Posts Tagged ‘Hatchie’

It’s an annual tradition for Polyvinyl Records to host a SXSW showcase, but this year we’re more excited than ever because we’re teaming up with stellar Brooklyn-based label Double Double Whammy!
We’ll be partying with our new friends from dusk till dawn at Cheer Up Charlie’s, with performances from Jeff Rosenstock (his only SXSW appearance!), White Reaper, Post Animal, Anna Burch, Hovvdy, Hatchie, and Lomelda.
This is also a great time to announce that PV and DDW have officially partnered up–with PV lending a hand in distribution, mailorder, and more–so stay tuned for many exciting things to come!

“Over the past few years, several of us at Polyvinyl have been fans of Double Double Whammy,” says PV co-founder, Matt Lunsford. “Last year when we met Mike and started discussing a partnership, the connection was immediate – DDW has a strong independent sprint and a passion for working together with artists they believe in.”

If you’re not familiar with Double Double Whammy, catalouge do yourself a favor and check out their incredible roster and catalog of releases!


Hatchie is one Harriette Pilbeam, a native of Brisbane who has already attracted plaudits at home prior to unsurprisingly picking up wider acclaim from the likes of NPR and Beats 1. 

Having played with various friends and bands in Brisbane, Hatchie is her first venture into solo territory, one she is quick to admit is positive, that allows her to make her own decisions, assert herself and make so many positive changes. Her world is a dreamy landscape inhabited by cascading synths, jangling guitars and undeniable, irresistible pop melodies. Sure, prompted by a melody was composed on a whim and completed in a day. As she explains; “All of my songs start with singing. I hear the melody first and then work out the chords I’m imaginging under that and despite not knowing chord names I have a good ear so can kinda figure it out.”

That instinct is abundant on Sure, lush synths envelope alluring vocals that wouldn’t appear out of place in The Sundays and Allvvays songbooks – a gorgeous swathe of pop beauty, an enthralling introduction into the world of Hatchie.  The track will be included on a forthcoming EP through Heavenly Recordings that will accompany her debut UK live dates.

Also check out the First single from Brisbane dreampop artist Hatchie.

HATCHIE – ” Sure “

Posted: January 4, 2018 in ALBUMS, MUSIC
Tags: , ,


Brisbane’s Hatchie may have only released two singles this year, but when they’re your first two and they’re at the quality that Hatchie delivered with “Try” and “Sure”, you would be impressed too. The shoegaze-pop figurehead has sold out shows and graced festival stages across the country off the back of these two singles alone, with her indie-pop charm and spectacular, genre-merging songwriting proving unavoidable for much of the year. On “Sure”, the most recent of her two singles, this brilliant songwriting truly comes to light. The Brisbane name combines her inviting vocals with a stripped-back, acoustic instrumental that’s packed with this dreamy vibe that you could easily hear rolling behind the end credits of a big budget rom-com. It’s full of flavour and love, something we hope Hatchie continues to work with on her forthcoming releases in 2018.


Image may contain: 1 person, close-up

Hatchie is the stage name of Brisbane-based indie/dream pop singer/songwriter Harriette Pilbeam. She’s been in the Brisbane music scene for a few years as a member of two other bands, but this is her first project that she’s been the front of. She released a shimmering indie-pop single called “Try” earlier this year, and followed that with a further track “Sure” a month ago. She’s set to release her debut EP early next year, and it’s probably safe to assume that this song will be on that record.

In general, there’s a Milk and Kisses-era Cocteaus feeling. There’s also quite a bit of jangly guitars that remind me of the indie rock of the early 90s. The song, according to what I’ve read, is about a couple who keep breaking up and getting back together. They’re giving it one last go because they can’t live with or without each other.

The video seems to be a deliberate glove-tap to the indie pop videos of the early-mid 1990s. The stripey shirt worn by the guitar player. The jangly acoustic guitar. The bank of TVs with horizontal TV noise and video feedback/recursive image. The classic 8-eye Doc Martens worn by Pilbeam. This is all stuff that takes me back to the golden age of indie pop, All I know about the forthcoming EP is that it’s called Sugar and Spice and that it’s due out “early next year”.

thanks thisisthatsong