Posts Tagged ‘DIIV’

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New release time once again, and there is a healthy whack of excellent reissues this week, with Kate Bush taking the top spot with Aerial, The Directors Cut and 50 Words For Snow all landing. As well as all of the individual albums, part 2 of the ‘Remastered’ box set seeing it’s release as well as the vinyl counterparts, Remastered In Vinyl Parts III and IV.

This week also the latest in a long line of much anticipated Fall live shows from the mid 90’s with Derby in ’94 and London in ’95 both show the range and excitement of the live show’s they were so well known for.

There is brand new album from Liverpool band ‘The Fernweh’ to be released on James Skelly’s (of The Coral fame) label, Skeleton Key Records. Psychedelic hooks, folky ruminations and shimmering acoustic meanderings. It’s a beautiful thing indeed. Plus A new full-length from Johnny Flynn. 

Neil young songs for judy

Neil Young – Songs For Judy

Songs For Judy is the debut release on Shakey Pictures Records, Young’s own imprint distributed by Reprise Records. Songs For Judy is thoroughly engaging collection of live acoustic performances culled from Neil’s November 1976 solo tour and features twenty-two songs recorded at various cities along the tour. This song cycle of live recordings is particularly powerful and unique. Young had spent much of the year traveling around the world on tour with Crazy Horse. When touring on his own, he recharged and focused on songs that would not surface in recorded form for several years. Of the albums many treasures, No One Seems To Know would not see the light of day until now and it remains unreleased in any other iteration. The raw versions of the tracks found on Songs For Judy reflect an artist completely unvarnished and unafraid to allow the songs to breath and to find their own shape when performed in a solo setting. Songs written in that era would come into focus and then seemingly disappear only to re-enter Young’s orbit somewhere down the road. White Line and Give Me Strength are such examples of finding the light in 1990 and 2017 respectively. It’s also fascinating to hear Young revisit early gems such as Springfield’s Mr. Soul (’67), Here We Are In The Years (’68), andThe Losing End (’69) from some of his earliest solo recordings which remain as timeless as ever.

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Johnny Flynn And The Sussex Wit – Live At The Roundhouse

‘Live At The Roundhouse’ is an electric performance of ten years’ worth of songs; recorded without overdubs, it pays homage to the past whilst pointing propitiously to the group’s future. The album also features a bonus studio cut; the much requested and never released 3-verse rendition of Johnny’s ‘Detectorists’ theme.

Live At The Roundhouse’ is 24 tracks long and pulled from a decade’s worth of music. Fans will hear renditions of songs from Johnny’s “Masterclass” (4/5 The Independent) debut album ‘A Larum’, sophomore ‘Been Listening’, an album “radical in its honesty” (8/10 Drowned in Sound), ‘Country Mile’, “an extremely clever and nuanced record” (Mojo) and his most recent effort, ‘Sillion’, which explored the idea of man’s endeavour to connect with the earth while separated from it; “Another exploratory and remarkably high-caliber LP” (AllMusic 4.5/5). The album also features a bonus studio cut; the much requested and never released 3-verse rendition of Johnny’s ‘Detectorists’ theme. Johnny Flynn and the Sussex Wit are without a doubt one of the most consistently exhilarating live bands around, inspiring an undying devotion among fans and peers who will cherish ‘Live At The Roundhouse’ for its gritty and impassioned renditions of now-classic songs.

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The Fernweh – The Fernweh

Recorded in seclusion on the North Yorkshire coast and transporting listeners on musical journey. Three friends, Jamie Backhouse (guitars), Ned Crowther (vocals and guitar) and Oz Murphy (keys/saxophone) gathered to make the album they always knew they could make, based on a pure and profound love for a golden era for British and US folk rock. Wringing every last drop of their combined experience into a cup that overflows with melody, song craft and deeply evocative imagery of a quintessentially British era of ‘mainstream psychedelia’, they are joined by Maja Agnevik (vocals/flute)and Phil Murphy (drummer).

