Posts Tagged ‘ATO Records’

London-based artist Nilüfer Yanya announced a new EP Feeling Lucky?, due out on December 11th via ATO Records. This EP follows her 2019 debut album “Miss Universe”,  This week, she has unveiled the first single/video “Crash.” The song, which was co-written and produced by her labelmate Nick Hakim, features bold, garbled guitars and her stylish, layered vocals.

The new three-song EP called comes with the lead single “Crash” and its corresponding music video, where she plays a flight attendant. The track was co-written and produced by Nick Hakim.  “The video for ‘Crash’ takes place on a flight,” Nilüfer Yanya said in a statement. “Last year, doing a lot of touring I found myself becoming more and more anxious each time I boarded a plane, something which was new for me as I’ve never had a fear of flying. With each flight we took it felt like the turbulence was getting worse and I was convinced my luck was due to run out. I didn’t write ‘Crash’ about being on an aeroplane but I really like it visually as an embodiment of the song.” Yanya released her debut album Miss Universe last year, following three earlier EPs: 2016’s Small Crimes, 2017’s Plant Feed, and 2018’s Do You Like Pain?.

“Crash” is the first single on Nilüfer Yanya’s new EP ‘Feeling Lucky?’ which will be released December 11.

The latest full-length from Cordovas, Destiny Hotel is a work of wild poetry and wide-eyed abandon, set to a glorious collision of folk and country and groove-heavy rock-and-roll. In a major creative milestone for the Tennessee-based band – vocalist/bassist Joe Firstman, keyboardist Sevans Henderson, guitarists Lucca Soria and Toby Weaver – the album harnesses the freewheeling energy of their live show more fully than ever, all while lifting their song-writing to a whole new level of sophistication. The result is a batch of songs that ruminate and rhapsodize with equal intensity, inviting endless celebration on the way to transcendence.

Recorded in Los Angeles and produced by Rick Parker (Lord Huron, Beck, Black Rebel Motorcycle Club), Destiny Hotel expands on the harmony-soaked roots rock of Cordovas’ ATO Records debut That Santa Fe Channel, a 2018 release that earned abundant praise from outlets like Rolling Stone and NPR Music.

Destiny Hotel out now on LP/CD/digital formats via ATO Records.

ATO Records released a pair of remixes of songs from Brittany Howard’s acclaimed debut solo album, “Jaime”. Atlanta-based hip hop duo EARTHGANG reimagines “Goat Head” and Bon Iver brings fresh textures to “Short and Sweet.” The tracks are the first to be revealed from an upcoming collection of remixes from Jaime.

EARTHGANG explains, “We’ve been big fans of Brittany and Alabama Shakes so this is a dream come true. Songs like these help us make sense of all the craziness in the world at times. Her song ‘Goat Head,’ dealing with her black experience in America and The World, resonated the loudest at this time. Just thankful to be able to give the world our medicine and heal the people.”

Bon Iver adds rich layers to “Short and Sweet” – a song celebrating a nascent romance that Howard originally recorded alone, accompanying herself on acoustic guitar – and imbues it with a twinkling, ethereal vibe that both complements and contrasts its old-time warmth.

Brittany is a truly singular artist; so much power and musicality. This album speaks to so many people, including us,” says Justin Vernon, founder of the Grammy award winning band Bon Iver. “To have a chance to recreate ‘Short and Sweet’ in our own image with long-time collaborators Jenn Wassner and CJ Camerieri, was both an honour and almost too much of a privilege.

British psychedelic-rock outfit Temples have teamed up with Sean Lennon (The Claypool Lennon Delirium) to help produce their new single, “Paraphernalia”, out today via ATO Records. The dreamy, uptempo rock track is the band’s first new original release since their Hot Motion studio album arrived last September. Salvation has surfaced to save us all from the trials and tribulations of the so-called new normal. We’ve worked tirelessly over the past months with Sean Lennon at the controls, no borders, no rules, no distractions – just unfiltered sentiment.

The future begins with getting back in touch with yourself. The wait is almost over.

“I’d always been a fan of the band. Had seen them play some pretty great shows over the years,” Lennon added in a press statement about his collaboration with the rock outfit. “When I first heard the demo for ‘Paraphernalia’ I knew they had a great tune.” Listen to the new song below.

