Posts Tagged ‘Fat Possum Records’

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A deeply personal album for bandleader Rob Grote – all of the songs were written in his bedroom as a means of coping with struggles he was facing at the time with no intention of them putting them on a record. He wound up with 32 songs during that writing session, of which he and the band chose the 11 featured on the new record. The new album was produced by the band and frequent collaborator Keith Abrams, and mixed by Dave Fridmann (The Flaming Lips, Spoon, MGMT, Tame Impala).

Rob has said: “You Know I’m Not Going Anywhere” is born into the world today. I’m so super proud of this record. It feels like we’ve come full circle in a sense from where we began. We started this thing with ambition, attitude, and no clue what we were doing. It was always just feeling our way through the dark. From being a bunch of young kids thinking we were gonna “make it,” to feeling like we definitely weren’t, to not giving a fuck either way, I’m super lucky to have continued creating waves of sound with my favorite people forever. A depth of understanding and consistently always having each other’s backs has been the throughline of it all. This record is a departure and return, a paradox like the many lives we’re always trying to reconcile as one, and it feels amazing that you can hear it all today. I hope you feel something in it that is yours as much as it is ours.

Birthed from the ether of imagination and now in physical form, we present to you, You Know I’m Not Going Anywhere Thank you so much to everyone involved and everyone who’s ever believed in us. I hope it keeps you company through the madness of the world and when it all gets to be too much, you can turn to it and escape.

Cheap Regrets from The Districts 4th album ‘You Know I’m Not Going Anywhere’
In stores March 13, 2020 on Fat Possum Records

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EllisHamilton, Ontario’s Linnea Siggelkow—announces her breathtaking debut album, “Born Again”. Produced by Jake Aron (Snail Mail, Solange, Grizzly Bear) and recorded partly at Aron’s Brooklyn studio, Born Again arrives as the follow-up to Ellis’s debut EP The Fuzz—out now on Fat Possum Records.

In a departure from the viscerally charged dream-pop of The Fuzz, Born Again unfolds with a mesmerizing subtlety, gracefully spotlighting Ellis’s unhurried melodies, starkly confessional lyrics, and luminous vocal work.  Born Again takes place in spaces both intimate and vast, ordinary and near-mythic: warm beds and lonely church pews, restless cities and desolate forests and the furthest reaches of the cosmos. Throughout the album, those spaces serve as the backdrop to Ellis’s sharply detailed and sometimes-painful experience of self-discovery, as well as the life-changing transformation echoed in the album’s title.

Ellis takes on a heart-crushing vulnerability, laying bare her longtime struggle with anxiety and its impact on her most precious relationships. She says of the song: “This is really just an honest reflection of my struggle with anxiety and how I can’t hide it from the people closest to me. It’s about the feeling the first time someone you admire sees you in your most vulnerable state, about putting in the work to get better but still having moments of weakness. My anxiety comes over me like a tidal wave, and it feels like I am spiraling out of control. I am finding better and healthier ways to cope, to talk myself down when I can feel myself starting to fall, but it still happens sometimes even though I wish that it didn’t.”

“Fall Apart” from Ellis’s debut album ‘Born Again’ out April 3rd on Fat Possum Records.

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A faint voice and a fervent guitar make their match in a cluttered bedroom, each song finding itself in a growing folder of recordings stamped by initials “L.S”. Ellis is the music project of Linnea Siggelkow.

Linnea Siggelkow named her debut EP “The Fuzz” after the static on a TV screen between channels, and that hazy liminal space is exactly where her music resides. She makes dream-pop songs born of sadness and ambivalence that envelop you like a cool gray fog, unfolding patiently but with all the force of a gathering squall. And now that she’s signed to Fat Possum Records and reissued her EP on her new label, all we have to wait for is more lightning on the horizon.

Having already made her mark as a solo performer in the Toronto DIY scene, the project has evolved into a 4-piece band, inspiring a grittier take on the same solemn refrain.

