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American Treasure, is a 60-track box set featuring previously unreleased live and studio material from Tom Petty, will be released on September. 28th. The songs on the collection are reportedly drawn from all phases of Petty’s career with his longtime band the Heartbreakers.

Full details including a complete track list are expected to be announced soon. The news was revealed today on Petty’s SiriusXM radio station, along with the debut of the first track from the box set, 1982’s previously unreleased “Keep a Little Soul.” American Treasure was reportedly compiled by Petty’s daughter Adria, his wife Dana, Heartbreakers guitarist and keyboardist Mike Campbell and Benmont Tench and “studio collaborator” Ryan Ulate.

After the countdown clock emerged this morning, many fans speculated that the news would be concerning the release of a double album version of Petty’s 1994 record Wildflowers. He had originally intended for the album, his second solo effort, to be a double album, but, at Warner Bros. request, he scaled it back to a single disc.

In 2014, it was reported that a set expected to be called Wildflowers: All the Rest, that restored the complete track list, was in the works to coincide with the album’s 20th anniversary. Only the song “Somewhere Under Heaven” has officially surfaced, appearing during the closing credits of the Entourage movie.

He was planning to support the release with a unique tour. “I want to take the Heartbreakers and whoever else I need to reproduce every sound in a big way,” he had said. “That album was really about sound in a big way. I would like to go out there and perform the entire album as it was originally conceived with all of the songs.”

“That would have been smaller-scale, away from the hits,” guitarist Mike Campbell later added. But he said that the plan, to which Norah Jones had signed on, was scrapped in favor of a career-spanning trek to celebrate the 40th anniversary of the Heartbreakers. Unfortunately, Petty died a week after the last date of the tour, a September. 25th show at the Hollywood Bowl.

Tom Petty‘s family and former collaborators compiled the four-CD box set of previously unreleased material by Petty and the Heartbreakers, for release on September 28th, SiriusXM announced. The release, called An American Treasure, marks the first posthumous album of Petty material since his death in October. The SiriusXM broadcast debuted a clip from one of the unreleased songs from 1982 called “Keep a Little Soul.”

An American Treasurewill contain previously unreleased studio recordings, live recordings, deep cuts and alternate versions of popular Petty songs,. The collection will encompass 60 tracks in total. A less expensive two-CD set will also be available for purchase.

Petty was as prolific as he was talented. During the Eighties and Nineties, he released albums at a rapid pace. His studio productivity dipped slightly in the new millennium, when he put out an album roughly every four years. The last album Petty released under his own name was 2014’s Hypnotic Eye. He also contributed to 2016’s Mudcrutch 2 with members of his pre-Heartbreakers band.

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Petty was found unconscious at his home in Malibu on October 2nd, 2017. He was taken to the hospital and put temporarily on life support. He died hours later.

In January, a medical examiner ruled that the singer died of an accidental overdose. Petty had been prescribed drugs to treat emphysema, knee issues and a fractured hip, according to a statement from his family. “On the day he died, he was informed his hip had graduated to a full-on break,” Dana and Adria wrote. “It is our feeling that the pain was simply unbearable and was the cause for his overuse of medication.”

After we lost the iconic rocker Tom Petty. The 66-year-old died of cardiac arrest. In his memory, a new tribute collection called “An American Treasure” features previously unheard recording and live performances. Anthony Mason spoke to Petty’s daughter, Adria, in her first TV interview since her father’s death.