Melodies and stories inspired by distinctly British, coal-fired version of 60s/70s psychedelia. Layered vocal harmonies, gentle, steam-train percussion and strokes of piano, acoustic guitars and subtle string arrangements are a feature of this sublime and compelling debut. A return journey into Britain’s explosively creative, post-war period. Arriving back in 2018, the band uses such deeply evocative influences to deliver an irrepressible psych-pop-folk non-genre record.

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David Bowie –  Glastonbury 2000

DAVID BOWIE ‘GLASTONBURY 2000’ documents Bowie’s legendary Sunday night headline performance on 25th June at the most famous festival on earth. The legendary full performance released for the first time including many of David’s greatest hits and never before seen footage.

All formats feature David’s diary, originally written for Time Out, which documents him preparing for the show in his own inimitable manner. In addition to newly mastered audio and upgraded video DAVID BOWIE ‘GLASTONBURY 2000’ features new artwork from Jonathan Barnbrook (who worked with Bowie on the sleeves for Heathen, The Next Day & ★) and notes from the renowned author and Bowie fan Caitlin Moran who reviewed the show for The Times.

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Jeff Tweedy  –  Warm

Jeff Tweedy releases Warm, a solo album of all new material via dBpm Records. Warm was produced and recorded entirely by Jeff at his now legendary Loft Studio in Chicago’s  (with help from some of his usual collaborators – Spencer Tweedy, Glenn Kotche and Tom Schick). Warmfollows the acoustic retrospective release, Together at Last (2017), and Wilco’s 2016 album, Schmilco.

It is a tender manifesto of self-doubt, a shout fading into a murmur. It’s a journey beyond self-consciousness and towards mature vulnerability, to an evolved idea of what is musically pure.

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The 1975 – A Brief Inquiry Into Online Relationships

Winners of 2017’s Best British Group at the BRIT Awards, The 1975 release their 3rd album ‘A Brief Inquiry Into Online Relationships.’ 
The album is a follow up to ‘I like it when you sleep for you are so beautiful yet so unaware of it,’ which charted at Number 1 on both sides of the Atlantic going Platinum in the UK in the process.

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Laura Jane Grace & The Devouring Mothers – Bought To Rot

14 tracks spanning Laura Jane Grace’s fractured relationship with her adopted hometown of Chicago, true friendship, complicated romance, and reconciling everything in the end, Bought to Rot stands as the most musically diverse collection of songs Grace has written to date.

Inspired in large part by Tom Petty’s Full Moon Fever, the first album Grace ever owned, Bought to Rot finds her at the same age Petty was when he created his solo debut masterpiece. In light of his recent passing, Grace was motivated to pay homage to one of her lifelong heroes.

Laura Jane Grace & the Devouring Mothers are Laura Jane Grace, Atom Willard, and Marc Jacob Hudson. Grace is a musician, author, and activist best known as the founder, lead singer, songwriter, and guitarist of the punk rock band Against Me!. Willard, also of Against Me!, is a drummer who has played in iconic punk bands such as Rocket from the Crypt, Social Distortion, and The Offspring. Devouring Mothers bassist Hudson is a recordist and mixer at Rancho Recordo, a recording studio and creative space in the woods of Michigan, and the sound engineer for Against Me

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Batts  –  62 Moons

Batts is the moniker for Melbourne based singer-songwriter Tanya Batt, and this is her mesmerising and melancholic debut EP 62 Moons. Named after the 62 Moons of Saturn, the obsession with space is an underlying theme throughout the record, from the Nasa recording of Saturn’s rings which opens the recording, to the EP title. Batts explains “I had the thought of combining the music we create as humans, with the natural music of things out in space that have existed for billions and billions of years. I want to instil knowledge of space within music to people, but not via lyrics – via sounds.”

