Archive for the ‘MUSIC’ Category

Indie singer/songwriter Anjimile has announced his debut album “Giver Taker”, out on September. 18th via Father/Daughter Records. The quiet, sprawling lead single “Maker” is now. Self-discovery shines through on this soft, acoustic ballad—laden with exceptional harmonies and synths. On Giver Taker, the gorgeous debut album by Anjimile, death and life are always entwined, wrapping around each other in a dance of reverence, reciprocity, and, ultimately, rebirth.

Giver Taker is confident, intentional and introspective. Anjimile Chithambo (they/them, he/him) wrote much of the album while in treatment for drug and alcohol abuse, as well as while in the process of living more fully as a nonbinary trans person. Loss hovers over the album, whose songs grieve for lost friends (“Giver Taker”) and family members (“1978”) along with lost selves (“Maker,” “Baby No More,” “In Your Eyes.”) But here, grief yields an opening: a chance for new growth. “A lot of the album was written when I was literally in the process of improving my mental health, so there’s a lot of hopefulness and wonder at the fact that I was able to survive,” says Chithambo. “Not only survive but restart my life and work towards becoming the person I was meant to be.”

Each song on the album is its own micro-journey, adding up to a transformative epic cycle created in collaboration with bandmate Justine Bowe of Photocomfort and New-York based artist/producer Gabe Goodman. “1978” and “Maker” both begin as Sufjan Stevens-esque pastoral ballads with Chithambo’s mesmerizing voice foregrounded against minimal instrumentation and swell into the realm of the majestic through the addition of warm, steady instrumentation (informed by the mix of 80’s pop and African music

Chithambo’s Malawi-born parents played around the house) and harmonies by Bowe. “In Your Eyes” starts out hushed and builds to a crescendo via a mighty chorus inspired by none other than The Lion King. The allusion is fitting: each song encapsulates a heroic voyage, walked alone until accompanied by kindred souls. The choirs present throughout are equally deliberate. Chithambo grew up as a choir boy himself, and several songs (notably “Maker”) grasp not only towards reconciliation between his trans identity and his parents’ strong religious beliefs, but towards reclaiming his trans identity as an essential part of his own spirituality. (“[Less] Judeo-Christian, more ‘Colors of the Wind.’”) There is a boldness to this borrowing and shaping, a resoluteness that results from passing through hardship and emerging brighter, steadier. As a closing refrain on “To Meet You There” might sum it up: “Catalyst light of mine / now is your time.”

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Giver Taker was recorded in Brooklyn, Boston, and New Hampshire by Goodman, thanks in part to the Live Arts Boston Grant by the Boston Foundation.
Released September 18th, 2020

All songs written by Anjimile Chithambo
Produced by Gabe Goodman & Justine Bowe

Anjimile From the album, Giver Taker, out September 18th, 2020. Father/Daughter Records

Maxwell Stern has been writing music and touring in various bands since the early 2000s. He has released a slew of LPs and 7″s, and has played shows pretty much everywhere including an abandoned restaurant in Wyoming, a mall in China, several squats in Germany and a pretty nice bookstore in Australia. Lately he’s been working a lot. He is definitely not the person writing this. 

Check out Max Stern’s new song “Pull the Stars Down,” out today! This is the last single before his album “Impossible Sum” comes out next Friday, and it’s Max’s favourite song he’s ever written! (and it only took 20 minutes to write!) Stream it and order the album on beautiful turquoise vinyl.