1              Surrender           Previously unreleased track from Tom Petty and the Heartbreakers sessions-1976
2              Listen To Her Heart         Live at Capitol Studios, Hollywood, CA-November 11, 1977
3              Anything That’s Rock ‘N’ Roll      Live at Capitol Studios, Hollywood, CA-November 11, 1977
4              When The Time ComesAlbum track from You’re Gonna Get It!-May 2, 1978
5              You’re Gonna Get It       Alternate version featuring strings from You’re Gonna Get It! sessions-1978
6              Radio Promotion Spot    1977
7              Rockin’ Around (With You)          Album track from Tom Petty and the Heartbreakers -November 9, 1976
8              Fooled Again (I Don’t Like It)       Alternate version from Tom Petty and the Heartbreakers-1976
9              Breakdown         Live at Capitol Studios, Hollywood, CA-November 11, 1977
10           The Wild One, Forever  Album track from Tom Petty and the Heartbreakers-November 9, 1976
11           No Second Thoughts      Album track from You’re Gonna Get It!-May 2, 1978
12           Here Comes My Girl       Alternate version from Damn The Torpedoes sessions-1979
13           What Are You Doing In My Life  Alternate version from Damn The Torpedoes sessions-1979
14           Louisiana Rain    Alternate version from Damn The Torpedoes sessions-1979
15           Lost In Your Eyes              Previously unreleased single from Mudcrutch sessions-1974
CD 2
1              Keep A Little Soul             Previously unreleased track from Long After Dark sessions-1982
2              Even The Losers               Live at Rochester Community War Memorial, Rochester, NY-1989
3              Keeping Me Alive            Previously unreleased track from Long After Dark sessions-1982
4              Don’t Treat Me Like A Stranger  B-side to UK single of “I Won’t Back Down”-April, 1989
5              The Apartment Song      Demo recording (with Stevie Nicks)-1984
6              Concert Intro     Live introduction by Kareem Abdul-Jabbar, The Forum, Inglewood, CA-June 28, 1981
7              King’s Road         Live at The Forum, Inglewood, CA-June 28, 1981
8              Clear The Aisles                Live concert announcement by Tom Petty, The Forum, Inglewood, CA-June 28, 1981
9              A Woman In Love (It’s Not Me)Live at The Forum, Inglewood, CA-June 28, 1981
10           Straight Into Darkness   Alternate version from The Record Plant, Hollywood, CA-May 5, 1982
11           You Can Still Change Your MindAlbum track from Hard Promises-May 5, 1981
12           Rebels  Alternate version from Southern Accents sessions-1985
13           Deliver Me          Alternate version from Long After Dark sessions-1982
14           Alright For Now                Album track from Full Moon Fever-April 24, 1989
15           The Damage You’ve Done            Alternate version from Let Me Up (I’ve Had Enough) sessions-1987
16           The Best Of Everything  Alternate version from Southern Accents sessions-March 26, 1985
17           Walkin’ From The Fire    Previously unreleased track from Southern Accents sessions-March 1, 1984
18           King Of The Hill  Early take (with Roger McGuinn)-November 23, 1987
CD 3
1              I Won’t Back Down          Live at The Fillmore, San Francisco, CA-February 4, 1997
2              Gainesville          Previously unreleased track from Echo sessions-February 12, 1998
3              You And I Will Meet Again            Album track from Into The Great Wide Open-July 2, 1991
4              Into The Great Wide Open          Live at Oakland-Alameda County Coliseum Arena-November 24, 1991
5              Two Gunslingers              Live at The Beacon Theatre, New York, NY-May 25, 2013
6              Lonesome Dave               Previously unreleased track from Wildflowers sessions-July 23, 1993
7              To Find A Friend               Album track from Wildflowers-November 1, 1994
8              Crawling Back To You      Album track from Wildflowers-November 1, 1994
9              Wake Up Time  Previously unreleased track from early Wildflowers sessions-August 12, 1992
10           Grew Up Fast    Album track from Songs and Music from “She’s the One”-August 6, 1996
11           I Don’t Belong   Previously unreleased track from Echo sessions-December 3, 1998
12           Accused Of Love              Album track from Echo-April 13, 1999
13           Lonesome Sundown      Album track from Echo-April 13, 1999
14           Don’t Fade On Me           Previously unreleased track from Wildflowers-sessions-April 20, 1994
CD 4
1              You And Me       Clubhouse version-November 9, 2007
2              Have Love Will Travel     Album track from The Last DJ-October 8, 2002
3              Money Becomes King    Album track from The Last DJ-October 8, 2002
4              Bus To Tampa Bay            Previously unreleased track from Hypnotic Eye sessions-August 11, 2011
5              Saving Grace      Live at Malibu Performing Arts Center, Malibu, CA-June 16, 2006
6              Down South       Album track from Highway Companion-July 25, 2006
7              Southern Accents            Live at Stephen C. O’Connell Center, Gainesville, FL-September 21, 2006
8              Insider  Live (with Stevie Nicks) at O’Connell Center, Gainesville, FL-September 21, 2006
9              Two Men Talking              Previously unreleased track from Hypnotic Eye sessions-November 16, 2012
10           Fault Lines           Album track from Hypnotic Eye-July 29, 2014
11           Sins Of My Youth             Early take from Hypnotic Eye sessions-November 12, 2012
12           Good Enough    Alternate version from Mojo sessions-2012
13           Something Good Coming             Album track from Mojo-July 15, 2010
14           Save Your Water              Album track from Mudcrutch 2-May 20, 2016
15           Like A DiamondAlternate version from The Last DJ sessions-2002
16           Hungry No More              Live at House of Blues, Boston, MA-June 15, 2016

