Posts Tagged ‘Tom Petty’

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Tom Petty’s solo masterpiece, “Wildflowers”, will be getting an expanded release. The news was confirmed by his daughter, Adria Petty, in an interview  (June 25) on the Tom Petty Channel on SiriusXM. The collection, still referred to as “the Wildflowers project,” “is still not ready,” but a first release – a home demo of his “You Don’t Know How it Feels” – was premiered on the channel during the interview.

With some reported estate squabbles settled, the project is being overseen by Adria and her sister AnnaKim, in conjunction with Petty’s widow, Dana, and the Heartbreakers. Though the LP’s 25th anniversary passed in 2019, fans will likely savour what’s to come. Adria Petty was careful not to make a hard promise on a specific date for the release but the team is aiming for 2020.  In the years since Tom Petty released his landmark Wildflowers album, much has been said about the Rick Rubin-helmed sessions and how much unreleased material was left behind as the album evolved.  Petty originally had enough songs to release Wildflowers as a double-album – reportedly with at least 26 songs – but was persuaded against it.  In 2015, he released a preview track, “Somewhere Under Heaven,” for the release provisionally entitled Wildflowers: All The Rest.  But the collection was shelved after his death.

An expanded release of Wildflowers has been discussed for quite some time. Adria Petty said, “[We look forward to putting] this masterpiece in the framing that it deserved.” The finished set will include home recordings and demos. The team decided to put the “You Don’t Know How it Feels” demo out now because “fans have been waiting for this for such a long time,” she said.

“We don’t have my dad’s brilliant ears and eyes,” she said, “but as we were playing the demos, this one put everyone feeling really good. We get to [hear] my dad unpolished. This song is really cool because you see it coming right out of his notebook.”

The long rumoured projected had often been referred to as Wildflowers and All the Rest.

The news had been teased on Petty’s website and on YouTube, which featured an image of a wolf-like figure dressed in human clothing with the phrase “Most Things That I Worry ‘Bout Never Happen Anyway,” a lyric from the album’s “Crawling Back to You.” As a result, the members of the Facebook group Tom Petty Nation spent much of Thursday afternoon speculating on what the release would entail.

Tom Petty died on October 2nd, 2017, one week to the day after he and the Heartbreakers completed their 40th anniversary tour.

“Wildflowers”, was called Petty’s “finest hour as a recording artist and darkest as a songwriter.” The November. 1st, 1994 release was his 10th album and first under a new contract with Warner Bros. Records. Among the original’s 15 songs are such Petty favorites as “You Don’t Know How it Feels,” “You Wreck Me,” “Time to Move On,” and the beautiful title cut “Wildflowers”.

 

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Steve Nicks visited Atlantic Records‘ president Doug Morris and made her pitch for her first solo record: “So, listen, what I’d really like to do is be in Tom Petty and the Heartbreakers’ band. He said, ‘No. That’s not going to happen.'” She then asked: “So I can make, like, a Tom Petty girl album?” And so she made the album “Bella Donna”.

Bella Donna would mark the beginning of Nicks’ trend of calling upon her many musician friends and connections to fully realize her sparse demo recordings. Along with friends Tom Petty and Don Henley, Nicks brought in session musician Waddy Wachtel, Bruce Springsteen’s E-Street Band pianist Roy Bittan, and Stax session man Donald “Duck” Dunn of Booker T. & the MGs.

Though Bella Donna personnel list includes some 20 musicians, the album is very much Nicks’ own work, with all but one of the songs on the record written by her. The album also marked the first recording featuring Nicks’ backing vocalists, Sharon Celani and Lori Perry, who still record and tour with Nicks today.

Tom Petty met Nicks while he was recording his group’s album “Damn The Torpedoes”. She asked him half-jokingly if he could write her a song that she could record for her first solo album. Petty didn’t take her request seriously at first, but Nicks reiterated her request a year later as Petty was putting together his “Hard Promises” album. Petty had wrote a ballad called “Insider” at his home, played it to the Heartbreakers (to their approval), recorded a demo with his band, and sent the demo to Nicks. After listening to the demo of “Insider,” Nicks visited Petty at his studio, taped the song with Petty and the Heartbreakers, then gave the tape to Petty, saying, “You love this so much… You take the song.” He did, and included it on Hard Promises.

