Posts Tagged ‘Josienne Clarke and Ben Walker’

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Robert Plant  –  Carry Fire

Robert Plant releases Carry Fire, his 11th solo album on Nonesuch Records. The self-produced album is Plant’s first since since 2014’s Lullaby and…The Ceaseless Roar. As with that record, Robert is accompanied here by The Sensational Space Shifters, along with some guests, such as Chrissie Hyde and Seth Lakeman.

CD – The CD packaging is deluxe thick card with a beautiful satin finish and is accompanied with a 12-page booklet featuring lyrics.

2LP – Double 140 Gram Vinyl with side four etched. The vinyl packaging is thick card Gatefold with a beautiful satin finish and is accompanied with a 4-page booklet featuring lyrics.

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King Gizzard and the Lizard Wizzard – Sketches Of Brunswick East

Sketches Of Brunswick East is King Gizzard and the Lizard Wizard 3rd album of five in 2017 and a collaboration with LA’s Mild High Club. Just when you think you have King Gizzard and The Lizard Wizard sussed they throw a curveball – in the wake of two albums released in 2017 already, including most recently the dystopian end-times concept album Murder Of The Universe, which tackled in no uncertain terms the rise of robots and the downfall of mankind, comes Sketches Of Brunswick Eastan entirely altered beast. Australia’s finest and most productive rock band have done this before, of course: while the world was still reeling from their 2014 breakthrough psych-punk masterpiece I’m In Your Mind Fuzz (2014) they casually released 2015’s expectation-confounding Paper Mache Dream Balloon (2015), a pastoral, sun-drenched acid-folk album. Sketches Of Brunswick East is a collaboration between King Gizzard and Mild High Club, the Los Angeles based tripster troupe signed to Stones Throw Records and led by Alex Brettin – the two bands formed a strong friendship touring together throughout the USA, Europe, and Australia. Recorded at the band’s own Flightless HQ in East Brunswick, Melbourne Australia earlier this year and mixed at Stones Throw studios in L.A. it’s the third of five projected albums to be released in 2017.

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The Barr Brothers  –  Queens of The Breakers

All versions come with a bonus 5 Track CD of demos. Queens of the Breakers is The Barr Brothers’ finest work yet, a collection of 11 hypnotically fluid songs that speak to the raw, elemental power of reflection, forgiveness, loss, and growing up. The record finds the band, featuring brothers Brad (guitar) and Andrew Barr (drums), and Sarah Pagé (harp), further on their thrilling path of exploring the outer limits of folk, blues, rock and Americana made north of the American border.

LP – Black Vinyl with Download.

LP+ – Gatefold Jacket with embossed titles with 2 pockets open. Translucent Light Blue Single Vinyl hosted in dust sleeves. Limited Edition including 12’’x24’’ Exclusive Folded Poster. MP3 download included.

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Lomelda  –  Thx

Hannah Read has written and performed as Lomelda for most of her musical life. The project has been her outlet from the slow, shaggy days in her east Texas hometown of Silsbee, through moves to Waco and Austin, and into her wandering present. Her music is textural and spacious. Her words are suggestive snapshots of loosely knitted observations, depicting quiet moments between friends and lovers and half-remembered celestial occurrences. In her songs, the memory of the past and glimpses of future stretch out on either side of you, and the present is unsteady and always shifting.

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Courtney Barnett and Kurt Vile  –  Lotta Sea Lice

A conversation between friends, documented in raw, unvarnished song form, brimming with personal history, crackling with energy and shot through with humour – this is the collaborative album of Courtney Barnett and Kurt Vile.Two of the most acclaimed and gifted song writers of our generation Lotta Sea Lice also sees them roping in friends such as Dirty Three, Stella from Warpaint and Mick Harvey to create a body of work that sounds organic and candid. Their shared chemistry is immediately apparent in the breathtaking jam of opener and first single Over Everything, while Continental Breakfast showcases a more melodic side as the two harmonise over finger-picked acoustic guitars. The two pay homage to 90’s cult heroes Belly with a gorgeous cover of their classic Untogether and even celebrate their mutual respect by covering each other’s music later in the album. This is an intimate glimpse into the shared musical world of Courtney Barnett and Kurt Vile.

