Image may contain: 1 person, on stage, playing a musical instrument and indoor

As part of Palehound, Jesse Weiss became in a key figure in Boston’s flourishing DIY scene, the band scooping the city’s coveted Boston Music Award back in 2015 following the release of their brilliant ‘Dry Food’ LP. Appearing here in something of a supergroup, alongside fellow Bostoners Jack and Alec Pombriant (We Can All Be Sorry) and Nicole Pompei (Bat House), Weiss adds another gem to his back-catalogue, the quartet delivering a brilliant eight-track collection under their chosen Be You Me guise , via the Super Wimpy Punch label.

Drifting between those little cluster of genre aesthetics that lend themselves so well to DIY records of this nature – from subtle guitar refrains, to noisier moments of scuzzy pop magic – the band’s self-titled effort makes for a fully endearing escape. Those aforementioned experimental moments lend the record a hard-cutting edge that’s perhaps not immediately apparent, digging themselves in over repeated listens, a vice-like grip that results in something of an unsteady listen, moments of sunniness immediately hidden behind a blanket of clouds, brightness suddenly plunged in to the dark.

http://

Above all, however, Be You Me is a righteously enjoyable ride. The guitars gleam throughout, and the push-and-pull of the vocals, while somewhat heady and disorientating, attach themselves to you like a best friend you’ve never been abl to keep a hold on. A sumptuous, woozy record, that deserves to exist on its own two feet, regardless of the collective nature of those that came to make it, we suggest playing this one as often, and as loud, as your situation permits.

jack pombriant – vocals, guitar (2,3,5,6,7), bass (1,2,3,7), keyboards (5,7)
jesse weiss – drums, guitar (1,2,4,7,8), bass (4,6,8), keyboards (8)
alec pombriant – lead guitar (4)

Hey, just wanted to let y’all know that spook the herd has released some newish recordings that will end up being our last. even though these were recorded way back in 2015 and we haven’t really been a band for quite some time, figured it was best to just get these out there than let them sit forever. moving forward Abe Kimball is working on a solo album that is awesome and almost done. plus, Theo Hartlett, Morgan Luzzi, and i are working on a new project that we are going to record real soon. anyway, hopefully you enjoy these new/not that new songs

http://

released December 16th, 2017

abe kimball – vocals, guitar solo (2), percussion
jesse weiss – drums, guitar, bass, percussion

Hello, It’s me. My new EP is finally out. It features my versions of songs by Crosby, Stills & Nash, Big Star, Neil Young & Jackson Browne. You can read a bit more about how each song came about down below.

Just A Song Before I Go,

I just love this song. It’s an effortlessly good driving song, perhaps owing to the fact that Graham Nash wrote it whilst in a taxi to the airport after his driver bet him he couldn’t write a song during the 15 minute drive.

Late for the Sky
What can I say? This is one of the greatest songs ever written. I’ll always remember my first time traveling to San Francisco and stumbling into a free festival only to find myself watching Jackson Browne, my favourite songwriter, singing this song to thousands of people. Since then I can never travel through the US without this tune ringing through my head.

Harvest Moon
For the longest time people would say my voice was reminiscent of Neil Young and I’d nod and say thanks having only the slightest idea of who they were talking about. Eventually I thought I should probably listen to his music. Harvest Moon was the first song I ever heard of his and I’ve never looked back. It was like discovering my primary musical influence long after I’d started writing songs. A bizarre experience but one I’ll never forget.

Thirteen
I came late to Big Star. Like real late. My manager turned me onto their first album ‘#1 Record’ and I was hooked instantly. There’s just something effortless about the songwriting and timeless about the recordings. As cliché as it sounds it’s always the slower acoustic ballads that jump out at me on rock records and Thirteen is one hell of a ballad. This entire record is my go to driving album. The first thing I put on when starting another long drive to the next place.

No automatic alt text available.

