Posts Tagged ‘Lomelda’

This August, Texas bands’ Lomelda and Hovvdy head out on a U.S. tour together. Ahead of their trek, they’ve shared a new EP where they cover each other’s songs. “Covers” also includes a new collaboration called “🙂.”

A cassette edition of Covers is forthcoming (via Double Double Whammy). All proceeds from the cassette will go to RAICES, a nonprofit that provides low-cost legal services to immigrant children, families, and refugees.

Lomelda is the recording project of Silsbee, Texas musician Hannah Read. Her latest album, “M for Empathy”, came out this past winter.

Charlie Martin and Will Taylor comprise the Austin-based Hovvdy. They released their album “Cranberry” in February 2018.

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Released June 28th, 2019

performed & recorded by each artist in their homes
saxophone on “out there” by Tennyson Strano

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Texas singer-songwriter Hannah Read is the creative force at the heart of lo-fi folk project Lomelda, who released their third album Thx last year.

My new album ’M for Empathy’ is mostly things said or shoulda said, heard or shoulda. Much of it, and it’s just a lil, came to me, or outta me, outta a deepening silence. Something you can hear a lot of I hope. It let me voice again. It also let me not, and only sing as much as I wanted, which is important too. Making peace with the word in me, just a lil, all my might.
xo, Hannah
released March 1st, 2019

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performed and produced by
Hannah Read and Tommy Read
at Lazybones Studio in Silsbee, TX
January 26-28, 2019

It’s an annual tradition for Polyvinyl Records to host a SXSW showcase, but this year we’re more excited than ever because we’re teaming up with stellar Brooklyn-based label Double Double Whammy!
We’ll be partying with our new friends from dusk till dawn at Cheer Up Charlie’s, with performances from Jeff Rosenstock (his only SXSW appearance!), White Reaper, Post Animal, Anna Burch, Hovvdy, Hatchie, and Lomelda.
This is also a great time to announce that PV and DDW have officially partnered up–with PV lending a hand in distribution, mailorder, and more–so stay tuned for many exciting things to come!

“Over the past few years, several of us at Polyvinyl have been fans of Double Double Whammy,” says PV co-founder, Matt Lunsford. “Last year when we met Mike and started discussing a partnership, the connection was immediate – DDW has a strong independent sprint and a passion for working together with artists they believe in.”

If you’re not familiar with Double Double Whammy, catalouge do yourself a favor and check out their incredible roster and catalog of releases!

Lomelda

If you were to ask Hannah Read what Lomelda means, you’d probably end up with some kind of non-answer and a new topic. It is a guarded secret reserved for those who really pry. It is a high school attempt at describing something vast and powerful yet uniquely quiet and complex. And it is ever-changing. Lomelda is about memory, intimacy, and the tragedies of distance. As a band, it has appeared in several forms over the years, but always, to Hannah, Lomelda has been about discovering friendship and connection. Close collaborators have become closer friends. And when you see Lomelda, when you hear it, it is apparent that Hannah cares deeply about the connection made with the people on stage, the connection with you.

Lomelda’s Thx is an album worthy of a road trip, which is perhaps one of the most enduring compliments you can give to a collection of songs. Hannah Read navigates the feeling of being in-between with a dexterity that doesn’t rely on easy tropes, and the inner thoughts that creep into her lyrics during moments of stasis probably sound a lot like your own. In Read’s universe, small actions lead to big revelations delivered in a whispering half-yodel. Her utterances are quiet enough to creep into your conscience and give you a boost of strength when you need it most

Hannah Read has written and performed as Lomelda for most of her musical life. The project has been her outlet from the slow, shaggy days in her east Texas hometown of Silsbee, through moves to Waco and Austin, and into her wandering present. Her music is textural and spacious. Her words are suggestive snapshots of loosely knitted observations, depicting quiet moments between friends and lovers and half-remembered celestial occurrences. In her songs, the memory of the past and glimpses of future stretch out on either side of you, and the present is unsteady and always shifting.