“This song is the product of a lot of drunken reminiscing with old friends in new places. I think it’s really easy to romanticize the past which can be kind of an unhealthy thing to do, to just kind of live in nostalgia-world and think that things aren’t ever going to be as good as they were. I think it’s ultimately about developing a healthy relationship with your memories but not letting them rule you. Remembering that appreciation for the past and hope for the future aren’t mutually exclusive and in fact, sometimes they can reinforce each other.”
Maxwell Stern,

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Personnel:
Maxwell Stern – vocals, acoustic guitar, electric guitar, bass, Wurlitzer, Prophet
Adam Edward Beck – drums on tracks 1-10, drum composition, auxiliary percussion, additional keyboards, electronics, and production
Kyle Pulley – synth on track 1, additional electric guitar on track 6, bass on
track 8, drum programming on track 11
Jonathan Hernandez – electric guitar on tracks 3, 4, 8, vocals on tracks 3, 7, 8
Laura Stevenson – vocals on track 5
Mike “Slo-Mo” Brenner – various lap steels on tracks 4, 5, 6, 7, 10

All songs written by Maxwell Andrew Stern (ASCAP)

For my family, both blood and chosen.
Releases September 25th, 2020

Produced, engineered and mixed by Kyle Pulley throughout 2019 at Headroom Studios, Philadelphia, PAhttp://www.headroom.studio

The highly anticipated album brings together 17 tracks from Eno’s most recognisable film and television work spanning 5 decades. Eno’s music has been used in hundreds of films and he has composed more than 20 soundtracks for some of the best known directors including David Lynch, Danny Boyle, Peter Jackson, Derek Jarman and Michael Mann. Compositions such as “Ship in a Bottle” in “The Lovely Bones”, “Prophecy Theme” from “Dune”, “Deep Blue Day” in “Trainspotting”, “Late Evening in Jersey” in “Heat,” And many more.

Eno has also scored extensively for television, including all 3 series of the UK crime drama, “Top Boy” and Danny Boyle’s “Mr Wroe’s Virgins” with Roger Eno. This release features over an hour of classic Eno compositions, plus previously unreleased tracks.

An essential for dedicated Eno Fans. First 250 orders come with a Limited Edition A2 Print, don’t miss out. The first music taken from the Brian Eno album ‘Film Music 1976 – 2020’. This previously unreleased track, is taken from Peter Jackson’s 2009 supernatural thriller ‘The Lovely Bones’.

Order ‘Film Music 1976 – 2020‘: https://BrianEno.lnk.to/FilmMusicYD

Oh brother, Toronto’s finest return with the darker, maladjusted nephew of last year’s Morbid Stuff… “This Place Sucks Ass”. Including a mother of a cover of Grandaddy’s “A.M. 180” alongside five other anxious, bitter and angry classics, this record sure ain’t for mom and dad.

Our NC exclusive version of “This Place Sucks Ass” is pressed on White, Orange and Green Swirl Vinyl, in a limited edition of 600 pieces

“This Place Sucks Ass” EP. October 23rd. Yes, that’s a real title. Yes, it started as a joke that felt like it came true. No matter where you live or what your circumstances, this EP is about the place you are from & the place you are at now. Because both of those places suck ass. New song “Rot” out now. thisplacesucksass.com

The EP features three songs from the Morbid Stuff sessions, two covers, and then a brand new track that is single “Rot,” which was written and recorded this year. “Rot” features that super-charged punk / power pop sound that the band has fully made into their own, on full display with all of the chaos that this year has brought.

You can pre-order it right now! Bundles include t-shirts, sweatpants, totes, colour your own vinyl variants and “This Place Sucks Ass” pencil crayons. The EP art was designed by our pal Brandon Lepine. We also have the vinyl as an animated picture disc!.
To celebrate the EP release, we are doing our first ever livestream show on October 23rd. The show will be called “THIS STREAM SUCKS ASS – THE PUPTHEBAND LIVESTREAM EXPERIENCE” & it will be broadcast live from Sneaky Dee’s in Toronto. Directed by Jeremy Schaulin-Rioux.

We are eternally grateful for any & all support. We hope this music finds you safe, as healthy as you can be, and committed to the fight for social justice. We’ll see you out on the road as soon as it’s safe for us all to be together again!

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We’re called PUP. We’re 4 dudes from Toronto. We play loud music. You’ll like it. Or maybe you won’t. Listen and love it / hate it / whatever.

