Posts Tagged ‘Novo Amor’

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Jason Isbell and The 400 Unit – Live From the Ryman

Americana icon Jason Isbell and his band the 400 Unit release a new live album release. The album is set in none other than the Mother Church of Country Music, the Ryman Auditorium. Live From the Ryman was recorded at Nashville’s famous auditorium, and will feature live versions of songs from Isbell’s three latest releases, Southeastern, Something More Than Free andThe Nashville Sound. Songs included on the project are Last of My Kind, Hope the High Road, Something More Than Free and the Grammy Awards-winning If We Were Vampires, among others.

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The Lucid Dream – Actualisation

The Lucid Dream return with the release of their 4th album, Actualisation. Driven by fans raising £10,000 to help replace all equipment robbed after a Paris show in early 2017, a new album became the instant focus in the summer of 2017 for a rejuvenated The Lucid Dream. Actualisation is soaked in the influence of acid house, amalgamated with dub and kosmische. The album was penned over the summer of 2017 by Mark Emmerson (vocals/guitar/synths), using only the classic Roland 303/808 synths, bass and vocals as tools for writing. Inspiration for the writing was formed via continuous listening to the Chicago to UK acid house works of 1986-1992, the focus predominantly on the groove. Several months on from those writing sessions and The Lucid Dream have completed their 4th album in 5 years. A record made for the dancefloor. Recorded at Whitewood Studios, Liverpool, with Rob Whiteley, the album is produced alongside long-time collaborator Ross Halden (Ghost Town Studios, Leeds), with mastering via Dean Honer (All Seeing I/I Monster/The Moonlandingz). The confrontational techno-punk of Alone In Fear opens the album, a 9-minute attack fuelled by the frustration and anger spawned by Brexit, government and a realisation of what 2018 Britain currently is. Recent single SX1000 (the first work from the album, unveiled via 12′ vinyl in April this year) is the band’s first move into pure acid house. The acid house fusion runs throughout the record, represented furthermore by Ardency, a track already praised by live critics when aired live for the first time earlier this year as ‘even on first hearing, would’ve raised the roof of The Hacienda’. The 2-part opus of Zenith follows, commencing with a space-dub / house instrumental groove before building into a track that will go for your head as much as your hips. Only Breakdown harks back to sounds of old for the band, a little reminder of the skull-crushing impact they can make when stripped to the bare bones. No Sunlight Dub closes the album, a dark-dub that invites the classic acid-house tool (Roland 808) into the dub. The track makes a stop-off into drum ‘n’ bass / jungle along the way before rounding up in a manner suited to Lee Perry, King Tubby, Augustus Pablo and other Jamaican greats.

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Titus Andronicus – Home Alone on Halloween

Limited to 1,300 for world on Orange Vinyl with Download. With Home Alone on Halloween, noted rock band Titus Andronicus celebrate the spookiest of the seasons by staring into the abyss and confronting the bone-chilling terror which lies at the haunted heart of our human experience. Bearing the justly feared catalog number MRG666, the 12-inch EP spans 31 minutes and features three tracks recorded concurrently with the group’s most recent full-length A Productive Cough, offering an autumnal tableauof dread and decay to complement its LP companion’s springtime visions of rebirth and new possibilities. The title track remixes A Productive Cough’s hardest-rocking selection, foregrounding its ominous strings and swelling organ and featuring a soulful new lead vocal from frequent captain Matt “Money” Miller, while Only a Hobo plucks an oft-forgotten gem from the dusty corners of the Bob Dylan songbook to paint a grim portrait of hopes dashed and potential squandered. Eeriest of all is A Letter Home, which, across nearly 17 minutes and more than 1,200 words, drags the listener along for a harrowing descent into the darkness and proves definitively that this ceremony is no mere monster mash.

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Kiran Leonard – Western Culture

Kiran Leonard is a 22 year old musician from Saddleworth, Greater Manchester. Debut album proper Bowler Hat Soup(2014) and follow-up Grapefruit (2016) were both recorded at home, with Kiran playing virtually every instrument himself. Dervaun Seraun (2017), a concept album in five movements inspired by five pieces of literature and arranged for piano, strings and voice, was an ambitious departure from his usual sound. Western Culture now sees him return to the signature sound of his first two records, yet marks a huge sonic progression thanks to the involvement of his venerable live band on record for the first time, as well as being the first to have been made in a professional studio (Old Granada Studios in central Manchester).

