Posts Tagged ‘Hovvdy’

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Hovvdy released a new single, “Runner,” last month, and now they’ve followed it with a second, which “is about the mixed emotions when a relationship has to change or end,” Will Taylor says. “Grief and relief. We were excited to pull the guitars back to let the vocals and ambient textures shine. The clank and swing of the programmed drums create a resonance and energy that brings it all together.”

Hailing from Austin, Texas, indie-pop duo Hovvdy are back again with another sumptuous treat for our ears with new single; ‘I’m Sorry’. Shortly after their release of ‘Runner’ — released just last month — ‘I’m Sorry’ is Will Taylor and Charlie Martin at their finest; delightfully odd as always, whilst showcasing dreamy melodies that are best suited to lying in bed on a calm Sunday morning.

Slightly muted vocal melodies greet us from the get-go, along with a reverberated kick and snare beat that echoes through your soul to the very end. The song in its entirety feels somewhat zephyr-like; feelings of heartache but also of healing: a journey downstream that Hovvdy are kind enough to let us in on. Gradually swelling in volume, accompanied by wispy, mellow vocals throughout; ‘I’m Sorry’ is a harmonically beautiful, and melodically considerate track — created for the disenfranchised, and executed to foggy, ambiguous perfection.

Fundamentally acoustic, Hovvdy also incorporates elements of electronica in the most subtle ways; pulling us in gently at the beginning with synth-enhanced vocals and rhythms, then reverting to their familiar, honestly indie style, before welcoming back the electronic-inspired rhythms, vocals and synths for the end of the track — bringing closure in a familiar, comforting way.

Stacking on Will Taylor’s growing pop sensibility, “I’m Sorry” carves a beat around the artist’s hollowed-out, echoing vocals. Jumbled feelings in flux swirl a cloud of granular electronic ambience. “I’m sorry,” he sings. “Going under the water again.”

Of the song and stylistic venture, Taylor says: “‘I’m Sorry’ is about the mixed emotions when a relationship has to change or end. Grief and relief. We were excited to pull the guitars back to let the vocals and ambient textures shine. The clank and swing of the programmed drums create a resonance and energy that brings it all together.”

Effortlessly minimalistic in nature, Hovvdy is consistent in delivering stunningly layered instrumentals lead by melodically sweet, wistful vocals that haunt you and soothe you in equal measure; providing a plethora of influences from pop to hip-hop. All-in-all, ‘I’m Sorry’ is the oh-so-familiar nostalgia trip that Hovvdy never fail to contribute to this ever-expanding world of plentiful music that we’re currently living in. Unapologetically honest, inexplicably raw, and invariably delightful; I’m Sorry is yet another notable mark on the musical map — transcending above normality and welcoming us in to their world of authentic memories.

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we’re very excited to share an album of demos today. please consider supporting us or an artist you love on Bandcamp today as they have graciously forfeited their cut of sales.

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demos for Heavy Lifter written & recorded at home by Hovvdy.
mastered by Ben Littlejohn.
art by Ben Johnson (@johnsonstretch).
Band Members
Charlie Martin, Will Taylor
Released March 20th, 2020

Easy/Turns Blue

Taking inspiration from the original concept behind the founding of Saddle Creek, as an attempt to highlight our home city through music and art, we began the Document Series in 2017. Each release featured in the Document Series is comprised of an exclusive record featuring unreleased music from artists outside of the label’s roster, along with a specially curated zine created by the artist. The fifth installment in the series comes from Austin, Texas based Hovvdy.

Hovvdy (pronounced “howdy”) is the writing and recording project of Charlie Martin and Will Taylor. The duo, both primarily drummers, first met in the fall of 2014 and quickly bonded over a love for quiet music. Within a few weeks, they had combined songs and began recording their first EP in bedrooms and family homes across Texas.

By 2016 the two had committed to each others growth in songwriting and recording, resulting in their debut album Taster , originally released on Sports Day Records and reissued in 2017 by Double Double Whammy. They followed this in 2018 with the release of Cranberry , which Pitchfork described as, “Foggy, warm, and wistful, it sounds like faded time.” Hovvdy has found a unique identity in rhythmic, down-tempo pop songs that are hopeful, yet melancholy; relatable, yet distinguishable.

Hovvdy discuss their new album <i>Heavy Lifter</i> and premiere a new single, “Cathedral”

Hovvdy, the Austin-bred slowcore duo of Charlie Martin and Will Taylor, released their third album Heavy Lifter today. Built around melancholic guitars and self-conscious vocals, lead single “Cathedral” is a lilting groove that feels like having a series of existential realizations in the middle of a field.

