Archive for the ‘CLASSIC ALBUMS’ Category

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After releasing the acoustic, micro-tonal infused track “Honey” back in July, Australian psych-rockers King Gizzard & The Lizard Wizard have shared another new song, “Some of Us,” along with an accompanying music video. The song was written by guitarist Cook Craig and features vocals from Stu Mackenzie. The video, like most of King Gizzard’s filmed content, was made by John Angus Stewart, who also directed the band’s recent concert film, “Chunky Shrapnel”.

This Cookie penned, Stu sung song came together early this year as the world was slowly descending into madness, but before it was truly on fire,” wrote the band in an Instagram post about the song. The also hinted at the release of more new music on the horizon: “We’ve made heaps of tunes lately. Currently putting some sparkles on em. Can’t wait to show y’all before we go down in flames. King Gizzard were set to play two of their biggest shows to date this summer, headlining two nights at Red Rocks. Unfortunately, those were postponed due to coronavirus.

“ Filmed on a Thermal Imaging Camera designed to capture and read heat temperatures. These cameras are currently in use by the military and science community to assist with monitoring of COVID-19.
There is something about seeing heat in its raw form that is deeply disturbing. I think it’s got something to do with seeing the body broken down to it’s most mechanical function. It’s a not so gentle reminder that we are just meat, bone and blood. ”

Amby: Harmonica Cavs: Drums Cookie: Piano, Bass, Percussion, Guitar, Keyboards, Synthesiser, Clarinet, Flute Stu: Vocals, Guitar, Clavinet, Xylophone, Bass Recorded by Cook Craig and Stu Mackenzie

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Southampton born emo revivalists Creeper scared the life out of fans when they hinted that their sold-out show at Koko in 2018 might be their last. In fact, it was just the end of the past as they usher in a new era with the arrival of second album ‘Sex, Death & the Infinite Void’.

“The infinite void was literally where we were drifting for some time while making this album. I didn’t know if Creeper was going to come back, I didn’t know if we were over. I was floating through California with the shards of a broken relationship and a band that I’d just broken up on stage that had been my life’s work.” – Will Gould

Creeper will be hitting the road during March next year, heading out on a huge tour to promote the new material with support coming from Holding Absence, Wargasm and Static Dress

‘Sex, Death & the Infinite Void’ is out now available on CD, Purple Vinyl and a Bundle of both!

Band Members
Dan Bratton – Drums.
Oliver Burdett – Guitar.
Ian Miles – Guitar.
Will Gould – Vocals.
Sean Scott – Bass.
Hannah Greenwood – Keys.

Distortion: 1989-1995

Demon Records presents “Distortion: 1989-1995” , the first in a series of four expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould.
Bob Mould is releasing this massive, career-spanning box set chronicling 30 years of his solo music, as well as his work in the band Sugar. Distortion: 1989-2019 arrives October 2nd (via Demon Music Group). The anthology includes 18 studio albums, four live albums, and two albums of rarities and collaborations, spanning the 24 CD set Distortion: 1989-2019 and the 8xLP collection Distortion: 1989-1995. Find images of the full set below, and scroll down to watch a 2005 live video of Mould performing Hüsker Dü’s “Could You Be the One?”; also, check out the trailer for Distortion.

Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. Volume one in this new series covers 1989 to 1995, beginning with Mould’s first post Hüsker Dü album workbook and continuing through to Sugar’s final studio album file under: Easy Listening.

“It’s called Distortion because it describes the music and it fits the world we live in,” Mould said of the box set in a press release. “In this new age, everybody shares their life in real time. But I’m not done yet. If I didn’t have a constantly active career, this anthology might feel like the proverbial dirt landing on top of my coffin—though somehow I seem to be able to crawl my way out of the dirt every time!” Of his 2005 performance of “Could You Be the One?” Mould said:

For years, I didn’t play any Hüsker Dü material with my subsequent touring bands. This was the first time my long time friend and colleague Jason Narducy (bass) played in my touring band. Rich Morel (keys) was my work partner for 11 years in BLOWOFF, and the 9:30 Club was home for our monthly dance party. Brendan Canty (drums) nudged me out of my self-imposed “rock retirement” after the 1998 Last Dog and Pony Show tour (which is also chronicled in the box set). Brendan’s company Trixie Productions filmed and edited the show.

Bob Mould’s next studio album “Blue Hearts” arrives September 25 via Merge Records.