Thin Lips

Ahead of their upcoming album Chosen Family, Thin Lips have released a second single, titled “Gaslight Anthem (The Song Not The Band)” featuring vocal contributions from Frances Quinlan of Hop Along, Brendan Lukens of Modern Baseball, and Zoe Reynolds of Kississippi. And if that lineup doesn’t get you excited to hear it, what will?

Jumping right in with their characteristic interlocking riffs, frontwoman Chrissy Tashjian’s vocals layer on top wonderfully, mixed to perfection with the slightest bit of distance, singing “here I thought I was right next to you”. The chorus is even more touching, with all the vocal cameos entering. In lieu of exchanging vocals or harmonizing, here it feels more like paints mixing, one voice blending into the other, and the solos featuring slide guitar add a greater depth to the song’s already rich texture.

Between this track and the previous single, “A Song For Those Who Miss You All The Time,” one can get a sense of the crunchy, catchy brand of indie-punk Thin Lips are bringing to their new album, dropping July 27th on Lame-O Records

As The New York Times declared in a roundtable of female rockers last summer, “Rock’s Not Dead, It’s Ruled By Women.” And Screaming Females’ latest LP,All At Once, is Exhibit A, a big, burly, joyous, angry guitar-rock record whose feet are as nimble as its shoulders are wide. Bent over her guitar like a determined commuter forging through a blizzard, frontwoman Marissa Paternoster coaxes everything from furious fretwork to booming sludge to mellow surf-rock from her instrument over the course of the 15-song album, tied together by a thought-provoking lyrical through line exploring themes of freedom and oppression. The queen of rock ’n’ roll has announced herself; long may she reign.

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So what has Anna Calvi been doing in the five years since releasing her stellar sophomore album, 2013’s One Breath, this English art-rocker Anna Calvi has kept extremely busy: writing a song for the film Insurgent, releasing a David Byrne-featuring EP, appearing on two David Bowie tribute albums, and oh, writing an entire rock opera. Her third full-length album release, Hunter, looks to retain the singer-songwriter and guitar virtuoso’s flair for drama, this time “exploring sexuality and breaking the laws of gender conformity.” With production by Nick Launay (Nick Cave, Grinderman) and featuring Bad Seed Martyn Casey and Portishead’s Adrian Utley, Hunter promises to be as compelling musically as it is thematically.

Anna Calvi – “Don’t Beat the Girl out of My Boy”, from ‘Hunter’ out 31st August 2018 on Domino Record Co.