Shortly after Insider was finished, Petty and company recorded a song that he and guitarist Mike Campbell had composed about a year earlier…“Stop Draggin’ My Heart Around” – and sent that demo to Nicks’ then producer, Jimmy Iovine. She loved it, saying, “That’s what I wanted all along.” Nicks and Petty ended up doing it as a duet.

Chrissie Hynde would often sing the Petty role in this song when she toured with Stevie Nicks in the ’00s. They would have a lot of fun with the song..
This song is about a couple with a complicated relationship. She wants to get rid of him, but he has a hold on her heart. When she tells him to stop dragging that heart around, he explains that he’s just trying to protect her, as “you need someone looking after you.”
Many of the songs Nicks has sung over the years involve hearts in different states of breaking, and many are about her intimate relationships, written either by her or her Fleetwood Mac bandmate/soulmate, Lindsey Buckingham. This song is one of the few she could sing without dealing with the emotional baggage behind it, as it has nothing to do with her personally.
Nicks wanted Petty to produce “Bella Donna”. He gave it a shot, but it didn’t work out and Jimmy Iovine was brought in. This created an interesting dynamic as Iovine and Nicks began living together while they were making the album.

This was the biggest hit for either Stevie Nicks (as a solo act) or Tom Petty and the Heartbreakers (who had a competing single out at the time  “Woman In Love” – that didn’t chart) In addition to being The Heartbreakers’ guitarist, Mike Campbell has played on albums by many other artists, including several by Stevie Nicks. He told us how this came together: “I had written the music and Tom had written the words. The Heartbreakers had recorded a version of it with Jimmy Iovine, and Jimmy being the entrepreneur that he was, he was working with Stevie, and I guess he asked Tom if she could try it, and it just developed from there. We cut the track as a Heartbreakers record and when she decided to do it we used that track and she came in and sang over it.”

This had the good fortune of being released around the time MTV went on the air. They didn’t have many videos at the time, so this got a lot of airplay. It introduced a younger audience to Nicks and Petty.
Bella Donna was Nicks’ first solo album. Her output with Fleetwood Mac sold extremely well, but solo success was hardly ensured. When Nicks finished the album, her producer Jimmy Iovine told her she didn’t have a single, and if she didn’t record “Stop Draggin’ My Heart Around,” “your record’s going to tank and then you’re not going to have a solo career.”
Nicks was dismayed about removing one of the songs on the album to make room for the track, but she took Iovine’s advice. “I went home and said, ‘You’ve got to drop this self-esteem you’ve got going on right now and realize that the whole reason you even hired Jimmy Iovine was because he produced Tom Petty and you always wanted to be in Tom Petty And The Heartbreakers, Nicks said while introducing the song in concert. “I said: ‘Okay, I’ll do it.’ So, anyway, ‘Stop Draggin’ My Heart’ became a huge single, all because Tom Petty was generous enough to give me that song.”

The song was released as the first single setting the stage for more hits. The next single was another duet: “Leather And Lace” with Don Henley, which reached #6. It wasn’t until the third single that Nicks was finally on her own: “Edge Of Seventeen”.
A few years after this was released, Dave Stewart of Euryhmics wrote “Don’t Come Around Here No More,” which he and Iovine started producing for Nicks. By this time, Iovine and Nicks had broken up, and when she came over to work on the song, things didn’t go well and she stormed out. Iovine brought in Tom Petty and they completed the song with him, something Nicks knew was fair considering “Stop Draggin’ My Heart Around” went on her album.
On her 2001 album Trouble In Shangri-La, Nicks thanked Petty in the liner notes. She asked him to write another song for her, but he refused and encouraged her to write it herself. After that conversation, she started writing songs for the album. Tom Petty had a connection to another song on the album. His wife, Jane, told Nicks that she was “at the age of 17” when she met Tom. Like her husband, Jane was from Gainesville, Florida, and had such a strong country accent that Stevie thought she said “edge of 17,” which provided the title for one of her most popular songs.In the liner notes to her Time Space album, Stevie Nicks said: “Jimmy (Iovine) played this song to me while he was still finishing Tom’s album; it was one of those songs that Tom was not going to do, and he told Jim that I could do it. I wasn’t used to doing other people’s songs, so I didn’t really like the idea at first, but I loved Tom Petty, so I agreed to try. So we went into the studio and sang it live, together. I was completely entranced, and I instantly fell into love with the song. Duets were the things I loved the most… maybe this was a second beginning. And we would sing like no one else, and nobody else would ever sing like us.”