• each album is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects .

• includes a 28 page companion booklet featuring: liner notes by journalist Keith Cameron; a foreword by writer and actor Fred Armisen ; a tribute from Richard Thompson; lyrics and memorabilia. • mastered by Jeff Lipton and Maria Rice at peerless mastering in Boston.

• featuring an array of bonus tracks including Sugar’s 1995 collection of b sides and non album tracks besides , along with Distortion plus: 1989-1995 a new and exclusive collection of rarities and collaborations (pressed on clear vinyl).

• this indies exclusive edition is strictly limited to 750 copies worldwide and includes a 12”x12” screen print of the new Copper Blue album cover, hand signed by illustrator Simon Marchner and Bob Mould himself.

    1. lp 1: bob mould workbook side a 1. sunspots 2. wishing well 3. heartbreak a stranger 4. see a little light 5. poison years 6. sinners and their repentances side b 1. brasilia crossed with trenton 2. compositions for the young and old 3. lonely afternoon 4. dreaming, i am 5. whichever way the wind blows
    2. lp 2: bob mould black sheets of rain side a 1. black sheets of rain 2. stand guard 3. it’s too late 4. one good reason 5. stop your crying side b 1. hanging tree 2. the last night 3. hear me calling 4. out of your life 5. disappointed 6. sacrifice / let there be peace
    3. lp 3: sugar copper blue side a 1. the act we act 2. a good idea 3. changes 4. helpless 5. hoover dam side b 1. the slim 2. if i can’t change your mind 3. fortune teller 4. slick 5. man on the moon
    4. lp 4: sugar beaster side a 1. come around 2. tilted 3. judas cradle side b 1. jc auto 2. feeling better 3. walking away
    5. lp 5: sugar file under: easy listening side a 1. gift 2. company book 3. your favorite thing 4. what you want it to be 5. gee angel side b 1. panama city motel 2. can’t help you anymore 3. granny cool 4. believe what you’re saying 5. explode and make up
    6. lp 6 & 7: sugar besides side a 1. needle hits e 2. if i can’t change your mind (solo mix) 3. try again 4. where diamonds are halos (live) 5. armenia city in the sky (live) side b 1. clownmaster 2. anyone (live) 3. jc auto (live) 4. believe what you’re saying (campfire mix) 5. mind is an island side c 1. frustration 2. going home 3. in the eyes of my friends 4. and you tell me side d (bbc radio 1. if i can’t change your mind 2. hoover dam 3. the slim 4. where diamonds are halos
    7. lp 8: distortion plus: 1989 1995 side a 1. all those people know bob mould 2. no water in hell bob mould 3. dying from the inside out the golden palominos side b 1. dio throwing muses 2. hickory wind bob mould & vic chesnutt 3. can’t fight it bob mould 4. turning of the tide bob mouldBob Mould box set

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Killer psych rock that sizzles!, BHDC is a stellar band with great vocals, a tight sound and expert musicianship. With its Wall of Psychedelic Sound, Setting Sun is one of my favourite songs of the year. This outstanding band is for real.

Sparkly magic mountain-drops fall from the outer cosmic reaches in the re-imagined mind-forest of The Flower Captain. Gloom/doom singer/songwriter Sasha L Smith envisions a brave new dark age of droney bliss in the sonic bazaar. Domenic Evans fret wizard, Deon Slaviero bass dealer, Andy Nunns time machine & Gabbie Potocnik Italian keys are on the magic bus we call “The Black Heart Death Cult”. Recorded over a sprawling 2 years (Sing Sing & Newmarket Studios) from early 2015 & produced by Ricky Maymi from The Brian Jonestown Massace, their self titled debut LP was released Jan 2019 through Oak Island Records (Kozmik Artifactz).

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Debut single “She’s a Believer” & the “Black Rainbow” EP downloadable from theblackheartdeathcult.bandcamp.com

Debut single on limited sweet 7” vinyl format for your listening pleasure from Death Cult Records or download here right now for instant gratification.
Released October 28th, 2016

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Sparkly magic mountain-drops fall from the outer cosmic reaches in the re-imagined mind-forest of The Flower Captain. Gloom/doom singer/songwriter Sasha L Smith envisions a brave new dark age of droney bliss in the sonic bazaar. Domenic Evans fret wizard, Deon Slaviero bass dealer, Andy Nunns time machine & Gabbie Potocnik Italian keys are on the magic bus we call “The Black Heart Death Cult”.

