Posts Tagged ‘Record Store Day 2018’

New song ‘Lord Luck’ taken from forthcoming E.P ‘Suggestive Listening’:

Ulrika Spacek have always been strong believers in a long play format when it comes to making records, but for this new release they decided it was time to explore the ‘extended play’ format. The Suggestive Listening EP will be released on April 21st as part of this year’s Record Store Day.

The band started working on the new record in January 2017, “in that empty space when you’re waiting for your last record to come out”. Recording began at KEN, their shared house – a former art gallery so named because of a cryptic inscription found above the front door. Not just a studio and home, KEN is essentially the band’s hub, a space in which the surrounding ephemera of videos, artwork and even band photos are all created. After this, work for the EP moved to France where the band explored recording live for the first time and here the band worked with now-full-time member, Syd Kemp.

In an act of self-awareness, Ulrika Spacek chose to make something that killed the ‘three-part interweaving guitar’ characteristic that partly defined Modern English Decoration. The intention was to deconstruct the standard three guitar, bass and drums line-up used on the first two albums, aiming to strip back the overall sound whilst simultaneously bringing certain elements to the foreground. Very few guitar effects pedals are present on the record, and a different computer was deliberately used in order to steer away from the plug-ins employed on previous albums.

Lyrically this release came out of a time of common late 20’s existentialism, a time of huge self doubt and questioning in many aspects of our lives”. In contrast to the generally veiled form of lyrical expression on the band’s first two records, Suggestive Listening displays an interest in ‘literalism’, “In a time where we were struggling to find clarity we wanted our music to express the opposite”. This is also reflected in the choice of artwork for the release, which not only bears the record’s lyrics, but also song lengths and the very definition of an E.P itself. Additionally, fans may note that there are two different coloured front covers, one pink, one blue, each limited to 500 copies.

This change in approach was foreshadowed around the release of Modern English Decoration, when they claimed that, “We won’t return to this sound again. Though as fanatical fans of music, we feel the beauty lies in how these different offshoots go on to inform our future records”. As such, Suggestive Listening, might be continued an evolution more than a wholesale shift in focus.

In preperation of its release, Oysterland, a night curated by Ulrika Spacek, will take place the night before at Doomed Gallery in London. The E.P will be played back-to-back in exhibit form, with the layers of instrumentation played on separate speakers. Audience members are invited to make their way around the gallery allowing a personal and unique listening experience. Speakers will be positioned inwards so that audience members can either walk through the musical layers of the E.P or position themselves in the middle of the room where all parts come together.

Released 21/04/18 via Tough Love Records as part of Record Store Day 2018. Available from all good record shops. Please note: there are two versions of the record sleeve, one blue, one pink, each limited to 500 copies.

‘Suggestive Listening’ will be played back-to-back in exhibit form the night before release at Doomed Gallery Dalston. Layers of instrumentation will be played on separate speakers. Audience members are invited to make their way around the gallery allowing a personal and unique listening experience

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Tracklist,

A1 No. 1 Hum
A2 Black Mould
B1 Freudian Slip
B2 Lord Luck
B3 Wave to Paulo, he’s not there

Also available digitally:
Bandcamp: https://goo.gl/BzReB4

Upcoming Live Dates:
25th April – Corsica Studios, London,
10th May – Psych over 9000, Gent, BE
11th May – Eden, Charleroi, BE
12th May – Le Beau Festival, Paris, FR
19th May – Kulturclub Schon Schön, Mainz, DE
20th May – Volksbühne Berlin, DE (with Cavern of Anti-Matter)
12/14 Oct – Desert Daze Festival, CA

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You won’t find this special compilation LP by one of the UK’s most iconic bands in any store on 21st April. Except one. Humble Pie ‘On 79th Street’ will only be available from Pie & Vinyl. Obvious? Or are we bucking the trend of Record Store Day in the manner that Andrew Loog Oldham, legendary founder of Immediate Records and Rolling Stones manager might have done?

