with melancholic lyrics that is just so satisfying.

The album, which features guest appearances form Camera Obscura’s Tracyanne Campbell and Scritti Politti’s Green Gartside, ends on a sublime note, and really earns its title, with “Learning to Love Your Ghost,” a song about grief and acceptance that’s as good as any they’ve ever written. “When there’s no more normal to barricade my mind / When you’re deep in the trenches, what you gonna do but survive?” Reader sings against swelling strings and horns. Survive they do, the Trashcan Sinatras. Gracefully.

Richard Thompson is one of England’s most distinctive songwriters, guitarists and producers. He first came to prominence in the late 1960s as co-founder, lead guitarist and songwriter of the pioneering folk-rock group Fairport Convention. After leaving the band in 1971, Thompson released his debut solo album Henry the Human Fly in 1972. A year later he began recording with his then-wife Linda Thompson, resulting in six acclaimed albums including I Want to See the Bright Lights Tonight (1974) and the landmark Shoot Out the Lights (1982). Following the duo’s split, Thompson resumed his solo career with Hand of Kindness (1983) and went on to release more than twenty studio albums. His contributions to music earned him an OBE in the 2011 New Year Honours, and he received the Orville H. Gibson Award for Best Acoustic Guitarist in 1991.

Originally released in April 1996, “you? me? us?” is Richard Thompson’s ninth studio album and one of his most ambitious works. Issued by Capitol Records, it marked his fourth collaboration with producer Mitchell Froom and became Thompson’s second album to receive a Grammy Award nomination.

The album is presented in two contrasting parts: LP One Voltage Enhanced , a full-band, electric set showcasing Thompson’s sharp songwriting and signature guitar work. Tracks like “Put It There Pal” and “Bank Vault in Heaven” highlight his dynamic electric playing. LP Two Nude is a stripped-down, acoustic counterpart featuring violin or Danny Thompson’s double bass. Thompson’s intricate acoustic guitar style is at the forefront, offering a more intimate and detailed listening experience.

Two songs “Razor Dance” and “Hide It Away”, appear on both LPs, each version offering a different musical perspective. The album is celebrated for its metrical complexity, lyrical depth and exceptional musicianship.

To mark its 30th anniversary, “you? me? us?” is available for the first time as a double vinyl edition, featuring both Voltage Enhanced and Nude in their original configurations.

Six live shows across 8 CDs, “Access All Areas: Live” captures the raw excitement of Whitesnake in full flight, live on stage. Kicking off with Live… In The Still Of The Night, legendary rock singer David Coverdale is joined by Doug Aldrich and Reb Beach on lead guitar, long time Whitesnake drummer Tommy Aldridge plus Marco Mendoza on bass.

Recorded at London’s iconic Hammersmith Apollo in 2004, the set includes the huge MTV hits “Is This Love”, “Here I Go Again and Still Of The Night.

Live… In The Shadow Of The Blues on CD2 and CD3 was recorded on their 2006 World Tour, and delves back to Whitesnake’s earliest days with “Don’t Break My Heart Again” and “Take Me With You“.

Made In Japan finds the band headlining the huge Loud Park festival in Japan in 2011, across CDs 3 & 4.

Made In Britain unsurprisingly captures the band on David’s home turf whilst on the Forevermore tour in 2011.

The World Tour was also captured in 2011 on the Forevermore tour, features hits such as “The Deeper The Love“, as well as newer stage favourite, “Can You Hear The Wind Blow”. This 8 disc set ends right back where David musical odyssey started, with THE PURPLE TOUR LIVE. Now joined by lead guitarist Joel Hoekstra, Whitesnake power through songs from the earliest days of David’s career with Deep Purple, including “Burn”, “The Gypsy”, “Mistreated” and “Soldier Of Fortune”.

When Jeff Beck and Mick Jagger performed together at the White House on February 21st, 2012, for the PBS special In Performance at the White House: Red, White and Blues, they were backed by an all-star house band assembled and led by musical director Booker T. Jones.

The core house band consisted of:

Booker T. Jones – Hammond B3 organ, keyboards, and musical director, Narada Michael Walden – Drums (having played on Beck’s 1976 Wired album and toured in Beck’s band right before this event, he locked in with Beck and Jagger effortlessly), Bobby Ross Avila – Bass, Jesse Johnson – Guitar (original guitarist of The Time), Fred Wesley – Trombone and horn arrangements (legendary James Brown and Parliament-Funkadelic bandleader), Ernie Fields Jr. – Baritone and tenor saxophone , Freddie Hendrix – Trumpet

During the concert, Jagger and Beck teamed up directly with the house band on Howlin’ Wolf’s “Commit a Crime,” joined Buddy Guy and Gary Clark Jr. on Eddie Boyd’s “Five Long Years,” and closed the night alongside B.B. King, Derek Trucks, Susan Tedeschi, Warren Haynes, Keb’ Mo’, Trombone Shorty, and Shemekia Copeland (with President Obama briefly taking the mic) for “Sweet Home Chicago.”

Official video from the first seven songs of Bruce Springsteen and The E Street Band’s Land of Hope and Dreams American Tour’s Philadelphia finale. With that May 30 show filmed in its entirety, and planned for release in four parts this year, “Bruce Springsteen and the E Street Band: Land of Hope and Dreams American Tour (Philadelphia Freedom Cut)” features performances of “Born in the U.S.A.,” “Death to My Hometown,” “No Surrender” and “Darkness on the Edge of Town,” alongside covers of the Motown classic “War” (written by Barrett Strong and Norman Whitfield) and The Clash’s “Clampdown.”

Bruce Springsteen and The E Street Band have released the second part of their Philadelphia Freedom Cut project, sharing official video of the next seven songs from their Land of Hope and Dreams American Tour finale: “The Promised Land,” “Two Hearts,” “Hungry Heart,” “Youngstown,” “Murder Incorporated,” “American Skin (41 Shots)” and “Long Walk Home.”

Bruce Springsteen and The E Street Band have released the third part of their Philadelphia Freedom Cut project, sharing official video of the next eight songs from their Land of Hope and Dreams American Tour finale: “House of a Thousand Guitars,” “My City of Ruins,” “Because the Night,” “Wrecking Ball,” “The Rising,” “The Ghost of Tom Joad,” “Badlands” and “Land of Hope and Dreams.”

Musicians on stage for the Land of Hope and Dreams American Tour included The E Street Band’s Roy Bittan (piano, synthesizer), Nils Lofgren (guitar, vocals), Garry Tallent (bass guitar), Stevie Van Zandt (guitar, vocals) and Max Weinberg (drums) with Soozie Tyrell (violin, guitar, vocals), Jake Clemons (saxophone) and Charlie Giordano (organ, keyboards, accordion). They were joined by The E Street Horns and Percussion (Anthony Almonte, Barry Danielian, Eddie Manion, Ozzie Melendez, Curt Ramm) and The E Street Choir (Ada Dyer, Curtis King, Lisa Lowell, Michelle Moore). Tom Morello performed with Springsteen and The E Street Band for each of the tour’s shows as a special guest.

Bruce Springsteen and The E Street Band’s “Land of Hope and Dreams American Tour: Philadelphia Freedom Cut Part 3” is directed by Chris Hilson and Thom Zimny, edited by Zimny and Sam Shapiro, and produced by Bruce Springsteen, Jon Landau, Zimny and Adrienne Gerard. Sound was mixed by Rob Lebret and Jon Altschiller, and recorded by John Cooper, with lighting design by Jeff Ravitz and Todd Ricci. The project is released in memory of Dave Marsh.