Image may contain: 4 people, people sitting, shoes, table and indoor

The hypnotically snaky guitar line in Slow Pulp’s “At Home” recalls the spare majesty of bands like Bedhead, but lead singer Emily Massey elevates it by lending the song a certain melancholy swirl. She’s the newest member of Slow Pulp, having once been brought in to sing backup and play rhythm guitar. But given that the other three players have been collaborating since elementary school, it’s no surprise that the group performs its dreamy, subtly forceful rock songs with great clarity and chemistry.

Chicago is an inspiring place, and there’s a lot of really good shows happening all the time, it’s invigorating…” Henry says. They bring an electric but dreamy energy to the scene that is quickly at home. Joining the ranks of Lala Lala, OHMME, Grapetooth, and many others, Slow Pulp brings to the table their exploration of dreamy psychedelic punk. And they seem to be taking to it well too—they played their first headlining show in Chicago on January 4th and are in the studio working on a new EP.

Image may contain: 4 people, people smiling, indoor

Brighton four piece Thyla return with their boldest release to date, ‘Blame’. It is a bolstering, boisterous cut further adding to the growing excitement from the press and the public surrounding this new band. Produced by Macks Faulkron and mixed by Alex Newport (At The Drive-In, Weaves), ‘Blame’ is frantic and tough, spiky guitar riffs and tingling percussion beats. It is softened by the seductive femininity of Millie Duthie’s vocal yet her lyrics are equally jagged as she barks the track’s recurring hook “I can’t blame you, can only hate you.”

The band have drawn expected comparisons to London grungers Wolf Alice, yet this has the frivolous frustrations of Marmozets and Wallows. Ahead of the track’s release, the band stated: “’Blame’ is about the uncharacteristic choices people make when they’re trying to be like someone else, for the sake of someone else, at a cost to themselves. It’s a neurotic frenzy of guitars with self conscious lyrics about the state of paralysis jealously puts you in; blind anger with no real solution.”

http://

After picking up a host of tips from across the musical spectrum for this year, this exciting four piece are delivering on promise and releasing quality tracks that step the line between shoegaze and scum.

After the release of their exceptional debut EP, What’s On Your Mind?, earlier this year, things are only looking up for Brighton four-piece Thyla. Singles like “Tell Each Other Lies” “Pristine Dream,” “Only Ever” and “Blue” cultivate a misty dream-pop wonderland with frontwoman Millie Duthie’s enigmatic lead vocals as their euphoric centerpiece. Then add a framework of palatial, lush guitars and a dash of moody post-punk for good measure, and you have all the bearings of a band worth obsessing over.

public-practice

Brooklyn’s Public Practice burst onto the punk scene last year and subsequently made one of our favorite EPs of 2018, the electric Distance is a Mirror. Public Practice, the band featuring Samantha York and Vince McClelland of Wall as well as Beverly members Drew Citron and Scott Rosenthal, titled Distance is a Mirror and will be out via Wharf Cat Records. (two now defunct Bushwick bands), Public Practice make distorted, intoxicating rock, leading with the promise of a magnetic live show, their very danceable post-punk variant. There’s just a hint of southern swamp rock in there too, and the song zigs, zags and packs in lots of big hooks.

The full EP, “Distance is a Mirror” by Public Practice, Originally released in 2018.

01. Fate/Glory – 00:00 02. Bad Girl(s) – 02:38 03. Foundation – 04:45 04. Into the Ring – 08:26

Image may contain: 4 people

London four-piece Honey Lung have consistently churned out hyper-melodic rock with heart and bite, and it’s not a stretch to say they’re writing fiery, tender rock better than any young band out there today. Memory, their recent 12-inch release via Brooklyn’s Kanine Records, consists of eight well-crafted songs—half of them singles and half demos—each with mind-bogglingly dynamic hooks and punchy riffs.

