Posts Tagged ‘Fat Possum Records’

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A frenetic London trio made up of Oli Burslem & Andy Jones (who were born in the black country in the West Midlands& raised in the suburbs) joined by kiwi drummer Elliot Rawson who bangs the drums.

They then moved to London and started selling curiosities in markets, which led to them meeting other musicians (a family table to Spiritualized’s John Coxon, an antique german map to Bill Drummond, a chair to a caribou member, a model ship to a scottish band – not that one – and an antique dildo to a peace associate). they also put on an artwork exhibition with Thurston Moore. in the meantime, songs were written in a basement of a furniture store in east London. it was dark and Yak were born.

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The Districts announce new album ‘You Know I’m Not Going Anywhere’

The Districts have announced details of a new album. The band, last seen with third album ‘Popular Manipulations’ in 2017, will release ‘You Know I’m Not Going Anywhere’ on 13th March 2020.

They’ve also shared a track from the record, ‘Hey Jo’.

“This song is about relationships unfurling amidst the dysphoria of the modern world,” says the band’s Rob Grote. “We are all imperfect products of the natural world, and more specifically products of our own minds. This song was inspired by navigating how to be your best self and detach from what is destructive in you, to be something more perfect, gentle, and beautiful.”

‘Hey Jo’ from The Districts 4th album ‘You Know I’m Not Going Anywhere’ In stores March 13th, 2020 on Fat Possum Records

Royal Trux returned earlier this year with their comeback album White Stuff. Now they have announced a new EP, “Pink Stuff”, which features five songs from the album remixed by Ariel Pink. They have also shared one of its tracks, “Suburban Junky Lady (Ariel Pink Remix).” Pink Stuff is due out September 6th via Fat Possum Records.

Their return to the studio is nothing short of a rock & roll rapture. The magic chemistry between Jennifer Herrema (vocalmoog, guitar, melodica) and Neil Hagerty (vocal, guitar) that brought us Twin Infinitives, Cats and Dogs and their last LP, Pound for Pound in 2000, is present in the unadulterated, exhilarating energy on these new tracks, 

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Check out “Suburban Junky Lady (Ariel Pink Remix),” followed by the EP’s tracklist .

Pink Stuff EP Tracklist:

1. Suburban Junky Lady (Ariel Pink Remix)
2. Year of The Dog (Ariel Pink Remix)
3. Get Used To This (Ariel Pink Remix)
4. White Stuff (Ariel Pink Remix)
5. Whopper Dave (Ariel Pink Remix)

Releases October 4th, 2019

Townes Van Zandt, has a previously unreleased collection of songs titled “Sky Blue” to be released via Fat Possum on the 7th March (which would have been his 75th birthday).

The recordings were made in early 1973 with the late Bill Hedgepeth, a journalist, musician, and most crucially a close friend of Townes Van Zandt. The singer-songwriter was splitting his time between Texas, Colorado, and a shack outside Franklin, Tennessee: an itinerant life that informed many of his most famous and beloved tunes. Throughout his life he would often return to Hedgepeth’s home studio in Atlanta, later with family in tow, to record, re-work, and experiment with new songs as well as some of his most iconic.

In addition to a handful of old favourites, Sky Blue also includes two new songs that have never been heard before “All I Need”and “Sky Blue”There are early, raw versions of Pancho & Lefty and Rex’s Blues, covers of songs by Richard Dobson and Tom Paxton, a smoky version of Blue Ridge Mountain Blues and a scarred and scarring interpretation of Hills of Roane County, an East Tennessee murder ballad from the 1880s that was popularized by Tony Rice.

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Releases March 7th, 2019

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It feels like a statement of purpose, but then again, so do almost all of Jason Pierce’s transcendent musical compositions that employ overpowering bombast in service of the purest emotions—love, hope, sadness, and, um, drugs. But what sets And Nothing Hurt apart is how it distills his previous stylings down to their essence, a polished diamond of the musician’s sometimes excessive past reaching. There are no hundred-person choirs or symphony orchestras accompanying him; it’s just Pierce and his muse—which isn’t to say these songs are any less packed with booming layers of synth swells and soaring vocals. It’s merely that he’s harnessed his ambition in service of tightly structured beauty, from the sweetly plucked ukulele start of “A Perfect Miracle” to the organ-laced and Pink Floyd-ified anthem “Sail On Through.” These are songs of love and devotion, yes, but they’re also elegant expressions of an artist who knows exactly what he wants to say, and has mastered the art of saying it in the grandest way possible.

