Posts Tagged ‘singer songwriter’

Prolific New Zealand-born, Melbourne based singer-songwriter Sarah Mary Chadwick is releasing “Me and Ennui Are Friends Baby” on February 5th via Ba Da Bing Records, and the latest single is “Full Mood,” which Sarah says “is about a Valentine’s Day date I went on. The owner of the bar we were at tried to get us both to fuck her, but she wouldn’t let me be in charge so we didn’t. I remember afterwards we were walking down the road and it was streetlights and still at 3am and everything felt great and shining and I remember thinking that I wish my dad could’ve done this, got drunk and kicked around the city at night when it’s all sparkly, holding onto someone who lights you up, not been stuck in silent dark rural New Zealand, watching other people’s lives on TV, drinking half glasses of box wine while his frowning wife ironed.”

“Me And Ennui Are Friends, Baby” is the latest full-length from New Zealand-born, Melbourne-based singer-songwriter, Sarah Mary Chadwick, whose brutally honest song writing has cast her contrary to the gentleness of most current music. Comprised entirely of minimal solo piano arrangements, the album is despondently clear-eyed and smirkingly self-deprecating, completing a trilogy of records that started with The Queen Who Stole The Sky recorded on Melbourne Town Hall’s grand organ, and her only outing to date featuring a full band, Please Daddy. Each record has followed Chadwick’s internal processing after a traumatic event, with Chadwick’s zeal for psychoanalysis front and centre. On Ennui, Chadwick presents an exacting intensity with her choice to pare back to piano and vocals. It’s in this stark setting that she focuses on the attempt she made on her life in 2019.

Directed by Tristan Scott-Behrends

Starring Daniel Villarreal & Sarah Mary Chadwick “Only Trumpets” Clip featuring Daniel Crook & Xavier Jimenez March ‘Full Mood’ is the third single from forthcoming album ‘Me And Ennui Are Friends, Baby’, out February 5th 2021 through Rice Is Nice Records & Ba Da Bing.

Find Sarah Mary Chadwick on Bandcamp –

Folk-punk songwriter Chloë Glover didn’t get much chance to tour her excellent debut EP ‘Dark Matter’, as its release in March last year unfortunately coincided with…well, everything going to shit. The upside to this is that we still have plenty to look forward to from the Bournemouth native, whose live performances are every bit as brilliant as her recorded output.  This EP is absolutely brilliant. Four songs passionately delivered. 


Chloe Glover debut EP, ‘Dark Matter’, out March 20th, 2020.

Vocals, guitars- Chloe Glover
Drums- Matty Blake
Guitars, bass, electric guitars- Steve Millar

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The Weather Station (the project of Toronto-based singer/songwriter Tamara Linderman) is releasing a new album, “Ignorance”, on February 5th via Fat Possum Records. This week she shared another song from it, “Atlantic,” via a self-directed video for the track. 

Linderman had this to say about the song in a press release: “Trying to capture something of the slipping feeling I think we all feel, the feeling of dread, even in beautiful moments, even when you’re a little drunk on a sea cliff watching the sun go down while seabirds fly around you; that slipping feeling is still there, that feeling of dread, of knowing that everything you see is in peril. I feel like I spend half my life working on trying to stay positive. My whole generation does. But if you spend any time at all reading about the climate situation circa now, positivity and lightness are not fully available to you anymore; you have to find new ways to exist and to see, even just to watch the sunset. I tried to make the band just go crazy on this one, and they did. This is one where the music really makes me see the place in my mind; the flute and the guitar chasing each other, wheeling around like birds, the drums cliff like in their straightness; I love the band on this one.”

“Ignorance” includes “Robber,” a new song The Weather Station shared in October via a self-directed video for it in her directorial debut. “Robber,” an atmospheric horn- and string-backed track, When the album was announced in November, Linderman shared its second single, “Tried to Tell You,” via another self-directed video for the track. Ignorance is the follow-up to The Weather Station’s acclaimed self-titled and self-produced fourth album, released in 2017 by Paradise of Bachelors.

In a previous press release, Linderman said the album was built on rhythm. “I saw how the less emotion there was in the rhythm, the more room there was for emotion in the rest of the music, the more freedom I had vocally,” she says. Linderman, who plays guitar and piano on the album, was aided in this cause by drummer Kieran Adams (DIANA), bassist Ben Whiteley, percussionist Philippe Melanson (Bernice), saxophonist Brodie West (The Ex), flutist Ryan Driver (Eric Chenaux), keyboardist Johnny Spence (Tegan and Sara), and guitarist Christine Bougie (Bahamas). Linderman co-produced Ignorance with Marcus Paquin, who also mixed the album. 

