Posts Tagged ‘Tough Love Records’

New song ‘Lord Luck’ taken from forthcoming E.P ‘Suggestive Listening’:

Ulrika Spacek have always been strong believers in a long play format when it comes to making records, but for this new release they decided it was time to explore the ‘extended play’ format. The Suggestive Listening EP will be released on April 21st as part of this year’s Record Store Day.

The band started working on the new record in January 2017, “in that empty space when you’re waiting for your last record to come out”. Recording began at KEN, their shared house – a former art gallery so named because of a cryptic inscription found above the front door. Not just a studio and home, KEN is essentially the band’s hub, a space in which the surrounding ephemera of videos, artwork and even band photos are all created. After this, work for the EP moved to France where the band explored recording live for the first time and here the band worked with now-full-time member, Syd Kemp.

In an act of self-awareness, Ulrika Spacek chose to make something that killed the ‘three-part interweaving guitar’ characteristic that partly defined Modern English Decoration. The intention was to deconstruct the standard three guitar, bass and drums line-up used on the first two albums, aiming to strip back the overall sound whilst simultaneously bringing certain elements to the foreground. Very few guitar effects pedals are present on the record, and a different computer was deliberately used in order to steer away from the plug-ins employed on previous albums.

Lyrically this release came out of a time of common late 20’s existentialism, a time of huge self doubt and questioning in many aspects of our lives”. In contrast to the generally veiled form of lyrical expression on the band’s first two records, Suggestive Listening displays an interest in ‘literalism’, “In a time where we were struggling to find clarity we wanted our music to express the opposite”. This is also reflected in the choice of artwork for the release, which not only bears the record’s lyrics, but also song lengths and the very definition of an E.P itself. Additionally, fans may note that there are two different coloured front covers, one pink, one blue, each limited to 500 copies.

This change in approach was foreshadowed around the release of Modern English Decoration, when they claimed that, “We won’t return to this sound again. Though as fanatical fans of music, we feel the beauty lies in how these different offshoots go on to inform our future records”. As such, Suggestive Listening, might be continued an evolution more than a wholesale shift in focus.

In preperation of its release, Oysterland, a night curated by Ulrika Spacek, will take place the night before at Doomed Gallery in London. The E.P will be played back-to-back in exhibit form, with the layers of instrumentation played on separate speakers. Audience members are invited to make their way around the gallery allowing a personal and unique listening experience. Speakers will be positioned inwards so that audience members can either walk through the musical layers of the E.P or position themselves in the middle of the room where all parts come together.

Released 21/04/18 via Tough Love Records as part of Record Store Day 2018. Available from all good record shops. Please note: there are two versions of the record sleeve, one blue, one pink, each limited to 500 copies.

‘Suggestive Listening’ will be played back-to-back in exhibit form the night before release at Doomed Gallery Dalston. Layers of instrumentation will be played on separate speakers. Audience members are invited to make their way around the gallery allowing a personal and unique listening experience

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Tracklist,

A1 No. 1 Hum
A2 Black Mould
B1 Freudian Slip
B2 Lord Luck
B3 Wave to Paulo, he’s not there

Also available digitally:
Bandcamp: https://goo.gl/BzReB4

Upcoming Live Dates:
25th April – Corsica Studios, London,
10th May – Psych over 9000, Gent, BE
11th May – Eden, Charleroi, BE
12th May – Le Beau Festival, Paris, FR
19th May – Kulturclub Schon Schön, Mainz, DE
20th May – Volksbühne Berlin, DE (with Cavern of Anti-Matter)
12/14 Oct – Desert Daze Festival, CA

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Ahead of their European tour this month, Autobahn have released a new single, ‘The World Around You Is Fractured Somehow’. 
Recorded just after sessions for the band’s second album were finished, the astute among you will notice that the track title first appeared on the poster that came with limited edition pressing of the last record. As such, there’s a degree a consistency in sound, and ‘The World Around You…’ might be considered a cousin to ‘Future’, the synth-punk highlight of The Moral Crossing. Once again recorded in the band’s own self-built studio in Leeds, it’s a beautifully bold statement from a band who appear to relish navigating that space between the melancholic and the euphoric.

