Posts Tagged ‘Cover’

The Nitty Gritty Dirt Band have shared a new ensemble rendition of Bob Dylan‘s 1964 classic “The Times They Are A-Changin”. This new cover features contributions from Jason IsbellSteve EarleRosanne Cash, and The War and Treaty and serves as a fundraiser for Feeding America.

In the song, released via Bandcamp last week, NGDB leader Jeff Hanna bookends the track with the first and final verses. Between those two ends, each vocalist delivers a unique vocal performance that is able to make a song so iconic and familiar appear in a new light. From Earle’s gravely outlaw country drawl to Cash’s powerful ballad gusto, each singer is able to put their own mark on the song’s timeless lyrics.

Though the track, originally released on Dylan’s 1964 album of the same name, may seem older than time itself, Nitty Gritty Dirt Band was founded just two years after the song’s release.

“I’ve been a fan of Bob Dylan’s since I was a teenager, living in California,” Hanna said. “I was fortunate enough to see him sing ‘The Times They Are A-Changin’ in concert the year the song was released. It moved me deeply then and that hasn’t changed. The lyrics are as relevant today as they were when Dylan wrote it. Maybe even more so.”

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Consider purchasing it via Bandcamp to help Feeding America. Each donation of $1 can provide up to 10 meals for children, families, and individuals facing hunger across the county.

Released February 5th, 2021
Original Composition by: Bob Dylan

May be a black-and-white image of child, sitting and food

Grammy-nominated and band of the moment the psychedelic soul duo Black Pumas have joined forces with indie-pop outfit Lucious for an updated collaborative cover of The Kinks “Strangers”. Released to streaming platforms on Thursday via ATO Records, the new cover also appears in the promo trailer for the forthcoming YouTube Originals documentary, Life In A Day 2020. The film premiered as part of the Sundance Film Festival recently.

“To me, ‘Strangers’ has a really interesting way of cutting through straight to the soul,” Black Pumas singer Eric Burton said in a press statement about the song, which The Kinks first released way back in 1970 on the band’s “Lola Versus Powerman and the Moneygoround, Part One” album. “I had such a good time inhabiting this honest reflection on love lost and the triumph that is a resilient human spirit.”

In addition to the documentary trailer arriving Thursday, the band also shared an eight-minute behind-the-scenes featurette showing how their cover with Lucius came to be in the recording studio.

Black Pumas and Lucius have released a new cover of The Kinks classic “Strangers.”

Supergroup Halloween Jack Premier TRASH as Tribute to Sylvain Sylvain

Supergroup “Halloween Jack” is set to release “Trash”, a cover song video by The New York Dolls as a tribute/ token of love to the glam/punk band’s Sylvain Sylvain who died last month after losing his battle with cancer. 

The New York Dolls, known for their glam rock androgyny and their signature attire including women’s makeup and frenzied, bizarre fashions, revitalized the New York City underground music scene in the 70s foreshadowing punk by half a decade. The Dolls were an anomaly, considered to be one of the most influential bands on the planet with their unpolished, chaotic music expression that combined British invasion-influenced rhythm and blues with the guitar distortion and booming backbeat of proto-punk bands such as Iggy and the Stooges. 

Halloween Jack combines the talent of Stephen Perkins, drummer of Jane’s Addiction, Gilby Clarke, former guitarist of Guns N’ Roses, Dan Shulman former bassist of Garbage, Eric Dover guitarist from Jellyfish, and guest guitarist Steve Stevens of Billy Idol, a huge fan of the Dolls. Halloween Jack’s “Trash” video is filled with a texture and colour completely reminiscent of the orgasmic, sophisticated anarchy that captured the essence of the kaleidoscopic vibrancy transmitted by the original New York Dolls. Halloween Jack wished to celebrate the memory of Sylvain using the video as a token of love to the fallen Icon.

Sylvain Mizrahi, best recognized by his stage name Sylvain Sylvain, was the guitarist for The New York Dolls. One of the key architects of rock music, Sylvain was the driving force behind the band and the soul of the clothes, style and thrilling guitar combinations that would be such a profound influence on punk rock. As a precursor to the dolls, he created the band Actress from a bunch of guys that hung around his clothing store that would later give birth to the Sex Pistols. In 2019, Sylvain announced that he had cancer and he died in his home on January 13th, 2021.

