Posts Tagged ‘Austin’

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Weightless guitar tangents and lush, aquatic soundscapes are a vital part of what embodies “Swim Team”, her debut EP that serves a powerful introduction to Bofale’s budding artistry. Somewhere between influences like Joni Mitchell and Alex G, Bofale has found a sweet spot for her sound that lives between both harsh and gentle terrain, achieving a relaxing, yet rugged tonality.Each track pictured on Swim Team is brushed vividly with colors that illuminate the fear of being honest and doing that much needed personal work. Bofale’s earnest and bravery is a snapshot of black mental health and the nuance it carries. Being real isn’t easy, but it’s crucial in cultivating spaces for healthy discussion and giving other black women like Bofale a platform to do the same.

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With her debut EP Swim Team, Congolese American songwriter Christelle Bofale relishes the ebb and flow of love, while also exposing its underbelly. On songs like “Love Lived Here Once” and “U Ouchea,” against a lush guitar backdrop, Bofale’s lyrics land like crashing waves, transforming her innermost revelations of fear and complacency into resonant and prophetic incantations. At times reminiscent of Lianne La Havas’s sophomore effort Blood,Swim Team also pays homage to singer/songwriters like Joni Mitchell and Bill Withers who deeply explored the rich spectrum of love—unearthing its ache, its murkiness, and its confusion.  This EP is one piece of stellar work by this amazing singer/songwriter.

Starcrawler (who released their second album about a month ago) are all under 25, but they make bands twice their age look like frosted cupcakes. They also, in a way, resemble the early incarnation of Alice Cooper, and a lot of other stuff that sounds like rock.

There’s the bass player, Tim, who is what a bass player should be: unassuming, solid, off to the side, and a pit bull enthusiast. Austin, on drums, is the oldest at 24, and is super friendly to people, but very hard on his drums. Besides his guitar, Henri is really into t-shirts, until he gets onstage dressed in a cowboy get up, like a mutated combo of Gram Parsons and Jimmy Page with huge slime beast riffs and demented circus ringleader face. Then there’s Arrow who, when she’s not sitting on the floor, levitates five feet above the stage covered in blood.

Unlike most twenty-somethings, no one in this group really gets hammered on booze or does too much crazy shit. All of that goes into the performance. Not that it’s all pretend. Arrow has on more than one occasion been fucked up by dangerous stage antics. Over the course of the show, a plot unfolds which imagines several inventive ways for a person to destroy themselves. I won’t give away the ending, but there is a lot of blood. Things start with Arrow as a sort of badass demented glam queen until, rapidly and without warning, it all goes downhill in the best possible way. It’s glamour plus destruction, over and over, returning every night like a phoenix from the ashes. Or maybe a chicken.

Starcrawler in a soundtrack?? Now that’s a good sign :0 I love this band, saving rock n roll

Starcrawler’s cover of “Pet Sematary” by Ramones is out now on Rough Trade Records and also features on the ‘Pet Sematary’ film soundtrack.

Third album from Austin, Texas indie pop duo Hovvdy! Following their excellent previous albums Taster and Cranberry on Double Double Whammy. Hovvdy’s music is the sonic equivalent of a hug. Austin-based Charlie Martin and Will Taylor have been enveloping listeners in their soft, cozy, slow rock since 2014, when they released their debut EP on Bandcamp. Now, after five years, two split releases, and two albums they’re announcing their third album.  It arrives after Hovvdy’s tour with Lomelda, with whom the band recently released a split EP of covers.

 

Hovvdy have always had an uncanny ability to create a comforting effect with their songs, even when those songs are about fear, anxiety and their own personal shortcomings. Fans of their zoned-out, slowed-down indie-pop have come to rely on the duo for their consistently soothing music, and it’s a mantle they’ve gladly taken up. “I was really trying to make something that would make people feel better,” Martin says of Heavy Lifter, on the phone from his bandmate Taylor’s house in Austin. “And I think they have served that purpose for me too, just from making them.”

