Posts Tagged ‘Neil Young and Crazy Horse’

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Lots of new albums announced this week that is keeping us busy. Out this week the new Julien Baker album, which is very good indeed. It’s her third album ‘Little Oblivions’ shows off more of his incredible story-telling with an intimate stripped-back focus some copies in limited coloured vinyl with a free postcard available.

Very limited 7″ single fromKings Of Leon, released as a taster for the album out next week.

Beautiful new record from Lost Horizons with an excellent set of guests vocalists on limited coloured 2LP . Lost Horizons release their new album “In Quiet Moments” on Bella Union label. The album features a stellar array of musical guests including John Grant, C Duncan, Marissa Nadler, Porridge Radio, Penelope Isles, Karen Peris (the innocence mission), Tim Smith (of Midlake), Ren Harvieu and many more. With all those voices, it’s testament to its creators’ judgment that it all flows so beautifully.

This week’s Neil Young release is ‘Way Down In The Rust Bucket’, a live album from 1990, on a 4LP set and a deluxe box set.
A ‘Greatest Hits’ double album from The White Stripes is out too. The new Alice Cooper album “Detroit Stories” is worth a listen.
PJ Harvey
finally gets round to reissuing ‘Stories From The City, Stories From The Sea’. plus A ‘Demos’ edition of the labrum available for the first time too!
Stereolab
offer us a fourth instalment of their ‘Switched On’ compilations.
50th anniversary
reissue of the seminal ‘Tapestry’ album from Carole King.
4AD label reissue two early albums by The National as well an EP – ‘The National’, ‘Sad Songs For Dirty Lovers’ and ‘Cherry Tree’ all available now.

Sooo many quality reissues as usual  from PJ Harvey, Stereolab, The White Stripes Greatest Hits, The National, Deftones, Neil Young, Black Crowes, Alan Vega and the Melvins.

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Julien Baker – ” Little Oblivions “

Little Oblivions is the third studio album by Julien Baker. Recorded in Memphis, TN, the record weaves together unflinching autobiography with assimilated experience and hard-won observations from the past few years, taking Baker’s capacity for storytelling to new heights. It also marks a sonic shift, with the songwriter’s intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker.

 

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Neil Young and Crazy Horse – ” Way Down In The Rust Bucket “

Recorded on November 13th 1990 in Santa Cruz, CA, where the band were rehearsing for their upcoming Weld tour, Neil Young and Crazy Horse played a club show at The Catalyst which is now released here for the first time. The show comprised three different sets along with a 12 minute encore of Cortez The Killer and all 3 sets including that encore are brought together here in over 2 hours of music. Said to be one of the great live shows that Neil Young and Crazy Horse performed, the album includes live versions of songs from their Ragged Glory album, released just prior, along with classics from across their catalogue.

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Mt Mountain – ” Centre “

Hailing from Perth, Australia, Mt. Mountain deal in a sprawling, motorik psychedelic rock sound that journeys between tranquil, drone-like meditations and raucous, full-throttle wig-outs that’ll blow your mind as much as your speakers. Taking cues from Krautrock pioneers like Neu! and Can whilst existing in a similar world to contemporaries like Moon Duo, Kikagaku Moyo and Minami Deutsch, Mt. Mountain are formidable torchbearers of the minimal-is-maximal tradition. Musically, the band’s sound is born out of long improvised jams so naturally much of the album was recorded live to capture the band at their most freewheeling. Growing up surrounded by religion but not a follower himself, Stephen Bailey (vocals / organ / flute) describes how, thematically, much of Centre is a dissection of faith – both spiritual and secular – and his personal, often complicated relationship to it.

“The album for me, lyrically, is mostly about my experience of religion. It explores these concepts and the rules that were told to me from childhood to adulthood and my thoughts on my own connection to them. Similar themes arise between the tracks whether it be lyrically or structural, both a play on repetition and simplicity.” With a number of EPs and singles and three albums behind them – their 2016 debut Cosmos Terros, 2017’s Dust and 2018’s Golden Rise – the Perth quintet have picked up a formidable reputation in their homeland and further afield, thanks especially to their wildly all-consuming live shows. Constantly touring across Australia with each release, they’ve also shared the stage with notable down-under comrades like King Gizzard & The Lizard Wizard and ORB, as well as a long list of international heavy-hitters including Sleep, MONO, Thee Oh Sees, Acid Mothers Temple and Moon Duo.

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Flyying Colours – ” Fantasy Country “

Australian four-piece Flyying Colours release their sophomore album; taking inspiration from the early 90s UK psych / shoegaze scene, Fantasy Country is rich in sonic texture and shimmering atmospherics with a heavy dose of melody. From the swooning, sludgy ‘Goodtimes’ and urgent noise-fest of ‘Big Mess’, to the gorgeous melodic pop of ‘OK’, Flyying Colours look to redefine noise within the context of pop music. Elsewhere, ‘It’s Real’ is perfect, summery dreampop while the crushingly loud ‘White Knuckles’ and chugging ‘Boarding Pass’ is a hazy, echo-laden spaced-out affair. Having released their critically acclaimed debut album Mindfullness in 2016, Flyying Colours have spent much of their time on the road with headline shows across the UK and Europe.