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The Fall – The Rough Trade Singles

The Rough Trade Singles collects The Fall’s four singles recorded for this influential label in 1980 and 1983 – How I Wrote ‘Elastic Man’ / City Hobgoblins, Totally Wired / Putta Block, The Man Whose Head Expanded / Ludd Gang and Kicker Conspiracy – none of which appeared on any of the band’s studio LPs. With 7-inches being the era’s vehicle for buzzing communiqués, The Fall would use the format for short-form, standalone works rather than as mere promotional devices for forthcoming albums.

“Totally Wired” is often cited (and rightfully so) as The Fall’s most infectious tune – an amphetamine-fueled anthem with stuttering nods to forebears, yet too incisive to have been made by anyone else. “How I Wrote ‘Elastic Man'” is another mad hoedown, one reimagined for the post-punk age. While the playful rhythm machine on “The Man Whose Head Expanded” almost suggests danceability, Mark E. Smith’s idiosyncratic shriek on “Kicker Conspiracy” pierces through the twin drumming of Paul Hanley and Karl Burns and the group’s unpredictable / unmistakable racket. Together these songs remain some of the absolute best material The Fall would ever release.

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Bill Callahan – Live at Third Man Nashville

Bill Callahan, aka Smog, is simultaneously a staple of strange American country, lo-fi, folk and independent music. His lyricism comes across as challenging and deeply autobiographical, equal parts “poetry leaning on true-to-life darkness” and “three chords and the truth.” So, it is fitting that Callahan’s live set would command the same sense of friendliness-with-difficulty that the recorded songs do. With brief, candid, and charming interludes between older and newer material, an outsider can hear that this performance was obviously a full-bodied (and multi-era) engagement, no space left for distraction. The full album is an experience; make it one you look after.

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DIIV  –  Covers

Originally shared on DIIV’s YouTube channel and then later given away on a limited edition cassette run of 50 copies at an acoustic DIIV show in a synagogue in New York City, Captured Tracks now presents a vinyl version of Zachary Cole Smith’s lauded Sparklehorse and (Sandy) Alex G covers. Pressed on Clear Vinyl and limited to 500 copies to celebrate Captured Tracks’ 10th Anniversary.

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DIIV  –  IS THE IS ARE

“There are plenty of bands that have served as their own worst enemies. DIIV had all the makings of a band banging on the door to stardom—hooks for days, a distinctive aesthetic in a crowded field, an edgy frontman who has acquired his own mythos. So the wait between their debut and sophomore efforts was an unwelcome wrinkle. After curating one of the finer entries into the Captured Tracks discography, the Brooklyn genre-melders hit a few snags, most notably Zachary Cole Smith’s arrest in late 2013 and drummer Colby Hewitt’s departure due to drug addiction. It all made a one-and-done affair seem like a real possibility. Is The Is Are’s opening line captures this sentiment perfectly: ‘You’re out of sight/And out of mind.’ DIIV were essentially off the grid for three years, more than enough time to be supplanted by a new rival. But rather than a distraction, the tabloid drama surrounding the band became the fodder for their new album. Is The Is Are takes everything that DIIV did well on Oshin, deepens it, broadens it, fiddles with more permutations, and does it all to excess.

2LP – Rough Trade Exclusive – 500 Copies on White marble Coloured Vinyl. LP One with red swirls and LP two with Pink Swirls. This is a different Colour to the US Version. Plus Two 12’x12″ – 12 page Lyric / Art Books.

ULRIKA SPACEK – THE ALBUM PARANOIA

Ulrika Spacek is a British experimental rock band formed in Berlin by Rhys Edwards and Rhys Williams, relocated to Homerton, London. Work on debut album ‘The Album Paranoia’ began in the summer of 2014 in the band’s shared house KEN, and was finished there last month. In conjunction to the making of ‘The Album Paranoia’, the band has curated a number of nights under the name ‘Oysterland’ combining their first live performances with a series of exhibitions. The band’s music has drawn various interpretations, a cross pollination of hypnotic fuzz, Verlain-Malkmus guitar idiosyncrasies and intertwining feelings of both angst and melancholia. For fans of Mercury Rev, Sonic Youth, My Bloody Valentine, Radiohead, Deerhunter and Atlas Sound.
CD – Digipack.
LP – Limited White Vinyl with Download.