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This is the first release of new music from TBHDCult since their debut album in Jan 2019. Will be released as a limited edition 7″ pressed by Salty Dog Records, available for pre-order on the 28th of March 2020 from saltydogrecords.com.au
Band Members:
Sasha L Smith – guitar & vox
Domenic Evans – guitar
Andrew Nunns – drums
Deon Slavieros – bass
Gab Potochnik – keys

Releases March 15th, 2020

Special thanks to David Balaban for the beautiful sitar work

Before the 90s. Before the internet. Before Nevermind. Back when something called “independent music” first began reaching a wider audience, through college radio, word-of-mouth, and that small “underground” record store you seem to find in every town…there was a band from Boston called Lemonheads

This Deluxe 30th Anniversary Edition of The Lemonheads ‘Lovey’. A 2xLP/CD Deluxe Book with expanded liner notes and unseen photos – this is the definitive document of Dando’s first steps towards the mainstream.
The lovingly repackaged remastered release is accompanied by a second disc, ‘Triple J Live at the Wireless’, taken from their legendary 1991 trip to Australia.

‘Lovey’was the major label debut for Evan Dando’s Lemonheads from 1990,caught up in Grunge mania and following three ramshackle punk albums that only hinted at what was to come.
– ‘Lovey’ includes the classic cover of Gram Parsons ‘Brass Buttons’ and fan favourites ‘Half The Time’ and ‘Stove’.
‘Live At The Wireless’ includes a cover of Big Star’s ‘Nightime’. The lovingly repackaged LP is accompanied by a second vinyl, Triple J Live at the Wireless, an unearthed radio session taken from their 1991 trip to Australia. The major label debut for Evan Dando’s Lemonheads from 1990, following three “ramshackle punk” (©Select magazine) albums for Taang! Pivoted on a more approachable set of sweet melodies still rife with punky spirit. A light and dark album, polished in the arrangements, nodding to the excess of American culture (Manson and Gummi Bears), hectoring Reagan’s drug laws (Lil’ Seed), riffing on everyday life. Remastered with a freshly-dusted off second album featuring a full radio session recorded during their trip to Australia to promote the album.

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“Dando never completely abandons punk-pop but he balanced it with excursions into jangle pop and country-rock” All Music

Pivoted on a more approachable set of sweet melodies but still rife with punk spirit. Polished in the arrangements, nodding to the excess of American culture (Manson and Gummi Bears), hectoring Reagan’s drug laws (‘Lil’ Seed’) and riffing on everyday life.

Releases October 24th, 2020,

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I first saw Kiran Leonard back in 2018, just after he released “Western Culture” I think it was at the Green man Festival, his first studio album and first with his backing band. The Manchester, U.K. singer/songwriter has been uploading music to Bandcamp since 2013, and he’s released three albums with Moshi Moshi Records—quietly becoming one of the most fascinating singer/songwriters and gifted artists of our time. His brand new release, “World Argument Live”, includes live recordings with his old band from 2016 and 2018, along with newly-recorded versions of previously-shared tracks. Leonard codes the song titles in abbreviated capitals, so it might be difficult to decipher for anyone unfamiliar with his music, but fear not, I can help—highlights include “Öndör Gongor” from 2016’s Grapefruit (“ÖN/GO”), “An Easel” (“EAS”) and “The Universe Out There Knows No Smile” (“U/OUT”) from 2018’s Western Culture.

I first wrote about Kiran Leonard back in 2018, just after he released Western Culture, his first studio album and first with his backing band. The Manchester, based singer/songwriter has been uploading music to Bandcamp since 2013, and he’s released three albums with Moshi Moshi Records—quietly becoming one of the most fascinating singer/songwriters and gifted artists of our time. His brand new release, “World Argument Live”, includes live recordings with his old band from 2016 and 2018, along with newly-recorded versions of previously-shared tracks. Leonard codes the song titles in abbreviated capitals, so it might be difficult to decipher for anyone unfamiliar with his music, but fear not, I can help—highlights include “Öndör Gongor” from 2016’s Grapefruit (“ÖN/GO”), “An Easel” (“EAS”) and “The Universe Out There Knows No Smile” (“U/OUT”) from 2018’s Western Culture. By the bold titles, you can tell Leonard isn’t your average artist—he has a unique sonic and thematic imagination that becomes apparent immediately. This new release merges chaotic art rock jams with regal and pastoral compositions that border on chamber-pop and psych-folk. This combination of experimental clamour and pretty subtleties is precisely what makes Leonard such a dramatic force of nature. File World Argument Live under “albums so incredible that you have to pace around the room in deep thought.” Leonard is donating the funds from this release to The Music Venue Trust and the United Families & Friends Campaign, so please consider purchasing it on Bandcamp here.

