Posts Tagged ‘London’

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Moses are a London-based four piece band that wreak of attitude, brit-pop cool and reverb-laden guitar licks.” This thrilling London four-piece are recalling the fizzing energy of very early Blur, Following last year’s ‘River Thames’, The four-piece Moses are flowing upstream with new single ‘I Think You Worry Too Much’, which is out now via These Bloody Thieves Records.

Produced by Gavin Monaghan (Magic Garden Studios), and premiered on BBC 6 Music by Chris Hawkins, it’s a hooky, uplifting affair that harnesses the band’s pop-rock propensity for Britpop-inspired anthems.

In Autumn 2018, their third release, ‘Cause You Got Me’ Armed with an arsenal of arena-worthy ambitious songs, industry interest, the seeds of a following and new releases through 2019, This must-see-live band are ready for their first headline tour.

Previous singe ‘River Thames’ We believe so much in this song and its power to bring people together. ‘River Thames’ is not just about London it’s about everyone’s beautiful place, about a dream, a wish, a goal. About all of us trying to make it together.

Things are about to get bigger and better for the London based bands Moses. Their recent single ‘Cause You Got Me’ took their monthly Spotify plays from 1.8k to 193k. They supported one of the UK’s hottest band The Blinders and now, they’ve returned with their another superb track ‘River Thames’.

Produced by the legendary Gil Norton (Pixies & Foo Fighters), ‘River Thames’ kicks politicians’ banalities about “communities being left behind” into, well, the river! At its core, is a belief in people, a romanticism in their lives, a song writing trait that has drifted away in recent times.

Moses are a London based quartet; Matthew McCrilly (drums), Rory White (guitar), James Creighton (bass) and Victor M. Moses (vocalist)

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Wovoka Gentle are an experimental three-piece from London, comprised of William J Stokes and twins Imogen and Ellie Mason. Taking its root in folk and Americana songwriting, the Wovoka sound draws upon the psychedelic soundscapes of the late 60s as well as contemporary experimental, pop and collage music; marrying classic instrumentation with sampling, analogue synthesis and sound manipulation.

They have announced the release of their debut album ‘Start Clanging Cymbals’ on 7th June through Nude Records.

After releasing ‘1,000 Opera Singers Working in Starbucks’, ‘Peculiar Form of Sleep’, ‘Sin is Crouching At Your Door’ and ‘Tell’em Makoto’, Wovoka Gentle have now shared a new track from their upcoming debut LP. ‘Xerxes’ features glitchy electronics, soaring beats and the exuberant voices of Kids Club Kampala Choir. They add: “You could say there’s an atmosphere of celebration in Xerxes ‘19, even though it’s more or less about death. There’s an imagined ecstatic moment of submission before departing a world running election campaigns for tried and tested tyrants, where legends are equal parts seductive and dangerous. The Kids Club Kampala Choir was recorded in Uganda by a friend of ours, originally for the Kids Club Kampala charity. We wanted to create a call and response dynamic between our vocals and their vocals; the conversation flung across continents.”

Wovoka Gentle will live be in-store at Rough Trade NOTTINGHAM to perform tracks from new album ‘Start Clanging Cymbals’, released 7th June on Nude Records.

This event is Free Entry, with the option to pre-order an album / ticket, and we will have your guaranteed album ready and waiting to collect on the day of this in-store.

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MIRRORS has just unveiled the first wave of artists for its 2019 event!

Phoebe Bridgers, American Football, Turnover,Sheer Mag, Big Joanie, Just Mustard, Disq, Alfie Templeman, Taylor Janzen, Ada Lea will play at the event on Saturday 2nd November, which will be staged across the Roundhouse, Dingwalls and Camden Assembly.

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Available as a limited edition 12″ vinyl featuring cover versions of a number of rain–themed songs by the likes of Eurythmics, Ann Peebles, Scott Walker and The Cure. a collection of covers of songs by some of my favourite artists……. and it’s all about the rain. Scott Walker’s ‘It’s Raining Today,’ which I hope will be a fitting tribute.