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HMLTD  –  Satan, Luella and I / Kinkaku-ji

HMLTD have emerged over the last twelve months and established themselves as the most thrilling and vital new band in years. Music, fashion and art collide to create an assault on the senses, their highly-individual pop a whirlwind of creativity and ideas. Satan, Luella and I is the latest instalment, following the singles To The Door and Stained. It’s a six minute kaleidoscopic, rapturous musical joyride. Flamboyant and freewheeling, the band’s imaginations have created a musical world that envelops the listener. The track is backed by live favourite Kinkaku-ji. Natural born performers, their live shows are already a vital experience as they turn each room they play into their own, blurring the lines between concert and exhibition, and between performers and audience.

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Josienne Clarke and Ben Walker The Birds EP

Rough Trade Records release The Birds EP as a very limited edition 12” – 650 copies worldwide. The Birds is a suite of six songs that explore the themes of migration and departure. These are songs of autumn and shorter days, of flying south and the first feelings of early winter. It is deliberately dark and melancholic and ever so slightly sinister in places. In contrast to the full band-sound so exquisitely captured on their 2016 album Overnight, Josienne and Ben chose to record in a minimalist way using only instruments that they could play in Ben’s basement home studio. It also allowed Ben the opportunity to experiment with Moog and drum machine rendering the songs with a subtle electronic text.

The Who, Tommy  – Live at the Royal Albert Hall

In spring 2017, in support of the Teenage Cancer Trust, The Who played the classic Tommy in full, plus an encore set of seven greatest hits at London’s historic Royal Albert Hall.  This release includes every song from the 24-track studio album performed live, including Side Four’s “Welcome”.  Available in a variety of physical formats plus digital video and audio.

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King Crimson – Official Bootleg: Live in Chicago, June 28th, 2017

Two CD set, taken from the band’s most recent US tour. Media-book presentation with 24 pages booklet featuring photography by Tony Levin & David Singleton. Sleeve Notes by Robert Fripp & David Singleton. Featuring many iconic King Crimson pieces performed live by this line-up for the first time – some being played live for the first time ever, including: Islands, The Lizard Suite, The Errors, Fallen Angel, Cirkus & more.. “If we are looking for a KC live (show); Chicago was exceptional” – Robert Fripp “One of our best” – Tony Levi.

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The Replacements –  For Sale – Live at Maxwell’s 1986

Super limited copies with promo stuff – Postcards, Matches, Cut out figures and posters. In February 1986, The Replacements performed a classic live show at Maxwell’s in Hoboken, NJ. Until now, that pristine recording of the legendary performance has only been available in low-quality bootleg form. Even so, Pitchfork has called the show “a fiery, focused set that would make a true believer out of any skeptic.” For Sale: Live At Maxwell’s 1986 finally make its commercial debut as a double-LP. This marks the first live album by the band to see an official release on this format. The show at Maxwell’s would prove to be one of the last great performances by the four original members of the Replacements, a much beloved line-up including Bob Stinson on guitar, before his departure from the band in 1986. The songs they played spanned the band’s entire history while giving prominence to new material from Tim, including Bastards Of Young, Left Of The Dial and Kiss Me On The Bus. Mixed in were favourites like I Will Dare from Let It Be (1984) and Color Me Impressed from Hootenanny (1983). The original 24-track master tapes of the show sat in the Warner Music vaults until being given a proper mix in 2007, but it would still be another decade before the concert would get its official release. Mehr writes in the album’s liner notes: “Now, a decade later, and more than 30 years after the original concert, Replacements For Sale finally offers high-fidelity proof of the peculiar alchemy and unadulterated majesty of one of rock and roll’s greatest bands.”