Musical guest Matt Berninger performs a cover of The Velvet Underground’s “I’m Waiting for the Man” for The Tonight Show Starring Jimmy Fallon. The National’s lead singer has been promoting his debut solo LP Serpentine Prison, an album that has more to do with interpersonal drama than drug addiction. His decision to cover the pioneering art-rock track might seem strange, but based on The Tonight Show set, it’s as simple as Berninger enjoying the hell out of the tune.

His basso profundo voice is a weak fit for Lou Reed’s tenor melody, and Berninger compensates with one of the most energetic late-night performances of his long career. He swings around the mic stand, gyrates his hips, waves his arms back and forth, and dances across the stage. He doesn’t try to capture a strung-out junkie waiting for the plug, and instead gives way to the overwhelming joy of a perfect song. 

Turning left and ignoring his promo duties for his latest LP, “Serpentine Prison”, Berninger lent his hand to this Velvet Underground classic. The trudging piano and guitar, overdriven and encased in reverb, is euphoric.

In October, Berninger brought the Serpentine Prison cut “One More Second” to Colbert.#

Fiona Apple Performing

Fiona Apple covered The Waterboys’ “The Whole of the Moon” for the series finale of Showtime’s The Affair. She asked Tony Berg to produce the record. Tony called in Matt Chamberlain, Patrick Warren, Ethan Gruska, Wendy Melvoin, and Phoebe Bridgers. Fiona has worked often with Matt and Patrick and knew Ethan as the brother of her former bandmate, drummer, Barbara. This was the first time she had met Wendy and Phoebe and fell in love with both of them.

In a few hours they produced this beautiful rendition of a classic written by Mike Scott. After Mr. Scott (@ MikePuck) heard the performance he tweeted – “Prepare ye to receive goosebumps.” Fiona practiced the first take in a small vocal closet but when it came time for the main event, Tony moved Fiona into the big room where she had a great expanse to sing into. I tagged along with my new camera which I could barely work because I had forgotten my glasses – couldn’t see the buttons, couldn’t focus. Despite the crappy camera work of a blind photographer, the magic that is Fiona shines through.

This collaboration between Apple and Bridgers feels inevitable. Both “Fetch the Bolt Cutters” and “Punisher” became popular choices for everyone’s albums of the year, respectively, Both artists’ songs are known for having a vulnerable core along with a witty, cutting edge. Fans have fingers crossed that the two talented singer/songwriters will cross paths again in the future.

I hope you enjoy this captivating version of a sublime song. Drums – Matt Chamberlain Patrick Warren Bass – Wendy Melvoin Piano – Ethan Gruska Background Vocals – Phoebe Bridgers

Apple is not the first to take on the song; it’s been a popular one to cover. Other versions of “The Whole of the Moon” have been done by Jennifer Warnes, Mandy Moore and Terry Reid. Prince even covered the song live at Ronnie Scott’s Jazz Club during his 2014 Hit & Run tour, while U2 have also done it live as part of a medley with “Where the Streets Have No Name.”

Singer Songwriter Vagabon teamed up with Courtney Barnett for a cover inspired by Karen Dalton’s version of “Reason to Believe ,” which was originally written and recorded by Tim Hardin in 1965 and covered by a wide range of artists since. After discovering Dalton’s version, “I became obsessed,” says Vagabon, “and so a few days after discovering it, I was encouraged to record a cover of it in my garage.” Barnett adds: “I’m a huge fan of Vagabon and Karen Dalton so this was a dream. They both have a voice that absolutely knocks the wind out of me.”

The decision to have Courtney sing it with me came after we performed it together live at the Palace Theatre in Los Angeles on Valentine’s Day 2020, a month before lockdown. It was fresh in our brains then so not long after the show, CB came over and we recorded her parts. Oliver Hill plays slide guitar on it.”

Vagabon performs Tim Hardin’s “Reason to Believe” featuring Courtney Barnett:

Glass Beach have covered “Beach Life In Death’ by Car Seat Headrest. All 14 minutes of it. The track is part of their Patreon where fans can vote on which songs the band covers, along with a bunch of other perks including exclusive access to new music and video content.

Genreless and just as disjointed as it is cohesive, the first Glass Beach album was initially self-released by the band in the spring of 2019, but it’s roots actually date back to as early as 2015 when songwriter and band leader “Classic” J McClendon (they/them) started demoing tracks for the album when they first moved to Los Angeles from their hometown of Burleson, Texas.

