Posts Tagged ‘Tiny Ghost Records.’

Today I released an updated version of my song “The President”. It’s a rewrite of a song I wrote in 1986, updated to reflect the horror of the current administration.
It is available now as a download and for streaming on Bandcamp and we are taking orders for a limited edition vinyl release as well.

I recorded this version at home during lockdown, with Emma Swift in the co-producer’s chair, as well as Patrick Sansone flying the Mellotron, the triangle and two judiciously overdubbed 12 string guitars. The B-side:  “The Cross, The Dollar And The Gun” will be released later this month.
You can watch the music video, art directed by Emma Swift below.
Love on ye,

Hey folks, I’ve re-written “The President” (originally from 1986) to try to catch the horror of the current one: it’s my new single on Tiny Ghost Records. Here’s the video, created by Emma Swift

Available now for pre-order as limited edition red vinyl 7 inch, and also as a digital download at Bandcamp:

Image may contain: 1 person, standing and outdoor

The Man Upstairs released back in 2014, made with producer Joe Boyd (Nick Drake, Pink Floyd, Fairport Convention) and was envisioned as “a kind of Judy Collins 1965-era album: half covers, half originals.” Robyn Hitchcock has now shared an album of outtakes from the record, naming it the  “The Man Downstairs Demos & Rarities” it is now available for download and limited edition CD exclusively through Bandcamp.

These songs were recorded by Charlie Francis and Jessica Corcoran in 2013 in the lead up to making “The Man Upstairs” album. These previously unreleased versions of “River Man”, “Arnold Layne” and “I Pray When I’m Drunk”, as well as demos for “All Love And No Peace” and “Cavendish Square” extending the concept of the original album.

“These songs were mostly recorded in 2013 as demos for ‘The Man Upstairs,'” says Robyn. ” in his attic, and in many cases didn’t survive being re-cut with Joe Boyd in London when it came to session time.” Listen to the whole thing below.

Robyn Hitchcock is an English singer-songwriter and guitarist. After leading The Soft Boys in the late 1970s and releasing the influential Underwater Moonlight, Hitchcock launched a prolific solo career. Robyn has also been selling some of his paintings online, and giving a portion of the proceeds to help touring musicians during COVID-19. The five he initially put up on Ebay have all sold but maybe there will be more.

Robyn also recently told us about the music, movies and books he’s been digging during pandemic lockdown.


In the autumn of 2013 I moved into the upstairs apartment of a house in Freshwater Bay on the Isle of Wight. It was just along the road from the house in the photo (left). Charles and Emma Darwin had stayed there in 1859 and found it a tad damp and chilly, apparently. 154 years later, central heating had yet to arrive. I’d already been recording demos for the album I was scheduled to make with Joe Boyd producing, back in London, the week that I moved in. So I had a lot of quality time on trains and ferries, which was fun, in a slow, eternal way. By November the whole of “The Man Upstairs” was recorded – and a slew of other recordings too. Hence “The Man Downstairs: Demos & Rarities”, out now on Tiny Ghost Records, which is basically a companion piece to the album released on Yep Roc in 2014. Only one song overlaps, but the mood is pretty continuous, and I’m pleased to be able to share some performances that slipped away when Joe and I tried re-cutting them for the official album. RH.

You can also catch Robyn and his partner Emma Swift on their regular Stageit livestreams. Their next performances are August 12th at 5 PM Eastern and August 14th at 11 AM Eastern. Emma also has an album of Bob Dylan covers out August 14th.

All vocals: Robyn Hitchcock
All instruments: Robyn Hitchcock


Gearing up for the release of Blonde on the Tracks, her album of Bob Dylan covers, Emma Swift has dropped a tender rendition of “Queen Jane Approximately.”

A highlight from 1965’s Highway 61 Revisited, Swift’s cover showcases her delicate vocals over a 12-string Rickenbacker guitar. The video, which features animation and photos by Hugh Hales-Tooke, contains imagery from Dylan’s 1975-1976 Rolling Thunder Revue tour. He appears as a full moon in his iconic whiteface makeup, as Swift views him through a telescope.

“The idea for the album came about during a long depressive phase,” Swift said of Blonde on the Tracks. “The kind where it’s hard to get out of bed and get dressed and present to the world as a high-functioning human. I was lost on all fronts no doubt, but especially creatively.”

“I’ve never been a prolific writer, but this period was especially wordless,” she continued.  “Sad, listless and desperate, I began singing Bob Dylan songs as a way to have something to wake up for. Interpreting other people’s emotions is how I learned to sing and I’ve always enjoyed hearing Dylan’s songs from a female perspective. You can learn a lot about melody and feeling by the way a singer chooses to interpret someone else’s song.”

“Queen Jane Approximately” follows Swift’s cover of “I Contain Multitudes,” the original of which appears on Dylan’s latest album, Rough and Rowdy Ways. Other songs on the LP include the Blonde on Blonde tracks “One of Us Must Know (Sooner or Later)” and “Sad Eyed Lady of the Lowlands,” as well as “Simple Twist of Fate” and “You’re a Big Girl Now” from Blood on the Tracks.

Blonde on the Tracks was first recorded at Nashville’s Magnetic Sound Studio in 2017. It was produced by Wilco’s Patrick Sansone and features Robyn Hitchcock on guitar, Thayer Serrano on pedal steel guitar, Jon Estes on bass and Jon Radford on drums.

From Emma’s forthcoming album “Blonde on the Tracks”: a reimagining of Bob Dylan songs out August 14 on Tiny Ghost Records.