Or does this one-off LP celebrate the spirit of RSD more than any other release? Inspired by the beautiful pied-piperess Katherine who led us all to Pie & Vinyl and discoveries that linked her vibrant, musical town of Portsmouth & Southsea, an amazing record store and the timeless sounds of Humble Pie to dramatic events in Southsea over 40 years ago that culminated in a truly local effort to press the LP in Portsmouth and have it on sale in Southsea for Saturday 21 April. Says Immediate Records reissue producer Rob Caiger: “Wouldn’t it be great if by doing all of this, a new fan on Record Store Day discovers Humble Pie – in Pie & Vinyl – and feels the same excitement hearing ‘Natural Born Bugie’ as I did in my own local record shop Downtown Records many years ago. There’s no better place to hear new sounds (however old…) then in a record shop – and that’s just one reason why we should celebrate Record Store Day.

One of the first supergroups, Humble Pie formed in 1969 and soon became one of the best-loved, hardest-rocking live acts of the 1970s. In Steve Marriott, the one-time Small Faces frontman, Pie had the best showman and biggest voice in the business. Peter Frampton, ‘Face Of ‘68’ with The Herd, had a new role – guitar hero. And with hard-hitting drummer Jerry Shirley and ex-Spooky Tooth bassist Greg Ridley, Humble Pie quickly developed into a sophisticated studio unit where tough riffs, rustic rock and bursts of blissed-out late psychedelia earned the band instant chart success and critical acclaim.

Supervised by Peter Frampton & Jerry Shirley, all songs have been newly remastered by Nick Robbins at Soundmastering and cut halfspeed by Matt Colton at Alchemy Studios. ‘79th Street Blues’ (take 7) was recorded at Olympic Studios on 3rd January 1970 and mixed by Rob Keyloch at Church Walk Studios exclusively for this LP and will not appear anywhere else.

Pressing the ‘secret’ Record Store Day 2018 release at Vinyl Presents Humble Pie – “On 79th Street”

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Fucked Up Inside is the first live album ever issued by Spiritualized, it was originally released as a limited edition (1,000) mail order only LP in 1993. Recorded on tour in 1992 while supporting Spritualized’s debut release Lazer Guided Melodies this is the first album to document the power of the band live and has long been an out of print collector’s item since it’s initial release. Includes three songs from Lazer Guided Melodies, two from the future Spiritualized album Pure Phase, plus the Spacemen 3 favourite Walking With Jesus. The live recordings come from the Crest Theatre in San Diego and the Hollywood Palladium in L.A. on the nights of 19th and 21st November 1992 on the North American Rollercoaster tour with the Jesus and Mary Chain and Curve.

Yeah! Re-mastered by John Rivers at Woodbine Studios especially for vinyl release. This is a milky clear coloured heavyweight 180 gram vinyl LP in an embossed and hot foil finished sleeve. Spacemen 3 heads should also check out the ‘Taking Drugs To Make Music..’ coloured vinyl and the Spectrum Record Store Day other releases..

Spiritualized – 06 – Shine A Light (Clear Light/Clear Rush) [live]. From the 1993 live and now out of print album Fucked Up Inside. It was originally available only via mail order, now reissued for Record Store Day 2018.

Brian Eno teams up with My Bloody Valentine’s Kevin Shields for this double a-side affair, which includes new track ‘The Weight of History’ alongside their 2017 collaboration ‘Only Once Away My Son’.

12″ single in full colour printed sleeve with standard paper inner, no download card. 2-track double A side 12″ from the legendary sonic pioneers.

The unexpected, fully welcome, and deliriously successful pairing of professional ex-glam sound genius Brian Eno and his new sidekick, My Bloody Valentine noise sculptor Kevin Shields.

Begging to be listened to on noise-canceling headphones or very, very loud speakers, the duo blast off with a drum track that is instantly, almost comically subsumed into a nine-minute sound-cleanse of bells, drones, and a soaring rocket flare that may be a guitar.