PALEHOUND –  MOLLY

Debut UK release on Heavenly Recordings from Boston’s Palehound – the vehicle for Ellen Kempner who on ‘Molly’ shows her inimitable songwriting skills while playing it a bit fast and loose with hooks. ‘Molly’ features the same kind of seasick, pointed instrumentals of a
 song, and the caustic lyricism to match. Limited 7″ only.

THE PARROTS  –  I DID SOMETHING WRONG

The Parrots are an unstoppable garage-surf party-machine. They have been causing a stir in the scene in recent months with their bewildering shows and their already sold out ‘Weed For The Parrots’ EP (out last June on Luv Luv Luv Records and on Burger Records in the US), and after the sweaty success of their London multi-venue residency at The Shacklewell Arms, The Waiting Room and The Lock Tavern at the start of the summer (all packed in the same week, with a memorable stage invasion at The Shacklewell), The venue issue the Spanish trio on a very limited, exclusive 7″ single that also marks the launch of Shacklewell Records, a newborn imprint linked to the Dalston venue and its pop-up record shop, Black Wax. This 7″ features two early demos that are among the most celebrated tracks in their live shows – ‘I Did Something Wrong’ (with more than 90,000 plays on YouTube yet still unavailable physically) and drunken show-closing chant ‘Somebody To Love’.

Dr. Dog – The Psychedelic Swamp CD/LP+MP3 (ANTI-)
“Philly’s Dr. Dog made their first record, The Psychedelic Swamp, in 2000 but never officially released it. Sure, there’ve been bootlegs, and any long-time Dr. Dog diehard can list the LP’s songs — but the collection never got a chance to really shine. Now 15 years later, the album has gotten a complete makeover. The strange thing is not that the band is returning to the first thing they ever created together, but that returning was their intention all the while. ‘The concept behind it is that we were always going to redo it and make it super-accessible pop, which was built into the concept of The Psychedelic Swamp. Part of the original record that is so unlistenable is that,” he pauses to laugh, ‘it was trapped in a psychedelic swamp.’” – Charleston City Paper

GAME THEORY –  LOLITA NATION

When Game Theory emerged with their fourth full-length release in 1987, there was not only a new line-up of the band, but it took two LPs to capture all of the magic. Once again produced by Mitch Easter (R.E.M., Pavement, Let’s Active), ‘Lolita Nation’ was the culmination of all that had come before, and pushed the boundaries farther than they had ever gone. ‘Lolita Nation’ became their most critically acclaimed work – grabbing a Bay Area Music Award (BAMMY) nomination for Outstanding Independent Label Album in 1988. Revered for decades, and – sadly – out of print for many. As Omnivore Recordings continues to reintroduce this seminal band to the masses, ‘Lolita Nation’ now requires a second CD to collect alternate mixes, live recordings, and radio sessions. The original’s 27 tracks are joined by 21 bonus performances! In addition to the highly sought after 8 minute version of ‘Chardonnay’ and alternate mixes of other album tracks, the bonus material features covers of David Bowie, The Modern Lovers, Sex Pistols, Elvis Costello, The Smiths, The Stooges, Joy Division, The Hollies, and Public Image Ltd. classics. Truly as eclectic and all-encompassing as ‘Lolita Nation’ itself, and just as revolutionary. All formats feature new liner notes from Okkervil River’s Will Sheff, interviews with the band and original album contributors and previously unseen photos. As the world reawakens to the incredible Game Theory, it is truly a new time and a new day. It’s time to return to ‘Lolita Nation’ – if even for your first visit!
This expanded reissue of Game Theory’s ambitious fourth album adds a disc of alternate mixes, live recordings, and radio sessions – 48 tracks total. “Game Theory leader Scott Miller has never made much of a secret of his fondness for Big Star, but while Real Nighttime favored the sound of #1 Record and The Big Shot Chronicles suggested the harder-edged tone of Radio City, Lolita Nation sounded like Game Theory’s variation on the themes of Big Star’s masterfully damaged swan song, Third/Sister Lovers. Certainly Game Theory’s most ambitious album, Lolita Nation was a two-LP set that combined some of Miller’s most user-friendly power pop with dark, moody ruminations on betrayal, failed love, and mortality, bursts of avant-garde noise, and fragments of unclassifiable studio doodling, all thrown into a sonic Cuisinart through Miller’s aggressive use of aural montage.”
2CD – Double CD Set with 21 bonus tracks.
2LP – Double LP on Green colored vinyl for first press with download card for entire CD program.