Bassist Jonas Newhouse and drummer William White heard J’s solo project, casio dad on their college radio station at the University of Minnesota Morris in 2016 and liked it so much they decided to move into an apartment with J (who had spent the last year living on a friend’s couch) in Los Angeles, start a band together, and spend the next three years refining J’s demos into an album. Shortly after the album was finished, Layne Smith joined on lead guitar, playing parts originally performed on the album by J to help flesh out the band’s live sound, and quickly becoming a key piece to the band’s cohesion.

“Beach Life In Death” by Car Seat Headrest covered by Glass Beach out now via Run For Cover Records

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I know I’m not the only one for whom ‘Bad Feeling’ by Muzz has been one hell of a soothing balm through this tumultuous year. And so this summer we learnt how to play it with our pals Roamin Vasset and Lucien Chatin. It was recorded and filmed by our friends Matteo Fabbri, Anne-Laure Etienne and Pierre Paturel, and edited by our very own Jesse D Vernon. And seeing as Muzz have released their covers EP, it seems like a suitable time to share with you our own Muzz cover.

The Band: Guitar: Jesse D. Vernon Bass: Romain Vasset Drums: Lucien Chatin

Image may contain: 1 person, drink, table, plant and indoor

Dave Grohl and producer Greg Kurstin closed out their Hanukkah Sessions covers series on Thursday night with a cover of “Rock & Roll” by The Velvet Underground, the iconic New York City art rock band fronted by nice Jewish boy Lou Reed.

Launched on the first night of the Festival of Lights last Thursday, the series features Grohl and Kurstin covering a different song by a different Jewish artist each night. Throughout the last eight days, the duo has paid tribute to Beastie BoysDrakeMountainPeachesBob DylanElastica, and The Knack.

This project, which initially began as a silly idea, grew to represent something much more important to me. It showed me that the simple gesture of spreading joy and happiness goes a long way, and as we look forward, we should all make an effort to do so, no matter how many candles are left to light on the menorah.

Toda Raba to Greg for being a musical genius and spending 2 1/2 days barnstorming through these songs together. You never fail to amaze me. Big round of applause for Markus Rutledge, the poor soul that had only 24 hours (8 days in a row) to churn out each of these videos for us! You deserve a medal for sleep deprivation! Huge hearts for the force of nature known as Peaches! You brought the real. And, of course to all of you for joining in on the fun. I hope that you enjoyed watching.

The relaxed take begins with a bit of levity, as Grohl counts off the song only to quickly drop on of his drumsticks. Unfazed, the camera keeps rolling and the two try again and nail the classic Loaded track—kudos to Dave for that fine, fine falsetto. As the duo leans into the song’s final “it was alright” refrain, we see a clip show of sorts from throughout the last eight days showing everything from the editing and recording process to Grohl posing with a menorah.

Along with the final video of the series, Grohl offered up some reflections and thanks laced with his impressive new arsenal of Hebrew phrases. Read the note from Dave Grohl reflecting on the Hanukkah Sessions. As 2020 comes to a close and another Hanukkah ends (my first!) I am reminded of the two things that have gotten me through this year: music and hope.

So, sing along one last time to “Rock and Roll” by The Velvet Underground, a song about music and hope, and let’s keep spreading the joy and happiness. It goes a long way…..

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Even beyond the grave, David Bowie continues to gift us new music. On January 8th, what would have been his 74th birthday, two previously unreleased covers will be made available to the public for the very first time. The new Bowie covers are going to be packaged as a limited-edition two-song 7-inch single from Rhino Records. A total of only 8147 copies will be up for grabs, 1000 of which will be cream coloured. Digital downloads and streaming versions are also promised.

The first is Bowie’s take on “Mother”, the 1970 track from John Lennon. This cover was originally recorded in 1998 with the Thin White Duke’s long-time producer Tony Visconti. It was supposed to appear on a Lennon tribute collection, but the release never came to fruition.

Meanwhile, the second offering is a cover of Bob Dylan’s “Tryin’ to Get to Heaven”, taken from his 1997 Grammy-winning album “Time Out of Mind”. Bowie also recorded his reimagining in 1998 while working on his live album LiveAndWell.com that came out the following year.

David Bowie – vocals
Reeves Gabrels – guitars
Tony Visconti – bass, harmony vocals
Andy Newmark – drums
Jordan Ruddess – piano
Richard Barone – harmony vocals

david bowie 74th birthday single john lennon bob dylan David Bowies Unreleased Covers of John Lennon and Bob Dylan Will Finally Be Unearthed for 74th Birthday