Ambient but hardly static, its tones and textures return throughout, as if tracing long and inaudibly developing melodies. Not immediately identifiable as either Eno or Shields’ work, a rich, enveloping piece of music .

Tracklisting:
1.The Weight Of History
2. Only Once Away My Son

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Snapped Ankles release their brand new violations of songs by Can (‘Bel Air’), The Fugs (‘CIA Man’), Joey Beltram (‘Energy Flash’) and The Comateens (‘Ghosts’). Limited white vinyl edition with download code. From the forest floor: These four tracks were dug up from the sturdy roots of the Ankles undergrowth – but in the process the original recordings were damaged. We reconstructed them using the latest in biomechanical stem re-assemblage processes, which invariably has lead to some misinterpretations and considerable violations of the original recordings. As we tried to decipher the magical genetic code of the originals, events around them informed the nature of these violations; forest fires tore through the wealthy neighbourhood of Bel Air, friends vanished into the dating app dimension never to be seen in solid earthly form again, and as our log synths pounded along to a broken copy of Joey Beltram’s ‘Energy Flash’, we created a possession so potent that the we were left pondering the difference between the mental states of ‘trance’ and ‘ecstasy’. Having unearthed The Fugs’ ‘CIA Man’ some years before, we were shocked to discover a newer more sinister agency had taken over from the diatribe’s protagonist with an updated set of ills. Now the forest is full of agents, we are taping up our microphones and masking our connections!

SNAPPED ANKLES release new video for CIA Man (NSA Man Violation) from their upcoming #RSD18release off the Violations EP. The white vinyl features four tracks which have been re-interpreted and violated compared to the original recordings.

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Why did they actually do it? … This is the question every Smithereens fan—and every fan of The Who—must ask when listening to The Smithereens Play Tommy. It is common knowledge that Tommy is terrific, full of songs worth playing. And it’s common knowledge that The Smithereens—a briefly big power-pop outfit from North Jersey that had a small string of hits and fine albums in the 1980s—are a band deeply in love with the British Invasion.  The Smithereens, packing dosed-up guitars that ring with power and full-throated singing, are up to the task of playing Tommy. The band, in short, sounds a whole lot like The Who. This is an accurate, respectful maybe too respectful—recreation of a classic album release.

In 2007, Pat DiNizio (lead vocals and guitar) and his band released Meet the Smithereens, a track-by-track cover of Meet the Beatles. It was followed within a year-plus by B-Sides – the Beatles, a collection of less common tunes by the Fab Four. On the backs of these heartfelt but relatively unadventurous tributes, The Smithereens toured small theaters all over the country, playing their hits, sure, but also playing these ringingly familiar classics to receptive ears. It is ingenious, really, because releasing new albums of original music and hoping that the new music will be received happily by the band’s now-middle-aged fans .

Coming on Record Store Day! Lumpy Gravy: Primordial contains Frank Zappa’s first orchestral-only edit of the music sessions recorded at Capitol Studios during 1967.

Released in 1967, Frank Zappa’s first solo album Lumpy Gravy was a radical and schizophrenic experience, splicing together modern classical, rock, R&B and spoken word into an soupy, almost overstuffed delight. This Record Store Day release further edits those sessions down to just the work recorded by what its composer had dubbed the Abnuceals Emuukha Electric Symphony Orchestra, an ensemble of session musicians that included drummer Shelly Manne and pianist Paul Smith. Mastered from the original ¼” tape, these two tracks are dizzying and glorious, aided by the decision to press the two pieces onto the brown-ish vinyl at 45 RPM. Some of the more beautiful moments from the original LP have been sadly excised but the sense of humor that drove much of Zappa’s work remains as does the complexity of this self-proclaimed “curiously inconsistent piece.”

This self-described “ballet” was never officially issued until 2008 on the posthumous collection Lumpy Money.

