Posts Tagged ‘Hannah Read’

Lomelda—the indie project of Hannah Read—has shared her new full-length LP “Hannah”, out now via Double Double Whammy. Hannah follows her 2019 album “M for Empathy” as well as her covers EP with Hovvdy. In usual Lomelda fashion, lead single “Wonder” is cathartic and vulnerable. It’s soft, but it builds into something powerful and poignant, clocking in at just over two minutes. The album was recorded in a studio in Silsbee, Texas, over a period of a year.

Last year, Lomelda (aka Texas-born, L.A.-based singer/songwriter Hannah Read) released an out-of-the-blue album called “M for Empathy”. As its title suggests, the 11-song project explored empathy in all its forms through various sung stories and mini vignettes. But the album was lacking something—perhaps time: At only 16-minutes-long, it felt like we didn’t really receive the full scope of Read’s studies on the topic. Thankfully, there’s Hannah, Read’s charming M for Empathy follow-up that arrived last month. Where M for Empathy was shadowy and finicky at times, Hannah is more assured and robust (though it wouldn’t be “robust” compared to most other rock music today—Read’s voice is as hushed and restrained as ever). Hannah again finds Read thinking about empathy, compassion and human understanding. But this time, there’s more for the listener to unpack.

Performed by Hannah Read, Tommy Read, Andrew Hulett, Charlie Martin, Andrew Stevens, Zachary Daniel, Adan Carlo and Cody Green


Released September 4th, 2020

Written by Hannah Read
Produced by Tommy Read & Hannah Read
Recorded in March 2019, July 2019 & February 2020
at Lazybones Studio in Silsbee, TX

Lomelda, the stage name of Hannah Read, this month shared the new single “Hannah Sun.” After releasing “Wonder” and “It’s Infinite,” this is Hannah’s third and final preview of her upcoming album, “Hannah”, out Sept. 4 via Double Double Whammy. “This song was written for 3 maybe 4 listeners to hear,” Read said. “But boomer Hannah forgot how the internet works and performed it on YouTube. Now it is for everyone. I am glad that people want to listen to this song, but I don’t understand why they want to.”

Hannah Read takes a breath, counts in “one, two, one, two,” and lets out a sigh. The first moments of Lomelda’s latest album Hannah are not for us but for her. It’s a subtle reset. There’s relief and resignation in having another opportunity to excavate the deepest, stickiest parts of one’s soul again, in a recorded musical form. Since she started putting out music in 2015, one of Read’s goals with Lomelda has been to be honest, with both the audience and herself.

“Hannah Sun” is undoubtedly the centerpiece of Lomelda’s Hannah. It’s a relaxed late-summer jam bristling with woodwinds and a brightness that’s hard to place, but undeniably present. She floats through various locales (“my hometown,” “Chicago,” “Atlanta” and “Jersey,” to name a few) while reminiscing on the lessons learned through a particular relationship (“Glad you held me too, though I didn’t know how to be closer to you,” she sings) before addressing herself directly (“Hannah, do no harm”). Like so many painters and poets have done before her, Hannah Read creates a self-portrait in “Hannah Sun,” and it’s a dazzling thesis for this record.

“The songs on “Hannah” sound unhurried, like they have nothing to prove; even when they’re busy and brash, they feel elementally simple. And there’s perfection in that simplicity.”

Written by Hannah Read Produced by Tommy Read and Hannah Read Vocals, acoustic guitar, bass, piano, fx and synths by Hannah Read Electric guitar by Andrew Hulett 12-string guitar by Tommy Read Drums by Charlie Martin

“Hannah Sun” by Lomelda From ‘Hannah’ out September 4th, 2020 on Double Double Whammy

Lomelda nails it with this album lots of killer melodies and harmonies linked to poignant lyrics, Just some of the most simple, gorgeous, heartbreaking — and shortest — songs I’ve heard in a long, long time. My new album ’M for Empathy’ is mostly things said or shoulda said, heard or shoulda. Much of it, and it’s just a lil, came to me, or outta me, outta a deepening silence. Something you can hear a lot of I hope. It let me voice again. It also let me not, and only sing as much as I wanted, which is important too. Making peace with the word in me, just a lil, all my might.


at Lazybones Studio in Silsbee, TX
January 26-28, 2019

Performed and produced by Hannah Read, Tommy Read at Lazybones Studio in Silsbee, TX
January 26-28, 2019.

This August, Texas bands’ Lomelda and Hovvdy head out on a U.S. tour together. Ahead of their trek, they’ve shared a new EP where they cover each other’s songs. “Covers” also includes a new collaboration called “🙂.”

A cassette edition of Covers is forthcoming (via Double Double Whammy). All proceeds from the cassette will go to RAICES, a nonprofit that provides low-cost legal services to immigrant children, families, and refugees.

Lomelda is the recording project of Silsbee, Texas musician Hannah Read. Her latest album, “M for Empathy”, came out this past winter.

Charlie Martin and Will Taylor comprise the Austin-based Hovvdy. They released their album “Cranberry” in February 2018.


Released June 28th, 2019

performed & recorded by each artist in their homes
saxophone on “out there” by Tennyson Strano

Image may contain: 1 person, night, close-up and outdoor

Texas singer-songwriter Hannah Read is the creative force at the heart of lo-fi folk project Lomelda, who released their third album Thx last year.