While Heavy Lifter does come off as familiar, the record also expands their sound. Working in close collaboration with engineer and producer Ben Littlejohn in various makeshift studios around Texas, they’ve refined their languid melodies and expanded on their previously muted production. It’s still cozy, but it also veers toward the cinematic, with brief forays into Auto-Tune, distorted drum machines,

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Heavy Lifter was one of my favourite albums of 2019. This is one of those lovely near-perfect records where I’m truly taken with every song—each is a vignette for a feeling I’ve had before or wish I had. The lyrics are so heartfelt and direct and the melodies they are set to and surrounded in are lush yet organic. A gorgeous must buy.

releases October 18th, 2019

all songs written by Hovvdy
produced by Ben Littlejohn and Hovvdy

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Hovvdy’s music is the sonic equivalent of a hug. Austin-based Charlie Martin and Will Taylor have been enveloping listeners in their soft, cozy, slow rock since 2014, when they released their debut EP on Bandcamp. Now, after five years, two split releases, and two albums (2016’s Taster and 2018’s Cranberry), they’re announcing their third album. Heavy Lifter will be released on October 18th via Double Double Whammy s.

Hovvdy have always had an uncanny ability to create a comforting effect with their songs, even when those songs are about fear, anxiety and their own personal shortcomings. Fans of their zoned-out, slowed-down indie-pop have come to rely on the duo for their consistently soothing music, and it’s a mantle they’ve gladly taken up. “I was really trying to make something that would make people feel better,” Martin says of Heavy Lifter, on the phone from his bandmate Taylor’s house in Austin. “And I think they have served that purpose for me too, just from making them.”

While Heavy Lifter does come off as familiar, the record also expands their sound. Working in close collaboration with engineer and producer Ben Littlejohn in various makeshift studios around Texas, they’ve refined their languid melodies and expanded on their previously muted production.

It arrives after Hovvdy’s tour with Lomelda, with whom the band recently released a split EP of covers.

Hovvdy’s third full length album, “Heavy Lifter”, is out October 18th, 2019. Charlie Martin and Will Taylor met at a baseball game while on tour drumming for different bands. Back home in Austin, the two Texas natives discovered both held batches of compatible songs, intended for solo projects. They merged as Hovvdy instead.

Penned separately, the duo’s first-ever songwriting efforts coalesce seamlessly on debut LP Taster . To this day, Charlie and Will create like satellites on the same orbit, combining bedroom recordings into a singular worn-in sound. Their downtempo rock found an audience in the Austin and New Orleans scenes, elevated by support from small indie Sports Day Records.

Brooklyn label Double Double Whammy re-released “Taster” in 2017, followed by “Cranberry” in 2018. The sophomore work solidified the group’s sturdy guitar strums and rhythmic instincts, enveloped in nostalgic glow. Third LP “Heavy Lifter” finds new dimensions in the Hovvdy soundscape.

For Heavy Lifter , the duo worked with producer, engineer, and multi-instrumentalist Ben Littlejohn. Throughout Autumn 2018, the team built out the album in makeshift home studios around Texas. Both singers’ voices cut through more decisively than ever, carried by vivid storytelling and production eccentricities.

Familiar fuzz maintains the warmth of past work, but Heavy Lifter is never muffled. Clear-cut characters and scenes emerge in the 13 tracks. Antsy love song “1999” wanders around a small town, while bright pop piece “Mr. Lee” retells a lonely day in reverent detail. Lo-fi Daniel Johnston moment “Tell me I’m a singer” empathetically enters an artistic perspective, unwound lyrically as: “Tell me I’m a singer.”

You can get an early taste via first single and video, “Cathedral,” that blankets you, warm and comforting, in a drowsy sort of way.

Memories inform present decision-making throughout the album. Two tracks dive into family legacies, “Pixie” admitting “outside my mind/ is where i’m gonna be/ not what i had hoped at 14.” “Sudbury” recounts childhood major league dreams: “front yard catch, you got a plan/ to be a baseball star/ texas ranger shortstop.”