‘And Nothing Hurt’ the new album from Spiritualized is out 7th September via Bella Union Records.
‘And Nothing Hurt’ rivalled some of Jason Pierce’s most emotive and touching writing of his career to date. Full of wearied upset and despair at the world around him, Pierce’s voice captured human emotion at its most vulnerable and downtrodden: “You gotta take the pain / You gotta give it all away,” he sings on ‘The Morning After’, one of the album’s standout tracks. Despite the pain Pierce sings of, ‘And Nothing Hurt’ is also an album that finds hope in the very darkest of places, capturing the resilience of humans and how they can embrace the fear to work through it, despite the uncertainly of the times we face.

“Magnificent… Bursting with symphonic goodness, musical adventure and dizzying levels of intensity.” Uncut – 8/10

SpiritualizedAnd Nothing Hurt’ will be released on 7th September 2018 on Bella Union + Fat Possum Records.

Soccer Mommy announced a new 7″ single. The single’s A-Side is a newly reworked version of “Henry,” a song that originally appeared on Soccer Mommy’s 2016 collection For Young HeartsThe B-Side is a cover of Bruce Springsteen’sI’m On Fire,” a live show highlight that now has a long-awaited studio recording. The cover was previously only experienced live and has therefore been long-awaited.

“I wanted to make a version of ‘I’m On Fire’ that connected with the sadness of the song,” explains Allison. “I think that doing a more stripped down version allowed me to make something that feels emotionally raw.” the limited edition release “Red Smoke” 7″, is out October via Fat Possum Records,

The 7″ follows on the heels of her debut album, Clean, that has already received mid-year Best of 2018 nods from the likes of NPR, Rolling Stone, Billboard,Stereogum, Uproxx, Vinyl Me Please, all giving high praise for Soccer Mommy’s debut album, Clean.

Clean is Allison’s excellent studio debut: a compact album of clear melodies, plainspoken lyrics, and the impossibly tangled logic of infatuation.” – Pitchfork(Best New Music, 8.4)

Clean greatly expands the scope of Ms. Allison’s songs in both words and music… Both clear-eyed and passionate, she is growing up in public, unabashed.” – New York Times

She combines mischief and bluntness in the manner of Liz Phair, and her voice has a quality like melting ice cream—sweet and appealingly messy, slipping around the pitch of a note.” – The New Yorker

Soccer Mommy’s Clean is one of the best rock records of the 2018 so far” – The FADER (Gen F)

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This South X Lullaby Session with Soccer Mommy took us away from the frenetic world of the South by Southwest music festival and into the past. Venturing my favorite store in all of Austin, TexasUncommon Objects, is a self-described “one-of-a-kind emporium of transcendent junk” or “your eccentric uncle’s attic on steroids.”

There are 24 different antique sellers under the single, Uncommon Objects roof, and for Sophie Allison, aka Soccer Mommy, it was the perfect setting for her song “Wildflowers.” It was, in fact, filled with objects related to blooming flowers.

The song from the Switzerland-born, Nashville-raised artist is, as I hear it, about finding your place in the world — to discover who you are and to blossom.

“Wildflowers don’t grow in the city
I dreamt the sidewalk broke in two
The earth was calling to me”

The song is from Soccer Mommy’s album Clean which was released earlier this month on Fat Possum Records.

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Melody Prochet of Melody’s Echo Chamber has openly discussed her returned to music after suffering a serious injury by announcing a release of second album Bon Voyage

In June earlier this year, it was reported that Prochet had been forced to cancel her show due to suffering a ‘serious injury’, that injury turned out to be potentially life threatening.

Following a lengthy period of recovery, Melody’s Echo Chamber second album will now be released on June 15th.  addressing the serious accident for the first time, Prochet explained how she still feels unable to discuss the specific details of the accident, She says: “Today I feel blessed, as I’m healed. It’s been traumatic but it has beautifully put some perspective into my eyes and broke a life pattern that didn’t work for me. I’m lucky it revealed more light.”

Given the stresses of what has happened, Prochet also explained that she has not felt ready to write any new music since her accident: “I needed a break from that sort of passion pattern and obsessing over music,” she said. “Open up to other horizons! Traveling the world and doing serious hikes is a new dream of mine. There is always music inside of me. Maybe I’ll let it [stay] in there for a while.”