My new album ’M for Empathy’ is mostly things said or shoulda said, heard or shoulda. Much of it, and it’s just a lil, came to me, or outta me, outta a deepening silence. Something you can hear a lot of I hope. It let me voice again. It also let me not, and only sing as much as I wanted, which is important too. Making peace with the word in me, just a lil, all my might.
xo, Hannah
released March 1st, 2019


performed and produced by
Hannah Read and Tommy Read
at Lazybones Studio in Silsbee, TX
January 26-28, 2019

Image may contain: 1 person, text

As productive as screaming into the void can be, sometimes the most effective way to air grievances is simply with a sigh. Meg Duffy, who has been the longtime lead guitarist for The Kevin Morby Band, switched her focus to Hand Habits in 2017. Duffy’s second album, “Placeholder”, leads off with the title track, a soft yet scathing lamentation of being secondary.

“If you’ve ever held someone’s seat in a theater, if you’ve been a bench warmer, if you’ve ever placed a reserved sign on top of a tablecloth, if you’ve been an ‘extra’ or a ‘stand in’ for something, you’ve experienced what being a placeholder feels like to some extent. You observe,” Duffy says.

The song wearily recounts the age-old story of being someone’s fallback, with Duffy growing more frustrated throughout the song. Additional vocals from Hannah Read (Lomelda) and wry guitar build, until the narrative is flipped — the agitator is now the proxy.

The Hand Habits project emerged after Meg moved to Los Angeles; it started as a private songwriting outlet but soon evolved into a fully-fledged band with Meg at the helm. Hand Habits’ debut album, Wildly Idle (Humble Before The Void), was released by Woodsist Records in 2017. The LP was entirely self-produced and recorded in Meg’s home during spare moments when they weren’t touring. Wildly Idle (Humble Before The Void) is a lush, homespun collection of folk songs that found Meg in an exploratory state as an artist moving out on their own for the first time.
Two years later, Hand Habits has returned with their sophomore album, placeholder, due out March 1st on Saddle Creek. To make this album, Meg chose to work in a studio and bring in collaborators, entrusting them with what had previously been a very personal creative process. Over the course of 12 tracks, Meg emerges with new confidence as both a bandleader and singer. This album is as tender and immediate as anything Meg’s ever written, but it’s also intensely focused and refined, the work of a meticulous musician ready to share their singular vision with the world.

Hand HabitsPlaceholder from the album Placeholder

Image may contain: 1 person, text


If you were to ask Hannah Read what Lomelda means, you’d probably end up with some kind of non-answer and a new topic. It is a guarded secret reserved for those who really pry. It is a high school attempt at describing something vast and powerful yet uniquely quiet and complex. And it is ever-changing. Lomelda is about memory, intimacy, and the tragedies of distance. As a band, it has appeared in several forms over the years, but always, to Hannah, Lomelda has been about discovering friendship and connection. Close collaborators have become closer friends. And when you see Lomelda, when you hear it, it is apparent that Hannah cares deeply about the connection made with the people on stage, the connection with you.

Lomelda’s Thx is an album worthy of a road trip, which is perhaps one of the most enduring compliments you can give to a collection of songs. Hannah Read navigates the feeling of being in-between with a dexterity that doesn’t rely on easy tropes, and the inner thoughts that creep into her lyrics during moments of stasis probably sound a lot like your own. In Read’s universe, small actions lead to big revelations delivered in a whispering half-yodel. Her utterances are quiet enough to creep into your conscience and give you a boost of strength when you need it most

Hannah Read has written and performed as Lomelda for most of her musical life. The project has been her outlet from the slow, shaggy days in her east Texas hometown of Silsbee, through moves to Waco and Austin, and into her wandering present. Her music is textural and spacious. Her words are suggestive snapshots of loosely knitted observations, depicting quiet moments between friends and lovers and half-remembered celestial occurrences. In her songs, the memory of the past and glimpses of future stretch out on either side of you, and the present is unsteady and always shifting.


Lomelda Debuts “From Here,” A Delicate Rock Ballad About Collapsing Distance

Hannah Read mostly writes from the small Texas town she calls her home, but her songs have a universality to them that makes them seem larger-than-life. Her lyrics read like nervous incantations — “It’s not like I want to keep you out or keep it in, just keep it up/ Isn’t that hard enough?” goes one of my favorites — but they’re buoyed by a lilting self-assuredness that feels invigorating and timeless. Thx, her latest album as Lomelda, is a showstopper, the sort of album that will soundtrack many a long drive or transcendent night out among the stars. We’ve heard a few songs from it so far — “Interstate Vision,” “Out There,” and “From Here,”  Band To Watch profile on the project.



Image may contain: 1 person, night, close-up and outdoor

There are records that you end up writing about in varying different places, so much so that you feel, that everything you wanted to say has now already been said. Lomelda’s 4E* An acoustic take on her band’s wonderful 2015 LP, Hannah Read recorded this stripped-back counterpart late one night in a recital hall in Waco, Texas, and from the outset it positively burns with that aching, tender, world-weary heart .

Shaped by a sense of summer-tinged nostalgic longing the record unwinds beautifully across its nine-tracks, feeling like a true story, rich, vibrant, fully-realised, as Read’s incredible voice sings songs of travelling, of growing old before you’re ready to do so, of a land shaped by endless roads and endless nights, of the stars and the sun and the quiet lives that punctuate the stillness. “I’m not sure many of you will like it much. It requires more patience than I’d like. Forgiveness, even. It is static and small, privileged and careless, indulgent, digital, bare and a lil embarrassing,” Read said, when introducing her work and, aside from the embarrassment, is it every one of those things and more. A timeless, graceful dusting of magic .


such a good album!I love everything about this. her voice is unique and captivating. the melodies are wonderful.

Performed by Hannah Read, Andrew Hulett, and Zach Daniel
with guest performances from Diana Rudd and Josh Stone