Releases October 23rd, 2020

ATO Records released a pair of remixes of songs from Brittany Howard’s acclaimed debut solo album, “Jaime”. Atlanta-based hip hop duo EARTHGANG reimagines “Goat Head” and Bon Iver brings fresh textures to “Short and Sweet.” The tracks are the first to be revealed from an upcoming collection of remixes from Jaime.

Jaime – the first solo album from Brittany Howard – has been reimagined by an astonishing cross-section of the five-time GRAMMY winner’s peers. The upcoming Jaime Reimagined features fresh takes and remixes of the album’s 13 songs by Childish GambinoCommonLittle DragonEARTHGANGBon Iver, and more.

EARTHGANG explains, “We’ve been big fans of Brittany and Alabama Shakes so this is a dream come true. Songs like these help us make sense of all the craziness in the world at times. Her song ‘Goat Head,’ dealing with her black experience in America and The World, resonated the loudest at this time. Just thankful to be able to give the world our medicine and heal the people.”

Bon Iver adds rich layers to “Short and Sweet” – a song celebrating a nascent romance that Howard originally recorded alone, accompanying herself on acoustic guitar – and imbues it with a twinkling, ethereal vibe that both complements and contrasts its old-time warmth.

Brittany is a truly singular artist; so much power and musicality. This album speaks to so many people, including us,” says Justin Vernon, founder of the Grammy award winning band Bon Iver. “To have a chance to recreate ‘Short and Sweet’ in our own image with long-time collaborators Jenn Wassner and CJ Camerieri, was both an honour and almost too much of a privilege.

Today I released an updated version of my song “The President”. It’s a rewrite of a song I wrote in 1986, updated to reflect the horror of the current administration.
It is available now as a download and for streaming on Bandcamp and we are taking orders for a limited edition vinyl release as well.

I recorded this version at home during lockdown, with Emma Swift in the co-producer’s chair, as well as Patrick Sansone flying the Mellotron, the triangle and two judiciously overdubbed 12 string guitars. The B-side:  “The Cross, The Dollar And The Gun” will be released later this month.
You can watch the music video, art directed by Emma Swift below.
Love on ye,
RH

Hey folks, I’ve re-written “The President” (originally from 1986) to try to catch the horror of the current one: it’s my new single on Tiny Ghost Records. Here’s the video, created by Emma Swift

Available now for pre-order as limited edition red vinyl 7 inch, and also as a digital download at Bandcamp:

Partner is the “mature” effort of two best friends named Josée Caron and Lucy Niles. Together, with Rock as their trusty guide, they explore a variety of themes in an attempt to understand the meaning of life.  rock duo Partner have spent the past few years warming hearts with their sly, subversive take on classic-sounding power-pop. Now living in Montreal, Josée Caron and Lucy Niles recently rolled out an infectious new single, “Good Place to Hide (At the Time).” And while we’re still not quite sure when we’ll hear more new music from Caron and Niles,

Partner are set to release sophomore album Never Give Up, and now they’ve shared a new song and accompanying video for longtime live cut “Big Gay Hands.”

Set to jaunty country-rock instrumentation, the narrative-driven song finds co-bandleader Lucy Niles enamoured by a pool-playing woman at a bar — particularly her hands, as explained by lyrics like “And I couldn’t help but notice how you held that cue / Made me wonder what else you know how to do.”

Say the band, “This song is about a wild night on the town filled with queer desire. It is an important song to us because it expresses a feeling we know is shared by many. There are a lot of songs out there about women’s bodies but this is the only song we know about big gay hands. This song is dedicated to the hotties and to those who love them.”

True to the song’s title, the video features hands — painted uncannily to look like the band members — as they traverse a miniature world in pursuit of romance and companionship, complete with several beautifully coordinated dance numbers.