While Jackson C. Frank s eponymous 1965 album and other material has enjoyed numerous official and unofficial reissues, Jackson C Frank: The Complete Recordings is the first to compile his entire recording career. Released in conjunction with Jim Abbott s book, Jackson C. Frank: The Clear Hard Light of Genius, The Complete Recordings contains a total of 67 tracks, 24 of which have never appeared before. Every song has been mastered or remastered, a number of them straight from the original, brittle reel-to-reels on which they were originally laid down. Plagued by tragedy with the most haunting music to show for it, Frank s life can be heard through his music, which has been covered by the likes of Nick Drake, Simon & Garfunkel, Fairport Convention, Bert Jansch, John Renbourn, Robin Pecknold of Fleet Foxes, Colin Meloy of The Decemberists, John Mayer, and sampled by Nas for Undying Love.

While never fully recognized as one of the great musicians of the 60s, Frank clearly had his fans. The artist s story is a cautionary tale for the dangerous pitfalls of a life lived. At the age of eleven, he was the victim of the infamous Cleveland Hill School Fire in a New York suburb, leaving him burned and disabled, and killing fifteen of his classmates. He spent an agonizing eight months in the hospital, during which time he picked up a guitar for the first time. Scarred both physically and psychologically, and left a shell of his former self, Frank would never fully recover from the wounds. His never-released second album was to include the song Marlene, which honors his childhood girlfriend lost in the fire. After an aborted attempt at college, where he formed a folk trio, Frank, along with a Martin guitar and his then-girlfriend Kathy Henry, caught The Queen Elizabeth in February 1965, on which he apocryphally wrote his first, and now his most famous, song Blues Run the Game. He soon found himself making the rounds of the London folk clubs and rubbed shoulders with Jansch, Renbourn, Roy Harper, Dave Van Ronk, Tom Paxton, Mike Seeger and Sandy Denny (who became Jackson s girlfriend and later wrote the somber song Next Time Around about him). Frank s music caught the interest of another young American songwriter in London named Paul Simon, who offered to record and produce his album Jackson C. Frank in 1965. Simon brought Al Stewart along to play guitar, while Denny, Judith Piepe and Art Garfunkel kept them company (and supposedly even ran out for teas for the performer). After recording his album, however, Frank s health took a turn for the worse and the following years were unkind. He met future wife Elaine Sedgwick, cousin of Edie Sedgwick, at a London party, and when his money began to run out he left London for Woodstock, where they married. The relationship was marked by a miscarriage and the death of their first-born son to cystic fibrosis, and Frank s subsequent mental unraveling. He was later diagnosed as a paranoid schizophrenic and battled excessive weight gain from a thyroid problem developed after the fire. Additionally, he went through bouts of intermittent homelessness between stays at various upstate shelters. One day, while Jackson waited in a park to be moved to a new facility, he was shot and blinded in his left eye by neighborhood children with a BB gun. The light from this period of his life came from Jim Abbott, who looked after Frank until his death in 1999. Frank s recordings span four decades of a hard-lived life, and every experience, every trial, is reflected in his voice. If ever a person s individual journey could be traced through his music, it s Frank s, and The Complete Recordings is nothing less than a representative map of the artist s high points and deepest, most shadowed valleys.

Jackson C. Frank “The Complete Recordings Volumes 1-3 Bundle” Limited Edition Wood Box: 6xLP + 3xCD + BOOK . This is the definitive and official Jackson C. Frank release. All tracks have been restored and remastered. 

LP Volume 1 includes the classic Jackson C. Frank album from 1965, and unreleased traditional songs from 1961.

LP Volume 2 includes the 1968 Peel Sessions, “Blues Run The Game” 45, unreleased songs from 1972 and Jackson’s earliest recordings from 1958.

LP Volume 3 includes studio recordings for a never-completed second album from the 1970s, and Frank’s final recordings from the 1990s.

Alejandro Escovedo has one of the most fascinating career paths in music and his upcoming album is another example of his singular vision. The Crossing, due out this September, is a suite of songs that chronicle the stories of two young immigrant rock and rollers, Salvo from Italy and Diego from Mexico, as they meet working in a Texas restaurant while each pursuing their vision of the American Dream.

