Posts Tagged ‘Bristol’

IDLES return with their highly anticipated third album – Ultra Mono. Sonically constructed to capture the feeling of a hip-hop record (including production contribution from Kenny Beats), the album doubles down on the vitriolic sneer and blunt social commentary of their past work.

“Ultra Mono” is the acceptance of now and I and you. We are not the same but behold something together that is true: the moment. I can not control anything but my ideas, my actions and my emotions, I can not control yours. In allowing our art to be momentary, we give ourselves and you the opportunity to perceive who we all are now as truth. It is an engine of all that we can’t control: our race, our age, our class and our past in the form of what we control absolutely – our music, our now.

Joy is still an act of resistance. No more apologies. We will work hard and work honestly. Ultra Mono is joy’s engine and it goes. Well that’s a bit of good news eh? Joe Talbot & his band of merry men are once again back to put the world to rights. ‘Ultra Mono’ is their first album since the brain meltingly good ‘Joy As An Act of Resistance’ – we’re a little bit excited. There are 2 gorgeous versions too – the vortex swirl will look lush spinning on your turntable but we’re particularly taken by the look of the deluxe version with the ‘ultra mono’ catalogue – it looks like it’s going to be rather lovely.

Act fast enough and you can snag a limited print too – an abstract take on the album cover, perfect for framing. far be it for us to tell you what to do, but we’d advise you get your orders in sharpish for the vortex and deluxe editions even if you miss the print – the last two had tasty limited fancy versions that went very fast.

We hope that you feel a sense of strength and purpose from listening to Ultra Mono. It is meant to fill you with the violence love and the rhythm of now. You are now. You are all. All is love.” – Joe Talbot

IDLES – “Ultra Mono” Out September 25th Partisan Records.

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Howdy folks, there’s never a dull day in the land of Breakfast Recs, especially when we get to feature a brand new music video for immy’s brand new lockdown single ‘Anyone Anywhere’. It’s taken also from our latest compilation “Breakfast In Bed”, still pay what you want on Bandcamp with all profits going to Caring in Bristol!

Bristol-based musician, Immy is probably best known up until now as the lead singer of Woahnows. Discussing the project, immy has suggested this new solo project is both, “something more fragile and somehow simultaneously more tangible”. This week immy has shared their latest single, “Anyone, Anywhere”, a track that originally featured on Breakfast Records’ Breakfast In Bed Compilation and now, looking to shine some further light in its direction, is accompanied by an excellent new video.

The track feels like a moment of calm in a chaotic world, the warm melodies and fluttering guitars, nodding to the modern-folk tones of Grizzly Bear or Here We Go Magic. Lyrically too, this is a track that feels like it is aiming for escapism, longing for a place, “where people live freely and minds are open”, the whole track is given a bittersweet quality as immy sings, “where do you want to go?”, only to almost sigh out, “I’m done”. While it’s a gentle revolution, this feels like a big forward step for immy’s songwriting, in embracing a less-is-more approach, they might just have stumbled onto something simple, beautiful and its own way very exciting indeed.

Anyone, Anywhere is out now via Breakfast Records

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Over the last couple of years Fenne Lily has made a real name for herself as a songwriter, surpassing over 30 million streams for her five self-released singles and supporting the likes of Marlon Williams, Charlie Cunningham and many more across Europe. Despite the first song she wrote at the age of 15 proving an almost instant hit upon release, she’s not rushed into releasing her debut collection, instead taking time to perfect her songs and develop her sound while living in Bristol and continuing to perform around the continent. Deciding she wanted to get out of the city to record the album, Fenne travelled to see some musical friends on The Isle of Wight where she formed a band and recorded a number of tracks in a basement studio with upcoming producer James Thorpe. Returning to Bristol to finish the tracks with long-time collaborator Dave Dixon (Tamu Massif) and Ali Chant (Youth Lagoon, Perfume Genius, PJ Harvey) her debut album has taken shape and is now available.

Throughout 2018’s On Hold, Fenne Lily’s quaveringly intimate voice recalls the early works of Sharon Van Etten, particularly in the way she layers her own voice during choruses that ache and swoon. That almost jarringly beautiful effect jumps out in a minimalist mix that’s so stripped down, you can often hear fingers sweeping across guitar strings.