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Vapour Theories – ” Celestial Scuzz “

Vapour Theories New album from brothers John and Michael Gibbons, the guitarists from psychedelic drone legends, Bardo Pond. A “heavy ambient” instrumental masterpiece that explores the symbiotic relationship of the duo as they build and dismantle sounds on a unique ethereal trip.

A full-length follow up to Joint Chiefs from 2006, Celestial Scuzz is a monumental sound piece created from hours of jam sessions and crafted into a cohesive mind-blowing trip. The result has a heavy ambience, like Eno locked in a dark room with Sunn-O))))) rehearsing next door.

While Bardo Pond’s trajectory takes them deep into rock music’s ever-imploding sound, the brothers Gibbons surf a more ethereal and eclectic plain; from a heady and consuming space, a “sanctuary; balm for the soul.” Describing the writing process, Michael Gibbons explains it as “a kind of spiritual experience. Most of the time it leaves us stunned; the more stunned we are the better the jam.”

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Lande Hekt – ” Going To Hell “

Lande Hekt’s voice in music is one that’s socially aware yet often introspective, drawing awareness to serious issues but at the same time baring her soul. Much of Hekt’s compositions act as a personal diary of what’s going on in her life at any given time. This is evident in her discography with Muncie Girls, the band which she formed in her hometown of Exeter as a teenager and have released two critically acclaimed albums to date. This knack of combining her own experiences and feelings whilst highlighting larger socio-economic issues has carried through to her more contemplative solo material, which began life in an EP Gigantic Disappointment, self-released in 2019.

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Cloud Nothings – ” The Shadow I Remember “

For a band that resists repeating itself, picking up lessons from a decade prior is the strange route Cloud Nothings took to create their most fully-realized album. Their new record, The Shadow I Remember, marks eleven years of touring, a return to early song writing practices, and revisiting the studio where they first recorded together. In a way not previously captured, this album expertly combines the group’s pummelling, aggressive approach with singer-songwriter Dylan Baldi’s extraordinary talent for perfect pop. To document this newly realized maturity, the group returned to producer Steve Albini and his Electrical Audio studios in Chicago, where the band famously destroyed its initial reputation as a bedroom solo project with the release of 2012 album Attack on Memory.

Another throwback was Baldi’s return to constant song writing à la the early solo days, which led to the nearly 30 demos that became the 11 songs on The Shadow I Remember. Instead of sticking to a tried-but-true formula, his song writing stretched out while digging deeper into his melodic talents. “I felt like I was locked in a character,” Baldi says of becoming a reliable supplier of heavy, hook-filled rock songs. “I felt like I was playing a role and not myself. I really didn’t like that role.” More frequent writing led to the freedom in form heard on The Shadow I Remember. What he can’t do alone is get loud and play noisily, which is exactly what happened when the entire band— bassist TJ Duke, guitarist Chris Brown, and drummer Jayson Gerycz—convened.

The band had more fun in the studio than they’ve had in years, playing in their signature, pulverizing way, while also trying new things. The absurdly catchy Nothing Without You includes a first for the band: Macie Stewart of Ohmme contributes guest vocals. Elsewhere, celebrated electronic composer Brett Naucke adds subtle synthesizer parts. The songs are kept trim, mostly around the three-minute mark, while being gleefully overstuffed. Almost every musical part turns into at least two parts, with guitar and drums opening up and the bass switching gears. “That’s the goal—I want the three-minute song to be an epic,” Baldi says. “That’s the short version of the long-ass jam.”

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The Cramps – ” Psychedelic Redux “

The Cramps Another superior release from Ill Eagle Recs (They did that RnR Monster Bash and the revamped alt version of Songs The Lord Taught Us) Now…This is truly an amazing piece of vinyl, Pschedelic Jungle but not as you know it ! Looks like a lot of research and hard work has gone into this… it’s quality… From the sleeve artwork and the liner notes. Compiled from very rare sources, Demos, Rehearsals and selected live tracks. It chronicles the development of The Cramps 2nd release. Plain and simply magnificent !.

Sooo many quality reissues as usual  from PJ Harvey, Stereolab, The White Stripes Greatest Hits, The National, Deftones, Neil Young, Black Crowes, Alan Vega and the Melvins.

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The Distillers – The Distillers

Transparent Green With White And Black. To call The Distillers simply a punk band doesn’t do justice to either the band or the word “punk”. Guitarist, lyricist, and vocalist Brody Dalle uses her medium as a platform for a higher plane of visceral lyricism and independence. Few modern day-punk icons have not only embodied the genre so truthfully but also transformed the depth of what it can mean so thoroughly. Recorded in 2000, their self-titled album Distillers is a throwback to the raw, inyour-face aggression reminiscent of late 1970s / early 1980s punk. Fast and forceful cuts likeL.A. Girl, Oh, Serena, and Girlfixer are still exhilarating and inspired. In celebration of the 20th anniversary, Distillers has been remastered and is available on coloured Vinyl for the first time.