By the bold titles, you can tell Leonard isn’t your average artist—he has a unique sonic and thematic imagination that becomes apparent immediately. This new release merges chaotic art rock jams with regal and pastoral compositions that border on chamber-pop and psych-folk. This combination of experimental clamour and pretty subtleties is precisely what makes Leonard such a dramatic force of nature.

Setlist: 0:35 Öndör Gongor 7:45 Secret Police 10:53 Don’t Make Friends with Good People 20:50 Geraldo’s Farm.

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Canadian garage rockers Japandroids shared their first live album, “Massey Fucking Hall”, recorded at the aforementioned iconic Toronto venue from their 2017 tour with Cloud Nothings. “We’ve actually recorded a number of shows over the years, and for one reason or another, they just didn’t turn out,” drummer David Prowse explained. “We both like where this show catches us. We are at a bit of a crossroads in some ways between the band that put out Post-Nothing back in 2009 and where we are going. This setlist captures the first three albums really well and shows how much we’ve changed since those Post-Nothing days. We still have the energy but we have better command of our instruments and our voices. It feels a little less off the rails but still has a ton of momentum.

After playing the last of their 200 shows in more than 40 countries in support of their critically acclaimed 2012 album Celebration Rock, Japandroids took a much needed break to rest and recover after their last show in November of 2013. The band would not play again for three years. This month, they made their triumphant return to the stage, playing intimate shows in Vancouver, LA, Toronto, London and NYC, in which they treated fans to their favourites from Celebration Rock and Post-Nothing, and previewed a handful of new, unreleased songs. 

Near To The Wild Heart Of Life, was written clandestinely throughout 2014 and 2015 in Vancouver, Toronto, New Orleans, and Mexico City. It was (mostly) recorded by Jesse Gander (who had previously recorded both Post-Nothing and Celebration Rock) at Rain City Recorders in Vancouver, BC (September-November, 2015). One song, True Love And A Free Life Of Free Will, was recorded by Damian Taylor during an exploratory recording session at Golden Ratio in Montreal, QC (February, 2015). 

Like Post-Nothing and Celebration Rock, the album is 8 songs. This is because 8 songs is the standard template for a great rock n roll album: Raw Power by The Stooges, Born To Run by Bruce Springsteen, Marquee Moon by Television, IV by Led Zeppelin, Horses by Patti Smith, Paranoid by Black Sabbath, Remain In Light by Talking Heads, Master Of Puppets by Metallica, etc.

Like Post-Nothing and Celebration Rock, the album was sequenced specifically for the LP. On Near To The Wild Heart Of Life, side A (songs 1-4) and side B (songs 5-7) each follow their own loose narrative. Taken together as one, they form an even looser narrative, with the final song on side B (song 8) acting as an epilogue.

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Back in October we played at Massey Hall. It was surreal to play such a beautiful and historic venue. The people at Massey Hall filmed and recorded the entire show and have put together this mini concert documentary, which shows some of the songs we played that night along with some clips from an interview we did right before the show. It’s a pretty cool document of an unforgettable night.

Band Members:
Brian King & David Prowse

Offering a raw, loose take on the band’s material from 2016’s Teens Of Denial and 2018’s Twin Fantasy, the nine-track live album will feature eight Car Seat Headrest originals (plus a cover of Frank Ocean’s “Ivy”) culled from performances across the U.S., U.K. and France. The band recorded every show they played in 2018 and combed through upwards of 50 recordings to piece together the final tracklist for the album. “The recordings we made of the shows came out very clean, so rather than try to artificially recreate how it sounded in the different venues night to night, I tried to give the whole album that in-your-face feeling, like we’re playing the songs right in front of you,” frontman Will Toledo said in a statement.