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Novo Amor – Birthplace

Novo Amor, aka multi-instrumentalist, songwriter and producer Ali Lacey comes from deep in the Welsh mountains. Recording, mixing and producing everything in his home studio, Lacey’s emotive vocals and the sounds he uses, often formed through sonic experimentation, make for fantastically atmospheric songs that are moving and striking. On his debut album Birthplace, the sounds of his home bleed in – the chatter of a party across the street, Bonfire Night fireworks, the seagulls that gather on the building site next door. Even the sound of the late-night recording hours kept to avoid the sounds of construction make their presence felt. The songs cover many theme and thoughts – Repeat Until Death deals with friends experiencing drug addiction, Seneca is rooted in the story of a town in Nebraska that tore itself apart over a dispute over how many horses might be kept in a yard.

LP – Single LP made from recycled vinyl, housed in full-colour printed inner sleeve and full-colour printed reverse board outer sleeve. Includes download card and 8-page 12’’ tracing paper booklet, featuring gold Pantone detail to mirror the effect of the original artwork used on the cover. As using recycled vinyl every record will be unique, no two colours will be the same. All cardboard used is FSC certified.

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The Oscillation – Wasted Space

The Oscillation are back with their sixth and most ambitious album to date, Wasted Space. A meditation on the nature of existence in the face of what can be insurmountable odds, Wasted Space finds The Oscillation painting from the darker shades of the kaleidoscopic scale. “The origins of Wasted Space go back to Monographic in 2016,” muses Demian Castellanos – themastermind behind The Oscillation. “That was a very bleak and heavy record and I really needed to move out of that mindset. Making U.E.F freed me up to write a coherent collection of narrative songs and compositions. Wasted Space is a partial continuation of a journey started with U.E.F., but one that re-incorporates more song-based ideas again.”What’s immediately apparent is that Wasted Space sets it stall well away from the prosaic third-eye tropes that have become orthodoxy. Album opener ‘Entity’ establishes the pace with a focus on the dance floor as much as on the navigation of existence. Fusing muscular grooves with an industrial wall of sound,these are bold steps into wholly new territories. “There’s an irony at play here,” considers Castellanos. “It’s a twisted party song, albeit a party for one.” But what a party it is. The mutant disco is bolstered by the rhythmic call-and-response of ‘Drop’, a track that eschews conventional methods of dance sensibility for more instinctive and primal urges. This is music that calls out to the suitably attuned.

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Cloud Nothings – Last Building Burning

Last Building Burning is the product of eight days with producer Randall Dunn (Sunn O))), Wolves in the Throne Room, Boris) in Texas studio Sonic Ranch. Clocking in just over half an hour, the eight-song album sees Cloud Nothings capture their onstage appeal with help from Dunn, who Dylan Baldi describes as “technically minded without relying on technology to perfect the live sound.” In that, Last Building Burning is a return to Cloud Nothing’s sharpest form – the unhinged, feverish, guitar-heavy sound that they explode with onstage – without their early angst. “It’s not an angry record,” says Baldi. “It’s a very joyous thing for me. And it feels so nice to scream again, especially when you know people in the crowd will be screaming along back at you.”

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Peter Holsapple vs Alex Chilton  –  The Death Of Rock

Newly discovered recordings of early solo Peter Holsapple and Like Flies On Sherbert–era Alex Chilton. Liner notes by Peter Holsapple and author / filmmaker, Robert Gordon. Previously unseen photos from the collections of Peter Holsapple and Pat Rainer. It’s 1978 at Sam Phillips Recording Service in Memphis, TN. Peter Holsapple had rolled into town chasing the essence of Big Star. He hooked up with musician / engineer / friend-of-Big-Star, Richard Rosebrough after approaching, and being turned down by, Chris Bell who Holsapple had hoped might be interested in producing him. Together Richard and Peter started laying down tracks during the off hours at the studio. Chilton meanwhile, was knee deep in the making ofLike Flies On Sherbert, also being tracked at Phillips. He told Peter, “I heard some of that stuff you’re working on with Richard . . . and it really sucks.” Alex promised to come by and show Peter “how it’s done.” The results? Alex’s tracks definitely line up with the chaos found on Flies, while several of Peter’s songs found homes on The dB’s albums (Bad Reputationand We Were Happy There) and on an album by The Troggs (The Death Of Rock retooled as I’m In Control), so not a loss at all. What we have in these newly discovered tapes, is a fascinating pivot point with both artists moving past each other headed in distinctly different directions. Chilton moved toward punk/psychobilly as he began playing with Tav Falco’s Panther Burns and produced The Cramps debut, Songs The Lord Taught Us, within a few months of these recordings. Holsapple was off to New York to audition for The dB’s and enter the world of “sweet pop.” Liner notes by Peter Holsapple tell the story of these recordings firsthand and author / filmmaker / Memphian, Robert Gordon, helps pull the time and place into focus. Previously unseen photos included in the package are drawn from the collections of Peter Holsapple and Pat Rainer.