G.L.O.S.S.  –  DEMO 2015

Without a doubt, one of the most hyped punk groups of recent years, G.L.O.S.S. are different in that they deserve the column inches 10 times over.
With an acronym translating as Girls Living Outside Society’s Shit, the four piece from Olympia took the punk and hardcore world’s by storm in early 2015 with their demo of blistering, stomping, meaty and breathtaking hardcore. Sounding not unlike Japanese hardcore pioneers Bastard mixed with prime Tragedy and even some wilder Italian influences, G.L.O.S.S. approach the punk status quo from the role of self-declared outsiders. Helmed by the immensely powerful vocals of Sadie Switchblade, the politically and hyper-aware lyrical content of the group set them apart from the staid pre-occupation of a predominantly macho and male hardcore scene. It’s a testament the group’s power and compositional prowess that, on the opening spoken-raged-word intro to their first wax statement, you can’t help feeling enraged, pumped up and ready to destroy two thousand years of patriarchal culture before the first minute is out no matter your angle or political persuasion. We’ve been waiting for this for so long it already feels like the 7″ of the year.

PORCHES  –  POOL

‘Porches’ debut full-length for Domino and a major step forward for frontman Aaron Maine – as an evolving singer / songwriter, and as a nascent producer. Written and recorded almost entirely in the Manhattan apartment he shares with his partner and frequent collaborator, Greta Kline a.k.a Frankie Cosmos, ‘Pool’ is an elegantly drawn set of gorgeous synth-driven pop songs, and an expansive re-articulation of the melancholy we’ve come to expect from him; from the pristine harmonies of ‘Hour’ to the undulating R&B of ‘Underwater’ to the Auto-tuned majesty of the title track. “I feel like I naturally gravitate towards the more melancholic experiences in life,” he says, “but this time around I tried to dissect those moments and somehow extract what was so beautiful about them.” The result – recorded twice, and eventually mixed by Chris Coady (Yeah Yeah Yeahs, Grizzly Bear, Beach House, Tobias Jesso Jr.) in his Los Angeles studio – is a sophisticated and fully immersive listening experience, with Maine’s voice at its center. “I want people to feel dark, beautiful and strong when they hear this new record,” he adds, “I want them to fall in love.”​Pool marks a major step forward for Porches frontman Aaron Maine—as an evolving singer/songwriter, and as a nascent producer
LP – Heavyweight Black vinyl with spot gloss detail on jacket, includes 12″x12″ insert and MP3 download card.
LP+ – Heavyweight Clear vinyl with spot gloss detail on jacket, limited to 750, includes 12″x12″ insert and MP3 download card.

SUNFLOWER BEAN  – HUMAN CEREMONY

As a band, Sunflower Bean have grown exceptionally fast. On the heels of strong live shows around their Brooklyn hometown and festivals like CMJ, the three-piece dropped an EP earlier this year. Since then, they’ve nailed down tours with the likes of Wolf Alice, DIIV, Best Coast, and others, leading to a staggering 100 performances in the span of just one year. That’s a lot for a fresh outfit. Recorded in just seven days, Human Ceremony sees them refining their psych rock ways into something with a bit more of a fuzzy pop edge, with a press release referencing influences like The Cure, The Velvet Underground, and The Feelies.”