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London-based Ulrika Spacek released their new record on June 2nd via the good people of Tough Love Records.  Ulrika Spacek’s sound is dominated by their three guitarists. On a song like the slowly chugging “Dead Museum,” the densely enmeshed riffs and drones of this Reading five piece recall the kind of blissful noise summoned up by The Band of Susans or mid period Sonic Youth.  But there’s also something of Deerhunter about the band’s gauzy but winsome vocal melodies.  The album’s highlight is probably “Victorian Acid,” with its tense central melody drowning in waves of overdriven distortion. The hilariously titled “Protestant Work Slump” closes the album in a brighter mood, with a distinct gleam of Big Star.

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Much like their debut LP The Album Paranoia released in early 2016, the band chose to record, produce and mix the entirety of the record of Modern English Decoration in their shared house – a former art gallery called ‘KEN’. Modern English Decoration is, in part, a self-effacing play on an interior design cliché that references the meticulous creative processes the band adheres to: “Doing everything ourselves is not just necessary: it’s important to us, as it allows us to truly create our own world,” they said.

Band releases debut single, takes world by storm, gets single of the year honors. The first one is true and the third one is kinda true depending on your perspective and number two is true if you insert the word my before world. Australia’s Display Homes are half a world away from Athens, Georgia, but they can certainly be considered inheritors of Pylon’s post punk angular dance grooves. Climate Change has a brilliant riff juxtaposed with falsetto vocals that descend to a growl on the chorus. Bonus points for taking on weighty topics like misogyny and climate change and still make you want to dance as the boat goes down.

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Priests share the raw brilliance of ‘Early Recordings’ for Record Store Day

Released on LP vinyl (opaque white) limited to 1000 copies. Priests’ “Early Recordings” combines the band’s first two cassette-only tape releases, originally recorded in 2011 and 2013. The small run cassette releases were originally intended to be for purchase only at the band’s live shows. “We didn’t want everybody to hear it,” said drummer Daniele Daniele. “We were still learning our instruments, so these tapes were not intended to impress the world, just document where we were for our own sake.” Daniele met vocalist Katie Alice Greer the same week she arrived in Washington, DC to complete a fellowship at Georgetown University, and the two decided to start a band. Guitarist GL Jaguar joined soon after, and bassist Taylor Mulitz completed the lineup the following year. Tape 1 was recorded by Jaguar in his parent’s basement in Maryland. The band had existed for one week, and the trio had written four songs. “I was very eager to have evidence of the band exist for myself, because I didn’t know how long it would last, and I wanted to make music more than anything, said Greer. “Diet Coke”, the band’s first song, is a hundred second blast of pummeling energy and what would become Jaguar’s signature riffage.

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Formed within one night in Berlin, Homerton-based five-piece ULRIKA SPACEK channel mind-manifesting, spiralling guitar jams similar to that of Deerhunter and Radiohead. Washed-out, dynamic vocals twirl around a web of guitar distortion, with the band’s inimitable live talent showcasing this at its very finest.

Having released debut record ‘The Album Paranoia’ through Tough Love Records (EU) and Lefse Records (US), Ulrika Spacek have spent time touring across Europe with DIIV, as well as being invited to play at the likes of The Great Escape, London Calling, Paris Psych Fest and Visions festivals amongst others this summer.

‘Strawberry Glue’ is taken from Ulrika Spacek’s debut album, The Album Paranoia, out now on Tough Love Records

On September 16th, Girls Names will release Revisionism, a 5-track EP of remixes featuring Mikey Young from Total Control, Broken English Club, Shift Work, Group Zero, and Tom Furse of The Horrors

The Belfast quartet Girls Names will release Revisionism, a collection of remixes of their work by other musicians and producers, this Friday and you can listen to all of the remixes above right now.

The remixes capture the bleak essence of Girls Names‘ music and transform the five songs into pieces for the dance floor. While Mickey Young of Total Control has turned ‘Zero Triptych‘ into a synth-driven, almost vaporwave-indebted, jam, Broken English Club goes for a fully fledged acid-electro attack on ‘A Hunger Artist’. The Group Zero makes ‘Malaga’ sound almost like it was recorded by Factory Floor and finally, The Horrors’ Tom Furse finds a way of reducing ‘I Was You’ to its barest, droning remnants.