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Dave Matthews Band – Come Tomorrow

ATO records release Dave Matthews Band’s long-awaited new albumCome Tomorrow. Come Tomorrow is the band’s ninth studio release and its first since 2012’s Away From The World, which debuted at No. 1 on Billboard 200. Working between tours at studios in Seattle, Los Angeles and Charlottesville, Dave Matthews Band chose to record with several different producers, including John Alagia, Mark Batson, Rob Cavallo and Rob Evans. The cover art for Come Tomorrow is by Béatrice Coron, who creates narrative allegories in silhouette to render archetypal stories.

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Insecure Men – Karaoke for One: Vol 1

Insecure Men return with a 10 track covers record, featuring takes on Bruce Springsteen, The Pogues, The Carpenters, Peter Andre et al.

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R.E.M.  –  Live At The BBC

REM grew up with the BBC, and this historic relationship is lovingly celebrated across an incredible collection that beautifully illustrates the career trajectory of one of modern music’s greatest bands. The collection comprises a treasure trove of rare and unreleased live and studio recordings culled from the BBC and band archives. This is a must-have collection for REM fans and an authoritative introduction for newcomers.

9CD – In-studio performances featured in the 8-CD / 1-DVD box set include a John Peel Session (1998), Drivetime and Mark and Lard appearances (2003) and a glorious Radio 1 Live Lounge performance (2008). Live broadcasts include a rough-and-tumble show from Nottingham’s Rock City (1984), the stunning 1995 Milton Keynes Monster Tour (their first after a six-year break), a blistering 1999 Glastonbury headline set and an invitation-only 2004 show at London’s St James’s Church. The DVD kicks off with a sixty-minute intimate retrospective of the band’s legendary performances at the BBC in the Accelerating Backwards film – previously broadcast only in the UK and available commercially for the first time here. Accelerating Backwards also includes revealing interviews with Peter Buck, Mike Mills and Michael Stipe, further testifying to R.E.M.’s long, special relationship with the BBC. The DVD also offers a complete 1998 Later….With Jools Holland episode uniquely dedicated to the band, plus TV appearances on Top of the Pops and more.

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I’m excited to present my new single and video, ‘Birthplace’.

The song is about recognising a need for change in yourself, and the ambivalence towards acting upon this recognition. Directors Sil Van Der Woerd and Jorik Dozy, along with freediver Michael Board, beautifully encapsulate this in their film – in humanity’s harmful relationship with nature and what outcomes that ambivalence could ultimately bring.

The Birthplace video features our life sized humpback whale of trash. Crafted in a small Balinese village with the locals, it’s made from plastic bags, bottles and other everyday items that get thrown away and end washed up on onshore

Lifted from the debut Novo Amor album ‘Birthplace’, out Oct 19 via AllPoints

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Welsh multi-instrumentalist Novo Amor returns with his new track “Colourway” off his forthcoming EP, Bathing Beach. The beautifully chilling track begins with a simple acoustic guitar, and the track comes to life as the soundscape slowly builds.

Novo Amor, aka Ali Lacey, described “Colourway” as “an expression of nostalgia, a wistful nod to a certain period of time.”

He continues, “The idea to title the EP Bathing Beach comes from an illustrated postcard of a shore in New York State, a pace that was my home for a summer back in 2011. For me, Bathing Beach exerts a calmness that was present during my time there; the idea of it being a place where the land meets the water almost feels like the perfect place to let something go, or set something free.”

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Lifted from the ‘Bathing Beach EP‘ out now via AllPoints

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The music of British songwriter Novo Amor, AKA Ali Lacey, has always felt mystical. His whispery voice and dreamy production give his work an otherworldly quality, creating lush and immerse atmospheres with every track. It doesn’t matter if he’s performing solo material or covering Guns N’ Roses’ “Welcome To The Jungle”, a supernatural sense of peace permeates every track he touches.