The albums’s version of that dream is soundtracked by punk pioneers The Stooges and MC5 and populated by people who read both Mexican philosopher-poet Octavio Paz and the beat poets of the 1950’s. In fact, that’s very much the story of Alejandro Escovedo and this song cycle is a return to his punk roots as much as it is an exploration of the themes of cultural identity.

“Sonica USA” is the first single off the upcoming album and the track is a loud and boisterous reflection — featuring Wayne Kramer of MC5 on guitar on Escovedo’s youth growing up in Austin when he and his brother Javier played in a punk-before-it-was-punk band called The Zeros.

In the song, and in a quote released with the track, Escovedo insightfully positions Mexican American youth as a critical part of punk history.

“When we were playing as the True Believers early on [in the 1980’s] we’d play San Marcos, San Antonio and get all these Chicano kids in denim vests and Iron Maiden patches,” Escovedo says. “I remember thinking they were into us, not necessarily for the music, but for the fact we were there on stage. They loved that we were doing what we were doing.”

True to Escovedo’s nature, the upcoming album comes with a curious twist: It was recorded with Don Antonio, a group of young Italian rockers he recently toured Europe with as a backing band. He developed such a strong bond with the band leader, Antonio Gramentiere, that they ended up writing the songs for the album after riding around Texas soaking in the open landscape and eating both pasta and tacos.

The result is The Crossing, a power collection of songs that may in fact be the most succinct statement of Alejandro Escovedo’s musical and personal story ever. “Sonica USA” only whets your appetite for what lies in store on the rest of the album.
The Crossing is due out on Sept. 14 via Yep Roc Records.

Image result for images BLONDIE - " X-Offender "

“X Offender” was meant to introduce Blondie to the world, though its debut single (and opening track from its first, self-titled album) It only became a success thanks to its B-side, after an Australian TV station played the more Phil Spector-ish pop song “In The Flesh” instead. You can see why some might have balked at “X Offender.” Bassist Gary Valentine wrote the song—originally titled “Sex Offender,” before the label intervened about an 18-year-old arrested for having sex with his underage girlfriend.

Then Debbie Harry changed the lyrics to make it a love story about a prostitute who falls for the cop who busts her. Either way, it’s touchy subject matter, especially for a debut. But “X Offender” still functions as a perfect salvo for the band, sounding both nostalgic (with its surf guitar and a spoken-word intro worthy of The Ronettes) and ahead of its time (layered with the kind of sweet-sounding synths that would come to define candy-coated ’80s new wave). Giving voice to the song’s narrator, Harry sounds smitten, menacing, and fully in control of the situation (“I think all the time how I’m going to perpetrate love with you / And when I get out, there’s no doubt I’ll be sex offensive to you”), her regal, commanding rock persona already fully formed.

Private Stock insisted that the name of the single be changed to “X Offender” because they were nervous about the original title. It was released in mid-1976 with the B-side being “In the Sun”. While the song did not chart, Chrysalis Records heard it along with the Blondie album and signed the band. “X Offender” later served as the B-side to “Rip Her to Shreds”.

Official video of Blondie performing X Offender from the album Blondie

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Solitude is not always lonely, nor always so sweet as splendid isolation. More often it hovers between, ambivalent yet beautifully apprehended by Hana Vu on her debut EP How Many Times Have You Driven By. Written and produced by Hana herself, the EP masters the defining balance of bedroom pop: it’s warm, sparse, and whisper-intimate yet at the same time wholly radio-ready. The opening “Crying on the Subway”, set on the purgatorial Metro Red Line between downtown and the valley, is saturated with a mood of L.A. noir, with Hana singing to her reflection: “In my dreams I’m in that grey room. In my chest I’m feeling dark blue. Take the Red Line into downtown. I’m trying to escape you.” It was this song— or rather its accompanying video— that first tripped the sensors of Chris and Graham of Luminelle Recordings, a recent offshoot of Fat Possum. The precocious Vu, at only seventeen, had already written music for five years, self-released an album on Soundcloud featuring a collab with Willow Smith, and polished up enough new songs for a gem of an EP, which they eagerly signed, pressed, and called in Clay Jones (Modest Mouse, Sunflower Bean) to master.