On Record Store Day 2018 it makes it’s debut on limited edition 12” 45rpm mono translucent burgundy colored vinyl, mastered from the original 1967 1/4” mono master tape, with FZ’s original gatefold album design lovingly restored.

Pick up your copy at a record store near you on April 21st!

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Lewis‘ first ever physical release of the critically acclaimed “Bloom EP”.Clear vinyl & scented inner sleeve.Lewis has decided to release a physical version due to popular fan demand and to support independent record shops.

The songwriter hails from the Scottish town of Bathgate, and made an enormous impressive with debut cut ‘Bruises’. Since then his profile has exploded, with the Scottish artist set to play a sold out 600 capacity show in Glasgow shortly.

The new EP contains four tracks, recorded at various locations on both sides of the Atlantic during Lewis’ explosive rise. “I’m over the moon to be finally putting out a full EP,” he explains. “It’s a collection of songs that captures the last year of my life, and features songs I recorded in London, New York and Los Angeles. Songs Fade & Mercy were recorded only a few months ago so they’re almost as fresh to me as anybody else listening.”

Record Store Day 2018, The Alarm  “Where The Two Rivers Meet”

Saturday April 21st is World Record Store Day and also the day for the release of brand new music from Mike Peters and The Alarm.

Mike Peters and The Alarm will be releasing a very special, limited edition 8 track – vinyl only – mini album entitled Where The Two Rivers Meet Extended Play which will only be available exclusively at participating Record Store Day outlets worldwide.

To celebrate the release, Mike Peters will undertake a 24 Hour Transatlantic Tour performing at Record Stores in the U.K., New York and Los Angeles – all within the same day.

Where The Two Rivers Meet Extended Play features an incredible collaboration with The Cult / Coloursøund guitarist – Billy Duffy on the brand new song Blood Red Viral Black. There are 8 songs in total including a brand new recording / mix of live favourite Two Rivers coupled with Transatlantic, The White Count and Year One which runs at 8.55 minutes in length, making it the longest song in Alarm history (Only three of the eight tracks will appear on the forthcoming album). The original artwork was conceived by Mike Peters and Daniel Shearn and features a spot varnish cover image with full colour inner sleeve.

Where The Two Rivers Meet Extended Play features an ‘electric’ and ‘acoustic’ side and is the prelude to a brand new album release scheduled for June 29th 2018.

The complete track listing of Where The Two Rivers Meet Extended Play is as follows:

Electric Side
Two Rivers
Transatlantic
Blood Red Viral Black
The White Count

Acoustic Side
Thirteen Dead Reindeer [Acoustic]
Armageddon In The Morning [Acoustic]
Crowd Trouble [Acoustic]
Year One

#rsd #thealarm

 

Image of Arcade Fire - Arcade Fire EP (RSD18 EDITION)

Arcade Fire have announced a reissue of their debut Arcade Fire EP. It’s the first time that the EP has been pressed to vinyl. The Arcade Fire reissue arrives on Record Store Day 2018 (Saturday, April 21) via Legacy Recordings. The band self-released Arcade Fire in 2003. Two years later, Merge Records re-released it on CD. The seven-track release includes “No Cars Go,” which was re-recorded for 2007’s Neon Bible.

This 2003 album preceded the instant classic Funeral, and has been relatively overlooked since Arcade Fire became one of the biggest bands in the world. However, the seven track EP (known unofficially as Us Kids Know) gives an insight into the band’s thematic and musical heart and is a key part of any fan’s collection. Now on vinyl for the first time in transparent blue, limited and numbered.
Tracklist:
1. Old Flame  2. I’m Sleeping In A Submarine 3. No Cars Go  4. The Woodland National Anthem 5. My Heart Is An Apple  6. Headlights Look Like Diamonds 7. Vampire / Forest Fire

First time on Vinyl for this 12″ transparent Blue coloured & individually numbered EP, with augmented Gold artwork