Rough Trade exclusive with a Bonus 4 Track CD featuring covers of Neil Young, T-Rex, Jonathan Richman and Spiritualized. New York City’s Sunflower Bean release their full-length debut album, ‘Human Ceremony‘ via Fat Possum Records and it’s a joyous pop nugget from start to finish. The 11 tracks are urgent, flowing and demand repeated listens. It emerges at the intersection of dreamy modern psychedelia and urgent fuzzed-out bliss. On ‘I Was Home’ and ‘Wall Watcher’ the riffs rage, whilst on ‘Creation Myth’ they sound like a sugar sweet 80’s Indie Pop band with delicate female vocals. Seriously, this is everything and more, we could have expected from the debut Sunflower Bean album. For fans of Early 90’s Creation Records, Tame Impala and Veronica Falls.
LP+ – Rough Trade Exclusive. 500 Copies Only on Coke Clear Coloured vinyl with Download.
LP – Indie Shops Red Coloured Vinyl with Download.
LP+MP3 – Black Vinyl with Download.

TELEGRAM  –  OPERATOR

Limited Copies on all formats come with a bonus CD featuring four extra new tracks. London four piece Telegram release their eagerly awaited debut album on Gram Gram. ‘Operator’, Recorded in London with Rory Atwell, features twelve tracks including the forthcoming single ‘Taffy Come Home’, and a new version the band’s long deleted seven-inch debut release ‘Follow’ from October 2013. A stunning set of songs, the album will more than confirm Telegram’s early promise as one of the most exciting bands around right now. Formed just over two years ago, the Telegram line up of Matt Saunders (vocals / guitar), Oli Paget-Moon (bass) and Jordan Cook (drums) have recently recruited new guitarist Pip Stakem to the fold. Effortlessly combining a love of Roxy Music, Syd Barrett, krautrock and late proto-punk to great effect, they’ve built up an ever growing fanbase of critics and public alike with extensive touring and a clutch of fantastic and much sought after seven inch singles, ‘Follow’, Regatta’, ‘Inside Outside; and most recently ‘Aeons’.
CD – Digipack.
LP – Black Vinyl.
LP+ – Limited edition coloured vinyl.

I DON’T CARES (WESTERBERG AND HATFIELD) –  WILD STAB

Paul Westerberg and Juliana Hatfield are the I Don’t Cares and they don’t care.The I Don’t Cares is Westerberg’s first new music since The Replacements disbanded earlier this year – for the second time.Back in a May 2014 feature for Paste magazine, Juliana Hatfield admitted to only ever writing three fan letters to other musicians: One to the band X, one to Elliott Smith, and the first, when she was a teenager, to Paul Westerberg.
Now Hatfield and the Replacements’ singer/guitarist have apparently formed a new group, called the I Don’t Cares, and they released their first song, a jangly guitar-rock nugget called “1 / 2 2 P, at the end of 2015.The song is to be included on the I Don’t Cares’ debut album, titled Wild Stab, out on Dry Wood Music. At the very least, the album is a victory for the lost art of fan-letter writing!

THE PRETTIOTS  – FUN’S COOL

NYC’s The Prettiots (Kay Kasparhauser and Lulu Prat) release their debut album, ‘Fun’s Cool’ via Rough Trade. Packed with catchy melodies, memorable hooks and heart on the sleeve lyrics, ‘Fun’s Cool’ acts as a thoughtful, funny, and catchy-as-hell state of the union address from young women living in a big city and watching life unfurl in fits and starts before them. They’ve got a playful aesthetic and a sweet pop sound, but their observations are scalpel-sharp, and the emotional gut-punch their music packs is real. For Kay (vocals and uke) and Lulu (bass), simple instrumentation and no-frills vocals aren’t useful because they’re easy or cute.