Petty and Nicks reunited to perform this song when Petty was honored as the MusiCares Person of the Year on February 10th, 2017. Before giving her induction speech, Harry Styles sang this with Nicks when she entered the Rock and Roll Hall of Fame in 2019 as a solo artist.

J Mascis Covers Tom Petty And The Heartbreakers' 'Don't Do Me Like That'

US indie guitar hero J Mascis (Dinosaur Jr) has unleashed a incendiary cover of legendary classic hits mainstays Tom Petty and the Heartbreakers‘ awesome rocking hit ‘Don’t Do Me Like That‘. The oft-languid Mascis summons hidden energy reserves for his fiery yet soulful rendition, conjuring majestic guitar solos and crunchy riffage like the axe-wielding wizard he is. The standalone release follows Mascis‘ 2018 solo album “Elastic Days” and drops in advance of a heady tour season for the artist, who’s gearing up for shows in Japan, the UK and Europe. Dive into his reimagining cover of ‘Don’t Do Me Like That’

J Mascis covers Tom Petty’s “Don’t Do Me Like That”

Tom Petty released “Somewhere Under Heaven,” co-written with Mike Campbell for 1994’s Wildflowers but left unheard until now. The track, available for purchase now through digital retailers, which will be part of a new archival project titled Wildflowers: All the Rest.

Even a brief listen to “Somewhere Under Heaven” places it firmly in context with the original album’s layered complexity. You can hear a sample of the new song above. The three-times platinum Wildflowers, a No. 8 hit that marked the first of three Petty albums co-produced by Rick Rubin, moved with deceptive grace from brawny rockers (“You Wreck Me,” “Cabin Down Below,” “Honey Bee”) to acoustic fragility (the title track, “Time to Move On”) to moving longform narratives (“It’s Good to be King,” “Crawling Back to You”).

And apparently there was much more where that came from. The release of Wildflowers: All the Rest, which features songs written between 1992-94, apparently corrects a wrong that goes back more than two decades. Petty says Wildflowers was originally intended to be a double album.

“Somewhere Under Heaven” can also be heard during the closing credits for the movie Entourage, which opens this week. Petty’s  last studio album, Hypnotic Eye, became his first-ever U.S. No. 1. It was also his highest-charting U.K. release since Wildflowers went Top 10 20 years ago..

The track was recorded for 1994’s Wildflowers, which will see a second disc from those sessions called Wallflowers: All the Rest hit shelves at some point in the future. But Petty was quick to point out that these aren’t outtakes.

“The original plan was to release it as as the complete Wildflowers album with the original album and this,” he said. “And Warner Bros. came back to us and said, ‘Look, this is far too good a record to just send straight to the catalog racks. We’re going to put it out as its own album.’ I was behind that decision too. It’s done and we’re eventually going to put it out. It’s just sitting there finished,

Several of The Best of Everything’s 38 songs, including “You Don’t Know How It Feels,” are plucked from Petty’s beloved solo album Wildflowers, which was released on this day in 1994. To commemorate Wildflowers’ 24th anniversary,

While there’s no word on the long-promised expanded edition of Tom Petty’s 1994 album Wildflowers, we have some new insight of the sessions courtesy of its producer, Rick Rubin. In a new interview, he discussed the recording of the tracks and how Petty was “haunted” by its legacy.

As Rubin told Malcolm Gladwell on their Broken Record podcast (embedded below), the genesis for Wildflowers came from the sessions that resulted in the bonus tracks for the Heartbreakers‘ 1993 compilation, “Mary Jane’s Last Dance” and the cover of Thunderclap Newman’s “Something in the Air.” After the meticulous work they did with Jeff Lynne, Rubin freed them in the studio, and it resulted in what Rubin called a more “organic” sound, that “felt more alive and more human,” and they decided to continue working together.