Swedish indie-pop duo The Radio Dept. last massaged our ears with 2016’s Running Out of Love, a political statement against encroaching apathy that embraced their musical strengths—satin keyboard textures and Johan Duncanson’s pacifying voice. On Friday, the duo—Duncanson and Martin Larsson—returned with a new song, “Your True Name,” the first single on their own label, Just So! The song flutters along with a hazy chug and insistent snare a la Yo La Tengo, with some electro accents peeking through here and there. It’s the perfect tune for a winter thaw, warm and enveloping in tone if not entirely in content.

http://

Band Members
Johan Duncanson
Martin Carlberg

Live at Lafayette's Music Room-Memphis, TN

Originally released as disc four of Rhino’s 2009 box set “Keep an Eye on the Sky”, “Live at Lafayette’s Music Room” captures performances Big Star gave in January 1973 at Lafayette’s Music Room in their hometown of Memphis, Tennessee. This is the same site that hosted the band’s legendary show during the May 1973 Memphis Rock Writer’s Convention — a gig that was instrumental in building buzz for Big Star — so this comes tantalizingly close to replicating how Big Star may have sounded on that storied date.

During this first half of 1973, Big Star were a band in transition, getting their sea legs after the departure of Chris Bell. His presence hangs heavy, with Alex Chilton singing songs Bell sang on No#1 Record and his DNA evident on such newer songs as “Back of a Car” and “O My Soul,” but it’s also evident how Big Star are turning into a rangier, rougher outfit under the undisputed leadership of Alex Chilton. The band feels tougher and funkier, particularly on the clutch of covers that conclude the album: Gram Parsons’ bruised country-rock classic “Hot Burrito #2” becomes a swaggering Stonesy rocker; a version of T. Rex’s “Baby Strange” seems like the blueprint for the Replacements, and the band drills down to the essential sleaze of Todd Rundgren’s “Sleaze.” This rawness, so absent on Big Star’s two finished studio albums, is the reason why Live at Lafayette’s Music Room is worth hearing even for non-fanatics: It proves that this power pop group was also a rock & roll band.

Live At Lafayette’s Music Room-Memphis, out on  (Omnivore Recordings) . It cemented them into legendary status due to the writers who witnessed it and carried the message of Big Star out in their writing, even though the band had only released one album, No#1 Record, and were unsure of recording a second after the departure of co-founder Chris Bell. What may not be so widely known is that the trio played the same venue four months earlier with the same power and passion opening shows for the Houston R&B band, Archie Bell & The Drells.

We’re only one week away from the release of Let The Record Play! But before it hits, we wanted to share one more song with you. The last song we wrote for the record, and a phrase that came up a lot while we were recording. Be sure to check out “Not Too Late” available everywhere .

Moon Taxi is an American indie-alternative rock band based in Nashville, Tennessee. The band was founded in 2006   The five-member band has released four albums since their inception that each landed in top spots on several hitmaker charts, and were the featured bands on late-night talk shows like “Late Show with David Letterman” and others. The band members who round out the group along with Terndrup are lead guitarist and producer Spencer Thompson, keyboardist Wes Bailey, bassist Tommy Putnam and drummer Tyler Ritter. The band will be releasing their new album on RCA Records.

Last but not least, we’ll be hitting the road for the Let The Record Play Tour next month.

Moon Taxi’s new album ‘Let The Record Play’ coming January 19th

The rock band Moon Taxi also shared the debut of the music video for their huge single “Two High.” Having sung the single during their tour earlier this summer, it has become an instant hit with fans and newcomers to their music alike. As noted in the press release the music video “trails the band and their fans throughout the world, backstage and on stage at their electrifying live shows that have them millions of fans.” Similarly, lead singer Trevor Terndrup states in the press release that the single is about “hope for understanding, hope for acceptance, and hope for our future.”