Honey Lung was coined upon a hazy writing session at Jamie’s house as they were listening to Jesus & The Mary Chain ‘Just Like Honey’. You’ll hear a lot of 90’s grunge, shoegaze, and alternative rock influence (Radiohead, The Smashing Pumpkins and Dinosaur Jr) in their sound as the band got into this style of music though hearing it in their parents cars. Like many young new bands, the 90’s spoke to them as it was a time they didn’t really remember, but felt a connection to.

http://

With a do-it-yourself attitude Honey Lung wll do things on their own terms often creating to their own desires and interests. Drawing influence from Car Seat Headrest, Sparklehorse, Elliot Smith and The Brian Jonestown Massacre, the band used their charity shop guitars and a modest home recording set-up to create songs. Memory is a collection of singles, and their first ever vinyl release out on Kanine Records February 1st, 2019.

Image may contain: 4 people, close-up and outdoor

“Export the Family” was Honey Lung’s second single for the London indie label, Killing Moon Records, and it follows the raucous, grungy single “Sophomore” and their debut EP, “Kind Of Alone”. The band will also feature on a limited edition vinyl with New York label Kanine Records. “Export the Family” is both vulnerable and cacophonous, creating a thick cloud of emotion and noise via whooshing guitars and oscillating synths. Like another one of their singles, “Stuttering Mind,” this track proves lead singer Jamie Batten’s grimy vocals connect just as deeply when he’s reaching for uplifting, anthemic rock as they do when he’s digging for gravelly punk commotion. Honey Lung have consistently churned out hyper-melodic rock with heart and bite and this new cut is no exception. According to the band, the song was written and recorded in a week and they added that it’s “a track that we felt strongly about since its inception.”

Bad Moves

Long live power-pop! I can’t get enough of that spry, shreddy sound, and Washington D.C.’s Bad Moves put their own superb punk spin on it. Their debut LP, Tell No One, is heaps of fun, even as these four friends sing about the mundanity of young adulthood, failed relationships and the long arm of childhood. But these part-time punks make it all sound like a hoopla as opposed to a drag, churning out the cathartic, jubilant kind of rock ‘n’ roll that never goes out of style

Last fall, DC punks Bad Moves released their debut LP Tell No One on Don Giovanni Records, and they’ve now made a video for its song “Wishing.” The video was made by co-lead-singer David Combs (also of Spoonboy, The Max Levine Ensemble, and SOMNIA), who tells us:

The song “Wishing” is about the expectations that adults project onto children, and the music video is made up of some old footage I took a few years ago of my then 2 year old housemate dressed as the Grim Reaper. She’s 5 now and when I asked her if I could use the footage, she said “yeah, I don’t need it anymore.”

David’s description should give you a good idea of what to expect from this hazy video, which pairs well with the song, which is one of the calmer songs on the album.

From the Bad Moves tape on Don Giovanni Records.

Image may contain: 1 person, night, close-up and outdoor

Texas singer-songwriter Hannah Read is the creative force at the heart of lo-fi folk project Lomelda, who released their third album Thx last year.

My new album ’M for Empathy’ is mostly things said or shoulda said, heard or shoulda. Much of it, and it’s just a lil, came to me, or outta me, outta a deepening silence. Something you can hear a lot of I hope. It let me voice again. It also let me not, and only sing as much as I wanted, which is important too. Making peace with the word in me, just a lil, all my might.
xo, Hannah
released March 1st, 2019

http://

performed and produced by
Hannah Read and Tommy Read
at Lazybones Studio in Silsbee, TX
January 26-28, 2019

Tyler Ramsey will perform at SXSW 2019.

Tyler Ramsey has reached his widest audience during the years he spent as a guitarist and songwriter in Band of Horses, though he’s also enjoyed a creatively fruitful solo career dating back to 2005. Sometimes, that solo work has sounded like the beardily searching, Fleet Foxes-style ballad “1000 Blackbirds,” but on his new single “A Dream of Home,” the singer and multi-instrumentalist finds a sweet spot that brings to mind the lush folk-rock rambles of Damien Jurado.

Tyler Ramsey lives near Asheville, NC and likes to reflect the sweetness of his life, member of the band Band of Horses, in his music. This lush folk rock track is everything that’s right about music production in 2019.