“Big Gay Hands” is the latest in a string of recent Partner singles, Out September 18th

We filmed this special session on Friday with El Hardwick, who directed the and took our press photos, at St. Giles’ Camberwell. It contains us playing “7 Seconds” live for an audience for the first time and 3 songs from “Every Bad”. We were joined by Maria Marzaioli who played the violin on the album.

There was a very special cover too, but it had to be taken out for legal reasons. Hopefully we will be able to share it soon.

‘I was sitting with Sam early last year and I played it to him and asked him if he could help me speed it up and make it less miserable. He wrote the main keyboard riff almost immediately and we were so into it that we listened to it on repeat for an hour before realising that we had listened to a 7 second riff on loop for an hour…’ – Dana

A big big thank you to everyone who’s listened, bought & shown love to Every Bad. 
You can catch us performing a track from it on the Mercury Prize Award Show on the 23rd September at 10pm UK time on BBC Four.

Singer songwriter and Fleetwood Mac’s Stevie Nicks has announced a new concert film set to screen in movie theatres for two nights only in October.

Filmed in 2017 during Stevie Nicks’ 24 Karat Gold Tour, “24 Karat Gold The Concert” sees the iconic singer delivering beloved hits and rare gems from throughout her storied career as both a solo artist and member of Fleetwood Mac. The film’s set list includes classic songs like “Rhiannon,” “Stop Draggin’ My Heart Around,” “Edge of Seventeen,” “Stand Back” and “Landslide.”

The singer also provides rare insight to her music throughout the movie, discussing the inspiration behind many of her legendary songs. “The 24 Karat Gold Tour was my all-time favourite tour,” Nicks has proclaimed in a press release. “I not only got to sing my songs, but I was able to tell their stories for the first time. I love having the opportunity to share this concert with my fans.”

The film will be released theatrically worldwide for two nights only on October. 21st and 25th, screening at select movie theaters, drive-ins and exhibition spaces. Tickets go on sale September. 23rd at StevieNicksFilm.com. The website also provides the most up-to-date information regarding participating theaters. Filmed at the Indianapolis and Pittsburgh stops of her 2016/2017 tour with The Pretenders.

You can watch the trailer for 24 Karat Gold The Concert,

In addition to the movie, a companion live double album will be released October. 30th. The two-CD version will be available exclusively at Target stores, while the digital version will be released on most major streaming platforms the same day. It will also be available on vinyl, with a limited-edition “Crystal-Clear” version sold exclusively at Barnes & Noble.

In anticipation of the album, Nicks also released a new live version of the Fleetwood Mac favourite “Gypsy,” Stevie was recently one of many people to pay tribute to Fleetwood Mac co-founder Peter Green. “My biggest regret is that I never got to share the stage with him,” she said. “I always hoped in my heart of hearts that that would happen. When I first listened to all the Fleetwood Mac records, I was very taken with his guitar playing. It was one of the reasons I was excited to join the band.”

Stevie Nicks BMG Rights Management Bass: Al Ortiz Guitar: Carlos Rios Keyboards: Darrell Smith Drums: Drew Hester Background Vocals: Marilyn Martin Keyboards: Ricky Peterson Background Vocals: Sharon Celani  Guitar: Waddy Wachtel .

Ozzy Osbourne - Diary Of A Madman

Ozzy Osbourne’s documentary, The Nine Lives of Ozzy Osbourne, is a life-spanning tale that delves into the musicians early years growing up in Birmingham and how he came to be the Prince of Darkness.

In promotion for the film, Sharon and Ozzy shared an unbelievable story about the time Ozzy attempted to kill her in a drug-induced haze and was subsequently arrested. Sharon detailed that the pair were living in Buckinghamshire in 1989 with their children — Jack, Kelly and Aimee — when the incident took place. They had just put their children to bed when Ozzy, who was under the influence of drugs, made the decision to kill Sharon.

So it goes, Ozzy was calmly sitting across the room from Sharon, when she realised that something wasn’t right.