It was a particularly “fertile” and “prolific” period in Petty’s career, as Rubin noted. Plus, Petty was eager to please his new producer and open to suggestions. “Hope You Never,” one of the leftovers that wound up on the She’s the One soundtrack, was a particular example.

“We did that very in a straightforward way, kind of almost Jeff Lynne-y drumwise,” he said. “Very straight. And we probably played that a bunch of different ways before we decided, ‘Oh, we like it this way.’ [We] probably played it more like band-style and then it’s like, ‘This lends itself more to the kind of hypnotic, locked-in sound.’ It’s a more down-tempo, moody piece, sort of the sarcastic Tom — ‘I hope you never fall in love with somebody like you.'”

Rubin said that they recorded “between 26 and 28 songs,” but Warner Bros. felt a single LP would have greater commercial potential. Petty, who repeatedly fought with his former label MCA, agreed with his new bosses and they went about figuring out which songs to include and in what order. Wildflowers was eventually released in November 1994 with 15 tracks. But Petty always hoped to put out the others.

“He thought it was really important because the legacy of the Wildflowers album loomed large in his career,” Rubin continued. “And he knew that the second half of Wildflowers was an important statement. His issue was [that] he didn’t want to put it out as a new Tom Petty album, ’cause it’s not a new Tom Petty album — it was recorded 25 years ago — and he didn’t want to release it as an old catalog album because he thought it deserved more than being a catalog album. He felt like it was too good to just put out and was sort of looking for the right story where it would have the exposure that it deserved. And he never came up with it.”

About two and a half years ago, Petty went to Rubin’s house and played the unreleased tracks, which he had since made a few changes to, for Rubin, and the quality “floored” him. “I had, like, a vague memory of them,” he said, “but some of them just hit me like, ‘Wow, what a great song! How did we ever miss this?'”

But during that listening session, Petty opened up about how he knew they had channeled something magical on those tapes, and could never get it back.

“He told me Wildflowers scares him, because he’s not really sure why it’s as good as it is,” Rubin said. “So it has this, like, haunted feeling for him. … He loves it, but it’s not like he can turn that on again. He couldn’t make Wildflowers 2 today. That was the point. The point was, ‘I can’t do this now. This was then, and it was where I was then and it was a prolific period. This is an extension of that moment.'”

She's the One

When asked for a song to include in writer-director Edward Burns‘ romantic comedy She’s The One,  Tom Petty responded with an entire album. Though nominally a film soundtrack, the Warner Bros. collection stands proudly with the singer-songwriter’s best work of the 1990s. Cut with producer Rick Rubin and the ever-reliable Heartbreakers, Songs and music from “SHE’S THE ONE” has a relaxed feel and eclectic mix of material (including Beck and Lucinda Williams covers) that give the impression Petty was really enjoying himself. Which doesn’t mean his customary craftsmanship is absent; the dozen originals include such terrific songs as “Climb That Hill” and single “Walls (Circus),” which features guest vocals from Lindsey Buckingham. Released in 1996, SHE’S THE ONE is an album sometimes forgotten but well worth rediscovering.

The album was not mentioned on the four-hour documentary Runnin’ Down a Dream, though Petty could be seen doing a studio session of the song “Angel Dream (No. 4)”.

Some songs were originally recorded for Wildflowers and were put on this album to fill it out. When In April 2015, when Tom Petty’s back catalog was released in High-resolution audio, this was one of only two albums not included in the series (the other being Wildflowers).

There are two songs on the disc that Petty chose to record and release in two different versions. The first is Walls which kicks off the album with its Beatles- and Byrds-inspired psychedelic version, aptly titled Walls (Circus). The version appearing later in the disc is more barren and Dylan-esque in nature. The second song to appear twice is Angel Dream. Both versions borrow a page from the Simon and Garfunkel book. The first to appear is more like the Bridge over Troubled Water era, while the later version borrows from the Wednesday Morning, 3 A.M. era. One of my favorites on this disc is Hung Up and Overdue which borrows heavily from The Beach Boys’ Pet Sounds album.