The 4:23 minute recording delivers swells of layered vocals and catchy lead lines from synth-driven strings. The song was recorded during the Hot Motion sessions and was mixed by Dave Fridmann (Tame Impala, The Flaming Lips).

See the source image

    Also joining Heath on the album are Alabama Shakes bandmates Ben Tanner, Zac Cockrell and Steve Johnson, plus a few other friends. In addition to Buchanan, vocalists include Sam Doores (Deslondes, Hurray for the Riff Raff) and Shonna Tucker (Drive-By Truckers).

   

  “Electronic artists will make records where every song has a featured vocalist on it. I wanted the album to be like that – like a mixtape or a collaborative collage of ideas and artists. I just see it like a team, and for this game I got picked as the team captain.” – Heath Fogg

   

A recording project from Heath Fogg of Alabama Shakes.

Image may contain: 5 people, people standing, sky, bridge, shoes and outdoor

The kings of country-rock and outspoken wisdom, Drive-By Truckers, returned this year with their 12th studio album, following 2016’s American Band and the 2018 release of the long-lost Adam’s House Cat album Town Burned Down, which featured Patterson Hood and Mike Cooley recorded before their Truckers days. “The Unraveling” arrives after a prolonged period of writer’s block for Hood and Cooley, easily one of the most impressive song-writing pairs in music’s recent history . On The Unraveling, they pick up right where American Band left off, with searing political commentary and a sharp look at the harsh realities of modern American life. “The past three-and-a-half years were among the most tumultuous our country has ever seen,” Hood said in a press statement, “and the duality between the generally positive state of affairs within our band while watching so many things we care about being decimated and destroyed all around us informed the writing of this album to the core.” And there you have it. It’s a new decade, but the Truckers remain dedicated to the same cause: relaying the truth—no matter how difficult it is to speak—by way of deep-rooted, multifaceted and, perhaps most importantly, southern rock ‘n’ roll.

The longest gap between new Drive by Truckers albums – The Unraveling was recorded at the legendary Sam Phillips Recording Service in Memphis, TN by Grammy Award-winning engineer Matt Ross-Spang (Jason Isbell, Margo Price) and longtime DBT producer David Barbe. Co-founding singer / songwriter / guitarists Mike Cooley and Patterson Hood both spent much of the time prior doing battle with deep pools of writer’s block.

The songs that eventually emerged are among Drive-By Truckers’ most direct and pointedly provocative, tackling the myriad horrors of our new normal through sincere emotion and unbridled heart. Indeed, Armageddon’s Back in Town takes a whirlwind joyride through the whiplash of events we collectively deal with each day while the concluding Awaiting Resurrection dives headfirst into the despair and pain roiled up by these troubled times.

The remarkable songcraft found on The Unraveling receives much of its musical muscle from the sheer strength of the current Drive-By Truckers line-up, with Hood and Cooley joined by bassist Matt Patton, keyboardist / multi-instrumentalist Jay Gonzalez, and drummer Brad Morgan – together, the longest-lasting iteration in the band’s almost 25-year history. The LP also features a number of special guests, including The Shins’ Patti King, violinist/string arranger Kyleen King (Brandi Carlile), and North Mississippi All-Stars’ Cody Dickinson, who contributes electric washboard to the strikingly direct Babies In Cages.

Like 2016’s ‘American Band,’ ‘The Unraveling’ features a scaled-back Drive-By Truckers surveying the America around them. And for the most part they don’t like what they see. There’s anger (“Thoughts and Prayers”) and reflection (“Armageddon’s Back in Town”) here, but mostly there’s a renewed sense of focus and purpose after a few years of excess and bloat. Singers and songwriters Patterson Hood and Mike Cooley once again share the songs, lining up for a portrait of a country in serious need of healing – and this was before the coronavirus and George Floyd.

The Unraveling Drive By Truckers released thru ATO Records.

Margaret Glaspy surprised fans with three new songs on a brand new EP called “Born Yesterday”. She describes it as a bookend to her debut album Emotions And Math — the stunning, 2016 full-length that launched her career, a world tour and landed on many top 10 lists for the year, including The Fat Angel Sings.

Margaret Glaspy spoke about these new songs, how they end one chapter of her life but also lead to the next adventure. “I was on the road so much — in a bus, in the van, on the train, in the cab — over these last two years, I had these few songs that I’d written. It didn’t feel like it was really the next record. It just felt pretty intuitive to release them as what I had accomplished since [Emotions And Math], which I’m very proud of. But it is hard to write on the road.”

http://

Her EP Born Yesterdayis available to hear now from ATO Records.