To celebrate the album release next week, we’re teaming up with Nashville’s Lightning 100 and Adventure Science Center to throw a one of a kind Planetarium Listening Party on Thursday, January 18th. We’re excited to be there to experience this along with you. Tickets include entrance to the planetarium show, a signed copy of LTRP on vinyl, koozie, commemorative laminate, and access to an open bar. A portion of proceeds will benefit Adventure Science Center, a non-profit education center.

Image may contain: 3 people

With the new digital reissue of their 2017 album ‘The Weather’ – produced by Tame Impala’s Kevin Parker – released this week, Aussie band Pond have shared a music video for ‘Fire In The Water’, a bonus track from the work.

Directed, filmed and edited by acclaimed visual artist Kristofski, the clip features POND frontman, Nicholas Allbrook dancing joyously through the streets of Tokyo.

Of the video’s origin, Kristofski states: “Jay [Watson] hit me up on Instagram and said “Hey Kristio, do you wanna come meet us in Tokyo in two days and shoot a clip?” and then I was in Tokyo and by far it was the most rude trip of my life. We got lost a lot and kinda just followed Nick around because he kept wanting to find this rainbow bridge which I don’t think ever existed. Sometimes we would just stop and film where ever we were.

“The original idea was Nick turning into a jellyfish, floating over the buildings looking down on all these people eating ramen and sushi but that idea didn’t really fly. That was Nick’s idea, by the way.  I like how we have those koi fish in the clip, because they are like fire in the water. It was also Joe’s birthday, which was nice.”

Band Members
Urethra Franklin,
Kirk Kobain,
Spready Hazel,
Gary

Image may contain: 2 people, close-up and outdoor

Swedish folk duo First Aid Kit have unveiled the title track from their forthcoming LP, Ruins, due out on January. 19th via Columbia Records.

Following the release of advance tracks “It’s A Shame,” “Postcard” and “Fireworks,” “Ruins” is a more somber affair, its introspective folk musing on the end of a relationship with the duo’s vocals beautifully weaving in and out of one another, surrounded by minimal, calming instrumentation.

The “Ruins” video is a live performance from the Rebel Hearts Club Austin Texas, featuring a witty introduction from an older British man before the duo’s acoustic song gently mesmerizes with its lap-steel guitar and luscious, tender country vocals. Watch the live video for “Ruins” below.

The duo’s fourth studio album, Ruins was produced by Tucker Martine (My Morning Jacket, Laura Veirs) and recorded in Portland, Ore. where the Söderberg sisters collaborated with R.E.M.’s Peter Buck, Wilco’s Glenn Kotche and Midlake’s McKenzie Smith.

Image may contain: 2 people, people standing, plant, tree, house and outdoor

Hovvdy is a slow-moving, minimal indie band co-fronted by Charlie Martin and Will Taylor. The duo writes rhythmic, spacious tunes with hazy keyboard tones and sparse, patterned guitar movement. Their strength as a band lies in the ability to turn toward pop melodies; Hovvdy know the precise time to make that shift and sustain it just long enough to remain fresh.

Hometown
Austin, TX

Band Members
Charlie Martin – Keys, Guitar, and Vocals
Will Taylor – Guitar and Vocals
Grady Bell – Bass
Ray Micarelli – Drums

Hovvdy perform on Audiotree Live, September 29, 2017.

Session Tracklist
1. Better
2. Problem
3. Meg
4. Can’t Wait
5. Friend
6. In My Head
7. Thru
8. Pretend

No automatic alt text available.

Hovvdy have announced their sophomore effort, Cranberry for release 9th February via the fine folks at Double Double Whammy Records. Their tunes are chilled out pop tunes. They bounce along, never getting overly excited but leaving you humming along.

http://

Based in Austin, Texas, Hovvdy (pronounced “howdy”) is the writing and recording project of Charlie Martin and Will Taylor. The duo, both primarily drummers, first met in the fall of 2014 and quickly bonded over a love for quiet music. Within a few weeks, they had combined songs and began recording their first EP in bedrooms and family homes across Texas.