It’s easy to come up with comparisons like Neil Young, but honestly it’s the way that Ramsey’s “complete package” comes together that has us excited. It’s what we love about others in this space like Noah Gundersen and David Ramirez. This single’s got us looking forward to the rest of the music this chill folk rocker has coming soon.

Tyler Ramsey – “A Dream Of Home” – the first single off his new solo record, For The Morning, out April 5th on Fantasy Records.

quivers

At times, Quivers‘ songs seem to emanate from the best college radio station of the 1980s: Sam Nicholson’s songs swoon and jangle with sounds of The Chills, The Go-Betweens and a dozen other Australasian bands in that vein, not to mention the radiant echoes of The Kinks. Nicholson wrote Quivers‘ new album, We’ll Go Riding on the Hearses, in the aftermath of his brother’s death. But he channels his grief into brightly rendered songs like “You’re Not Always on My Mind,” which exudes a cocktail of nostalgia and celebration.

The debut album from Quivers, “We’ll Go Riding On The Hearses”, is an album about road-trips with ghosts, loss, memories and hard-fought optimism. Originally released on hand-made cassette tapes, this album crept under my skin and made itself comfortable – this is half the reason I had to start a record label, in order to help share this with more people. I’m proud to re-release this record on 12″ vinyl, as the very first LP on the Hotel Motel imprint.

Released May 22nd, 2018
Quivers: 
Sam J Nicholson (songs, guitars, piano, harmonium).
James Woodberry (bass, acoustic, sings).
Michael Panton (guitars).
Adam D’Andrea (drums, sings).

New single released 20th February 2019, on Hotel Motel Records

The Orielles, Stealing Sheep, Tracyanne & Danny, Bis, Withered Hand, The Spook School, Big Joanie, Adult Mom and Peaness are among 45 artists confirmed today for this year’s Indietracks festival.

They’re joined by Holy Now, Young Romance, Mammoth Penguins, Porridge Radio, Strawberry Generation, Randolph’s Leap, The Catenary Wires, Molar, Witching Waves, Thud, Seazoo and L I P S.

Plus, we also have Fresh, Jetstream Pony, Child’s Pose, The BV’s, Cheerbleederz, Kermes, Kagoule, Junk Whale, Athabaska, Songs For Walter, Current Affairs, Kidsmoke, Owls of Now, Foundlings, Solution Hours, Grawl!x, Squiggles, Common Or Garden, Nim Chimpsky, Jacqui and Geoff, JC Quick, Rosehip Teahouse and She’s Got Spies.

It all takes place on the weekend of 26-28 July 2019 at our picturesque steam railway in Derbyshire. We’ve artists playing on four stages across the site, plus steam train rides, discos, art and craft workshops, children’s activities, museums, real ale and street foods.

We’re very happy to announce that Martha, Desperate Journalist, Advance Base, Best Praxis, Lost Tapes, The Proctors, Surf Muscle and The Sunbathers are all joining the Indietracks 2019 line-up.

Martha have just released an amazing new album, ‘Love Keeps Kicking’, and we can’t believe it’s already been four years since Desperate Journalist played their incredible show at Indietracks. We’re also delighted to welcome Advance Base – the electronic solo project of Chicago, IL singer/songwriter Owen Ashworth (formerly of Casiotone for the Painfully Alone). We’ve announced over 50 artists now, and there are biographies for everyone over on our website.

We’re also very excited to reveal the day splits for our headliners as follows:

  • Friday 26 July: The Orielles, Bis and Peaness
  • Saturday 27 July: Tracyanne & Danny, Martha, The Spook School, Desperate Journalist and Big Joanie
  • Sunday 28 July: Kero Kero Bonito, Stealing Sheep, Withered Hand, Advance Base and Adult Mom

After the bands, we’ll have discos with Fan Club, Paris Popfest, Grrls Like Us and Come Out 2Nite, as well as Bum Notes Karaoke with Ruby Waters. And we’ll have early evening children’s discos with How Does It Feel To Be Loved? and Some Like It Pop.

Image  —  Posted: March 7, 2019 in FESTIVALS, MUSIC
Tags: , , ,