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Clamoring for creative outlets from an early age, she formed musical projects and played shows, though without fully clicking with her teen peers in the local D.I.Y. brat-pack. “I wouldn’t call myself a curmudgeon, but I found it hard to be friends with other young people. Instead, I found two or three key homies, then just did my own thing— socially and in my music”— partly explaining the ambition and ambiance of How Many Times Have You Driven By. On “Cool”, for instance, Hana drapes a lower-key, soulful melody over beats borrowed from her friend Satchy, who also chimes in for a verse as they tarry with life’s misfortunes. She follows this with “Shallow”, in which her calm twists into agitation and a more recognizably rock instrumentation, all played and recorded by Hana in her bedroom. The EP returns to peace with the dreamy “426”— the address of a summer residence in which Hana discovered a sense of place or belonging— though fleetingly, as her friends disbanded at the season’s end. But, c’est la vie. Solitude, for all its occasional pangs, is for Hana Vu as much a condition of her independence, a little breathing room from the throng to forge her own certain future in music. As she’ll tell you, with poise and fairly pleased with things so far,“I spend most of my time alone.”

How Many Times Have You Driven By EP out June 29th on Luminelle Recordings

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Slothrust band leader Leah Wellbaum and drummer/singer Mickey Vershbow met while both
immersed in the Boston music scene & then went on to pursue separate musical careers on opposite coasts. ANMLPLNET displays their magnetic musical bond, even while withstanding the physical distance andtheir hectic schedules. 

Nobody is more surprised about having created a full ANMLPLNET album than the group itself: Slothrust leader Leah Wellbaum along with drummer/singer Mickey Vershbow. The project and debut LP truly displays their magnetic musical bond, even while withstanding physical distance and hectic schedules. The band was formed originally on four disparate rules:

1. Always drink absinthe while rehearsing.
2. Write lyrics that are antonymic translations, meaning nouns,
adjectives and verbs were replaced with their antonyms.
3. Play songs straight through as one giant piece, no breaks.
4. Accept mostly unusual gigs, like their performances at a Dorchester
rave and in a wooden shack on the tiny Star Island off New Hampshire.

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Yeah, sure, so many bands have used these same precepts for vast success, so what? Even while seeking to create a dream-like soundscape, ANMLPLNET is surprisingly gimmick-free music being, both epochal in scope and surprisingly melodic. Their goal is to explore the space between songwriting and improvisation, and the result is an uncontrived melding of their personal styles and technical mastery of their instruments. Wellbaum and Vershbow basically plan, dig, then embark on a fresh road towards rock brilliance. Fall Asleep is their debut album and the first 500 copies are pressed on unique gold marble vinyl.

released April 20, 2018 on Ba Da Bing Records.

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Liverpool’s The Night Café dropped their sophomore EP Bunkbed earlier this year, following the same path the band has paved before with slow-cruising, guitar-dominated tracks. The final track on the EP, “Forget It All,” makes an abrupt entrance after the other previously unheard song, “I’m Fine.” Rather than fading in at the end of “I’m Fine,” “Forget It All” crashes in with the drum kit at the outset, sounding more like a delayed final cheer for the prior track, rather than a beginning tone. A false start, the instrument levels diminish and are interlaced with indistinguishable words pulled out of a staticky phone call. Then the song takes its real starting leap as the same beginning bang kicks in, joined by a faster guitar.

EP ‘Bunkbed‘ featuring ‘Forget It All’: the-night-cafe.lnk.to/BunkbedEP