Posts Tagged ‘Liverpool’

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Liverpool psych-pop five-piece The Vryll Society have released a new single, “Andrei Rublev.”

The band are currently working on their debut album, and have released a series of singles and an EP titled Pangea through famed Liverpool indie label Deltasonic Records (The Coral, The Zutons, White Room). The band recently supported The Kooks, Blossoms and The Coral in the U.K., and they also made an appearance at last year’s SXSW festival in Austin.

Their stunningly beautiful new song, “Andrei Rublev” is as mellowing as it is hypnotic, with frontman Mike Ellis’ calming lead vocals, their kraut-rock rhythm section, lush synth soundscapes and intricate psych guitar lines. The song’s raw power sneaks up on listeners with its trotting bass line and shimmering Procol Harum-esque keyboards before it erupts with euphoric sonic textures and biting guitar solos.

The Vryll Society’s new track’s title refers to a 1966 Soviet historical drama of the same name, directed by Andrei Tarkovsky. The band is due to play Brighton’s Great Escape Festival in May and Liverpool International Music Festival in July.

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Stealing Sheep Suffragette Tribute

Presented in partnership with Edge Hill University and Brighter Sound.
In response to the centenary of suffrage, Stealing Sheep are celebrating women with a performance inspired by the suffragette movement. co-commissioned by Sound City Innovation partner Edge Hill University and Manchester-based creative music charity Brighter Sound, ‘Stealing Sheep’s Suffragette Tribute’ will bring together female drummers and percussionists from the Liverpool area with design, AV and production students to create a marching band and procession featuring brand new music – all inspired by women, equality and empowerment.
The performance will be the culmination of a five-day artistic residency led by Stealing Sheep. The residency is part of Both Sides Now, an initiative led by Brighter Sound to support, inspire and showcase female artists based in the North of England.
Edge Hill University have co-commissioned the piece as part of its ‘Wonder Women’ year of celebration of women’s suffrage, and empowered its students to be involved through its innovative Student Opportunity programme.

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Liverpool DIY punk outfit blur the lines between everything, from sexuality and gender to global politics. On tour with Marmozets in February.  Two months ago, it would have been easy to perceive the Liverpool group as light-hearted and charmingly crass; shooting misandrist fuzz punk songs from the hip in the name of radical feminist solidarity. Now, it’s evident that Queen Zee and the Sasstones has always been a platform to express dysphoria and confusion. A coping mechanism. “I created the Zee character in order to live how I needed to live”, Zapata-Jones explains, “I think I grew into it.”

That lovable goofiness that the band initially radiated doesn’t exist by accident, though. In fact, ‘Queen Zee and the Sasstones’ in its earliest form was purely a name on a gig poster, there was no intention for anybody to play under that name. Eventually, with five days to go until the show, Zee and Em Dee, a long time collaborator of theirs, decided that they’d bring the band to life and play the show; their set consisted solely of a chaotic cover of The Prodigy’s ‘Firestarter’.

Band Members
Zee, Jason, Frankie, Dave, Courtney

Liverpool’s post-punk legends Echo and The Bunnymen have announced their next record—their first since 2014’s Meteorites. The brand new album, The Stars, The Oceans & The Moon’ will be released in May of 2018 and will feature Bunnymen classics transformed and reinterpreted with co producer Andy Wright into “new songs with strings and things attached”

This is not too unusual given the Bunnymen’s liberal use of strings on classics such as “The Cutter”, “Silver”, and their the band’s use of a live string section during concerts of recent years. Lead by the Ian McCulloch and Will Sergeant, and co-produced by Andy Wright, there is no final track listing for The Stars, The Oceans & The Moon as yet, but we are promised that they will revisit “some of their greatest songs” and that we can expect a couple of brand new tracks. McCulloch’s take on this project is as follows: “I’m not doing this for anyone else. I’m doing it as it’s important to me to make the songs better. I have to do it.”

Along with the announcement of the new album are some very special UK tour dates that culminating at London’s Royal Albert Hall on June 1st.

The record will be available in signed and unsigned CDs, Double LPs, Double Picture Discs, and cassettes.

FUSS – ” The Fuss EP “

Posted: September 15, 2017 in MUSIC
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“Drone pop cosmonauts” Fuss make songs to climb inside. Having already mesmerized and tied up in knots the eyes and ears of the Liverpool (UK) music scene they are set to spellbind a wider audience.

Formed in 2016 through a chance meeting of strangers in the dusk, Fuss have spent the year shaping “heaving beasts that come to life when Fuss play live”. 2016 has seen gigs with Psychic Ills, Ulrika Spacek and ‘head mates’ The Vryll Society. The band are have just released their debut EP. 

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Try to imagine the very best bands, combined with a decadent Victoriana carnival, with a heavy dose of outrageous sideshows, and you’ll begin to get a picture of what HOPE & GLORY festival is.