While Heavy Lifter does come off as familiar, the record also expands their sound. Working in close collaboration with engineer and producer Ben Littlejohn in various makeshift studios around Texas, they’ve refined their languid melodies and expanded on their previously muted production. It’s still cozy, but it also veers toward the cinematic, with brief forays into Auto-Tune, distorted drum machines, and hip-hop-inspired beats.

Lead single “Cathedral,” is a gentle introduction to this evolution. First it’s dominated by cyclical, strummed guitars reminiscent of Elliott Smith, and then it transforms into a sleepy anthem for late-summer nostalgia. Martin says he wrote the first part “a long time ago,” inspired by a “weird vision or dream about being in the past and seeing my grandma at this church.” Halfway through, the song seems to careen back in time, with Martin repeating the line: “maybe never come back here, we can stay with our friends.” It captures the youthful feeling of infinite time and endless summers, when you stay out with your friends and have zero responsibilities.

The duo sing of finding your own spirituality and learning how to step outdoors in the face of anxiety: “Trust I’ll calm down / Always do somehow / Open my door / Brighter than before / Outside, hide,” they whisper, sunnily.

Hovvdy have always had an uncanny ability to create a comforting effect with their songs, even when those songs are about fear, anxiety and their own personal shortcomings. Fans of their zoned-out, slowed-down indie-pop have come to rely on the duo for their consistently soothing music, and it’s a mantle they’ve gladly taken up. “I was really trying to make something that would make people feel better,” Martin says of Heavy Lifter, on the phone from his bandmate Taylor’s house in Austin. “And I think they have served that purpose for me too, just from making them.”

“Heavy Lifter” on Limited Edition Vinyl

Third album from Austin, Texas indie pop duo Hovvdy! Following their excellent previous albums Taster and Cranberry on Double Double Whammy. Hovvdy’s music is the sonic equivalent of a hug. Austin-based Charlie Martin and Will Taylor have been enveloping listeners in their soft, cozy, slow rock since 2014, when they released their debut EP on Bandcamp. Now, after five years, two split releases, and two albums they’re announcing their third album.  It arrives after Hovvdy’s tour with Lomelda, with whom the band recently released a split EP of covers.

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Hovvdy have always had an uncanny ability to create a comforting effect with their songs, even when those songs are about fear, anxiety and their own personal shortcomings. Fans of their zoned-out, slowed-down indie-pop have come to rely on the duo for their consistently soothing music, and it’s a mantle they’ve gladly taken up. “I was really trying to make something that would make people feel better,” Martin says of Heavy Lifter, on the phone from his bandmate Taylor’s house in Austin. “And I think they have served that purpose for me too, just from making them.”

While Heavy Lifter does come off as familiar, the record also expands their sound. Working in close collaboration with engineer and producer Ben Littlejohn in various makeshift studios around Texas, they’ve refined their languid melodies and expanded on their previously muted production. It’s still cozy, but it also veers toward the cinematic, with brief forays into Auto-Tune, distorted drum machines,

releases October 18th, 2019

all songs written by Hovvdy
produced by Ben Littlejohn and Hovvdy

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Hovvdy’s music is the sonic equivalent of a hug. Austin-based Charlie Martin and Will Taylor have been enveloping listeners in their soft, cozy, slow rock since 2014, when they released their debut EP on Bandcamp. Now, after five years, two split releases, and two albums (2016’s Taster and 2018’s Cranberry), they’re announcing their third album. Heavy Lifter will be released on October 18th via Double Double Whammy s.

Hovvdy have always had an uncanny ability to create a comforting effect with their songs, even when those songs are about fear, anxiety and their own personal shortcomings. Fans of their zoned-out, slowed-down indie-pop have come to rely on the duo for their consistently soothing music, and it’s a mantle they’ve gladly taken up. “I was really trying to make something that would make people feel better,” Martin says of Heavy Lifter, on the phone from his bandmate Taylor’s house in Austin. “And I think they have served that purpose for me too, just from making them.”

While Heavy Lifter does come off as familiar, the record also expands their sound. Working in close collaboration with engineer and producer Ben Littlejohn in various makeshift studios around Texas, they’ve refined their languid melodies and expanded on their previously muted production.

It arrives after Hovvdy’s tour with Lomelda, with whom the band recently released a split EP of covers.

Hovvdy’s third full length album, “Heavy Lifter”, is out October 18th, 2019. Charlie Martin and Will Taylor met at a baseball game while on tour drumming for different bands. Back home in Austin, the two Texas natives discovered both held batches of compatible songs, intended for solo projects. They merged as Hovvdy instead.