Most notable on this disc is Petty’s merging into a pattern similar to Neil Young’s. His Heartbreakers are like Young’s Crazy Horse, and his sound blends from solitary acoustic music to all-out feedback-laden rockers. It certainly keeps things fresh with the stark contrast between the styles and seems to fit Petty as well as it fits Young.

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American Treasure, is a 60-track box set featuring previously unreleased live and studio material from Tom Petty, will be released on September. 28th. The songs on the collection are reportedly drawn from all phases of Petty’s career with his longtime band the Heartbreakers.

Full details including a complete track list are expected to be announced soon. The news was revealed today on Petty’s SiriusXM radio station, along with the debut of the first track from the box set, 1982’s previously unreleased “Keep a Little Soul.” American Treasure was reportedly compiled by Petty’s daughter Adria, his wife Dana, Heartbreakers guitarist and keyboardist Mike Campbell and Benmont Tench and “studio collaborator” Ryan Ulate.

After the countdown clock emerged this morning, many fans speculated that the news would be concerning the release of a double album version of Petty’s 1994 record Wildflowers. He had originally intended for the album, his second solo effort, to be a double album, but, at Warner Bros. request, he scaled it back to a single disc.

In 2014, it was reported that a set expected to be called Wildflowers: All the Rest, that restored the complete track list, was in the works to coincide with the album’s 20th anniversary. Only the song “Somewhere Under Heaven” has officially surfaced, appearing during the closing credits of the Entourage movie.

He was planning to support the release with a unique tour. “I want to take the Heartbreakers and whoever else I need to reproduce every sound in a big way,” he had said. “That album was really about sound in a big way. I would like to go out there and perform the entire album as it was originally conceived with all of the songs.”

“That would have been smaller-scale, away from the hits,” guitarist Mike Campbell later added. But he said that the plan, to which Norah Jones had signed on, was scrapped in favor of a career-spanning trek to celebrate the 40th anniversary of the Heartbreakers. Unfortunately, Petty died a week after the last date of the tour, a September. 25th show at the Hollywood Bowl.

Tom Petty‘s family and former collaborators compiled the four-CD box set of previously unreleased material by Petty and the Heartbreakers, for release on September 28th, SiriusXM announced. The release, called An American Treasure, marks the first posthumous album of Petty material since his death in October. The SiriusXM broadcast debuted a clip from one of the unreleased songs from 1982 called “Keep a Little Soul.”

An American Treasurewill contain previously unreleased studio recordings, live recordings, deep cuts and alternate versions of popular Petty songs,. The collection will encompass 60 tracks in total. A less expensive two-CD set will also be available for purchase.

Petty was as prolific as he was talented. During the Eighties and Nineties, he released albums at a rapid pace. His studio productivity dipped slightly in the new millennium, when he put out an album roughly every four years. The last album Petty released under his own name was 2014’s Hypnotic Eye. He also contributed to 2016’s Mudcrutch 2 with members of his pre-Heartbreakers band.

TomPetty - An American Treasure D2C pack shot Image

Petty was found unconscious at his home in Malibu on October 2nd, 2017. He was taken to the hospital and put temporarily on life support. He died hours later.

In January, a medical examiner ruled that the singer died of an accidental overdose. Petty had been prescribed drugs to treat emphysema, knee issues and a fractured hip, according to a statement from his family. “On the day he died, he was informed his hip had graduated to a full-on break,” Dana and Adria wrote. “It is our feeling that the pain was simply unbearable and was the cause for his overuse of medication.”

After we lost the iconic rocker Tom Petty. The 66-year-old died of cardiac arrest. In his memory, a new tribute collection called “An American Treasure” features previously unheard recording and live performances. Anthony Mason spoke to Petty’s daughter, Adria, in her first TV interview since her father’s death.