This brand new festival for Liverpool, taking place on 5th & 6th August, is set against the stunning Victorian backdrop of the World Museum, City Library and St. George’s Hall and Gardens.

With weekend tickets priced at just £89 (inclusive of booking fee), you can expect a glorious mix of incredible music, comedy and fun – all within a few hundred yards of Lime Street station.

The main stage music for the weekend will be on The Great Exhibition stage. The second stage will deliver different delights across the weekend and will be called The Wonders Of The Age stage on the Saturday and The Wonders of the Age stage on Sunday.

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WRONG Festival Line-up

North West independent record label Loner Noise are proud to present WRONG Festival – A Festival For The Freakscene; a one day happening on the 22nd April 2017 at the newly formed creative hub of the Liverpool Docklands.

Aiming to create something truly unique and very special for the first time in Liverpool, organisers are proud to announce that Japanese psych legends Bo Ningen will be topping a bill which brings together the disparate scenes from the heavier and stranger corners of rock music. It will be a bill of rock music on a freaked-out ride, from punk to noise to psychedelia and everywhere in between.

The event takes place across three venues: The Kazimier team’s much lauded new venture Invisible Wind Factory, the latest after-party hotspot The North Shore Troubadour, and local DIY venue stalwarts Drop the Dumbulls. The event will play host to 30 bands across these venues running from afternoon until late at night, and further continuing the party into the wee small hours.

Recently supporting the mighty Primal Scream and originally hailing from Japan but now based in London, Bo Ningen have a ferocious reputation for exhilarating live insanity. The band have released three critically acclaimed albums to date and have collaborated with Savages, earning widespread acclaim from the likes of The Quietus, DIY, Line of Best Fit and The New York Times. They will be joined by a host of underground heroes in the form of Brighton’s finest surf-doom outfit The Wytches, extreme noise mob Heck whose raucous live shows are the stuff of legend, dark-humoured noise rock quartet Blacklisters, Glasgow’ s foremost psychonauts The Cosmic Dead, near-legendary UK underground heroes Part Chimp, the immediate, cutting mutant-pop of Cowtown, and many more. The festival will also introduce bands from the fledgling Loner Noise label roster including ElevantSPQRGravvesKapil SeshasayeeFederales, and Pocket Apocalypse.

A city not necessarily known for its heavier underground rock scene, but one that’s utterly steeped in rich musical heritage, WRONG intends to be the first festival in the city to tie together Liverpool’s extremely talented (if sometimes overlooked) ever-growing pool of visceral and exciting heavy bands, as well as bringing high profile leaders and legends of the Freakscene to the city for rare live outings in the region.

WRONG Festival 2017 lineup:
BO NINGEN / THE WYTCHES / HECK / PART CHIMP / THE COSMIC DEAD / BLACKLISTERS / ELEVANT / COWTOWN / SKINNY GIRL DIET / FALSE ADVERTISING / HOUSEWIVES / USA NAILS / THE HYENA KILL / BONNACONS OF DOOM / MUMS / JAZZHANDS / SPQR / EVIL BLIZZARD / INDIAN QUEENS / CATTLE / GRAVVES / SUPER LUXURY / BERNACCIA / RONGORONGO / POCKET APOCALYPSE / INDIGO MOON / KAPIL SESHASAYEE / SALT THE SNAIL / DRORE / WILD FRUIT ART COLLECTIVE / FEDERALES / BASIC DICKS / NO WAVE DJs / BEAR GROWLS DJ

Date: Saturday 22nd April 2017
Doors: 1:00pm – 6:00am
Venues: Invisible Wind Factory / The North Shore Troubadour / Drop The Dumbulls
Age restrictions: 18+
Ticket price: £20 general admission, £15 discounted advance ticket (EXCL FEES)
Tickets: wrongfestival.com

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First saw All We Are supporting Public Service Broadcasting. The Liverpool-based trio announced they’d be playing new tracks and then move forward to now (well, a couple of weeks back to be fair) and Guro, Luis and Richard have shared something new online.

“Burn It All Out” feels like it could well act as a bridge from the laid back, psychedelic grooves of their eponymous debut album to the harder edged, more thunderous sounds that were trailed live. The opening guitar lines are gentle and swirly like a kaleidoscopic rainbow, then the beat and bass join in and that wonderfully familiar All We Are vibe begins to permeate your soul. Your shoulders move, your feet tap and your head bops as the compulsion to move and boogie along becomes overwhelming. The vocal floats like an intoxicating and heady aroma, hypnotising all who hear it before suddenly, the guitar has become harder, the rhythm more frantic and the bass heavier. Without you even realising, everything around you has been lain to waste and as you stand, amongst the rubble and ruin, you can only applaud and cry out for more.

A follow up album is on the way, so that more we crave so much will hopefully be with us soon.