Now though, in wonderfully positive news, The album made up of seven expansive tracks, Bon Voyage marries Melody’s breathless soprano to the wildest sonic excursions, always pinned to an emphatic, clattering groove as she delivers her fables of spiritual search and emotional healing in multiple tongues (French, English and Swedish).

Prochet’s 2012 self-titled debut ‘Melody’s Echo Chamber’, which was was produced by Tame Impala‘s Kevin Parker – who happens to be her ex-boyfriend, had initially started work on its follow-up the Tame Impala man: “We always had a lot of fun and an easy time creating together,” Prochet says of working with Parker. “The painful part for me was that I had been working on my record for more than a year and I just could not finish it and release it. It’s been a million hours of work, thoughts, tears, a bunch of money invested in the process and lost.”

Melody’s Echo Chamber – “Cross My Heart”.

Melody’s Echo Chamber“Breathe In, Breathe Out” from ‘Bon Voyage’, out 15th June 2018 on Domino Record Co | Fat Possum Records.

Soccer Mommy

Just over two years ago, Sophie Allison was writing melodic bedroom rock ahead of a move from her native Nashville to New York to study music business at NYU. During that time, she started to find a burgeoning fanbase on Bandcamp for her wistful demos under the name Soccer Mommy, which chronicled the harsh realities of the teenage experience. During her tenure at NYU, she began playing live shows around Brooklyn, building a presence in the DIY scene, and it wasn’t long until she caught the ears of Fat Possum (the influential independent label who’ve released records by Wavves, Youth Lagoon, and Lissie) and her life changed.

Still aged just 20, Allison is reeling from her rise to indie-rock stardom. On her recently released debut album Clean, she self-reflects, translating the loneliness and crushing disappointment that comes with being a teenager into intimate musings – a confessional sound that similarly launched the careers of Mitski and Julien Baker. However, age aside, Allison believes her music is universally relatable. “I think it resonates with people because it’s about struggling to be open, honest and take risks: struggling with your own identity,” she explains. “Everybody feels that at some point in their lives.”

Take for example her latest single “Cool”, a raucous track where Allison lilts about what it means to be the “cool girl.” Despite its initial appeal, her pursuit of the “cool girl” trope ends up creating her own unhappiness. Instead, she finds more solace in being herself. In Allison’s video for the track, premiering below, she explores “the depth beyond the image of coolness.” Playing with the idea of cool, Allison blossoms into different versions of herself, all the while interspersed with animated ice cream sandwiches, pot leaves, and crayons. She becomes one of the guys, clad in aviators and a leather jacket; a rocker who flaunts fuschia wing-tip eyeliner and a Hot Topic necklace; and a heartbreaker who chops off the hair of a Ken doll, ultimately revealing that “cool” doesn’t mean just one thing.

Taken from the debut, Clean, available on Fat Possum Records

At Every SXSW, there seems to be one band that you can’t stop hearing about, and that honor goes to Hoops—it feels like everyone I’ve run into has listed them among their favorite sets. The band performed at Cheer Up Charlie’s. The indie-pop four-piece didn’t disappoint, serving up slick guitar lines and a welcome reminder as to why their self-titled EP was among our list of last year’s best. Their full-length debut, Routines, was released in May of last year.

Hoops’ full-length debut, Routines is a bittersweet and honest record that sounds both warmly familiar and jarringly distinctive. Whereas their previous releases were recorded on four-track tape machines in living rooms and basements (both their own and their parents’), Routines marks the band’s first sessions in an actual studio – namely, Rear House Recording in Greenpoint, Brooklyn with Jarvis Taveniere (Widowspeak, Quilt). Those sessions, however, were just one step in the band’s careful creative process. After a few months of touring, they returned to Indiana to set up their gear in Krauter’s parents’ basement and began experimenting with the studio-recorded tracks. Some songs they only tinkered with, others they scrapped completely and rebuilt from the ground up. They were determined to make a record that sounded like Hoops. The result is Routines, the sharpest and clearest delineation of the band’s sound thus far, drawing from and emphasizing each members’ distinctive influences and personal styles: four guys making music that is larger than themselves.

Tracklisting :

SUN’S OUT 0:00 RULES 2:50 ON TOP 5:02 BENJALS 8:47 BURDEN 11:07 ON LETTING GO 14:14 THE WAY LUV IS 17:40 MANAGEMENT 19:40 ALL MY LIFE 23:18 UNDERWATER THEME 26:00 WORRY 28:22