2CD – Gatefold Softpack with Booklet.

2LP – Double 140 Gram Vinyl housed in Gatefold Sleeve.

Various Artists  – Woody Guthrie, The Tribute Concerts

There’s no shortage of celebrations for the legendary folk troubadour, but few as star-studded as the landmark concerts held in 1968 at New York’s Carnegie Hall and then in 1970 at the Hollywood Bowl.  These remarkable affairs saw Guthrie collectively saluted by such luminaries as The Band, Bob Dylan, Odetta, Joan Baez, Jack Elliott, Arlo Guthrie, Country Joe McDonald, Richie Havens, Tom Paxton, and Pete Seeger.  Bear Family has boxed up these amazing pieces of history as a lavish 3-CD box set that’s not to be missed!

 

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Kings Of Leon  – Walls

Multi-platinum selling rock band Kings of Leon return with their hugely anticipated seventh studio album Walls. The Grammy Award winning group decided to return to their recording roots in Los Angeles and worked with famed producer Markus Dravs (Arcade Fire, Coldplay, Florence and the Machine). Lyrically, the album touches on band members’ personal stories.

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Public Access TV –  Rebounder EP

The debut four track EP from New York’s most hyped and most loved band Public Access TV. Limited to just 500 copies and exclusive from Rough Trade Shops. Stand out track is ‘Middle Child’ which opens with a drum beat which cheekily apes The Stone Roses’ ‘I Am The Resurrection’ before settling in a noisy garage punk groove with a pop edge. In under three minutes Public Access TV prove they are a band waiting to cross into the mainstream.

Crocodiles  –  Dreamless

Moving both geographically (from San Diego to Mexico City in the case of vocalist Brandon Welchez) and stylistically (eschewing the more post-punk tinged origins of yore for a broader sweep of sound) the electronically-augmented sound of this sixth album may still be rooted in the ’80s, but it’s more akin to New Order in its melancholia and bold primary colours. Nonetheless he glam-tinged exuberance of this duo may still be present even if the Bunnymen-esque raincoat-brigade guitars aren’t. Ironically enough given it was an album inspired by insomnia, ‘Dreamless’ sounds for all the world like a bold new dawn for the band.

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Jagwar Ma –  Every Now and Then

Since the release of 2013’s ‘Howlin’ Jagwar Ma have played sold out shows across the world and supported the likes of Tame Impala, The xx and Foals, filling festival tents and clubs alike with their explosive, hypnotic live performances, not to mention legendary DJ sets – most recently illustrated through their televised Park Stage performance at Glastonbury, and a raucous closing DJ set at the Crows Nest the same weekend. Now the song-writing duo of multi-instrumentalist and producer Jono Ma, singer and guitarist Gabriel Winterfield return with their second album ‘Every Now and Then’. The new record returns to the melody soaked nods to club culture and instantaneous vocal hooks they’ve become well known for, but has also seen them employ their passion for the Beastie Boys, citing this eclectic album as their ‘Paul’s Boutique’. Overall this stunning record encapsulates the band at their most entrancing and anthemic – a wig out of oscillating acid bassline, ricocheting dub-fused guitars and heady pop psychedelia bathed in strobe-lit sonics. It was self-produced and recorded in the United Kingdom, Australia and France, then tweaked and mixed with the assistance of some of their brightest contemporaries, James Ford (Florence and The Machine, Arctic Monkeys), Blue May (Kwes, Kindness), Ewan Pearson (LCD Soundsystem, Chemical Brothers) and David Wrench (Caribou, FKA Twigs, Glass Animals).

Big Star –  Complete Third

Omnivore does an in-depth vault dive into the creation of Big Star’s Third for a new 3-CD box set.  Complete Third includes every demo, rough mix, outtake, alternate take and final master from the Third sessions known to exist. The 69 tracks on this set represent the culmination of a decade-long search to assemble all extant recordings for the album originally released in 1978.  Some alternates and demos have appeared on various compilations over the years, but this first-of-its-kind collection presents every track in context – including 29 never-before-released tracks captured by producer Jim Dickinson and engineer John Fry.

