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There’s something beautifully fragile about the latest track from Nashville native Sophie Allison, AKA Soccer Mommy. It’s also the newest release of Allison’s upcoming LP Clean, and with it comes the foreshadowing of something truly spellbinding to come.

The latest efforts from Allison have suggested an evolution of musical style. With the harder-hitting ‘Cool’ and ‘Dog’ Soccer Mommy looked to be adding a little grit in to her work. ‘Still Clean’ however is a return to her roots.

Genteel and utterly vulnerable the emotive expression of clean, and all the innocence, susceptibility and youthful connotations it has is plucked and pranged with every string.

“‘Still Clean’ discusses the hopelessness of waiting for someone who’s abandoned you,” explains Allison. “It uses this idea of being ‘clean’ to explain the feeling of being stuck waiting for someone, hoping that they haven’t moved on from you. When you are stuck in this place of waiting you kind of put your world – and you memory of them – on pause. But as the song shows, sometimes people keep moving while you’re standing still, and sometimes you’re the only one who’s left clean.”

The new album, Clean, will be out on March 2nd via Fat Possum, and with every new release it cements it’s inclusion on all the end of year lists, and we’re only in February.

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Iceage are a four-piece band from Copenhagen, Denmark signed to Matador Records that make punk-rock of a darker tone than most. ‘Catch It’ is the band’s first release in four years which features a poetic lyrical delivery from lead singer Elias Bender Rønnenfelt in his typical dingy fashion, chopped up with a contrasting guitar solo for added reflection.

On “Catch It,” he delivers one of his most emotive vocal performances yet. Over a simple, lurching chord progression, he groans and seethes into the mic, telling his story as with the wrinkles in his voice as with his words. Because there are only a few notes in the new single’s vocal melody, Rønnenfelt has more of a chance to modulate the texture of his voice. Rønnenfelt has the power to imbue even the simplest words with a distinctly dangerous aura: “You want it, you want it, you want it again/Why don’t you come and ask me?/I adore you, my friend,” he sings with what could be hint of malice. When “Catch It” slows to a false ending and then spins back up into a raucous, unhinged instrumental climax, it only makes his come-on sound like it could double as a threat.

Band Members
Dan Kjær Nielsen
Elias Bender Rønnenfelt
Johan Wieth
Jakob Tvilling Pless

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Massachusetts-born Irish/Swiss singer-songwriter Nandi Rose Plunkett aka Half Waif will be releasing her new album Lavender on April 27th. ‘Keep it Out’ is about “the evolution of the self in a relationship: the maintenance of autonomy in the midst of a process of coupling, ageing, and decay.” –

The video was directed by Celina Carney and choreographed by 2nd Best Dance Company. She supports Iron & Wine on tour soon.

‘Keep It Out’ is the first single from Lavender, the new album from Half Waif

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Image  —  Posted: February 13, 2018 in MUSIC
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Big Star- Radio City, cherry red & white split vinyl, Ltd to 500 Pieces, Out 2/16

Big Star have the tagline of “cult band” following them wherever they go. It’s tragic considering their world conquering ambitions – embedded in their album titles like #1 Record-–and how they wanted to be the first and final word on Beatlesque pop. The challenge with Radio City was to see if guitarist/vocalist/songwriter Alex Chilton could prove he could carry on without songwriting foil Chris Bell, who left after the commercial failure of #1 Record. The relief with hearing Radio City is how Chilton not only rose to the occasion but arguably superseded #1 Record in the process. It’s a looser, sparser affair in parts yet his (and the rest of his bandmates’) grasp on melody and songwriting hadn’t regressed: the track sequence “You Get What You Deserve” to “Morpha Too” has some of Big Star’s best pop writing on record.

Chilton had his best ballad yet in the chiming “September Gurls,” with its guitar arpeggios straight from the Byrds’ songbook while the drums push it along with a peppy stride. It’s an approach that’s been tried many a time by imitator bands looking for some of Big Star’s magic but none seem to have nailed that idyllic yet angsty feeling that Chilton does here.

An exclusive version of Big Star’s classic second album ‘Radio City’! After Chris Bell’s departure, Alex Chilton, Jody Stephens and Andy Hummel dug in to produce this urtext of power pop, with alternate universe hits like “September Gurls” and “Back of a Car”.

‘Radio City’ is pressed on Cherry Red and White Split Vinyl in a limited edition of 500 pieces.