1              Surrender           Previously unreleased track from Tom Petty and the Heartbreakers sessions-1976
2              Listen To Her Heart         Live at Capitol Studios, Hollywood, CA-November 11, 1977
3              Anything That’s Rock ‘N’ Roll      Live at Capitol Studios, Hollywood, CA-November 11, 1977
4              When The Time ComesAlbum track from You’re Gonna Get It!-May 2, 1978
5              You’re Gonna Get It       Alternate version featuring strings from You’re Gonna Get It! sessions-1978
6              Radio Promotion Spot    1977
7              Rockin’ Around (With You)          Album track from Tom Petty and the Heartbreakers -November 9, 1976
8              Fooled Again (I Don’t Like It)       Alternate version from Tom Petty and the Heartbreakers-1976
9              Breakdown         Live at Capitol Studios, Hollywood, CA-November 11, 1977
10           The Wild One, Forever  Album track from Tom Petty and the Heartbreakers-November 9, 1976
11           No Second Thoughts      Album track from You’re Gonna Get It!-May 2, 1978
12           Here Comes My Girl       Alternate version from Damn The Torpedoes sessions-1979
13           What Are You Doing In My Life  Alternate version from Damn The Torpedoes sessions-1979
14           Louisiana Rain    Alternate version from Damn The Torpedoes sessions-1979
15           Lost In Your Eyes              Previously unreleased single from Mudcrutch sessions-1974
CD 2
1              Keep A Little Soul             Previously unreleased track from Long After Dark sessions-1982
2              Even The Losers               Live at Rochester Community War Memorial, Rochester, NY-1989
3              Keeping Me Alive            Previously unreleased track from Long After Dark sessions-1982
4              Don’t Treat Me Like A Stranger  B-side to UK single of “I Won’t Back Down”-April, 1989
5              The Apartment Song      Demo recording (with Stevie Nicks)-1984
6              Concert Intro     Live introduction by Kareem Abdul-Jabbar, The Forum, Inglewood, CA-June 28, 1981
7              King’s Road         Live at The Forum, Inglewood, CA-June 28, 1981
8              Clear The Aisles                Live concert announcement by Tom Petty, The Forum, Inglewood, CA-June 28, 1981
9              A Woman In Love (It’s Not Me)Live at The Forum, Inglewood, CA-June 28, 1981
10           Straight Into Darkness   Alternate version from The Record Plant, Hollywood, CA-May 5, 1982
11           You Can Still Change Your MindAlbum track from Hard Promises-May 5, 1981
12           Rebels  Alternate version from Southern Accents sessions-1985
13           Deliver Me          Alternate version from Long After Dark sessions-1982
14           Alright For Now                Album track from Full Moon Fever-April 24, 1989
15           The Damage You’ve Done            Alternate version from Let Me Up (I’ve Had Enough) sessions-1987
16           The Best Of Everything  Alternate version from Southern Accents sessions-March 26, 1985
17           Walkin’ From The Fire    Previously unreleased track from Southern Accents sessions-March 1, 1984
18           King Of The Hill  Early take (with Roger McGuinn)-November 23, 1987
CD 3
1              I Won’t Back Down          Live at The Fillmore, San Francisco, CA-February 4, 1997
2              Gainesville          Previously unreleased track from Echo sessions-February 12, 1998
3              You And I Will Meet Again            Album track from Into The Great Wide Open-July 2, 1991
4              Into The Great Wide Open          Live at Oakland-Alameda County Coliseum Arena-November 24, 1991
5              Two Gunslingers              Live at The Beacon Theatre, New York, NY-May 25, 2013
6              Lonesome Dave               Previously unreleased track from Wildflowers sessions-July 23, 1993
7              To Find A Friend               Album track from Wildflowers-November 1, 1994
8              Crawling Back To You      Album track from Wildflowers-November 1, 1994
9              Wake Up Time  Previously unreleased track from early Wildflowers sessions-August 12, 1992
10           Grew Up Fast    Album track from Songs and Music from “She’s the One”-August 6, 1996
11           I Don’t Belong   Previously unreleased track from Echo sessions-December 3, 1998
12           Accused Of Love              Album track from Echo-April 13, 1999
13           Lonesome Sundown      Album track from Echo-April 13, 1999
14           Don’t Fade On Me           Previously unreleased track from Wildflowers-sessions-April 20, 1994
CD 4
1              You And Me       Clubhouse version-November 9, 2007
2              Have Love Will Travel     Album track from The Last DJ-October 8, 2002
3              Money Becomes King    Album track from The Last DJ-October 8, 2002
4              Bus To Tampa Bay            Previously unreleased track from Hypnotic Eye sessions-August 11, 2011
5              Saving Grace      Live at Malibu Performing Arts Center, Malibu, CA-June 16, 2006
6              Down South       Album track from Highway Companion-July 25, 2006
7              Southern Accents            Live at Stephen C. O’Connell Center, Gainesville, FL-September 21, 2006
8              Insider  Live (with Stevie Nicks) at O’Connell Center, Gainesville, FL-September 21, 2006
9              Two Men Talking              Previously unreleased track from Hypnotic Eye sessions-November 16, 2012
10           Fault Lines           Album track from Hypnotic Eye-July 29, 2014
11           Sins Of My Youth             Early take from Hypnotic Eye sessions-November 12, 2012
12           Good Enough    Alternate version from Mojo sessions-2012
13           Something Good Coming             Album track from Mojo-July 15, 2010
14           Save Your Water              Album track from Mudcrutch 2-May 20, 2016
15           Like A DiamondAlternate version from The Last DJ sessions-2002
16           Hungry No More              Live at House of Blues, Boston, MA-June 15, 2016