It only makes sense that Car Seat Headrest put out a live album. Rather than follow the more conventional route of releasing a single live show or selections from a residency at a particular venue, group leader Will Toledo selected nine songs from over 50 gigs from around the globe recorded during 2018. The sites include several American towns including Kansas City, Olympia, Portland, and Columbus as well as one from Wales and two each from France and England. The disc features some stage banter (but not too much) that helps identify the locations and lots of appreciative noise from the various audiences.

The tracks on Commit Yourself Completely are among Car Seat Headrest’s best known. There is a powerful version of “Destroyed by Hippie Powers” with lots of amplified feedback, a quietly intense “Drunk Drivers/Killer Whales”, and a trippy conversational rendition of “Drugs With Friends”. Toledo sounds comfortable disclosing innermost and intimate states of conscious. Car Seat Headrest also covers Frank Ocean’s “Ivy” with its lyrics of love and hate and lost youth. Toledo sings with an ache in his voice over a sparse acoustic guitar accompaniment. He comes off as naked and vulnerable. For a guy who was once so insecure that he recorded his music alone in his automobile (hence the band’s name), this suggests how much he has grown as a performer.

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Most of the cuts are five to seven minutes in length, long enough to build to climaxes but short enough to maintain interest. There is little improvisation or hot-dogging by the band members and enough noise to rock hard when the song calls for it. The two longest tracks frame the album. It begins with the 10-plus-minute “Cosmic Hero” recorded in Cardiff that starts with stray instrumental noises as if the band is just warming up for the first two minutes and 20 seconds before Toledo sings, “If you really want to make it last, you have to commit yourself completely.” As this is where the album’s title comes from, it suggests Toledo is uprightly pledging his duty to the audience. He’s putting it all out there.

The album ends with a loud, 13-plus-minute version of the epic too scared to come out of the closet love song “Beach Life-in-Death”. It’s a weird choice for the final cut with its final chorus of “The ocean washed over your grave / The ocean washed open your grave” before ending abruptly. It may offer a sense of finality but not one of closure, like a concert without an encore

You can’t stop this band from amazing you. And nothing can stop them from playing so passionately. Every song is strong and energetic, thus so harmonic between every instrument. The production makes you feel like you are standing on the stage and performing with them.

released June 17, 2019

Will Toledo: vocals, guitar on 8
Seth Dalby: bass guitar
Ethan Ives: guitar, vocals
Andrew Katz: drums, vocals
Grant Mullen : guitar, vocals
Gianni Aiello: guitar, keyboards, vocals
Henry LaVallee: additional percussion

produced by Will Toledo

Buy Online John Mayall & The Bluesbreakers - European Union (Live In The UK & Germany) Blue

The legendary John Mayall’s various bands were a revolving door of musical greats.
This superb new collection gathers performances by three separate outfits, featuring outstanding performances by Eric Clapton, John McVie, Mick Taylor and others. Originally performed live for radio and TV broadcast, they’re presented in superb fidelity here, together with background notes and images.

Incredible collection of performances, live in session from the UK and Germany, Includes BBC radio, Radio Bremen and WDR-TV broadcasts, Digitally remastered for greatly enhanced sound quality
Background liners and rare images First time on vinyl with Hand numbered editions.

Track Listing:
Side One
SATURDAY CLUB
March 19th 1966 | BBC Radio
1. On Top Of The World (John Mayall) 2.31
2. Key To Love (John Mayall) 2.00
3. Hideaway (Sonny Thompson / Freddie King) 3.20
4. Little Girl (John Mayall) 2.45
5. Tears In My Eyes (John Mayall) 4.28
6. Parchman Farm (Mose Allison / Bukka White) 2.21

John Mayall – vocals, keyboards, harmonica, guitar
Eric Clapton – guitar John McVie bass Hughie Flint – drums

DIE GLOCKE KONZERTHAUS
Bremen, Germany May 22nd 1969 | Radio Bremen
7. Love Me Baby If You Can (John Mayall) 5.53
8. Checkin’ Up On My Baby (Sonny Boy Williamson) 5.09

Side Two
1. Parchman Farm (Mose Allison / Bukka White) 13.50
2. Time Has Come (John Mayall) 6.12
3. 2401 (John Mayall) 5.32

John Mayall – keyboards, harp Mick Taylor – guitar
Steve Thompson – bass Collin Allen – drums

BEAT CLUB
January 31st 1970 | WDR-TV
4. I’m Gonna Fight For You J.B. 4.08