Joseph Announce New Album <i>Good Luck, Kid</i>, Share Honest First Single

Portland-born sisters and folk-pop harmony-makers Joseph are back after a three-year hiatus.

The band announced their third studio LP and second for ATO Records, Good Luck, Kid, is due out September. 13th. The news arrives with a fortified new single, “Fighter” . As ever, Natalie Schepman and her sisters Allison and Meegan Closner use harmony like an emotional conveyor belt, packaging their feelings up and pushing them out into the world through a warm vocal connection that could only be made by siblings. But “Fighter” is bigger and more anthemic than the often-subdued folk of their previous releases, especially their 2014 debut Native Dreamer Kin and 2017 EP Stay Awake. “Fighter” sounds like a loud-and-proud pop song in the vein of Kelly Clarkson’s “Stronger,” but it’s actually a chronicle of inter-band struggles.

“The song’s about how our band almost broke up,” Natalie said. “It’s the story of the three of us wanting different things and dealing with that conflict, and eventually deciding to just keep going.”

While they’re embracing a more vigorous sound here, Natalie, Allison and Meegan are no strangers to pop. “White Flag,” from their 2016 album, is a catchy battle cry that would’ve fit right in on alternative radio. On Good Luck Kid, the band explore both sonic and personal change, as Natalie explains:

The through-line of the album is this idea of moving into the driver’s seat of your own life—recognizing that you’re an adult now, and everything’s up to you from this moment on. You’re not completely sure of how to get where you need to go, and you don’t have any kind of a map to help you. It’s just the universe looking down on you like, “Good luck, kid.”

Image may contain: one or more people, people on stage, people playing musical instruments and night

The Claypool Lennon Delirium, as the name suggests, has as its nucleus Les Claypool and Sean Lennon. Their latest album, “South of Reality”, was recorded at Rancho Relaxo — the name Claypool has given his home studio in Sonoma County, California. “I don’t bring in producers or engineers because I’m the only one who knows where to kick it when one of the relays sticks,” Claypool says.

In town for a show at the Varsity Theater, the Claypool Lennon Delirium — accompanied by keyboardist João Nogueira and drummer Paulo Baldi — visited The Current for a full studio session hosted by Mary Lucia.

“With Sean and I, we tend to push and pull each other,” Claypool says of the band’s creative process. “I think that’s what’s good about our relationship is we push each other into directions we wouldn’t normally go.”

“I think the thing about Les is that he doesn’t overthink things when it comes to recording because he has a sort of belief in capturing spontaneity,” Lennon adds. “He’s really into capturing the moment like a documentary filmmaker.”

Beyond talking about the latest record, Lucia asks about which instrument, during the learning phase, is probably least forgiving to neighbors. “I know the answer to that one, because I was that neighbor to someone beneath me. I was learning drums,” Lennon says. “I think like a lot of kids, I didn’t really have a sensitivity towards what it’s like to not want to hear the noise. So yeah, I used to actually practice [drums] really loud with the window open and the whole building would complain.”

One of Lennon’s neighbors didn’t complain, however. That neighbor? Roberta Flack.

The Claypool Lennon Delirium perform ‘Blood and Rockets’ from their 2019 album, ‘South of Reality’ (ATO Records) live in The Current studio.

The Band : Les Claypool, bass, vocals Sean Lennon, guitar, vocals João Nogueira, keyboards Paulo Baldi, drums

“Little Fishes”
“Blood and Rockets”
“Easily Charmed By Fools”

All songs from the Claypool Lennon Delirium’s 2019 album, South of Reality, available on ATO Records.

Amyl & the Sniffers

Australian hellions Amyl & The Smiffers have announced their self-titled debut album will be out May 24th via Rough Trade Records, ATO Records and Flightless Records. The first single is the anthemic, rocking “Got You.” The video for it has singer Amy Taylor taking full control of the rest of the band, bathing them with a hose, brushing their teeth by force and leading them around on leashes…which may or may not be an accurate depiction of tour life.

The band have been wowing the U.K with their awesome live sets. ‘Got You’ is taken from Amyl and The Sniffers‘ self-titled debut album out on Rough Trade Records,