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Fountains of Wayne – ” Fountains Of Wayne “

Fountains of Wayne is one of those rare bands that digs back into what pop music is all about – good, fun tunes. Their self-titled debut studio album was released in 1996. Recorded when the band was just a duo, Chris Collingwood and the late Adam Schlesinger provided almost all the instrumentation during the recording. Schlesinger and Porter had also been members of The Belltower, and bassist Danny Weinkauf later played with Lincoln before joining They Might Be Giants. Although the songs were written over a period of years (as outlets to make each other laugh through inside jokes and references to suburban New York and New Jersey), the album was recorded in just five days. The song writing is straightforward and wonderful; nearly every song is a pop gem. The result is an innovative album – very few albums released in the 90’s are this pleasant, charming, and all-round likeable.

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PJ Harvey – ” Stories From The City, Stories From The Sea “

The fifth PJ Harvey studio album Stories From The City, Stories From The Sea. Produced by PJ Harvey with Rob Ellis and Mick Harvey, and originally released in October 2000, Stories From The City, Stories From The Sea features the singles Good Fortune, A Place Called Home and This Is Love and includes a duet with Radiohead’s Thom Yorke on This Mess We’re In..

The album won the Mercury Music Prize in 2001. Reissue is faithful to the original recording and package, cutting by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey producer Head.

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PJ Harvey – ” Stories From The City Stories From The Sea Demos “

PJ Harvey Collection of unreleased demos of every track written for the fifth PJ Harvey studio album Stories From The City, Stories From The Sea, including demos of Good Fortune, A Place Called Home and This Is Love. 
Audio has been mastered by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey collaborator Head. Features brand new artwork with previously unseen photos by Maria Mochnacz.

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Beachwood Sparks – ” Beachwood Sparks “

The original 2000 Sub Pop alt country masterpiece remastered replete with previously unreleased tracks. Never before issued on vinyl.

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The National – ” The National ” (Reissue)

The National Celebrating its 20th anniversary in 2021, The National’s self-titled debut album of sozzled Americana is a thing of beauty, laden with heavy hints that this was a special band in the making.

Their first release, The National arrived two years after The National formed, a time when they were juggling bandlife with needing to hold down full-time jobs. And while nods to the alt. rock artists that inspired them (Pavement, Silver Jews) can be heard, so too are the beginnings of something all their own – Matt Berninger’s stunning and unexpected lyrics being pinned to melodies that stop you in your tracks.

The National marks the start point for one of the best bands of their generation with its new master helping elevate it to new levels. A great primer to a great band.

Having been remastered at Abbey Road Studios, the 2021 represses stay faithful to their original artwork while their stunning new masters help make these much-loved records sound as vital as ever, further emphasising the early signs of the sound that would go on to make them one of the fi nest and most beloved alternative bands of their generation.

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The National – ” Cherry Tree EP ” (Reissue)

Released a year before The National broke through with their third album Alligator, 2004’s Cherry Tree EP is a thrilling record which – thanks to its collection of delicate ballads and anthemic crowd-pleasers – sums up what they do best in under 30 minutes. Now a firm fan-favourite, among Cherry Tree’s seven tracks are now National classics About Today and All The Wine, plus a thrilling live version of Murder Me Rachael that reminds of the band’s fearsome early live performances. Cherry Tree can be seen as the record that marks the moment when The National had truly found themselves, a bridge from what went before to a band ready to conquer the World.

Having been remastered at Abbey Road Studios, the 2021 represses stay faithful to their original artwork while their stunning new masters help make these much-loved records sound as vital as ever, further emphasising the early signs of the sound that would go on to make them one of the fi nest and most beloved alternative bands of their generation.

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The National – ” Sad Songs For Dirty Lovers ” (Reissue)

The National’s second album, Sad Songs For Dirty Lovers (2003) proved a leap forward from 2001’s eponymous debut, showing a band adept at delivering warm embraces and gut punches in equal measure.

With word of mouth now spreading on the band, critics proved equally enthusiastic… Pitchfork in their glowing review called it a “Gorgeous train wreck” that “Lives up to its blunt title (with) Matt Berninger’s self-eff acing barbs matched by the band’s equally potent hooks,” while Uncut also became early champions saying the album was “A genuine treasure… Livid as a bruise, this is brave, desperate, beautiful music.”

No longer a secret among those that know, Sad Songs For Dirty Lovers is an important record in The National’s discography with this new remaster showing that it’s more than standing the test of time. Having been remastered at Abbey Road Studios, the 2021 represses stay faithful to their original artwork while their stunning new masters help make these much-loved records sound as vital as ever, further emphasising the early signs of the sound that would go on to make them one of the fi nest and most beloved alternative bands of their generation.