A record full of quiet strength, brightness, and yearning: The self-released debut “On Hold” establishes Fenne Lily’s ability to lean into emotion. “I’ve villainized my body for too long,” sings Fenne on the opening “Car Park.” Her writing is sharp and charged; the production is sparse and intimate. Track by track, the album maintains a cohesive narrative arch, following a heartbreak and resolving with self-acceptance – even self-love.

Born in Bristol to musical parents Pearl Love grew up surrounded by sound and immersed in a creative lifestyle, attending her first gig at the tender age of 13 days old, strapped to her mum as she played the trumpet. Pearl’s music is a key and undivided part of her identity. Through her honest song writing and delicate vocals Pearl embraces the beauty found in vulnerability and invites her listeners to experience the world as she sees it.

Inspired by artists such as Lucy Rose and Regina Spektor, Pearl presents her audiences with an emotive and authentic performance every time.

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For all the upward motion suggested by its title, What a Boost basks in a cozy kind of groundedness. The subtle, psychedelic folk on Rozi Plain’s fourth album is as soothing and reliable as a mug of milky tea; these songs don’t rise and fall as much as they simply steep. The British singer-songwriter refined the record over the course of a year on the road, and it bears the marks of an itinerant existence: Worn grooves stretch on like the white lines of a highway, circular guitar figures convey a dutiful sense of routine, and Plain’s fragmented lyrics meander like backseat daydreams. On the hovering ”Conditions,” she sounds a bit like Charlotte Gainsbourg fronting the Beta Band as she sings “Is this the way for love?” with the nonchalance of a traveler asking for directions.

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Tweaked and refined during a year spent touring the world playing bass in This Is The Kit, ‘What A Boost’ nurtures its homely roots and then blooms into a record that isn’t strictly about life on road but is undoubtedly, and beautifully, shaped by it. Textural, repetitive, propulsive, the whole piece plays out like a soundtrack to the world flying past the window; all of the shapes, colours, sights and sounds, flickering fast as we try to take as much of it in as we can. 

The music of Rozi Plain has always felt like a freeze-frame. A colourful and graceful snapshot of the world, paused, suspended in time, and then gently toyed with, like stepping out of the linear world as we know it.

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The first wave of acts have been unveiled for Dot To Dot Festival 2019; CRYSTAL FIGHTERS, JORDAN RAKEI, SWIM DEEP, THE NIGHT CAFÉ, DREAM WIFE, THE ORIELLES, LAUREN AQUILINA, VIAGRA BOYS, MINI MANSIONS plus loads more will head to Manchester, Bristol and Nottingham on 24-26th May 2019 for its 15th year. The award-winning day long festival will once again feature a line-up full of both established performers and the best emerging artists from the UK and around the world.

CRYSTAL FIGHTERS will headline Dot To Dot 2019, a band who have been an integral part of the alternative dance scene since the release of their debut album ‘Star of Love’ in 2010. Widely adored for their catchy songwriting and penchant for glitter, the English/Spanish trio built upon the momentum created by their debut with the release of 2013’s ‘Cave Rave’ and 2016’s ‘Everything Is My Family’. These follow-ups saw the band evolve their party-fixated electro punchiness, to an evocative, euphoria-inducing summery sound. The group’s endless energy and arsenal of feel-good anthems have made them a magnificent live proposition, helping them to forge a reputation for creating a celebratory party atmosphere wherever they play.

JORDAN RAKEI will be bringing his jazz and hip-hop driven sound to Dot To Dot 2019. The New Zealand born multi-instrumentalist moved halfway across the world to London to pursue a full-time career in music. He has since self-released his debut album, ‘Cloak’, in 2016 followed by critically acclaimed album ‘Wallflower’, released via Ninja Tune in 2017. Jordan has also collaborated with some notable tastemakers including Tom Misch, Disclosure, and more recently, merging the worlds of hiphop and electronica with beautiful ease on ‘Ottelenghi’ with Loyle Carner.

After previously wowing audiences at Dot To Dot in 2015, SWIM DEEP are welcomed back to the lineup this year. An integral part of Birmingham’s B-Town generation alongside Peace and Jaws, the band currently have two album releases to their name; 2013’s ‘Where the Heaven Are We’ and 2015’s ‘Mothers’. With these albums, came a collection of inimitable singles such as ‘Honey’, ‘King City’ and ‘One Great Song and I Could Change the World’. With a sound that encompasses elements of melodic indie, shoegaze and pop, Swim Deep are guaranteed to produce many singalong moments during their Dot To Dot performance.