Breaking from the confines of guitar-based slowcore, pop and hip-hop influences expand Hovvdy’s established framework. Propulsive, straightforward hooks usher in autotuned tweaks, chugging beats and genre exploration. By pulling apart slightly, Charlie and Will step into new spaces on Heavy Lifter . Always in sync, it’s a balanced effort.

Rightfully hailed as “the noisiest pop music on the planet” by Pitchfork, Austin, TX’s cult noise rock trio Cherubs have been purveyors of sonic bedlam since their inception in 1991. After an unforeseen return to the scene from a two-decade hiatus in 2014, the Cherubs have now joined forces with the equally revered Relapse Records for the release of their fifth long-player Immaculada High. Recorded and engineered by Erik Wofford (Explosions in the Sky, The Black Angels, My Morning Jacket) at Cacophony Studio in Austin, Immaculada High is 11 songs of signature Cherubs clamor with an added twist of Texas-sized, psychedelic racket. Smooth, rumbling low-end rhythms interplay with feedback drenched, chuggin’ guitars, relentless tone and vocalist Kevin Whitley’s shrill, life-of-the-LSD-party vocals. On Immaculada High, Cherubs loudly proclaim their title as bonafide noise rock legends who continue to forge transgressive yet remarkably accessible punk for a jaded world.

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Formed in 1992, Cherubs emerged on the Austin, TX, LSD punk scene with a jackhammer of nightmarish, rhythm-driven song structures and plenty of Butthole Surfers whimsy and terror to keep things more than interesting. Fast forward 20 years later and the band has reformed with more energy and songwriting acumen then ever.

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Austin, Texas-based songwriter Christelle Bofale will be the first to tell you the importance of family roots and mental health, considering how much those things aided her own self-discovery. Being the first American born in her family, the rich heritage of the Congo is deeply rooted in her upbringing and relationship with sounds.From singing and dancing with her mother as a child, to praying to Congolese music with her grandmother, to her father, a soukous guitar player and musical director for the Congregation at his church, Bofale’s journey as a musician has been defined in tiny intervals throughout the course of her life. As a songwriter, she infuses hints of the Congo into various aspects of her music,

Christelle Bofale’s “Swim Team” is a sumptuous introduction to Bofale’s unparalleled sound. The Austin Texas based singer brings multiple influences to Swim Team—Bofale counts Joni Mitchell and Alex G as inspirations—including jazz, rock, soul, and the musical traditions of her family’s native Congo. “Moving On, Getting On,” the album’s opening song, pairs Bofale’s resonant voice with sweeping guitar riffs. On the soulful “Origami Dreams,” Bofale sings, “Make up your mind, I don’t have the time to wait on you.” Album standout, “U Ouchea” is a seven-minute narrative that merges Bofale’s steady voice, melancholy lyrics, and an expansive guitar melody. At its core, “Swim Team” is an album about mental health and serves as a keyhole opening to Bofale’s inner life and a primer for her unique voice.

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This album is just stellar. Christelle Bofale has given us a big piece of her heart. released May 31st, 2019

The first thing to jump out about Fanclub’s “Leaves” is the run of sharp little synth stabs, each of which injects the song with a tiny hit of sugar. Influences dating back as many as 40 years make their way into the mix — the synth-pop of the early ’80s, the smeared-out shoegaze of the early ’90s, the twee bedroom pop that’s taken off in the Internet era, and so on — but they’re all in service of hooky, timeless pop songwriting and the charming vocals of Leslie Crunkilton.

Band Members
Leslie Crunkilton, Mike Lee, Daniel Schmidt

Moving Panoramas will be at SXSW 2019

In recent years, Moving Panoramas‘ members have undergone lineup changes and health issues, but their new album, In Two, is still an impressive leap forward: a joyous and confident collision of girl-group harmonies and hazy dream-pop, with an agreeably beachy vibe that recalls the best of Best Coast. Bandleader Leslie Sisson enlists a new permanent lineup and an array of guests — including Nada Surf’s Matthew Caws and a few of Moving Panoramas‘ past members — to bring to life a perfect soundtrack to the first blush of springtime.