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Robert Plant  –  Carry Fire

Robert Plant releases Carry Fire, his 11th solo album on Nonesuch Records. The self-produced album is Plant’s first since since 2014’s Lullaby and…The Ceaseless Roar. As with that record, Robert is accompanied here by The Sensational Space Shifters, along with some guests, such as Chrissie Hyde and Seth Lakeman.

CD – The CD packaging is deluxe thick card with a beautiful satin finish and is accompanied with a 12-page booklet featuring lyrics.

2LP – Double 140 Gram Vinyl with side four etched. The vinyl packaging is thick card Gatefold with a beautiful satin finish and is accompanied with a 4-page booklet featuring lyrics.

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King Gizzard and the Lizard Wizzard – Sketches Of Brunswick East

Sketches Of Brunswick East is King Gizzard and the Lizard Wizard 3rd album of five in 2017 and a collaboration with LA’s Mild High Club. Just when you think you have King Gizzard and The Lizard Wizard sussed they throw a curveball – in the wake of two albums released in 2017 already, including most recently the dystopian end-times concept album Murder Of The Universe, which tackled in no uncertain terms the rise of robots and the downfall of mankind, comes Sketches Of Brunswick Eastan entirely altered beast. Australia’s finest and most productive rock band have done this before, of course: while the world was still reeling from their 2014 breakthrough psych-punk masterpiece I’m In Your Mind Fuzz (2014) they casually released 2015’s expectation-confounding Paper Mache Dream Balloon (2015), a pastoral, sun-drenched acid-folk album. Sketches Of Brunswick East is a collaboration between King Gizzard and Mild High Club, the Los Angeles based tripster troupe signed to Stones Throw Records and led by Alex Brettin – the two bands formed a strong friendship touring together throughout the USA, Europe, and Australia. Recorded at the band’s own Flightless HQ in East Brunswick, Melbourne Australia earlier this year and mixed at Stones Throw studios in L.A. it’s the third of five projected albums to be released in 2017.

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The Barr Brothers  –  Queens of The Breakers

All versions come with a bonus 5 Track CD of demos. Queens of the Breakers is The Barr Brothers’ finest work yet, a collection of 11 hypnotically fluid songs that speak to the raw, elemental power of reflection, forgiveness, loss, and growing up. The record finds the band, featuring brothers Brad (guitar) and Andrew Barr (drums), and Sarah Pagé (harp), further on their thrilling path of exploring the outer limits of folk, blues, rock and Americana made north of the American border.

LP – Black Vinyl with Download.

LP+ – Gatefold Jacket with embossed titles with 2 pockets open. Translucent Light Blue Single Vinyl hosted in dust sleeves. Limited Edition including 12’’x24’’ Exclusive Folded Poster. MP3 download included.

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Lomelda  –  Thx

Hannah Read has written and performed as Lomelda for most of her musical life. The project has been her outlet from the slow, shaggy days in her east Texas hometown of Silsbee, through moves to Waco and Austin, and into her wandering present. Her music is textural and spacious. Her words are suggestive snapshots of loosely knitted observations, depicting quiet moments between friends and lovers and half-remembered celestial occurrences. In her songs, the memory of the past and glimpses of future stretch out on either side of you, and the present is unsteady and always shifting.

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Courtney Barnett and Kurt Vile  –  Lotta Sea Lice

A conversation between friends, documented in raw, unvarnished song form, brimming with personal history, crackling with energy and shot through with humour – this is the collaborative album of Courtney Barnett and Kurt Vile.Two of the most acclaimed and gifted song writers of our generation Lotta Sea Lice also sees them roping in friends such as Dirty Three, Stella from Warpaint and Mick Harvey to create a body of work that sounds organic and candid. Their shared chemistry is immediately apparent in the breathtaking jam of opener and first single Over Everything, while Continental Breakfast showcases a more melodic side as the two harmonise over finger-picked acoustic guitars. The two pay homage to 90’s cult heroes Belly with a gorgeous cover of their classic Untogether and even celebrate their mutual respect by covering each other’s music later in the album. This is an intimate glimpse into the shared musical world of Courtney Barnett and Kurt Vile.