Four kids from the Sydney & Melbourne. Bloods have been peddling their garage-punk-pop tunes since 2011, playing alongside bands like Dum Dum Girls, Redd Kross, DZ Deathrays & many others. Reminiscent of the energetic pop of The Go Go’s, ‘Feelings’ is a song that explores the complications of love. The brand new single is the title track of the band’s forthcoming sophomore album , teaming up with producer Shane Stoneback (M.I.A/Sleigh Bells/Fucked Up) once again, ‘Feelings’ is a continuation of the emotional journey set out by the previously bubbly love song ‘Bug Eyes’ and delves into what happens when the butterflies start to wear off and you’re in the throes of a brand new relationship. Singer MC says of writing the track:

“I had some serious writer’s-block and it had been about a year since I’d written any music, but I really wanted another song for the album we were working on. I started strumming and the song literally poured out of me. It was written in about an hour on a Wednesday night, I sent it to the band on the Thursday and by the Sunday we were recording it.

It’s about the complexities of new love when you’re trying to move on from a previous heartbreak and in that, not trying to rely on the new person to make you happy. So the chorus ‘Learning to be happy, without you’ refers to finding happiness beyond the pain of loss and the promise of the new, and learning to be happy on your own.” 

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Along with the release of this new single, Bloods are excited to announce that they’ve inked a deal with Share It Music, a US-based record label. Headed up by Sub Pop Records’ Cayle Sharratt, Share It Music is operated as a 501(c)(3) non-profit organisation, splitting proceeds between artists, their chosen charity, and the label. Bloods have chosen to support the Australian-based Indigenous Literacy Foundation through this campaign.

With the band’s sophomore album Feelings due for global release in May this year, it’s set to be another (hopefully not emotional) roller coaster for team Bloods.

Parquet Courts have a new album on the way this year, but the band’s Andrew Savage has been keeping plenty occupied with his own solo material. He released a full-length solo album last fall and recently wrapped up a solo tour, where he performed covers from the Cranberries and the Fall. We’ve heard his version of “Linger” and today he’s sharing his take on “Frightened” from the late Mark E. Smith. .

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A. Savage in Session at BBC Radio 6

A. Savage – Guitar, Vocals
Jack Cooper – Keys
Jarvis Taveniere – Bass, Vocals
Aaron Neveu – Drums

 

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“In The Rainbow Rain” will be out 27th April via the fine folks at ATO. Okkervil’s last album, Away, was my favorite Okkervil River album release for awhile. Based on this track, Sheff seems to have maintained the momentum.

Here’s some info on the album.

Will Sheff and the band started work on the new album shortly after the end of that tour – and the presidential election. “If December 2016 was good for anything, it was good for writing songs,” he says. Galvanized by the seismic events of that Fall and the following year, Sheff, sometimes co-writing with his new band, channeled his outrage and sadness into music intended to be hopeful, healing and uplifting. Inspired by the Quaker meetings he had been attending, Sheff injected the album with undercurrents of spirituality and gratitude. The result is something akin to a modern secular gospel record, and among the best music of his career.

Okkervil River “In The Rainbow Rain” out April 27th!

Okkervil River is the folk rock band led by Will Sheff. The cult band is a favourite amongst their peers as much as their own fans. The band from Austin, Texas, take their name from a short story by contemporary Russian author Tatyana Tolstaya. The band formed in 1998 and quickly released the EP Bedroom followed by the seven track EP Stars Too Small To Use the next year.

The band have released a total of seven studio albums including Don’t Fall In Love With Everyone You See (2002), Down The River Of Golden Dreams (2003), Black Sheep Boy (2005), The Stage Names (2007), The Stands Ins (2008), I Am Very Far  their latest album The Silver Gymnasium (2013).

DAN MANGAN – ” Fool For Waiting “

Posted: February 13, 2018 in MUSIC
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Considering I’ve never really set out to do so before, I wanted to write a classic love song and this is as close as I got. I think the crux of it – the song is about finding someone who makes you feel less crazy, or at least someone who finds your craziness endearing because it’s real. And that real, imperfect love is not always as dramatic as a wild romance, but that it’s worth waiting for. When the song was first written, I demo’d it really simply and felt like it was from a more universal kind of songwriter-y voice than most of my work, and that it didn’t really fit in with the rest of my songs. I figured I’d try to get someone really famous to sing it instead of me. But my wife really encouraged me to take the leap and go for it myself. So I did. It feels like a leap, but one that I’ve come to appreciate. The song was produced by Simone Felice and engineered/mixed by Ryan Hewitt  . They had a really simple and classic vision for it, and I recorded the vocals and piano live off the floor duo with Matt Johnson on the drums. Matt’s playing is wonderfully sparse and open, and it left a lot of room for the lyrics to sink in. The take feels a bit imperfect in a nice way. There’s a moment at the end where I chuckled on the line “Oh, and they tell me”. Simone liked it because he couldn’t tell if I was laughing or crying. And ain’t that just life…Dan Mangan

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Image  —  Posted: February 13, 2018 in FESTIVALS, MUSIC
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