She released her anticipated debut EP, The Fuzz.  The EP arrived following several months of excitement building behind Ellis, who, after generating buzz in her local scene

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A frenetic London trio made up of Oli Burslem & Andy Jones (who were born in the black country in the West Midlands& raised in the suburbs) joined by kiwi drummer Elliot Rawson who bangs the drums.

They then moved to London and started selling curiosities in markets, which led to them meeting other musicians (a family table to Spiritualized’s John Coxon, an antique german map to Bill Drummond, a chair to a caribou member, a model ship to a scottish band – not that one – and an antique dildo to a peace associate). they also put on an artwork exhibition with Thurston Moore. in the meantime, songs were written in a basement of a furniture store in east London. it was dark and Yak were born.

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The Districts announce new album ‘You Know I’m Not Going Anywhere’

The Districts have announced details of a new album. The band, last seen with third album ‘Popular Manipulations’ in 2017, will release ‘You Know I’m Not Going Anywhere’ on 13th March 2020.

They’ve also shared a track from the record, ‘Hey Jo’.

“This song is about relationships unfurling amidst the dysphoria of the modern world,” says the band’s Rob Grote. “We are all imperfect products of the natural world, and more specifically products of our own minds. This song was inspired by navigating how to be your best self and detach from what is destructive in you, to be something more perfect, gentle, and beautiful.”

‘Hey Jo’ from The Districts 4th album ‘You Know I’m Not Going Anywhere’ In stores March 13th, 2020 on Fat Possum Records

Royal Trux returned earlier this year with their comeback album White Stuff. Now they have announced a new EP, “Pink Stuff”, which features five songs from the album remixed by Ariel Pink. They have also shared one of its tracks, “Suburban Junky Lady (Ariel Pink Remix).” Pink Stuff is due out September 6th via Fat Possum Records.

Their return to the studio is nothing short of a rock & roll rapture. The magic chemistry between Jennifer Herrema (vocalmoog, guitar, melodica) and Neil Hagerty (vocal, guitar) that brought us Twin Infinitives, Cats and Dogs and their last LP, Pound for Pound in 2000, is present in the unadulterated, exhilarating energy on these new tracks, 

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Check out “Suburban Junky Lady (Ariel Pink Remix),” followed by the EP’s tracklist .

Pink Stuff EP Tracklist:

1. Suburban Junky Lady (Ariel Pink Remix)
2. Year of The Dog (Ariel Pink Remix)
3. Get Used To This (Ariel Pink Remix)
4. White Stuff (Ariel Pink Remix)
5. Whopper Dave (Ariel Pink Remix)

Releases October 4th, 2019

Townes Van Zandt, has a previously unreleased collection of songs titled “Sky Blue” to be released via Fat Possum on the 7th March (which would have been his 75th birthday).

The recordings were made in early 1973 with the late Bill Hedgepeth, a journalist, musician, and most crucially a close friend of Townes Van Zandt. The singer-songwriter was splitting his time between Texas, Colorado, and a shack outside Franklin, Tennessee: an itinerant life that informed many of his most famous and beloved tunes. Throughout his life he would often return to Hedgepeth’s home studio in Atlanta, later with family in tow, to record, re-work, and experiment with new songs as well as some of his most iconic.

In addition to a handful of old favourites, Sky Blue also includes two new songs that have never been heard before “All I Need”and “Sky Blue”There are early, raw versions of Pancho & Lefty and Rex’s Blues, covers of songs by Richard Dobson and Tom Paxton, a smoky version of Blue Ridge Mountain Blues and a scarred and scarring interpretation of Hills of Roane County, an East Tennessee murder ballad from the 1880s that was popularized by Tony Rice.