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HMLTD  –  Satan, Luella and I / Kinkaku-ji

HMLTD have emerged over the last twelve months and established themselves as the most thrilling and vital new band in years. Music, fashion and art collide to create an assault on the senses, their highly-individual pop a whirlwind of creativity and ideas. Satan, Luella and I is the latest instalment, following the singles To The Door and Stained. It’s a six minute kaleidoscopic, rapturous musical joyride. Flamboyant and freewheeling, the band’s imaginations have created a musical world that envelops the listener. The track is backed by live favourite Kinkaku-ji. Natural born performers, their live shows are already a vital experience as they turn each room they play into their own, blurring the lines between concert and exhibition, and between performers and audience.

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Josienne Clarke and Ben Walker The Birds EP

Rough Trade Records release The Birds EP as a very limited edition 12” – 650 copies worldwide. The Birds is a suite of six songs that explore the themes of migration and departure. These are songs of autumn and shorter days, of flying south and the first feelings of early winter. It is deliberately dark and melancholic and ever so slightly sinister in places. In contrast to the full band-sound so exquisitely captured on their 2016 album Overnight, Josienne and Ben chose to record in a minimalist way using only instruments that they could play in Ben’s basement home studio. It also allowed Ben the opportunity to experiment with Moog and drum machine rendering the songs with a subtle electronic text.

The Who, Tommy  – Live at the Royal Albert Hall

In spring 2017, in support of the Teenage Cancer Trust, The Who played the classic Tommy in full, plus an encore set of seven greatest hits at London’s historic Royal Albert Hall.  This release includes every song from the 24-track studio album performed live, including Side Four’s “Welcome”.  Available in a variety of physical formats plus digital video and audio.

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King Crimson – Official Bootleg: Live in Chicago, June 28th, 2017

Two CD set, taken from the band’s most recent US tour. Media-book presentation with 24 pages booklet featuring photography by Tony Levin & David Singleton. Sleeve Notes by Robert Fripp & David Singleton. Featuring many iconic King Crimson pieces performed live by this line-up for the first time – some being played live for the first time ever, including: Islands, The Lizard Suite, The Errors, Fallen Angel, Cirkus & more.. “If we are looking for a KC live (show); Chicago was exceptional” – Robert Fripp “One of our best” – Tony Levi.

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The Replacements –  For Sale – Live at Maxwell’s 1986

Super limited copies with promo stuff – Postcards, Matches, Cut out figures and posters. In February 1986, The Replacements performed a classic live show at Maxwell’s in Hoboken, NJ. Until now, that pristine recording of the legendary performance has only been available in low-quality bootleg form. Even so, Pitchfork has called the show “a fiery, focused set that would make a true believer out of any skeptic.” For Sale: Live At Maxwell’s 1986 finally make its commercial debut as a double-LP. This marks the first live album by the band to see an official release on this format. The show at Maxwell’s would prove to be one of the last great performances by the four original members of the Replacements, a much beloved line-up including Bob Stinson on guitar, before his departure from the band in 1986. The songs they played spanned the band’s entire history while giving prominence to new material from Tim, including Bastards Of Young, Left Of The Dial and Kiss Me On The Bus. Mixed in were favourites like I Will Dare from Let It Be (1984) and Color Me Impressed from Hootenanny (1983). The original 24-track master tapes of the show sat in the Warner Music vaults until being given a proper mix in 2007, but it would still be another decade before the concert would get its official release. Mehr writes in the album’s liner notes: “Now, a decade later, and more than 30 years after the original concert, Replacements For Sale finally offers high-fidelity proof of the peculiar alchemy and unadulterated majesty of one of rock and roll’s greatest bands.”

2CD – Gatefold Softpack with Booklet.

2LP – Double 140 Gram Vinyl housed in Gatefold Sleeve.