In 2017, Bella Union boss Simon Raymonde said this of Moss: “Outrageously talented as she is, I still think her best is yet to come.” Offering full affirmation on both fronts, My Name Is Safe in Your Mouth is a haunting snapshot of an intuitive artist seeking new ways to work without safety nets, a quest spurred forwards by her move to Somerset in 2014. As Moss puts it, “Whilst the tentacles of city started to loosen their grip, I began amassing vocals that I felt cut a stark silhouette, and I didn’t want to share with big drums and distorted guitars. I work on a few projects at a time, and the contrast of having disparate musical worlds to step into makes me feel more satisfied. But with this record, I’d gone way deeper than anything merely gratifying.

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As well as my new EP, this beast came out on Friday. The new UNKLE album, The Road pt2, which I’m super excited to be a part of once again. It’s an epic listen, and some great collaborations. Particularly proud of Sun (The).

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London’s Crows are the latest signing to Balley Records (Idles, Heavy Lungs, Lice) and deliver their long-awaited debut album Silver Tongues. Upon emerging in 2015, they quickly solidified their reputation as one of the most exciting new live bands in the UK, putting on a series of wild-eyed, chaotic gigs that left you bruised but, ultimately, bewitched. A single and two EPs reinforced their power, but then there was nothing but a concerning break in service.

The north Londoners’ long awaited debut album ‘Silver Tongues’ reintroduces the four-piece, reminding us why Crows were so exciting when they first bludgeoned their way into our lives. The album’s thrilling first single Chain Of Being is a real statement: a widescreen slice of post-punk that combines heaviness and brooding melody in equal measures.

Their knack for writing lurching, dark, and frenetic pit-openers such as ‘Hang Me High’ and ‘Crawling’. But it’s the second half of the record that shows how they’ve grown in the interim, bringing surprising shifts and dynamic dives into enthralling new territory. Chain Of Being’, a song about relying on religion as a crutch, is bright and expansive; dizzying, soaring, sky-blue atmospherics woven into its uncluttered core. ‘First Light // False Face’ clocks in at nearly eight minutes long and morphs from quiet, vulnerable soundscape punctuated by heaving sighs and frontman James Cox dropping his voice sinisterly low.  This segues seamlessly into album closer ‘Dysphoria’, which draws out Steve Goddard’s droning guitar wall of noise, reinforces it with bassist Jith Amarasinghe and drummer Sam Lister’s precise, crunching rhythm section, and moulds it into something emotional and glowing.

Lyrically, the band set themselves apart from others, too, taking you on a journey through the curious crevices of Cox’s mind. Much of the album was inspired by research wormholes he found himself down, exploring things such as Dante’s Divine Comedy the grinding ‘Empyrean’ and the snakeskin trade, as told from the perspective of a snake ‘Hang Me High’. ‘Crawling’ focuses on Margaret Thatcher’s funeral, building itself into a tightly wound coil that springs apart with the singer’s wails of “Leave her in the ground”

‘Silver Tongues ‘ from our debut album ‘Silver Tongues’ out now on Balley Records

Band Members
James Cox, Steve Goddard, Jith Amara, Sam Lister,

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The twenty-four-year-old London-based musician created a self-care protagonist named “Miss Universe,” the voice of the (fictional) organization We Worry About Your Health (WWAY Health). The 24/7 care program “worries about you so you don’t have to,” as she puts it, subduing symptoms of paranoia, anxiety, and all-around unhappiness.

The storyline that surrounds her zapping, intricate rock songs questions the commodification of mental upkeep. “They’re saying they care, but they don’t really care, and they’re just trying to sell you things that you don’t need,” she tells me.

