Former Led Zeppelin vocalist Robert Plant begins a sold-out tour of the United States with his band the wonderful Sensational Space Shifters in Raleigh, North Carolina, tonight, he has released a video of their performance of “Carry Fire,” the title track to his latest album, at the O2 Apollo in Manchester, England, on their sold-out UK tour last November. The live concert video was directed by Ryan Mackfall and produced by Crashburn Media.

“Carry Fire” was released in October on Nonesuch/Warner Bros. Records. NPR calling it “transfixing,” adding that “Plant” and his collaborators create music that overflows with irrepressible life force … Carry Fire is rivetingly intimate.” The Evening Standard exclaims in a four-star review: “Inventive and exotic, Carry Fire proves Plant’s creative spark is still burning bright.”

Robert Plant and the Sensational Space Shifters perform “New World,” from his album Carry Fire live at the O2 Apollo Manchester on November 30th, 2017.

Craig Finn We all want the same things album art

There’s a danger that pushing everything through the Trumpian prism collapses some of the intricacies and nuances of art. After all, The Donald is a product of the disaffection Craig Finn is exploring here, not the cause. The problem is deeper and more complex than any government-related trouble, and Finn is too wise to offer much in the way of an answer. Instead, he suggests we shift the focus of our questions. Because We All Want the Same Things is an album about relationships, but not in the usual sense. Not the transcendental, star-aligned love of Billboard hits and Hollywood flicks but coupling based on common needs. Not life-changing answers but life-preserving strategies. Luckily, in the hands of Craig Finn, this version of ‘romance’ feels somehow more fulfilling, the opposite of cynical, for better or for worse, genuinely human. Perhaps the revolution in the conclusion isn’t some violent revolt or epiphanic break, rather a gradual yet constant commitment to challenging our own expectations. To stop wanting too much for ourselves and to start being sympathetic to others. A comeback story, of sorts.”

http://

Julia Lucille’s second album “Chthonic” was released April 7th 2017 on Keeled Scales, and has been described as “a triumph” (GoldFlake Paint) and “Lucille’s most fully realized work yet” (Austin Monthly). She grew up in Menlo Park, California and graduated from Lewis and Clark College in 2010, where she majored in music. She currently lives in Austin, Texas.

“Part folk, part dream pop, part something else entirely, her music combines equal parts delicacy and foreboding with an impressive patience and emotional intensity […] concerned with the underworld, more specifically descending into as a mode of growth and rebirth (a la Persephone), and [showing] off the interplay between shadow and light that constitutes the record’s aesthetic.”

http://

Vocals and guitar: Julia Lucille 
Guitar: Paul Mitchell 
Drums & Bass: Dan Duszynski 
Pedal Steel: Luke Dawson 

wooden sky swimming in strange waters album cover

The Wooden Sky has begun on a new trail. The Canadian band has three albums of solid indie-roots rock under their belts, but with this fourth record they are shifting. The sweet sounds of roots and country are still there, influencing everything from the vocals to the chug of the melody, but there sound is deeper. “Our Hearts Were Young” shows the band growing and reaching for a larger sound.

http://

With atmospheric, War on Drugs like guitars and a swirling atmosphere that feels more influenced by mood music like M83 than the roots of yore – The Wooden Sky is absolutely adding new touchstones to their repertoire, and we couldn’t be more excited to see where it goes. Check out the track above and be sure to grab their fourth album on Chelsea Records / Nevado Music.

http://

From The Wooden Sky’s upcoming new album Swimming In Strange Waters.

Sara Renberg is a songwriter hailing from Portland and now based out of Pittsburgh. Having recently released her second album, Night Sands, on the excellent Antiquated Future Records, Sara has this week shared the album’s second single, and stand-out track, Elderly Lesbians.

Discussing Night Sands, Sara has suggested it’s a record about being, “thirty-two, gay and single”, the album muses on the theme of simultaneously fearing and craving intimacy. Jangly lackadaisical guitars drift atop lo-fi, cymbal heavy drum beats, all topped with Sara’s conversational vocal style. Lyrically it really shines, Sara walking the similarly mundane-surreal tight-rope perfected by the likes of Frankie Cosmos and The Mountain Goats as she comically recalls googling, “elderly lesbians to cheer myself up but all the results were porn”, before hitting straight to the emotional core with the repeated line, “I’m still not sure exactly what it means to be living in exile from old dreams”. A wry observer of the minutiae that make life both crushing and beautiful, Sara Renberg and her elderly lesbians are wonderful.