Various Artists  – Woody Guthrie, The Tribute Concerts

There’s no shortage of celebrations for the legendary folk troubadour, but few as star-studded as the landmark concerts held in 1968 at New York’s Carnegie Hall and then in 1970 at the Hollywood Bowl.  These remarkable affairs saw Guthrie collectively saluted by such luminaries as The Band, Bob Dylan, Odetta, Joan Baez, Jack Elliott, Arlo Guthrie, Country Joe McDonald, Richie Havens, Tom Paxton, and Pete Seeger.  Bear Family has boxed up these amazing pieces of history as a lavish 3-CD box set that’s not to be missed!

 

Lomelda Debuts “From Here,” A Delicate Rock Ballad About Collapsing Distance

Hannah Read mostly writes from the small Texas town she calls her home, but her songs have a universality to them that makes them seem larger-than-life. Her lyrics read like nervous incantations — “It’s not like I want to keep you out or keep it in, just keep it up/ Isn’t that hard enough?” goes one of my favorites — but they’re buoyed by a lilting self-assuredness that feels invigorating and timeless. Thx, her latest album as Lomelda, is a showstopper, the sort of album that will soundtrack many a long drive or transcendent night out among the stars. We’ve heard a few songs from it so far — “Interstate Vision,” “Out There,” and “From Here,”  Band To Watch profile on the project.

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Lomelda is the pseudonym of the songwriter Hannah Read, based out of Silsbee in Texas. This week as well as sharing tour dates with Pinegrove and Florist, Lomelda has detailed the release of her upcoming album, Thx, as well as sharing the first single from it, Interstate Vision.

Backed by prominent tumbling bass lines and bright, easy guitar strums, Hannah’s voice is left to carry much of the melodic lifting, a trick she achieves with an effortless aplomb. Lyrically, it seems to touch on one of those relationships, be it love or otherwise, where you keep stumbling back despite knowing it’s doing you nothing but harm, as she sings, “we were young, oh I was so young, still I sit with you in parking lots, acting like I’m not falling for it”. Lomelda’s music is a place of juxtapositions; sparse yet powerful, beautiful yet bruising, timeless but none the less very 2017 – her upcoming record could be very special indeed.

“Music connects me with people who I wouldn’t have an easy way to talk to otherwise,” Read says. Her hometown of Silsbee — the small Texas town where she grew up and currently resides with her family — but Read likes the open road. You sort of have to when you’re from a place where long drives are usually the only way to get around, especially if you’re interested in pursuing music as passionately as Read is. There were a few other bands around growing up — “Everybody needs some rock ‘n’ roll in their lives, even small town Texas folks,” she jokes — but the four-hour trek to Austin has become a regular facet in Read’s life,

“Interstate Vision” by Lomelda off the LP/CD/Cassette/Digital album ‘Thx’ out on Double Double Whammy Records September 8th, 2017.

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There are records that you end up writing about in varying different places, so much so that you feel, that everything you wanted to say has now already been said. Lomelda’s 4E* An acoustic take on her band’s wonderful 2015 LP, Hannah Read recorded this stripped-back counterpart late one night in a recital hall in Waco, Texas, and from the outset it positively burns with that aching, tender, world-weary heart .

Shaped by a sense of summer-tinged nostalgic longing the record unwinds beautifully across its nine-tracks, feeling like a true story, rich, vibrant, fully-realised, as Read’s incredible voice sings songs of travelling, of growing old before you’re ready to do so, of a land shaped by endless roads and endless nights, of the stars and the sun and the quiet lives that punctuate the stillness. “I’m not sure many of you will like it much. It requires more patience than I’d like. Forgiveness, even. It is static and small, privileged and careless, indulgent, digital, bare and a lil embarrassing,” Read said, when introducing her work and, aside from the embarrassment, is it every one of those things and more. A timeless, graceful dusting of magic .

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such a good album!I love everything about this. her voice is unique and captivating. the melodies are wonderful.

Performed by Hannah Read, Andrew Hulett, and Zach Daniel
with guest performances from Diana Rudd and Josh Stone