“He came into the room,” Sharon revealed. “I had no idea who was sat across from me on the sofa but it wasn’t my husband. He goes to a stage where he gets that look in his eyes, the shutters were down and I just couldn’t get through to him. And he just said, ‘We’ve come to a decision that you’ve got to die.’ She went on to detail that without warning, Ozzy jumped across the room and attempted to strangle her.

“He was calm, very calm,” she continues. “Then suddenly he lunged across at me and just dived on me and started to choke me. He got me down on the ground on top of me and I was feeling for stuff on the table. I felt the panic button and I just pressed it and the next thing I know, the cops were there.”

Due to the (unspecified) drugs he was under, Ozzy has no recollection of the incident ever taking place.

“I felt the calmest I had ever felt in my life,” Ozzy recalled. “I was just peaceful. All I remember is waking up in Amersham jail and I asked the cop, ‘Why am I here?’ And he says, ‘You want me to read your charge?’ So he read, ‘John Michael Osbourne, you have been arrested for attempted murder.’”

Sharon admitted that the incident was almost enough of a catalyst for her to file for divorce. Ultimately, she decided to stay with Ozzy for their children. The judge working the case sentenced Ozzy to six months of medical treatment.

“Thank God the judge put him in treatment for six months,” Sharon mused. “I had time to really think about what he should do. I told him, ‘I don’t want the money but if you do this again, either I am going to kill you or you are going to kill me. And do you want that for the kids?’”

The third expansion of an Ozzy album released this year (after 1991’s No More Tears and 2001’s Down to Earth), the Prince of Darkness’ sophomore album – the last with guitarist Randy Rhoads before his tragic passing – now comes with two bonus tracks from the Blizzard of Ozz tour. (Perplexingly, these were part of a whole live bonus disc when Blizzard of Ozz and Madman were reissued in 2011.

The “Diary Of A Madman” special digital re-issue will be available November 5th via all digital platforms.  The album is Ozzy’s second studio release and the last album to feature 2021 Rock & Roll Hall of Famer guitarist Randy Rhoads. The multi-platinum release (with five million albums sold worldwide) included the #2 Mainstream Rock track, “Flying High Again.”

The album was listed at #15 on Rolling Stone’s 2017 list of “100 Greatest Metal Albums of All Time.” Kory Grow noted, “A year after proving he was still a vital musical force on his first post–Black Sabbath solo LP, 1980’s Blizzard of Ozz, Ozzy Osbourne demonstrated it wasn’t a one-time fluke with an album of poppy and gothic anthems like ‘Flying High Again’ and the almost classical closing title track. Guitarist Randy Rhoads, who died in a plane crash while touring for “Diary” in 1982, had already proven himself a virtuoso on “Blizzard”; here, he worked even harder to find the rare nexus between showboat chops and clever song writing…”

also Ozzy Osbourne is set to commemorate the 40th anniversary of his landmark debut solo album, Blizzard of Ozz, with an expanded release.

Set for digital release this Friday, September 18th. The re-release will see the original album in all its glory, with additional bonus tracks ‘You Looking at Me, Looking at You’, the 2010 mix of ‘Goodbye to Romance’, and Randy Rhoads instrumental outtake ‘RR’. It will also feature seven live tracks from the Blizzard of Ozz tour that were previously unavailable digitally.

In addition to the expanded release of the record, Osbourne will finally give his revered concert films Live & Loud and Live at Budokhan the digital treatment. This will be the first time this classic footage will receive an official digital release.

With Ozzy Osbourne’s “Diary Of A Madman” celebrating its 40th anniversary this week, a variety of video clips have been released to commemorate the album. These include a new video for “FLYING HIGH AGAIN,” (created from exclusive images from Ross Halfin’s newly released Randy Rhoads book), along with live versions of “Over The Mountain,” “Flying High Again,” and “Believer.”

Ozzy Osbourne’s ‘Diary Of A Madman’ 40th Anniversary Expanded Digital Edition Out Today (November 5)