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Ulrika Spacek take on The Velvet Underground’s ‘Lady Godiva’s Operation’

Not content with morphing their own sound into unimaginable shapes, Ulrika Spacek are now turning their attention to other people’s works. For the b-side to their new ‘Everything: All The Time’ single, it’s The Velvet Underground who’ve been subjected to their hypnotism.

Today Ulrika Spacek release the first new music since their debut record, The Album Paranoia, came out earlier this year. Issued as a limited edition 7”, the self-recorded and produced ‘Everything: All The Time’ takes the template forged on said debut album, but somehow adds more fuzz and chainsaw guitars. The 7” will also feature a cover of the Velvet Underground’s ‘Lady Godiva’s Operation’ on the B-side.

Taking on ‘Lady Godiva’s Operation’ from Lou Reed’s band’s ‘White Light/White Heat’ LP, they add swathes of sludgy atmospherics to the track, pulling it into Ulrika Spacek’s mind-bending alternate world – one that was perfectly exhibited on the recent debut release  ‘The Album Paranoia’.

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“We have always loved ‘White Light/White Heat’ and would certainly say it’s a big influence on us,” explain the band. ”The bassline has always wrapped around our heads and it has been something we have jammed with from time to time. Lyrically the song is so playful, depicting a botched sex change of mythical Godiva. It has a lot of black humour in the song which we liked. When we decided to do a 7” we were really into the idea of doing a cover for the b-side. Covering other people’s work really drags you in directions you may not usually experiment with. It provides a really cool cross reference between the music you make and other music you love.”

Get stuck into Ulrika Spacek’s alternate take on ‘Lady Godiva’s Operation’ below – they embark on a massive tour tomorrow, dates for which are below the player. The ‘Everything: All The Time’ 7” is out today on Tough Love Records.

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Ulrika Spacek

‘Everything: All The Time”, the lead track from a new self-recorded and produced two-track 7″single  by Ulrika Spacek. The second song is a cover of the Velvet Underground’s ‘Lady Godiva’s Operation’.

Berlin-founded, London-based British rockers Ulrika Spacek caught my attention late last year with “She’s A Cult” a single that tapped into the sound and spirit of early ’90s indie rock better than most. Since then they’ve shared their debut The Album Paranoia and now they’re back with a limited edition 7″ single, their first new music since the album.

A-side “Everything: All The Time” returns to that sound that first turned my eyes into little heart emojis. The song rides a gnarly droning lo-fi current á la Sonic Youth via Times New Viking but often smooths out into eerie calm or gorgeous clean jangle.

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Released on 23rd September, it’s limited to 500 copies, 400 black and 100 red. The red pressing can only be ordered from the Tough Love shop. “Everything: All The Time” will be backed by the band’s cover of the Velvet Underground’s “Lady Godiva’s Operation” on the 7″. Check out Ulrika Spacek’s on their upcoming tour.

Formed in Berlin in one night, long standing friends Rhys Edwards and Rhys Williams conceptualised ‘Ulrika Spacek’ and came up with The Album Paranoia as their debut album title. Moving back to their shared house ‘KEN’ last summer, an ex art gallery in Homerton, they began work on the project which was to become 10 track experimental alt-rock masterpiece The Album Paranoia. Today Ulrika Spacek premiere their first gripping single, ‘She’s a Cult’.

Ulrika Spacek’s soundscape is a cross pollination of hypnotic fuzz, with Tom Verlaine (Television) and Stephen Malkmus (Pavement) guitar idiosyncrasies and intertwining feelings of both angst and melancholia. Drawing influences from Krautrock to Sonic Youth and the above, the two Rhys’ brought in three expert musicians to complete the live formula, which unified The Album Paranoia and ‘Oysterland’, a series of club nights curated by the band, showcasing their first live performances with art installations.

‘She’s A Cult’ is taken from Ulrika Spacek’s debut album, The Album Paranoia, released 5th February 2016.

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