FIELD MUSIC –  COMMONTIME

‘Commontime’ is the first album of new songs from North East siblings Peter and David Brewis since ‘Plumb’ in 2012 and their fifth album ‘proper’ since their debut in 2005. After four years threading a way through one extra-curricular project after another, the space that Field Music vacated still appears to be empty and Field Music-shaped. No one else really does what Field Music do; the interweaving vocals, the rhythmic gear changes, the slightly off-chords, but with the sensibility that keeps them within touching distance of pop music. All this is present again but things are different this time. Where ‘Plumb’ was an album of vignettes and segues, ‘Commontime’ edges towards what people might call “proper songs”. Field Music have never shown off their unashamed love of choruses quite like they do on this record.  Lyrically, Peter and David continue to mine that inexhaustible seam wondering how on earth we ended up here, in this situation, as these people. Over fourteen songs, conversations are replayed and friendships are left to drift. And all the while, that thing you were trying to remember has changed while your head was turned.
2LP – Black Double Vinyl with Download.
LP+ – Neon Orange 180 Gram Double Vinyl with Download.

Love Supreme & <b>Rough</b> <b>Trade</b> - News - Love Supreme - Love Supreme

DIIV’s Zachary Cole-Smith certainly stands out from your typical indie rock frontman. Just take his comments on the making of this, his band’s second album, which are framed in rather disturbing life and death terms: “I know I have to stay alive at least until the album’s done,”This is one shot at immortality, if I ever have one. I know it’s by far the most important thing I’ll ever do.”

Is The Is Are is certainly ambitious. A double album that takes their debut Oshin’s obsession with sonic textures and runs with it across 17 tracks. There are moments of exquisite beauty – swan-diving guitar lines and vocals that seem to be absorbed by the waves of sound – and moments where they just want to rock out, like on the melodic Dopamine.

Diiv’s Zachary Cole Smith


 

Dreamy New Yorkers DIIV return with 17 track double LP ‘Is The Is Are’ on Captured Tracks.’Is the Is Are’ is an album years and many personal struggles in the making for its architect, Zachary Cole Smith. Recorded and mixed in various locations in Brooklyn, the album showcases everything you know and love about DIIV and many things you did not, all with an added nuance and depth. It’s a 17-song album statement intended to resonate with its audience in much the same way that ‘Bad Moon Rising’ or ‘Tago Mago’ has for Smith himself. An extension and deepening of the musical ideas first expressed on 2012’s critically-lauded ‘Oshin’,

DIIV - Is the Is Are

 

‘Is The Is Are’ yields a multiplicity of textures, lyrical themes and moods. It is a more diverse world than ‘Oshin’, with different parameters and ideals. Dark and honest to a fault, the new songs are dynamic, loud, quiet, sad; they are songs that hiss and snarl; songs that, as Smith wrote recently, represent “the real me.”  Smith’s vocals, too, are much closer to the foreground, layered legibly on top of tidal waves of shimmering guitar and melodic bass weaving in and out, leaving a distinct and indelible imprint.
2LP – Rough Trade Exclusive – 500 Copies on Coloured Vinyl. This is a different Colour to the US Version.

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Pre-order Is the Is Are, out February 5th, 2016,

 

DIIV – ” Bent ( Roi’s Song ) “

Posted: November 23, 2015 in MUSIC
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Diiv shares “Bent,” the second single off their forthcoming album Is the Is Are, out February 5, 2016.

‘Mire (Grant’s Song)’ was premiered on Mexico City’s Ibero 90.9 FM on Friday (November 20th) and a rip of the song is circulating via Reddit, as pointed out buy the band themselves. This is the third song to come from ‘Is The Is Are’. It follows the previously released “Dopamine” and ‘Bent (Roi’s Song)’.

The album will be the follow up to their 2012 debut ‘Oshin’, with the group previously describing their new material as “darker” than their first full-length

DIIV – ” Dopamine “

Posted: September 17, 2015 in MUSIC
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If you’re wondering what the new DIIV album, Is the Is Are, will be like, the Brooklyn band have just given us the first taste. “Dopamine” is a little more produced, with vocals more forward in the mix, but otherwise is in DIIV’s signature hazy style. at last a new DIIV song!