His latest song, “Anchor”, is the epitome of this delicateness and craft. The strings on his acoustic guitar buzz sorrowfully as he fingerpicks, singing above it all at a hushed volume. Soft electric guitar tones float in the background, drifting like slow waves crashing on a shore. The track feels enchanting, so much so that it only makes sense that the music video would take on the mythical.
“The inspiration for the video comes from Gaelic folklore of the Selkie,” Lacey says “Selkies live as Seals in the sea but shed their skin to live as human on land. If a man steals a Selkie’s skin she is to live in his power and become his wife, but because her true home will always be the sea, she will always be longing for the ocean and often caught gazing at the horizon. The underlying concept of the song is about wanting and waiting for something/someone to return, so this video was naturally a perfect fit.”

Lacey’s version of the legend isn’t as gruesome as shedding skin or overtly concerned with domination. Instead, it features a lonesome fisherman finding a woman in the ocean and bringing her back home. Things seem okay at first until her distance from the water starts to take a physical a toll. The video aptly captures the feeling of longing, both in the legend and within the song.

Picture rural Wales. Somewhere about an hour or two from the nearest town. Somewhere on the edge of a deep, dark forest or somewhere that’s perched just next to a vast expanse of the Atlantic. Find that place and you’ll come close to finding the landscape that shapes Novo Amor’s music.

The Cardiff based multi-instrumentalist, better known to family and friends as Ali Lacey, brilliantly capture vast, melancholic scenes with his latest EP Woodgate NY. Blending his gentle vocals with guitars, banjos and the odd suspended bathtub (he also happens to be an experimental sound designer) Lacey recently signed to Brilliance Records, a small indie-folk label based on the west coast of Norway. in “Holland” for example you can hear the sound of an old garden hose being hit with a hammer. Whatever I think will give an added bit of interest or texture. Once you get the hang of it it’s quite a straight forward process. Each object makes a certain sound so once you’ve worked out what that sound is you can then pitch on a keyboard, and from those collections of sounds you can begin to construct a melody.

NOVO AMOR – ” Callow “

Posted: February 13, 2015 in MUSIC
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UK-based alternative folk singer/songwriter Novo Amor, aka Ali Lacey, announces a new single titled “Callow.”
Novo Amor is a multi-instrumentalist, songwriter and producer who originates from the mountains of Wales. Novo Amor also works as a sound designer where he often experiments with techniques, leading to compositions that consist of unconventional recording and instrumentation. Additionally, Amor records, produces and mixes his own music. Amor’s music is influenced by the likes of Tallest Man on Earth, Bon Iver, Daughter and Asgeir.

Novo Amor released his debut EP Woodgate, NY in November 2014 which was every bit as enchanting as we hoped. His songs have been featured in television shows including FOX’s Bones, UK E4’s Made In Chelsea, and indie feature film The Better Man. He has played select shows across Europe and the UK, including Norway’s Øya Festival and the Barn on the Farm Festival. Stay tuned for more from Novo Amor!

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This  Welcome To The Jungle isn’t remotely in the same vein as the classic rock song on which it’s based.  the wonderful Novo Amor  returns with this serene and beautiful alt-folk style, in a version of the track that aches with blues if ever we heard them. Never really thought we’d be saying that about a Guns N Roses song, but there you go. The UK-based alternative folk singer/songwriter Novo Amor, aka Ali Lacey, announces new single “Welcome To The Jungle.” The track is Novo Amor’s personal take on Guns’ n’ Roses iconic anthem. The song is in conjunction with the new AXE® BLACK campaign. Novo Amor’s version is presented in an advertisement in which he worked alongside director Nabil Elderkin whose credentials include Kanye West, Bon Iver and Frank Ocean. Novo Amor calls the original version a pop-culture phenomenon and is excited to put his own unique stamp on the powerful track. a multi-instrumentalist, songwriter and producer who originates from the mountains of Wales. Amor also works as a sound designer where he often experiments with techniques, leading to compositions that consist of unconventional recording and instrumentation. Additionally, Amor records, produces and mixes his own music. Amor’s music is influenced by the likes of Tallest Man on Earth, Bon Iver, Daughter and Asgeir.

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NOVO AMOR – ” Callow “

Posted: November 17, 2014 in MUSIC
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Novo Amor said I’ve been wanting to get something new out before the end of the year… so here is a new song, which contains the sound of my heart pulsations and a real saxophone! To go with the song is a moving video by the great guys at Storm+Shelter. hope you guys like it! Im working on some more exciting developments,

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gorgeous track with references to Bon Iver and James Vincent McMorrow for sure,NOVO AMOR  is the musical moniker of Ali Lacey a multi Instrumentalist, Haunting beautifuland melancholy songs

the outstanding Novo Amor please listen to this gorgeous song,