“Atlantic” from The Weather Station’s new album ‘Ignorance’ out February 5th, 2021


The seventeenth studio album by American singer-songwriter Ryan Adams. Originally slated for release in 2019, it was delayed following abuse allegations against Adams. It was eventually surprise-released digitally on December 11th, 2020 through Adams’s label PAX AM. Physical editions are scheduled for March 19th, 2021. — “Right out of the gate, the honesty of Wednesdays hits full force, with the track “I’m Sorry and I Love You.” It’s unclear how much more this record may have changed since 2019 besides the decision to alter the cover artwork, but this opening track definitely feels like an apology from Ryan to the fans who may have felt betrayed or hurt by the allegations that came from the Times article.

There’s just something more earnest at play here, a next level of unbridled honesty that makes the effort behind Prisoner seem almost trivial in comparison. And it only gets deeper the further you go into the track list. For me, the standout tracks of the album are definitely “Poison and Pain” which has lyrics such as: “I was so bad on my own Drawing maps inside my soul to places nobody goes Woke up confused, just staring at my telephone Waiting like I’d ever hear your voice again,” Every song on this record has lyrical moments that take your breath away.

There isn’t a track that I would skip upon re-listening. Each one has its purpose and as a whole, the album functions as one cohesive unit of emotive gravity. As far as I am concerned, this is a perfect album.”

Ryan Adams new album ‘Wednesdays’ is now available to stream

This record was recorded, mixed and mastered by Ben David in his studio house in the Adelaide Hills in Australia in February 2020. Lande Hekt of UK based punk band Muncie Girls has released a new song. The song is called “80 Days of Rain” and is off of her upcoming solo album Going to Hell due out January 22, 2021 via Get Better Records. Lande Hekt released her last album  Gigantic Disappointment in 2019.

All instruments were played by me except for percussion which was by Ben. He also sang on the songs.  “80 Days of Rain” is a chiming track about a constant downpour that keeps you down. Its chorus is especially gripping, Hekt’s muffled voice singing: “Is this another string of bad luck?/ Is this just another week where we don’t fuck?/ This is where I think I go insane/ I can’t do this again/ 80 days of rain, 80 days of rain.” Hekt says the track “is about moving away and missing someone, and how that person taught me to get angry about climate change,”

Get Better Records 2021 Releases January 22nd, 2021

The porcelain figurine on the cover of this album tells you enough: if you want to smile, you better not do it with this music in your ears. We don’t expect anything else from Keaton Henson. This troubled musician always brings us convulsive emotions into his compositions, but oh, he always does that more than well. He agrees in opener “Ambulance”, where he sighs: ‘I’m empty but don’t it sound so good?’ “Monument” released through Play It Again Sam is Keaton’s first album since 2016’s Kindly Now. Keaton Henson’s new album “Monument” is a rare thing. It is an album about loss, and dealing with losing the ones we love, but told, in incredibly candid detail, through the aspects of our lives that surround the trauma itself, about love, ageing, recovery, life, seen through the prism of grief.

With the posting of an enigmatic and cryptic goodbye in 2016; Epilogue, Henson’s next project ended up becoming Six Lethargies, a complex and ambitious symphony for string orchestra, dealing with the minutiae of mental illness. He put away the guitar and retreated to his home for three years to compose it. Monument now finds Keaton re-emerging with an album of songs about grief, and how it permeates our lives. The record began when, having recovered from both Six Lethargies and the circumstances that inspired it, Henson moved from London to the wilds of the English countryside, spending long days outside chopping wood, tending to the grounds, and watching birds of prey soaring above. It was from this remote outpost that he finally felt ready to look at a subject he had been avoiding for his entire song writing career; the decades long illness, and imminent death of his father, who passed two days before he finished recording the album.

While the singer normally opens up about heartache or fear of people in his lyrics, Monument has a possible even more personal theme: the death of his increasingly ill father. This is most strongly confirmed in “The Grand Old Reason”, where he writes some of his most heart breaking sentences: ‘But like you / I have tried for so long not to cry / That I don’t even know if I can when you die’. Yet we gasp most when, after “Prayer,” an excerpt from an old home video is heard saying Keaton’s father “Keaton, wave to daddy.” This spirited, delicate folk hits a whole new set of strings, with Henson only expanding his emotional empire even more.