The second single from Sara Renberg’s sophomore album “Night Sands.” Out February 2nd, 2018 on Antiquated Future Records.

http://

Drums: Cayla Davis (on 1-4, 9)
Bass: Joshua James Amberson
All other instruments and vocals: Sara Renberg

Night Sands is out now via Antiquated Futures Records.

Freya Ridings - Lost Without You

There’s nothing quite like watching an old flame depart for the final time — the inevitable, sparkling rush of memories, the way shared experiences suddenly rise and flicker through the veins. It’s a setting Freya Ridings captures beautifully in “Lost Without You,” an exquisitely crafted pop ballad that cuts straight to a tender place. Between delicately sprinkled piano chords, the UK songstress repurposes heartbreak into soaring yet pained clarity, each billowy confession taking on deeper resonance until a final, cloying reminder that her own decision started it all.

KAT CUNNING – ” Baby “

Posted: February 9, 2018 in MUSIC
Tags: ,

Image may contain: 1 person, close-up

There’s a moment at the end of Kat Cunning’s stunning debut single, “Baby,” when the slowly built layers of engrossing production spin off of Cunning’s voice, exposing her dry vocal. The effect is similar to being pulled out of a party right as it is taking off, and equally as jilting. “Take me home,” she intones. “I forgot my keys again.”

It’s just a few seconds of this solitude that prove that even without the brilliantly complimentary sounds of “Baby” (a cleverly cubist interpretation of reverb, blooming piano and guitar), the wispy threads of Cunning’s voice are just as intoxicating. “Baby” evolves through a gently shifting electropop mantle, allowing different colors of Cunning’s warm, yearning soprano to shine through at each lens change. It’s a debut that manages to embody Cunning’s talents as both a Broadway actress and performance artist along with her penchant for delivering a truly ingraining pop hook. Kat has most recently been performing as part of Refinery 29’s 29Rooms New York Fashion Week event.

Kat Cunning’s new single “Baby” is available now

Death Rattle - NIGHT FLIGHT

Major and minor chords weave along a path lined by trees bursting with red and orange leaves in Night Flight’s “Death Rattle.”

A breakup song through and through, this track from the London-based 5-piece is perfect for a long, contemplative drive. With winter on its way, the season of ends and cold quiet, this song resists the brutal frost, opting for a brisk fall breeze instead.

While the end of a relationship could feel like the end of the world, there’s the other side of the coin that signals a new and better beginning. “Death Rattle” is that warm fall light, a realization that ending things will lead to a breath of crisp, fresh air into the lungs.

“Don’t go wasting your breath on me… better we find a way out, not dwelling on why,” frames the first verse, followed soon by, “I’m not living anymore, baby give me something more.” Laid back drums and a comfortably simple bassline pad the finger-picked guitar part. “Ooh’s” and soft harmonies complete the folksiness of this bittersweet track that basically says that enough is enough, and it is time to move on.

Image may contain: sky, mountain, text, nature and outdoor

Marlon Williams - Nobody Gets What They Want Anymore

Marlon Williams recently released his new single “Nobody Gets What They Want Anymore” from the upcoming album Make Way For Love set to be released early this year. This single is a duet with fellow New Zealand singer/songwriter Aldous Harding and it feels a lot like we have dipped our ears into their conversation. The two voices blend seamlessly as the title becomes a mantra between them in the chorus. This guitar-driven ballad is timeless and melancholy as it muses over themes of defeat and surrender.

Marlon Williams — “Nobody Gets What They Want Anymore” (with Aldous Harding) (Official Video) Album Make Way For Love available February 16th, 2018 on Dead Oceans

Image may contain: 1 person

Pale Grey - Seasons

Belgian indie group Pale Grey’s single, “Seasons” off of their new album, Waves is the perfect complement to a quiet fall afternoon. It starts off with a simple beat and some garage-like synths that quickly fill up the track with a feeling of longing. Though it sits at just over two minutes, the song packs an emotional punch with minimal production. It asks the question of whether or not you can go on when the one you love passes away, and in that contemplation is where the song shines

The new video for Seasons is taken from Pale Grey’s album Waves.