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Yumi Zouma – ” EP I “

Repress of Yumi Zouma’s debut ​EP​. Originally released in 2014, ​EP ​represents the world’s introduction to the New Zealand dream-pop band Yumi Zouma. Though the project has since grown considerably in profile, releasing their 2020 album ​Truth or Consequences​, their winsome allure remains. ​EP​ features early favourites from the band’s catalogue including “The Brae” and “Salka Gets Her Hopes Up.”

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Yumi Zouma – ” EP II “

Originally released in 2016, EP II found the New Zealand band coming into their own as songwriters, developing their “soft-focus synth-pop” (Pitchfork) with hints of electronic piano-house pulse (“Alena”) and anthemic, movie-ready choruses (“Catastrophe”). Though the project has since grown considerably in profile (in 2020 year the band released their third full-length album Truth or Consequences), their winsome allure remains.

Neil Young was not kidding when he said he was going to start releasing archival material at a much faster rate this year. Just weeks after the release of the 10-disc set Archives Volume II 1972-1976 and the live album/film Return to Greendale, he has announced that “Way Down in the Rust Bucket”, a 1990 Crazy Horse club gig, will come out on February 26th as a film and double album. The show took place November 13th, 1990 in front of 800 lucky fans at the Catalyst in Santa Cruz, California, two months after the release of “Ragged Glory” and shortly before the start of a long arena tour with Sonic Youth and Social Distortion.

Recorded on November 13th 1990 in Santa Cruz, CA, where the band were rehearsing for their upcoming Weld tour, Neil Young and Crazy Horse played a club show at The Catalyst which is now released here for the first time. The show comprised three different sets along with a 12 minute encore of Cortez The Killer and all 3 sets including that encore are brought together here in over 2 hours of music.

The 20-song set ran more than three hours and is noted for being the first time Young ever played “Danger Bird,” a track from 1975’s “Zuma”, onstage. He also performed live for the first time six Ragged Glory songs – “Love to Burn,” “Farmer John,” “Over and Over,” “Fuckin’ Up,” “Mansion on the Hill” and “Love and Only Love” – and another obscurity, Re-ac-tor’s “Surfer Joe and Moe the Sleaze.”

Way Down in the Rust Bucket will be released as both a two-CD and four-LP set, with a Deluxe Edition that adds the video of that performance on DVD. The film was directed by Young using his Bernard Shakey pseudonym and contains a 13-minute performance of “Cowgirl in the Sand” that’s not available on the CD or vinyl versions.

You can check out a preview video of “Country Home” on the Neil Young Archives. “This show is one of my all-time Crazy Horse favourites,” Young wrote. “More songs will be added here before the official release.  ”Way Down in the Rust Bucket” is the first in a long list of archival releases that Young is planning for 2021. There are no release dates at this point, but he’s plotting a third Archive Series box set, the 2019 Promise of the Real live album “Noise and Flowers”, the Eighties rarities collection “Road of Plenty”, and an extensive Bootleg Series that will spotlight fan-favourite shows like Carnegie Hall 1970, the Rainbow Theater 1973, and the Bottom Line 1974. Young hasn’t released a new album since 2019’s Colorado, but he recently said that new material is coming. “I have started a new album,” he wrote in response to a fan letter last month. “It’s solo. I’ve been waiting a long time.”

Way Down in the Rust Bucket—which is #11.5 in Neil Young’s Performance Series—is available in a number of variations. A numbered deluxe edition box set contains a DVD of the electrifying live concert—directed by Bernard Shakey and produced and directed for Shakey Pictures by LA Johnson—alongside four LPs and two CDs. The DVD contains one additional performance of “Cowgirl In The Sand” (13 minutes’ worth!), which does not appear on the vinyl or CD editions. The other versions released include a 4LP vinyl box set, a 2CD set and the DVD. Purchasers of Way Down in the Rust Bucket on CD or LP from the Greedy Hand Store

NEIL YOUNG & CRAZY HORSE
“WAY DOWN IN THE RUST BUCKET”
Live 1990
2CD, 4LP or Deluxe Box set ( 2CD/4LP/DVD )
Recorded on November 13th 1990 in Santa Cruz, CA, where the band were rehearsing for their upcoming Weld tour, Neil Young and Crazy Horse played a club show at The Catalyst which is now released here for the first time.
The show comprised three different sets along with a 12 minute encore of Cortez The Killer and all 3 sets including that encore are brought together here in over 2 hours of music.What It Is: Two months after Neil Young & Crazy Horse released their excellent “Ragged Glory” album in September 1990, they played a bar in Santa Cruz, Calif. For three hours and three sets, they tore through a career-spanning show.

What’s on It: Ragged Glory songs like “Over and Over” and “Love and Only Love” are here, but so are “Cinnamon Girl,” “Like a Hurricane” and “Cortez the Killer.” The set is filled with raw, sprawling versions of old and new cuts, some making their live debut.

Best Song You Know: This is a previously unreleased record from Young’s archives, so you haven’t heard any of these particular versions before. But the set includes some of his greatest songs played by his greatest backing band during one of their best eras.