We have been anticipating the debut album from British singer songwriter Nilüfer Yanya since 2016, when she first made a splash with the idiosyncratic singles “Small Crimes” and “Keep on Calling.” The debut album “Miss Universe” delivers on the promise made by those early releases, with 17 tracks of bright, soulful pop that’s like nothing else you’ll hear this year.

One of the album’s most raw, subdued tracks, “Monsters Under the Bed,” self-awareness and the perceptions of other people butt heads. “They all think I’m not okay / Such a shame, never felt so good,” she sings. Yanya tells me that’s the oldest song on the record. “I don’t know how it ended up on the album. It makes sense, but I didn’t plan to [include it]. I was a different person when I wrote it, and it’s kind of crazy it’s on there. I like that, as well—that the younger me is on the album.” She explains how it was revised for a documentary her sister was making about their grandmother who suffered from mental illness. “I wrote it from her perspective, or was trying to write it with her mind,” Yanya says.

Nilüfer Yanya’s debut album, Miss Universe, is out March 22.

Modern Nature – the name taken from the title of Derek Jarman’s garden diaries – is the new project of Jack Cooper, ex of Ultimate Painting / Mazes and Will Young of Beak featuring Aaron Neveu of Woods and Sunwatchers’ Jeff Tobias on saxophone. Their debut EP, titled “Nature”, will be released 22nd March 2019.

As Jack Cooper explains: “The EP is based around a song called ‘Nature’ so ‘Supernature’ is a different perspective on the EP’s title track, but taken to another conclusion. It’s our most recent recording and there seems to be some sense in people hearing that first. ‘Nature’ is our take on that propulsive rhythm of A Sailor’s Life-era Fairport Convention but ‘Supernature’ is something else entirely. The band is so new, it’s hard to say who’s in and who isn’t. At the moment it’s myself and Will Young (Beak) with Aaron Neveu on drums (Woods/Herbcraft) Rupert Gillett on cello and then Jeff Tobias on saxophone (Sunwatchers). 

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The band started as a vehicle for a wider project that Will and I spent the year putting together so it feels very exciting to be an actual band now. Every song we record or musician we gain, another door seems to open on a route that’s worth pursuing.”

The debut EP by Modern Nature is available now

Though she’d been writing songs in her head since she was six, and on the guitar since she was 12, it took a long time for Nilüfer Yanya to work up the courage to show anyone her music. “I knew I wanted to sing, but the idea of actually having to do it was really horrifying,” says the 23-year-old. When she was finally persuaded to do so, by a music teacher in West London where she grew up, she says “it was horrible. I loved it”.

At 18, Nilüfer – who is of Turkish-Irish-Bajan heritage – uploaded a few demos to SoundCloud. Though she’s preternaturally shy, her music – which uniquely blends elements of soul and jazz into intimate pop songs with electronic flourishes and a newly expressed grungy guitar sound – isn’t. And it didn’t take long for it to catch people’s attention. She signed with independent New York label ATO, following three EPs on esteemed london indie label Blue Flowers, and earned a place on the BBC Sound of 2018 longlist. She also supported the likes of The xx, Interpol, Broken Social Scene and Mitski on tour.

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Now, Nilüfer is ready to release her debut album, Miss Universe. Though she recorded much of it in the same remote Cornwall studio she used to jam in as a much younger person, it is bigger and more ambitious than anything she has done before. ‘Angels’, with its muted, harmonic riffs, channels ideas “of paranoid thoughts and anxiety” – a theme that runs through the album, not least in its conceptual spoken word interludes which emanate from a fictional health management company WWAY HEALTH TM. “You sign up, and you pay a fee,” explains Nilüfer of the automated messages, which are littered through the album and are narrated by the titular Miss Universe. “They sort out all of your dietary requirements, and then they move onto medication, and then maybe you can get a better organ or something… and then suddenly it starts to get a bit weird. You’re giving them more of you and to what end?”

Releases March 22nd, 2019
Nilüfer Yanya - Miss Universe