Penned separately, the duo’s first-ever songwriting efforts coalesce seamlessly on debut LP Taster . To this day, Charlie and Will create like satellites on the same orbit, combining bedroom recordings into a singular worn-in sound. Their downtempo rock found an audience in the Austin and New Orleans scenes, elevated by support from small indie Sports Day Records.

Brooklyn label Double Double Whammy re-released “Taster” in 2017, followed by “Cranberry” in 2018. The sophomore work solidified the group’s sturdy guitar strums and rhythmic instincts, enveloped in nostalgic glow. Third LP “Heavy Lifter” finds new dimensions in the Hovvdy soundscape.

For Heavy Lifter , the duo worked with producer, engineer, and multi-instrumentalist Ben Littlejohn. Throughout Autumn 2018, the team built out the album in makeshift home studios around Texas. Both singers’ voices cut through more decisively than ever, carried by vivid storytelling and production eccentricities.

Familiar fuzz maintains the warmth of past work, but Heavy Lifter is never muffled. Clear-cut characters and scenes emerge in the 13 tracks. Antsy love song “1999” wanders around a small town, while bright pop piece “Mr. Lee” retells a lonely day in reverent detail. Lo-fi Daniel Johnston moment “Tell me I’m a singer” empathetically enters an artistic perspective, unwound lyrically as: “Tell me I’m a singer.”

You can get an early taste via first single and video, “Cathedral,” that blankets you, warm and comforting, in a drowsy sort of way.

Memories inform present decision-making throughout the album. Two tracks dive into family legacies, “Pixie” admitting “outside my mind/ is where i’m gonna be/ not what i had hoped at 14.” “Sudbury” recounts childhood major league dreams: “front yard catch, you got a plan/ to be a baseball star/ texas ranger shortstop.”

Breaking from the confines of guitar-based slowcore, pop and hip-hop influences expand Hovvdy’s established framework. Propulsive, straightforward hooks usher in autotuned tweaks, chugging beats and genre exploration. By pulling apart slightly, Charlie and Will step into new spaces on Heavy Lifter . Always in sync, it’s a balanced effort.

This August, Texas bands’ Lomelda and Hovvdy head out on a U.S. tour together. Ahead of their trek, they’ve shared a new EP where they cover each other’s songs. “Covers” also includes a new collaboration called “🙂.”

A cassette edition of Covers is forthcoming (via Double Double Whammy). All proceeds from the cassette will go to RAICES, a nonprofit that provides low-cost legal services to immigrant children, families, and refugees.

Lomelda is the recording project of Silsbee, Texas musician Hannah Read. Her latest album, “M for Empathy”, came out this past winter.

Charlie Martin and Will Taylor comprise the Austin-based Hovvdy. They released their album “Cranberry” in February 2018.

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Released June 28th, 2019

performed & recorded by each artist in their homes
saxophone on “out there” by Tennyson Strano

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The Austin duo Hovvdy joined the ranks of double double whammy for their second full-length, their warm, lived-in nostalgic turns slotting nicely into the label’s aesthetic.  Cranberry finds Hovvdy using a familiar palette as a foundation for cautious forays into tangential sonic realms; the gorgeous lilt of  the stand-out cut “truck” is punctuated by wisps of pedal steel, an affective presentation of reflective recollection.

Hovvdy – “Petal” Off their new album, “Cranberry” Released February 9th, 2018 on Double Double Whammy

HOVVDY – ” Easy “

Posted: August 28, 2018 in MUSIC
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Austin indie-rock duo Hovvdy have a new song out today, “Easy,” which fits snugly into the soft and quiet sonic landscape songwriters Charlie Martin and Will Taylor have carefully crafted on Taster in 2016 and 2018’s Cranberry. The new track — which is part of indie label Saddle Creek’s Document Series — is a lovely downtempo song that would go well with a cup of coffee while staring out onto a cool and foggy morning. Gentle washes of guitar and and piano are paired with Martin’s warm and crackly vocals, making “Easy” a kind refuge to slip into before settling into the bustle of the day.

“I wrote ‘Easy’ over a long period of time,” Martin writes of the song . “The melody came together on piano and I played the song without words a lot. Eventually, I had a train of thought and the words came along about being in a shared struggle and the give and take; the optimism inherent in listening to other people’s stories; waking up on the ground and feeling safe.”

Hovvdy – Easy From the Easy/Turns Blue 7″ Part of the Saddle Creek Document Series