Best Song You Don’t Know: “Country Home” opened the original Ragged Glory album, and it was the first song performed at the Catalyst on November. 13th, 1990. There’s no slow build for Young and the band: They start strong and don’t let up at all.

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Now then, you’ll be relieved that under these abnormal circumstances it has’nt stopped a load of excellent records from being released this week, covering the usual baffling array of genres and styles. It’s here! ‘The Metrobolist’ by David Bowie, complete with Tony Visconti mix, is in on LP and CD. Will you get sent a coloured vinyl edition? David Bowie’s The Man Who Sold The World gets a 50th anniversary reissue under its original title, “Metrobolist”. Gold and white coloured vinyl are randomly inserted amongst the standard black vinyl, so hopefully you’re lucky enough to bag something extra special.
The Flaming Lips reissue ‘Transmissions From The Satellite Heart’ on a limited black and white mix coloured vinyl.

Very nice looking 5LP expanded set from Wilco for their ‘Summerteeth’ record Wilco’s “Summerteeth” turned 21 this year and gets a very handsome deluxe edition to celebrate. A box edition  with a five-LP set featuring the remastered studio album as well as the unreleased demos, alternates and outtake recordings pressed on 180-gram vinyl.. Lupin is the (almost) self-titled debut solo LP from Hippo Campus’ Jake Luppen. Really smart pop this, sounds huge but still handcrafted. Really good.

Neil Young issues a new double live album with Crazy Horse, ‘Return To Greendale’ was recorded on the 2003 tour. It’s  another fantastic live record from Neil Young & Crazy Horses from their tour supporting the Greendale album. “Return to Greendale” is the next instalment in Neil Young’s Performance Series and features a concert (audio and on film) from the historic and unique tour.  Some big ol’ riffs here.

New West Records look back at the influential early albums of Pylon, reissuing “Chomp” and “Gyrate”, as well as the lovely Pylon Box Set.

PUP release their new EP, “This Place Sucks Ass” on coloured vinyl

Noise rockers Hey Colossus return very much at full throttle with the excellent Dances / Curses on Wrong Speed Records. Full of drive, but also really quite hypnotising in its long drones. Nice double clear vinyl pressing too.

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David Bowie – “Metrobolist”

November 2020 sees the 50th Anniversary of the release of David Bowie’s The Man Who Sold The World in North America. The album marks the beginning of a collaboration with guitarist Mick Ronson that would last through classic works including Hunky Dory, Ziggy Stardust and Aladdin Sane—as well as the first in a 10-year series of indispensable albums stretching through 1980’s Scary Monsters

Originally titled Metrobolist, the album’s name was changed at the last minute to The Man Who Sold The World. The 2020 re-release of the album under its Metrobolist moniker has been remixed by original producer Tony Visconti, with the exception of the track ‘After All’ which Tony considered perfect as is, and is featured in its 2015 remaster incarnation.

The Metrobolist 50th anniversary artwork has been created by Mike Weller who was behind the historically controversial “dress” cover which Mercury Records refused to release. As with the Space Oddity 50th anniversary vinyl, as well as a 180g black vinyl edition, it will come in 2020 limited edition handwritten numbered copies on gold vinyl (# 1971 – 2020) and on white vinyl (# 1 – 1970) all randomly distributed.

Neil Young and Crazy Horse 'Return To Greendale' 2xLP

Neil Young and Crazy Horse – “Return to Greendale”

Return to Greendale is the next installment in Neil Young’s Performance Series and features a concert from the historic and unique 2003 tour supporting the release of the Neil Young with Crazy Horse album Greendale. On the 2003 tour, Neil Young and Crazy Horse were joined on stage by a large cast of singers and actors to perform the story Neil Young wrote about the small town of Greendale and how a dramatic event affects the people living there. The ten songs from the powerful original album are performed in sequence, with the cast speaking the sung words – adding to the intensity of the performance. The film of the ambitious live show captures the vibrancy of Neil Young and Crazy Horse on stage in a unique multi-media experience. It seamlessly blends together the live performance, the actors portraying each song, with the story occasionally enhanced by scenes from the Greendale – The Movie. Both the live concert film and the Inside Greendale documentary are directed by Bernard Shakey and produced by L. A. Johnson.

The Flaming Lips 'Transmissions From The Satellite Heart' LP

The Flaming Lips – Transmissions from the Satellite Heart

Transmissions from the Satellite Heart is the Flaming Lips’ sixth album, released in 1993. The Norman, Oklahoma, quartet makes modern rock that doesn’t sound like anyone else; head music, they’d have called it in psychedelia’s heyday, weird soundscapes that conjure the bizarre alternate universe on the other side of the funhouse mirror. Transmissions, their second major-label release after a long indie apprenticeship has a mellower feel than early fans might expect, with lots of acoustic guitar and dreamy interludes to shame more-era Pink Floyd, but it’s no less weird than their last two efforts. strange sounds float in and out of the mix, and Wayne Coyne’s twisted hick vocals are convincingly demented. Coyne’s lyrics tend toward a dadaist stream of consciousness with occasional forays into junk culture; this is familiar modern rock territory, but songs such as She Don’t Use Jelly, Chewin the Apple of your Eye, and Be my Head are more effective and less annoying than the would-be gonzo efforts of Frank Black and Sonic Youth because they’re catchier and less pretentious. The Flaming Lips may be transmitting to the satellites, but when all is said and done, they live in Oklahoma.