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The Growlers – City Club

The Growlers are an American band formed in Southern California who’s sound has been described as a trademark style of music, effortlessly managing to combine eclectic elements of country, lo-fi punk, surf/psych/garage rock, Tex-Mex, and slacker/stoner/skate culture into something that is uniquely their own. Known for their relentless touring schedule and DIY work ethic, the band is one of the most exciting independent success stories of recent years. The band has toured with The Black Keyes, Dr. Dogg, Devendra Banhart, and Jonathan Richman, among others. The album is produced by Julian Casablancas the first he has produced).

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Gurr  –  In My Head

When two best friends start a band, songs get filled with inside jokes. In My Head takes the listener on a journey of Andreya Casablanca and Laura Lee’s friendship, their life, and a step further into the world of GURR. Having met in an American Studies class in Berlin, and after spending time in the US together, the US West coast sound was an obvious influence on their music, but Andreya and Laura draw from a wide set of pop culture references and personal experiences for their debut album. First Wave Gurrlcore they call their own genre, always with a slight and acknowledging nod to riot girl culture and yet stressing that they want to invent their own style – they pair straightforward garage rock tunes with more psychedelic and wave elements on their debut album. “We didn’t start making music because of Kathleen Hanna,” explains singer Andreya Casablanca. “Musically we were more influenced by bands like Gun Club, Echo & the Bunnymen, the B52s or classics like the Ramones and Beatles.”

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La Femme – Mystere

Direct from the Parisian overground, French pop connoisseurs La Femme will release their second album Mystère this week. La Femme have made a huge mark on modern Paris’s cultural landscape, by engraining in their music the two sides of the city : the glamour and the grit. Returning with a more psychedelic sound and numerous female guest vocalists that slice through the starkest of electro beats, La Femme celebrates their wonderful city and tackles the enigmatic questioning of falling in and out of love. Mystère is indeed a compendium of short stories describing loves and losses and each song breaks down language barriers through an inventive and astute knack for melody. The band’s chic retro-futurist surf-pop sound possesses the same dose of glamorous punk stomp as before, but this time around it’s layered with an elegant fusion of influences from Ennio Morricone, Marie Et Les Garcons’s disco-rock touch and the lysergic romanticism of The Velvet Underground. Through increased use of strings and further exploration of sound, Mystère also incorporates the band’s new love of oriental sounds, Turkish disco, Tuareg blues, medieval psychedelia to mainstays Brian Eno and Pink Floyd.

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Las Kellies  –  Friends And Lovers

Following the release of ‘Total Exposure’ the fiery Argentinian Riot grrl group Las Kellies return with new album ‘Friends & Lovers’. Inflected new wave post-punk blends garage-psych with infectiously deft dance beats and melodic pop. ‘Friends & Lovers’ fuzzed-up gems sees them move away from the heavier dub sounds of their last record instead sinking their teeth into a groove like Thee Oh Sees with the spirit of ESG and Delta 5. Rupturing with dance floor classics like ‘Sugar Beat’ and ‘I Don’t Care’, they effortlessly move into sun-soaked psych-pop tunes (‘Summer Breeze’, ‘Sun Goes Down’) with slow grooving honeyed tones, shimmering guitars and propulsive percussion. Produced by Iván Diaz Mathé (credits include Lee “Scratch” Perry & Mad Professor), who’s worked on their previous records.

