Posts Tagged ‘Sub Pop Records’

This week Wolf Parade returned with a brand new single, “Against the Day.” It was shared via a video for the track. It’s the band’s first new song since their 2017 reunion album Cry Cry Cry. The song is out now via Sub Pop Records and you can watch the video below. “Against the Day” features alternating vocals between Dan Boeckner and Spencer Krug and Scorpion Dagger directed the video.

Band Members
Arlen Thompson
Dan Boeckner
Spencer Krug

 

Advertisements

Corridor Loser Edition LP

Corridor are a group from Montreal and their latest Sub Pop Records debut, “Junior”, was made just yesterday. The rock’n’roll band had barely inked their record deal when they surfed into studio, racing against time to make the most dazzling, immediate and inventive album of their young career: 39 minutes of darting and dodging guitars, spiraling vocal harmonies, and the complicated, goldenrod nostalgia of a Sunday mid-afternoon.

This ain’t Corridor’s first rodeo. Junior is the band’s third full-length and their third recorded with their friend, producer (and occasionally roommate) Emmanuel Ethier. However 2015’s Le Voyage Éternel and 2017’s Supermercado were made languorously, their songs taking shape across whole seasons.

This time Dominic Berthiaume (vocals/bass), Julian Perreault (guitar), Jonathan Robert (vocals/guitar/synths), and Julien Bakvis (drums) permitted themselves no such indulgence. The band were committed to releasing an album every two years, and for Junior it required a blitz. “If you want to release something this fall, we need the masters by the 10th of May,” the label had warned them. Winter was already in its last throes: on March 1, Corridor went into studio; in mid-April, Corridor came out. They had somehow created the album  Junior and it was, if we may be so bold, spectacular.

“Topographe” from the Corridor album Junior (Release Date: October 18, 2019)

Omni - Networker

Enter “Networker”, the newest album by Omni and first with indie giant Sub Pop Records. Their sound is still defined by sparse drums, locked-in bass, blistering guitar, and nonchalant, yet assured vocals, but from the first notes of “Sincerely Yours” you’ll immediately notice that Networker sounds much cleaner and more “HI-FI” than their prior two albums, Deluxe (2016) and Multi-task (2017). The departure in fidelity suits the new record and allows the listener to enjoy the nuances of their meticulous arrangements.

Don’t worry, the riffs of Gang of Four and Wire are still present, but the production is more lush and the harmony is even more expansive.  Despite nods to the sounds of the ’70s and ’80s what comes through is a record fully rooted in the here and now. Thematically, this is apparent on the title track “Networker” taking a candid snapshot of the “digital you” aspect of life in the age of the internet. The otherwise fun romp “Skeleton Key” also acknowledges the “direct message and obsessive” side of social media with lines like “if you don’t like what you see, the pretty face on the screen, scroll on by…”

Image may contain: 1 person, kitchen and indoor

Julien Baker’s new single “Tokyo” (Release Date: October 11, 2019) is available now on all streaming services and is a part of the latest edition of the iconic Sub Pop Singles Club series. As part of the Sub Pop singles series, she’s dropped “Tokyo” on streaming and its B-side “Sucker Punch”. The songs are also available on vinyl exclusively for subscribers.

“I’m really happy with how they turned out and excited for them to be released as part of the Sub Pop singles series,” she wrote on Instagram. Earlier this year, Baker dropped two singles “Red Door” and “Conversation Piece” on streaming. She also covered Frightened Rabbit’s “The Modern Leper” for a tribute compilation for the band that was released back in June.

Baker’s last full-length solo album was 2017’s Turn Out The LightsLast year, she teamed up with Phoebe Bridgers and Lucy Dacus to form supergroup Boygenius, who released their self-titled EP.

Following the release of her phenomenal third album “Any Human Friend”, Marika Hackman has shared the acoustic version of her new single ‘hand solo’ and other tracks for a forthcoming Acoustic EP. 

http://

Acoustic versions of a few songs from Marika Hackman’s album “Any Human Friend”.

released October 10, 2019

2019 Sub Pop Records

Last month, Marika Hackman invited her fans to share stories of any time they have felt shame associated with female self-pleasure. Marika has used their stories to prompt a conversation around the taboo topic, which she has explored further in this thoughtful, and often humorous new video for “hand solo.”

“hand solo” extols the virtues of masturbation and features Marika’s favorite line: “Under patriarchal law, I’m going to die a virgin.” The impossible-to-ignore video for “hand solo” has been directed by Sam Bailey who Marika collaborated with previously on the UK Music Video Awards-winning video for‘My Lover Cindy’The pair worked closely with Evie Fehilly – a sex educator who runs sex-positive workshops in London at the female-focused sex shop SH!

Marika discussing the video: “I wrote ‘hand solo’ as a bit of light-hearted relief, a wank anthem for women everywhere. I loved the idea of playing on old wives’ tales about the dangers of masturbation and pushing the boundaries about what is socially acceptable. I met Sam and we came up with this playful, tongue-in-cheek idea about hands all over the world masturbating on everyday objects, and even places, and eventually the world. The hands were directed by the wonderful Evie Fehilly, a sex educator who runs sex-positive workshops in London at the famous sex shop SH!. Despite the video being quite fun, I wanted to make a serious point at the end, after the world explodes in its orgasm, that masturbation is still for many women perceived as something shameful and embarrassing – the moment of shame after the ecstasy. We asked for any female-identifying people to anonymously submit their experiences of shame relating to masturbation, and we received so many heart-breaking and heavy stories. I hope that when people see these accounts, they can relate and realize that there’s no shame in masturbation.”