Chris Martin of Coldplay

An outpouring of grief swept the music industry at the passing of Tom Petty , as it was confirmed that Tom Petty died from a cardiac arrest at the age of 66.

The emoting continued at the Moda Center in Portland, Ore., as Coldplay held a minute of silence for the passing of a rock ‘n’ roll legend. They followed the silence with a cover of “Free Fallin’” as they were joined by Peter Buck of R.E.M.

The band joined figures from all over the industry in expressing their sadness at Petty’s passing.

Watch fan-shot videos of Coldplay and Buck’s performance

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Father John Misty offered up probably the most poignant and thoughtful tribute to Tom Petty with a soulful rendition of his “To Find a Friend” from the iconic Wildflowers record.

Performing at the Orpheum Theatre in Phoenix, AZ, Josh Tillman took some time to pay homage to the late singer-songwriter with a solo acoustic version of the song.

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Tributes to departed American icon Tom Petty have been pouring in since his death on Monday. Jeff Tweedy and company’s faithful rendition of the Hard Promises hit became a cathartic sing-along at the Music Factory. The world was still reeling from Petty’s death Monday following cardiac arrest at the age of 66.

Last night at the Irving Music Factory in Irving, TexasWilco showed their love with a faithful cover of Petty’s “The Waiting,” the lead single from 1981’s Hard Promises and Petty’s first ever No. 1 single on the U.S. Rock Charts. Nine more would follow: “You Got Lucky,” “Jammin’ Me,” “I Won’t Back Down,” “Runnin’ Down a Dream,” “Free Fallin’,” “Learning to Fly,” “Out in the Cold,” “Mary Jane’s Last Dance” and “You Don’t Know How It Feels.” (Incredibly, Petty never scored a Top 5 single on the regular U.S. Charts, with “Free Fallin’” reaching as high as No. 7 in 1989.)

On Monday, Wilco also posted this video of them playing Petty’s “Listen to Her Heart” way back in 1995.

Photo: Allyce Andrew

An offering of praise for the late great master. Hey beautiful people,
I tend to be pretty quiet about celebrity deaths… but I’ve got some words about this one. 

I was raised on Tom Petty. Trapped in the car on long family road trips, his music made me feel colors. His songs felt like peepholes into a great wild world I knew I would one day be exploring myself… and he gave some good pointers. Every time I hear those records, no matter where I am or what’s going on, I feel as though I’m in the company of a dear old friend.

More than just being obviously one of the greatest songwriters ever, Petty was a rebel with a cause who took several bold and very public stands for what he believed in, resisting record label executives who wanted to use him as a pawn in their game. If you haven’t seen “Runnin’ Down a Dream,” the epic Heartbreakers documentary directed by Peter Bogdanovich, I highly recommend it!

To honor the life and death of this super rad being, on the night of his passing, I recorded a live video of my cover of his song “You Got Lucky.” Best Wishes Johanna Warren.