Can’t believe it’s finally starting to happen. Here’s the first song we’re letting out from our upcoming album “Is The Is Are”, out soon on Captured Tracks Records. This album has been a long time in the making, and I’ve poured so much of myself into it. DIIV is the real me. Also, don’t forget to get tickets for our tour next month with No Joy and Sunflower Bean

DIIV are touring and about to play NYC’s Irving Plaza opening for Ride and then they’ll be back to headline  Webster Hall  in November  on their tour with No Joy and Sunflower Bean .

Opening summer festival season in style, London’s most diverse festival festival,Field Day, returns to Victoria Park in East London this weekend.

One of this year’s headliners, Canadian electronic maverick Caribou, is sure to be bringing a blistering trademark audio-visual assault to match his sweet electro-tinged grooves. Another main act are reformed shoegaze legends Ride, who put Oxford on the guitar map when Radiohead were still just a twinkle in Thom Yorke‘s eye.

But headliners are just tip of the gigantic musical iceberg. As you might expect, there is a plethora of the hotly-tipped and devoutly followed indie acts around, from the kooky charm offensive of Liverpudlians Stealing Sheep to Django Django and Savages.

Both days also feature many of the acts GIITTV have been praising to the hilt of late. FKA Twigs‘ live show has seen her headline venues as illustrious as The Roundhouse, building on the critical and commercial success of her widely lauded (and minimally titled) debut album LP1. Imagine an unsettling blend of vocals reminiscent of Kate Bush and an exotic, sultry take on Massive Attack‘s slow motion breakbeat nightmares and you might start getting close to the enigma of FKA Twigs.

Ok, so we all know the Field Day line up is ridiculous and if you’re reading this it’s unlikely we need to instruct you to watch Caribou or Ride or Patti Smith because you obviously should. FKA Twigs, Hookworms, DIIV, Mac DeMarco, John Talbot,Savages, Matthew E. White and Run The Jewels are all amazing too. But we also wanted to share some of the less obvious picks you should make time for during the 6/7 June weekender in Victoria Park.

At the other end of the energy spectrum, US punks Ex-Hex should up the tempo with oodles of three-chord, three- minute garage rock pop charm executed with a don’t-give-a-shit snarl. Expect a sprint through some of the highlights of last year’s Rips LP, as the three piece set about making Green Day sound like one of Radiohead’s more pensive b-sides. The scratchy, wonderfully irritable sounds of Canada’s Viet Cong make for an altogether edgier experience. Or, if you’re in search of something a little more wry and humorous, the downbeat but uplifting sensibilities of Matthew E White might do the trick, combining an earthy folkiness and caustic lyrical wit with knowing nods to the sweet simplicity of original rock ‘n’ roll. As one his best known songs has it, ‘Rock and Roll Is Cold’; but his set will probably be one of the more heartwarming treats of Field Day.

There’s also a serious contingent of psyche to this year’s festival line up, for those looking to drift off to dimensions further flung than the portaloos and burrito stalls. Especially recommended by the GIITTV staff are Hookworms, whose trance-like guitar workouts boast echoes of Spacemen 3 or even veteran space rockers Hawkwind, with more than a dose of Krautrock minimalism. A trait they share with the equally lauded Telegram, whose Matt Wood actually spent 18 months working at Faust‘s HQ in Germany before forming the Anglo-Welsh outfit. And if that all sounds a bit fierce, then the more leisurely and serene sounds of Errors could be the remedy. A self-styled “post-electro” band from Glasgow, Scotland, they’re signed to Rock Action Records, the label founded and managed by the band Mogwai; and they clearly share a certain distinctive gliding sonic sparkle with their label bosses (as well as a love of referencing rave in their titles – ‘How Clean Is Your Acid House?’ being one). With a fresh album – their fifth – called Lease of Lifeemerging recently, the three piece will be showing why they’re one of the most celebrated new live acts around this weekend.

DIIV released a tremendous album in 2012 “Oshin” was full of Infused reverby guitars plus waves of appegio guitar and a pulsating beat with lushcious harmonies and loads of energy. Frontman Zachary Cole Smith has annouced a new 2014 tour and a album.