Marika Hackman’s new album Any Human Friend is out now on Sub Pop in North and South America and the rest of the world via AMF Records. The album was co-produced by David Wrench (Frank Ocean, The xx, Let’s Eat Grandma) and Marika herself, and shows off a sharper and more liberated sound than ever before.

Mudhoney morninginamerica loser irl blog crop

Sub Pop Records is releasing “Morning in America”, a new 7-song EP of tracks recorded during the sessions for Mudhoney’s 2018 album, Digital Garbage (“…an astute, politically relevant and commendably fired-up garage punk belter of an LP,” – The Quietus). The tracks include “Let’s Kill Yourself Live Again” (an alternate version of the Digital Garbage stand-out “Kill Yourself Live,” and the bonus track for the Japanese CD version of that album), “One Bad Actor” (a new version of Mudhoney’s track on the limited-edition, and now very sold-out, SPF30 split 7” single w Hot Snakes), album outtakes “Snake Oil Charmer,” “Morning in America” and “Creeps Are Everywhere,” plus “Ensam I Natt” (“So Lonely Tonight,” a Leather Nun cover) and “Vortex of Lies” from a very limited EU tour 7″.

The songs were mixed at Johnny Sangster’s studio Crackle & Pop! The release of this EP coincides with Mudhoney’s fall 2019 US tour which finds the band playing the Ohana Festival in Dana Point, CA, and then Boston, Philadelphia, Durham, Atlanta, Detroit, Pittsburgh, and several other cities, ending on Oct 19th in Brooklyn, NY. See below for a full list of dates and supporting artists.

“Yeah, the world sucks. But 30 years in, Mudhoney does not.” [Digital Garbage] – Seattle Times

“They simply sound like a better, defter, maybe even snottier version of their younger selves on their 10th album.” [Digital Garbage] – Rolling Stone

“The Seattle scuzz-punk pioneers deliver a grave diagnosis of a festering societal condition.” [Digital Garbage] – Pitchfork 

Image may contain: 1 person

The album’s name, August, refers to the month in 2017 when Lay quit her day job and fully gave herself over to music. This was her liberation as an artist, and the album is devoted to paying that forward to her listeners. Lay may be the most chilled-out artist you’ll ever meet. Despite fronting her tranquil solo act and being a guitarist / singer in the indie-rock band Feels, she never pressures herself to overachieve. In keeping with the humbled, contemplative nature of August, most tracks clock-in at three minutes or less. She saved indulgence for the production. She recorded the album with her longtime friend, musician Ty Segall at his home studio on the East Side. Also in the mix is Mikal Cronin, who played saxophone on the album’s opener, Death Up Close.

Shannon Lay’s Sub Pop debut, “August”, will be out August 23rd and she’s just shared the lovely, lightly psychedelic and string-laden title track. “I believe whoever you record with tends to affect the mood of music and Ty Segall really brought this jovial sense that I hadn’t really explored yet.” “Once you get rolling with him, he just throws these ideas at the wall. And you’re like, ‘I would never have thought of that!’ I couldn’t have hoped for a better guide and energy to help create this record.”

This record means a lot to me and I have to give a huge thank you to everyone who made it possible. I hope all who hear it will be inspired to give even more of their lives to what they love. Be kind to yourself and enjoy this mystical journey we are on, It is all a dream and it is yours for the taking.

Provided to You by Sub Pop Records

Shannon Lay is a singer-songwriter based in Los Angeles. The title to her sophomore full-length is a reference to the month she decided to quit her day job and devote herself to her music full-time, back in 2017. “Nowhere” is a song about living in the moment without fear of where the road you’re on may take you. August is out August. 23rd on Sub Pop Records.

Transcendent folk-pop artist Shannon Lay will release this August, her Sub Pop Records debut, worldwide on August 23rd. You can now watch to her latest offering “Death Up Close” which serves as the album’s centerpiece. “With that song, I wanted to recognize that everyone else is going through something and reflect on that. Don’t be so close-minded to think you’re the only one who’s got issues, in fact, find comfort in the thought that everyone is on their own journey” Lay explains. What starts as an Eastern-influenced song morphs into an avant-garde sound bath. “I had this idea of the violin ascending. Then Mikal Cronin came in with the saxophone and just blew me away.  I love the idea of building a song like that, take people by surprise.”

Shannon drifts into nostalgia and loss while sitting on a couch in a familiar place we could all call home. “Death Up Close” from the Shannon Lay album “August”.

As previously reported, Shannon Lay will be a member of Ty Segall’s Freedom Band for the full album residencies in Los Angeles, New York, Paris, London, Berlin, and Haarlem.

August is now available from Sub Pop. LP .UK, and Europe will receive the limited Loser edition on orange vinyl (North America) and Sun Yellow vinyl (UK/EU) while supplies last.

August is out August. 23rd on Sub Pop Records.

On July 12th, Sub Pop Records released “Automat”, a collection of METZ non-album singles, B-sides, and rarities dating back to 2009, available on LP for the first time, and including the band’s long out-of-print early (pre-Sub Pop) recordings. It’s a chronological trip through the lesser-known material of Metz, the widely-adored and delightfully noisy 3-piece punk band from Toronto, ON.

The vinyl LP format of Automat included an exclusive bonus 7” single of Metz interpretations of three diverse cover songs, a glimpse of their wide-ranging and excellent taste. And, on August. 20th these three bonus tracks will be available in digital services everywhere. Rejoice! And then also go listen to: a cover of Sparklehorse’s “Pig,” from a very limited 2012 Record Store Day split single originally released by Toronto’s Sonic Boom record shop; “I’m a Bug,” a cover of the Urinals’ art-punk classic, originally released on YouTube (not an actual record label) in 2014; and Metz’s previously unreleased rendition of Gary Numan’s “M.E.”

released August 20th, 2019,
2019 Sub Pop Records