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Releases March 7th, 2019

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It feels like a statement of purpose, but then again, so do almost all of Jason Pierce’s transcendent musical compositions that employ overpowering bombast in service of the purest emotions—love, hope, sadness, and, um, drugs. But what sets And Nothing Hurt apart is how it distills his previous stylings down to their essence, a polished diamond of the musician’s sometimes excessive past reaching. There are no hundred-person choirs or symphony orchestras accompanying him; it’s just Pierce and his muse—which isn’t to say these songs are any less packed with booming layers of synth swells and soaring vocals. It’s merely that he’s harnessed his ambition in service of tightly structured beauty, from the sweetly plucked ukulele start of “A Perfect Miracle” to the organ-laced and Pink Floyd-ified anthem “Sail On Through.” These are songs of love and devotion, yes, but they’re also elegant expressions of an artist who knows exactly what he wants to say, and has mastered the art of saying it in the grandest way possible.

‘And Nothing Hurt’ the new album from Spiritualized is out 7th September via Bella Union Records.
‘And Nothing Hurt’ rivalled some of Jason Pierce’s most emotive and touching writing of his career to date. Full of wearied upset and despair at the world around him, Pierce’s voice captured human emotion at its most vulnerable and downtrodden: “You gotta take the pain / You gotta give it all away,” he sings on ‘The Morning After’, one of the album’s standout tracks. Despite the pain Pierce sings of, ‘And Nothing Hurt’ is also an album that finds hope in the very darkest of places, capturing the resilience of humans and how they can embrace the fear to work through it, despite the uncertainly of the times we face.

“Magnificent… Bursting with symphonic goodness, musical adventure and dizzying levels of intensity.” Uncut – 8/10

SpiritualizedAnd Nothing Hurt’ will be released on 7th September 2018 on Bella Union + Fat Possum Records.

Soccer Mommy announced a new 7″ single. The single’s A-Side is a newly reworked version of “Henry,” a song that originally appeared on Soccer Mommy’s 2016 collection For Young HeartsThe B-Side is a cover of Bruce Springsteen’sI’m On Fire,” a live show highlight that now has a long-awaited studio recording. The cover was previously only experienced live and has therefore been long-awaited.

“I wanted to make a version of ‘I’m On Fire’ that connected with the sadness of the song,” explains Allison. “I think that doing a more stripped down version allowed me to make something that feels emotionally raw.” the limited edition release “Red Smoke” 7″, is out October via Fat Possum Records,

The 7″ follows on the heels of her debut album, Clean, that has already received mid-year Best of 2018 nods from the likes of NPR, Rolling Stone, Billboard,Stereogum, Uproxx, Vinyl Me Please, all giving high praise for Soccer Mommy’s debut album, Clean.

Clean is Allison’s excellent studio debut: a compact album of clear melodies, plainspoken lyrics, and the impossibly tangled logic of infatuation.” – Pitchfork(Best New Music, 8.4)

Clean greatly expands the scope of Ms. Allison’s songs in both words and music… Both clear-eyed and passionate, she is growing up in public, unabashed.” – New York Times

She combines mischief and bluntness in the manner of Liz Phair, and her voice has a quality like melting ice cream—sweet and appealingly messy, slipping around the pitch of a note.” – The New Yorker

Soccer Mommy’s Clean is one of the best rock records of the 2018 so far” – The FADER (Gen F)

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This South X Lullaby Session with Soccer Mommy took us away from the frenetic world of the South by Southwest music festival and into the past. Venturing my favorite store in all of Austin, TexasUncommon Objects, is a self-described “one-of-a-kind emporium of transcendent junk” or “your eccentric uncle’s attic on steroids.”

There are 24 different antique sellers under the single, Uncommon Objects roof, and for Sophie Allison, aka Soccer Mommy, it was the perfect setting for her song “Wildflowers.” It was, in fact, filled with objects related to blooming flowers.

The song from the Switzerland-born, Nashville-raised artist is, as I hear it, about finding your place in the world — to discover who you are and to blossom.

“Wildflowers don’t grow in the city
I dreamt the sidewalk broke in two
The earth was calling to me”

The song is from Soccer Mommy’s album Clean which was released earlier this month on Fat Possum Records.