Wilco 'Summerteeth' 5xLP

Wilco – “Summerteeth” Deluxe Edition

Wilco’s third album, Summerteeth, arrived in March 1999 to glowing reviews for its daring arrangements, lush harmonies and revealing lyrics. More than 20 years later, the Chicago-based band expand one of its best with multiple collections packed with hours of unreleased studio and live recordings.

Summerteeth introduced many fan-favourite classic tracks that the band continues to play live today, including I’m Always In Love, A Shot In The Arm and Via Chicago. The 24 previously unreleased recordings that debut on the deluxe edition explore the making of the critically acclaimed album with demos No Hurry and I’ll Sing It, outtakes I’m Always In Love (Early Run Through)and Viking Dan, and alternate versions Summer Teeth (Slow Rhodes Version)and Pieholden Suite (Alternate).

Limited to 6,000 copies, the five-LP set features the remastered studio album as well as the unreleased demos, alternates and outtake recordings pressed on 180-gram vinyl. However, instead of the Colorado concert included in the CD package, the LP version contains a special, exclusive performance from early 1999 titled, An Unmitigated Disaster, a previously unreleased live in-store performance at Tower Records on March 11, 1999, just two days after the album was released. The 10-song set, which was broadcast on Chicago radio station WXRT-FM, highlights several tracks from Summerteeth (We’re Just Friends, How To Fight Loneliness and Can’t Stand It). This show is only available in the LP collection.

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Pylon – “Pylon Box”

Pylon was born in 1979 in Athens, Georgia. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s. Their 1979 single Cool b/w Dub has reached legendary status with Rolling Stone calling it one of the “100 Greatest Debut Singles of All Time,” and was followed by their albums Gyrate (1980) and Chomp (1983). The band would break up upon Chomp’s arrival, but their music would continue to influence genres, musicians and fans for years to come. New West Records is proud to present Pylon Box — A comprehensive look at the band that features their studio LPs GyrateandChomp, both of which have been remastered from their original tapes, the 11-song collection Extra which includes rarities and 5 previously unreleased studio and live recordings, as well as Razz Tape, Pylon’s first-ever recording: a 13-song unreleased session that pre-dates the band’s seminal Cool b/w Dub debut.

Pylon Box also Includes a hardbound, 200 page full color book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker and Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52’s, Bradford Cox of Deerhunter, Mission of Burma, Calvin Johnson of Beat Happening and K Records, Anthony DeCurtis, Chris Stamey of the dB’s, Steve Wynn of the Dream Syndicate and many more. Includes an extensive essay chronicling the band’s history with interviews with the surviving members of the band as well as members of R.E.M., B-52’s, Gang of Four, Method Actors, and more. It also features never before seen images and artifacts from both the band’s personal archives as well as items now housed at the Special Collection.

Pylon 'Gyrate' LP

Pylon – “Gyrate”

Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. Pylon was less a band, however, and more of an art project, which meant they had very specific goals in mind as well as an expiration date. While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s..Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.

In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the big apple. Following the critical acclaim of their debut release, Pylon went back into the studio. While in the studio they gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real musicians. The resulting album, Chomp was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity, but Pylon were skeptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.

Pylon 'Chomp' LP

Pylon – “Chomp”

Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. Pylon was less a band, however, and more of an art project, which meant they had very specific goals in mind as well as an expiration date. While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s..Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.

In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the big apple. Following the critical acclaim of their debut release, Pylon went back into the studio. While in the studio they gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real musicians. The resulting album, Chomp was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity, but Pylon were skeptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.

“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”   New West Records is proud to partner with Pylon to reissue the albums “Chomp” and “Gyrate” back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl for the first time in over 30 years.

PUP 'This Place Sucks Ass' LP

PupThis Place Sucks Ass

After recording their acclaimed 2019 album, Morbid Stuff, PUP was left with a handful of songs that didn’t make the final track list, largely because they were too frenetic or too unhinged. And for an album that fantasized about the world exploding, that’s saying a lot. “We usually save the really dark songs for the end of an album,” says frontman Stefan Babcock. “But we felt that Morbid Stuff was already pretty fucking dark by the time we got there.” The Toronto four-piece loved these thematic stragglers so much, though, that instead of forcing them onto the record or hiding them away forever, they decided that they deserved to stand on their own. The excluded tracks are now seeing the light via a six-song EP, This Place Sucks Ass.