Liverpool four-piece THE NIGHT CAFÉ’s pop-tinged summer anthems are guaranteed to get the crowd dancing, with their tunes recently daubed as being “bathed in sunshine… poppier than a fizzedup Fanta” by DIY. After being recently named in ‘The NME 100: Essential New Acts For 2019’ and notching up support slots with everyone from The Wombats to Sundara Karma to Circa Waves, there is no doubting that the group will be making a rapturous live show at Dot To Dot that is simply unmissable.

One of the breakout bands of 2018, DREAM WIFE spent the year conquering stages and festivals across the globe with their empowering brand of riff-infused rock. The group formed in 2015 for an art school project whilst studying at Brighton University, and chose their name as commentary on society’s objectification on women. Dream Wife’s self-titled debut, released in 2018 via Lucky Number, saw NME declaring, “Not since Yeah Yeah Yeahs burst out of Manhattan in the early 2000s in a blaze of fishnets and glitter has punk rock been as downright fun”.

Having released their debut album ‘Silver Dollar Moment’ last year, THE ORIELLES have blown away audiences with their refreshing brand of post-disco punkiness, which led to their album featuring on numerous album of the year polls including Q Magazine, BBC 6 Music and Gigwise. Meanwhile, LAUREN AQUILINA is set to enchant audiences with her captivating piano-driven sounds, which have clocked up a staggering 30 million streams on Spotify. She will also arrive at Dot To Dot armed with new material, including her recent release ‘If Looks Could Kill’, showcasing her exciting, new pop direction.

Dot To Dot will also continue its proud tradition of giving up & coming artists a platform to shine across the greatest venues of Manchester, Bristol and Nottingham. Emerging at a rate of knots are Swedish rockers VIAGRA BOYS whose 2018 alternative anthem ‘Sports’ reminds us why heavy guitar music is alive & kicking, they are expected to be one of the most talked about acts of the weekend.

Also set to perform, the first wave announcement includes; 404, ALEX LAHEY, ANGIE MCMAHON, BESS ATWELL, BESSIE TURNER, CROWS, DANCING ON TABLES, DYLAN, FATHERSON, FAYE WEBSTER, HEAVY LUNGS, JAMES GILLESPIE, KOJAQUE, LOVE SICK, MAX RAD, MINI MANSIONS, MISS GRIT, MISSIO, ONR, RACHEL CHINOURIRI, REWS, SONS OF AN ILLUSTRIOUS FATHER, SUN SILVA, SWIMMING GIRLS, WASUREMONO, WOVOKA GENTLE, plus many more to be announced.

Dot To Dot Organiser Anton Lockwood, of DHP Family, said: “We are very proud that Dot To Dot is recognised as a unique and essential event for discovering new music. It might be our 15th year but our passion for emerging talent continues undiminished. For this edition of Dot To Dot we are very happy to welcome relentlessly creative headliners in Crystal Fighters and respected tastemaker Jordan Rakei, backed up with a huge array of the best emerging talent, with even more to be announced.

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Currently in the studio working on the follow-up to 2018’s best album Joy As An Act Of Resistance could we really get a new album from the Bristolian boundary breakers in 2019? Despite a ludicrous touring schedule it appears that they are aiming to follow the pattern of 2017’s Brutalism and the aforementioned Joy… by squeezing this another album out before the close of the year. ,

We are We are big fans of Idles here and not just because they are from Bristol! Its been brilliant to watch all their hard work pay off and hopefully this record will see them fully appreciated as the great band they are on record and especially live!. Idles – Joy As An Act Of Resistance 

‘Samaritans’ from ‘Joy as an Act of Resistance.’ out 31st August 2018 on Partisan Records.

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Their singer’s name was on everyone’s lips this year but Danny Nedelko’s band are about to make a name for themselves on their own terms with a debut record expected in the first half of 2019. The Bristol punk quartet shone on recent single ‘Blood Brother’ and their frenetic, brutal live show has us hoping that that energy and attitude can be translated into a debut album that challenges the status quo and offers up a modern, incisive take on UK punk.

Born from friendship, Heavy Lungs formed in the Spring of 2017 and set sights for loud, agile performance.

‘Blood Brother’ from our split 7 inch with IDLES, Also Debut EP ‘Abstract Thoughts’ out NOW

Heavy Lungs are:
Danny Nedelko – Vocals
Oliver Southgate – Guitar / Vocals
George Garratt – Drums / Vocals
James Minchall – Bass

 

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