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Josefin Ohrn + The Liberation –  Mirage

Having already been nominated for a Swedish Grammy with their debut EP, Diamond Waves, their full-length 2015 debut on Rocket Recordings, Horse Dance, marked out a territory in which beguiling repetition could sashay with sweet pop suss, melodic flourishes with experimental intensity, and it was summarily rapturously received on arrival, making new fans and earning them appearances at Roskilde Festival and Eindhoven Psych Lab. Their second effort Mirage, which follows a mere year after its predecessor, sees the band sculpting sprawling, hypnotic jams into elegant nocturnal serenades. “We agree on not remembering very much about how these tracks came about, that all of them were written on the road and that most of them came fully formed” note the band. “Most were really long to begin with, but we found it relieving to break away a bit from the mandatory psych jams a little bit. We also just realised that none of them were written in daylight, which might be why memory is so elusive.” Indeed, this hypnagogic approach seems to fit well with the primary inspiration for the five-piece, which centred on ‘the state where dreams, visions and the present are entwined’ .Mirage sees the band taking a chic tradition of avant-pop that extends all the way from Serge Gainsbourg and Françoise Hardy to Broadcast and Saint Etienne, and warping it mercilessly to their own darker ends. Whilst the brooding yet sultry ‘Sister Green Eyes’ is no less than a sharp slice of velveteen motorik-pop and ‘Looking For You’ reinvents three-chord garage-rock attack with mighty finesse, The Liberation are just as comfortable dealing out the heavy-lidded and electronically-driven ‘In Madrid’ or the dive in the hallucinatory deep end of ‘Circular Motion’, on which they’re aided and abetted by Lay Llamas’ Nicola Guinta. The seductive splendour of these ten songs åmake manifest a parallel world of disorientation and deliverance in which one would be a fool not to want to languish adrift . Fresh excitement for the band lies in wait, courtesy of a UK tour with Goat and an appearance at Liverpool International Festival Of Psychedelia. Limited holographic mirrorboard sleeves.

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Thurston Moore  -Chelsea’s Kiss

Cassette Store Day 2016 Release. 2 Tracks / 16 Minutes. Double sided printed extended j card.
Edition of 1000. Sonic Youth’s Thurston Moore and Brooklyn-based drummer Ryan Sawyer along with UK-based members of Thurston Moore Group: bass player Deb Googe (also of My Bloody Valentine) and guitarist James Sedwards (also of Nøught) met up in the studio to record these songs offered here to support the campaign to Free Chelsea Manning. Partial proceeds of the sales of this cassette will support the Chelsea Manning Support Network (chelseamanning.org), and will be earmarked for the defence of Army Pvt. Chelsea (formerly Bradley) Manning. Former Private Manning was sentenced to thirty years in military prison for sharing the video of a US helicopter attack that killed a dozen Iraqis, exposing US State Dept. cables, the “Iraq War Logs”, and the “Afghan War Diaries” with the WikiLeaks website.

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Josienne Clarke and Ben Walker – Overnight

British Folk duo Josienne Clarke and Ben Walker have risen to star status lately on the English acoustic scene, earning last year’s Best Duo award from the BBC Folk Awards and across-the- board praise for two self-released albums, most recently ‘Nothing Can Bring Back The Hour’, with its lush single ‘Silverline’. While The Guardian anointed them “chamber folk” (they certainly cut their teeth in that thriving part of the UK music scene), Clarke is an unusually compelling singer, sharing more in common with Sandy Denny, Gillian Welch, or even Nina Nastasia and Laura Marling, than your usual staid folk artist. Walker is a prodigiously talented guitarist and arranger and the two of them are engaging and often funny in a live setting where, in addition to their own songs, they choose covers brilliantly, from Denny, to Jackson C Frank, to Nina Simone, to death-obsessed traditional ballads. Clarke and Walker Rough Trade debut album brings bigger, more modern arrangements and production to their beautifully-wrought songs and Clarke’s tremendous voice.

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The folk scene is suddenly awash with duos, but Josienne Clarke and Ben Walker stand out due to their originality; she has a fine, cool vocal style and plays recorder, flute and saxophone, while he is an excellent guitarist and banjo player who also arranges the orchestral settings for their songs. They are mostly set in the traditional folk idiom with material including some traditional songs. Their albums are notable for Clarke’s thoughtful and gloomy songwriting. Here is a cover of the Joni Mitchell song “River”.

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