For This Place Sucks Ass, however, they say it was relieving to let loose and put something into the world that values pleasure over perfection. “Our expectations are so high. Every album we make, we want it to be better than the last,” says Babcock. “But just putting out songs we like and think are fun, that’s also pretty rewarding. Taking a breather from the pressure we put on ourselves has been so positive for us.” Like all of their material,This Place Sucks Assis a document of the band PUP is – at times thoughtful and introspective and at other times wildly cathartic. And they hope that fans will take its sentiments of anger, frustration, and bitterness that run throughThis Place Sucks Ass and find collective empowerment and joy in turning them outward along with them. “Everything sucks and that’s OK, because it sucks for everybody,” says Babcock. “And we can make it a little bit better by being together in the shittiness.”

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Frank Zappa and The Mothers Of Invention – “Carnegie Hall”

Carnegie Hall is a quadruple live album on 3CD’s by Frank Zappa and The Mothers of Invention, It is a mono recording of the two shows given on October 11, 1971 at Carnegie Hall in New York.

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Anna Von Hausswolff – “Ceremony”

Anna von Hausswolff is a 26-year-old from Gothenburg (and daughter of CM von Hausswolff) but her music sounds like it’s dug from ancient Viking rituals. She’s an artist whose scope, ambition

and dynamics actually warrant a comparison to Kate Bus. On the sprawling Ceremony she goes from straight up pop to ethereal Drones to rural psychedelia. Arguably ‘Ceremony’s most significant ingredient is the church organ of Gothenburg’s vast Annedalkyrkan, whose pipes are featured on the album’s striking cover. It’s featured on nine of the thirteen songs on the albumincluding the eight minute centerpiece Deathbed. Think Nico’s Desert Shore as sung by Kate Bush.

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David Bowie – “Outside in Budapest”

Superb Bowie Performance From The Earthling Tour. David Bowie’s 20th studio album was originally released in February 1997 on Arista Records. Earthling showcased an electronica-influenced sound partly inspired by the industrial and drum and bass culture of the 1990s. It was the first album Bowie self-produced since 1974’s Diamond Dogs.
The Earthling Tour started on 7th June 1997 at Flughafen Blankensee in Lübeck, Germany, continuing through Europe and North America before reaching a conclusion in Buenos Aires, Argentina on 7th November 1997. On August 14, ‘97, Bowie performed at Hungary’s Student Island Festival in Budapest, where he put on a quite extraordinary show, accompanied as he was by Reeves Gabrels on guitar, Gail Ann Dorsey on bass, Zack Alford on drums and Mike Garson on keyboards. Playing just a few tracks from the new record plus a fine selection of back catalogue gems, the entire show was broadcast, both across Eastern Europe and indeed in the US too on selected FM stations. Previously unreleased this remarkable gig is now available

 

Neil Young – Return To Greendale Image

The live album “Return to Greendale” will be released in several formats: Double vinyl, a 2 CD set, and a limited-edition deluxe box set that includes a Blu-ray of the full concert, a DVD of “Inside Greendale” (the making of the album documentary), 2 LPs and 2 CDs. The film of the ambitious live show captures the vibrancy of Neil Young and Crazy Horse on stage in a unique multi-media experience. It seamlessly blends together the live performance, the actors portraying each song, with the story occasionally enhanced by scenes from the “Greendale” – The Movie. Both the live concert film and the Inside Greendale documentary are directed by Bernard Shakey and produced by L. A. Johnson.

Return To Greendale Track Listing for audio and Blu-ray:

1. Falling from Above 2. Double E 3. Devil’s Sidewalk 4. Leave the Driving 5. Carmichael 6. Bandit 7. Grandpa’s Interview 8. Bringin’ Down Dinner 9. Sun Green 10. Be The Rain

On the 2003 tour, Neil Young and Crazy Horse were joined on stage by a large cast of singers and actors to perform the story Neil Young wrote about the small town of “Greendale” and how a dramatic event affects the people living there. The ten songs from the powerful original album are performed in sequence, with the cast speaking the sung words – adding to the intensity of the performance. The film of the ambitious live show captures the vibrancy of Neil Young and Crazy Horse on stage in a unique multi-media experience.

Neil Young Archives

Nils Lofgren performs at the 30th Annual Bridge School Benefit Concert at the Shoreline Ampthitheatre, in Mountain View, Calif30th Annual Bridge School Benefit Concert - Day 2, San Francisco, USA

Nils Lofgren was lounging by the pool of his Phoenix, Arizona, home with his wife Amy in April 2018 when the phone rang. “It was a Saturday,” recalls the guitarist. “I got a pad and paper out as I thought to myself, ‘Who is calling on a weekend? What will I need to take care of now? What business do I need to address?’ That was the cynic in me.”

It turned out to be Neil Young. “He said, ‘Look, we have these five Crazy Horse theaters shows booked in California to commemorate the release of the Roxy album Lofgren says. “[Crazy Horse guitarist] Poncho [Sampedro] can’t make it. Instead of canceling the shows, we’re wondering if you can walk in pretty much without any rehearsal and wing it with us?’”