Monument” released through Play It Again Sam Records,

The follow-up to her 2018 sophomore release First Flower, the breathy, romantic “Only One” serves as the A-side to Molly Burch’s new 7” Ballads, out now on Captured Tracks. “I decided to call the 7” Ballads as an homage to the powerful female vocalists I idolized growing up,” Burch said. “Seems sort of classic. Both songs really embody what I love to do—sing with emotion, and drama, and romance, taking as much time as I need. Following the release of her critically acclaimed sophomore album, ‘First Flower’, last October, Texan chanteuse Molly Burch returns with two heart-stopping tracks. Entitled ‘Ballads’ in homage to the strong and powerful female vocalists that she admires, this 7” EP embodies what Burch loves to do and what she does best: crafting music with emotion, drama and romance, giving her voice all the room it needs to burn bright.

“Only One” is off of Molly Burch’s 7″ Vinyl, ‘Ballads’. released August 2nd, 2019

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The 17-year-old star of High School Musical: The Musical: The Series has dropped her first official song, and the music video, Olivia Rodrigo may have earned a name for herself by scoring the lead role in the hit Disney show, but she’s now dipping her toes into a musical career of her own. After months of teasing her debut single, Rodrigo shares a lovelorn video alongside her track “Drivers License.”

Speaking about her inspiration behind the track, she describes the disorienting emotions of her recent heartbreak. “When I came up with ‘Drivers License,’ I was going through a heartbreak that was so confusing to me, so multifaceted,” she said in a statement. “Putting all those feelings into a song made everything seem so much simpler and clearer and at the end of the day, I think that’s really the whole purpose of song writing. There’s nothing like sitting at the piano in my bedroom and writing a really sad song. It’s truly my favourite thing in the world.”

The graceful visual offers a vignette of Rodrigo’s post-heartbreak healing. She earns her drivers license but instead of going to her old fling’s house, like she used to dream of, she finds herself instead aimlessly circling side streets. All the while, Rodrigo replays scenes of her fleeting relationship. At first she’s only confronted by the happy memories, but eventually, all the toxic traits of her ex-partner come flooding back to her.

Music video by Olivia Rodrigo performing drivers license. Under exclusive license to Geffen Records

Quavering vocal harmonies and delicate acoustic accents roll through a blissful backcountry scene on Valley Maker‘s “No One Is Missing”, in part recalling the dusky lo-fi plains of Kurt Vile and Cass McCombs – lyrics interpreting the organic unison of nature and the art of music as a form of remedying the pandemic’s myriad social repercussions.

Seattle-based for the last ten years, Crane, along with his family, recently decamped to South Carolina – an uprooting and re-assimilation that finds a voice in the upcoming third album “When The Day Leaves”. Crane expands upon the bearing this had on the premise of his latest track: “I wrote this song, along with much of When The Day Leaves, as a way of grappling with the partiality and temporality of how we connect with one another, I guess as an attempt to collect and reflect on recent experiences of loss, love, leaving, returning, missing, etc. While recent months of social distancing have often felt isolating, I’m continually grateful for how music and the natural world can remind us we’re not alone.”


“When The Day Leaves”, the new album from Valley Maker
will be released on February 19th, 2021 on Frenchkiss Records

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Auckland-raised Molly Payton relocated to London two years back, as a 16-year-old and dropped her debut EP Mess in Spring of last year. Her brand of lyrically mature, angsty, shambolic pop juts between extremes of melody and discord, and found a fan in schoolfriend Oscar Lang, who produced her first tracks.

London-based artist Molly Payton takes us down the dark, emotional bottom of our own monophobia in her latest single “Warm Body” Over the luminescent, gauzy production, the gal breaks down the carnal distractions we indulge in when we want to avoid confronting our own feelings of loneliness. Directed by Silence Aitken-Till, the video features Molly on her own as she passes the time within the confinements of an RV: “I’d much rather go through bad stuff, feel it completely and write about it, and work through it in all those ways than protect myself from it and not have anything good happen ever. I think it’s tied together— you can never feel bad without feeling good. And vice versa.”

‘Warm Body’ is about looking for comfort in people when you’re lonely and letting yourself make mistakes. The first time I met my producer Oli-Barton Wood, we wrote ‘Warm Body’ together, and by the end of the day I knew that I wanted him to produce the whole EP. Oli is insanely talented and was so lovely to work with,  and recording ‘Porcupine’ was easily one of the best times of my life. He brought in Swedish band Francobollo to do some live band recording, they ended up becoming my live band and have been really good influences musically for me. The EP title relates to keeping people at arm’s length for fear of getting hurt, plus when I was recording it, I bleached my hair so many times that it broke off at the top and I spent three months looking like a porcupine.”

“Warm Body” is the first single from Molly Payton’s sophomore EP ‘Porcupine’