The request left Lofgren completely stunned. He had got his first big break back in 1970 when Young invited him to play on After the Gold Rush when he was just 19. He went on to join Crazy Horse for their 1971 self-tiled LP (recorded without Neil Young) and two years later he cut Tonight’s the Night with Young and the Crazy Horse rhythm section of Ralph Molina and Billy Talbot. But besides sporadic charity shows and the 1993 MTV Unplugged special, Lofgren hadn’t really been in one of Young’s backing bands since the Trans tour in 1982.

Once he got over the shock, Young filled him on in the details. Three concerts were on the books in Fresno, California, and another two in Bakersfield, California. Lofgren was due to kick off an extensive U.K. tour on May 14th , just eight days after the last show  but if he rejiggered his schedule and missed just a single day of production rehearsal, it would be feasible for him to make it work. “I talked to Amy and looked at the calendar and said, ‘Man, count me in,’” says Lofgren. “He said, ‘Give me a day. I’ll call you back to see if I can make this happen.’ The next day he called back and said, ‘We’re on. Let’s do it.’”

In keeping with Young’s longstanding “Don’t Spook the Horse” rule, he decided they’d forego any formal rehearsals even though Lofgren hadn’t played a show with Molina and Talbot since the end of the Tonight’s the Night tour in 1973. “The first time we put on our instruments was at soundcheck,” says Lofgren. “It was really seat-of-your pants.”

It sent Lofgren’s mind right back to the Tonight’s the Night sessions, shortly after the death of original Crazy Horse guitarist Danny Whitten and roadie Bruce Berry. “We’d get together at dinner time and drink and play pool, smoke a little Thai weed and not worry about music,” he says. “It wasn’t until after midnight we’d go into the studio and play. Neil would sketch out three or four songs we really didn’t know. He said, ‘I don’t want you to know them. I want to do an anti-production record. I don’t want you to have a part for the chorus and a part for the verse. I don’t want you get to know them that well.

Opening night of the 2018 Crazy Horse run wasn’t quite that impromptu, but Lofgren still had to tackle songs like “Big Time” and “Scattered (Let’s Think About Livin’)” that he’d never played live in any capacity, with or without Young. But he’d done his homework and was able to feed off the energy all around him and deliver a killer show. “I knew songs like ‘Don’t Cry No Tears’ and ‘Like a Hurricane’ from the Trans tour,” says Lofgren. “And I’m grateful he included songs in the set from After the Gold Rush and Tonight’s the Night.”

Whenever they played a Tonight’s the Night song, it was essentially a complete reunion of Young’s backing band from that period minus the late Ben Keith. “We thought, ‘Four of the five of us are standing,’” says Lofgren. “‘That’s gotta be good. We’ll take it. We’ll miss Ben, but his spirit is with us.’”

There were no future plans for Crazy Horse after the mini-tour wrapped up May 6th, 2018, at the Fox Theater in Bakersfield, and Lofgren flew off to England thinking he may never play with them again. But then in December he got another call from Young. “He said, ‘I’m going to Winnipeg where I have such a long history,’” recalls Lofgren. “‘I want to visit old family and friends and do a couple of shows with Crazy Horse. Can you make it?’”

He happily accepted, though this time he had a little bit more time to prepare. While Young was busy playing solo shows in Wisconsin and Minnesota, Lofgren travelled to South Dakota to rehearse with Ralph Molina and Billy Talbot at the bass player’s home studio. It was at the peak of the polar vortex gripping much of the country and the temperature was well below zero. “Just walking across the ice and the howling wind in South Dakota to the studio was a big adventure every day,” says Lofgren. “Each time I was like, ‘We made it! Nobody fell and broke anything!’”

If that wasn’t frigid enough, the three of them then got onto a tour bus and drove more than 10 hours to Winnipeg for the shows. It was roughly 15 below before you even factored in the wind chill. “We were going right into the heart of the polar vortex,” says Lofgren. “Amy sat me down repeatedly and was like, ‘Look, you must promise that if the bus breaks down, before you do anything, before you call me, you call 911,’” Lofgren recalls. “‘This is not weather to mess around with. This kills people.’”

They managed to make to make it to Winnipeg without freezing to death or calling in the Royal Canadian Mounted Police to rescue them. And once again, Young wanted the shows to be spontaneous. “He said, ‘I’m here with my old family and friends and I don’t want to even write a set list,’” Lofgren recalls. “‘Let’s just figure it out as we go. But don’t think. You guys rehearsed hard in South Dakota. Just don’t think. Let’s go and have an experience.’ The first night was a lot of rockiness in and out and the second night, man, we hit some groove and it felt kind of like flying or floating. It was very cool.”

The future for Neil Young and Crazy Horse is very unclear. Young has many shows on the books during the next few months, but all of them are either with Promise of the Real or solo. No explanation has been given for Poncho’s absence from the recent run of shows, but if Young decides to call up Lofgren again, he’ll be there. “It’s been a beautiful opportunity to play with dear friends that are still alive and well,” he says. “Look, I hope there’s more, but I’ll take it a gig at a time right now.”