
“Both Sides Now” (Joni Mitchell) is the third episode of The Light in Demos, a video project produced, written, directed, recorded, shot and edited by The Tallest Man on Earth.

“Both Sides Now” (Joni Mitchell) is the third episode of The Light in Demos, a video project produced, written, directed, recorded, shot and edited by The Tallest Man on Earth.

This is the fourth album from Canadian singer-songwriter Gabrielle Papillon. Less than two months ago I knew nothing about her, I guess it shows the age old power of great songs, beautifully sung and thoughtfully arranged, that makes you transfixed whilst listening to this album. Keep The Fire was officially released in October 2017, It’s a fantastic listen. It’s a deeply moving, intimate record but Papillon doesn’t forget her craft by neglecting melody, structure and choruses. These are accessible pop songs but there’s always appears to be an undertow of heartbreak, accentuated by the superb string arrangements. This collection of songs will surely connect to anyone who is struggling or has loved and lost, or has dealt with bereavement, although thankfully not required for enjoyment! The band is brilliant, and the arrangements are always empathetic to the songwriting – Jordi Comstock’s drumming in particular stands out
Papillon is a great lyricist and there’s some brilliant turns of phrases in virtually every song. There really isn’t a weak song on the 11-track album (opener Overture For The Fire Keeper is an instrumental). The piano-led Hold On, I Will I – which is surely destined to soundtrack a tragic/emotional scene in a major film – spends nearly three minutes building up to very satisfying resolution. I love reissues and box sets but this was a visceral reminder of how powerful and affecting great new music can be. Trust me. Buy this record. You won’t be disappointed.

Over the past twelve months, Sydney’s Alex The Astronaut has gone from a small, local New South Wales name to one of the most important songwriters in Australia, with her two EPs for 2017 “To Whom It May Concern” and more recently, “See You Soon” both making their mark in Australia’s indie-pop world. More than just great music, the latter EP’s leading single Not Worth Hiding is also one of the most empowering of the year, with the critical message of self-acceptance dedicated to “16-year-old Alex and for anyone who’s struggling to let you know that you’re absolutely perfect just the way you are.” In a year full of challenges, Alex The Astronaut has helped so many Australians feel comfort in their true selves, something we are incredibly grateful for on behalf of those who have struggled in 2017.

I found this incredible songwriter only about a month ago when at a gig a friend told me how I would love this album because of our love for Springsteen Tom Joad era, but I was too entrenched in the volume of albums for the end of the year to give it a fair listen. When I was compiling my favorite albums for the year, I gave it another listen and immediately made a spot for it. It brought me back to the mission of this blog, to support new artists with incredible talent.
His gravel tested voice plays well with his honest and beautiful songwriting. Tracks like “Billy Burroughs” showcase his tremendous narration while “Time Away” is a straightforward and masterful ballad. There is not a dud on this album and we would be hard-pressed to find a better set of songs within this or any genre. Jeffrey Martin is the real deal and should be on any and every device you play music. I don’t know but in this life I believe we only get one go ’round- get ready to place this in the top 5 of 2017


Every once in a while I find a songwriter who is so unlike anything I’ve ever heard that it just stops me in my tracks. Grace Freeman is that kind of songwriter and singer. Her voice… wow… is worth a write up all in its own. She has this gorgeous articulation that reminds me of an old fashioned singer from the 1930s or something, while yet having a powerhouse independence in her vocal that feels very much modern.
The title track “Shadow” features prominent piano work and the stunning delivery thoughtful and moving lyrics. If you were worried that real music is dead, please listen to Grace Freeman and return your faith in music today. If you only have time for one, make it “God Forbid” or “Shadow.”


Picture this, on tour in the UK recently Jen Cloher, and her band of Courtney Barnett, Bones Sloane and Jen Sholakis enter a room. They take up their respective instruments, all facing one another from their respective stations. Greg Walker presses record. As R.E.M. once sang, sweetness follows. Jen Cloher abandoned her folk-rock roots some five years ago and has never looked back. It’s given her a Dylan-goes-electric reinvention, a second shot at glory and unquestionably her strongest album release to date. It all starts here for Cloher’s eponymous fourth album, and once that groove is locked in there’s no getting out of it. You’ll see it coming, believe.

Anna Tivel’s songwriting crushed me with this album. She has two songs that are absolutely incredible on this album, “Dark Chandelier” and the song “Illinois.” Tivel is adding her name to a legacy of singer songwriters that includes the likes of Bonnie Raitt and Allison Krauss. She’s that good. If you think I’m exaggerating, just listen to this album. Set yourself aside an hour and listen to every song on this track. You will be a believer by halfway through the first song, trust me.
The poetic lyrics carry a ton of weight, speaking for common people. This is not the kind of music that will fly over your heard about life in fast places with fast people. This is complicated music about simple people, deeply satisfying in the truth and the grit and the mire. Tivel’s vocal tone is perfect for the kind of music she sings. She demands your attention.
Small Believer is Anna Tivel’s fourth studio album Its an amazing collection of patchwork stories drawn from conversations with strangers, on the road, in restaurants, bars, and rest stops. Produced by guitar mastermind Austin Nevins (Josh Ritter, Anais Mitchell), the songs float on a raft of electric guitar, pump organ, and sparse bass and drums. ‘Small Believer’ is spacious and honest, a lyric-driven exploration of the things that move within us. Tivel takes great care with every syllable and every story, chipping away until what remains is blindingly true and deeply affecting. This album came out late September on Fluff & Gravy Records.

2017 was ridiculous. If any year needed the vulnerable and punching thoughts of one of this generations greatest songwriters, it was this. Tackling consumerism, Internet trolls, and racist leaders, Ramirez is at the peak of his art on “Stone Age”. His latest album marks a different direction, but never lacks his incredible artistic integrity that bounces between folk, country, and rock with a conscience.
David Ramirez the Austin-based singer songwriter is preparing to release his new album “We’re Not Going Anywhere”. It’s a follow-up to his acclaimed 2015 record Fables, and sees him pitch a message of defiance against Donald Trump’s America. Ramirez, who has dual American and Mexican heritage, has created an album that is rooted firmly in the present, not the past. “So many cultures in this country are being viewed as un-American and it breaks my heart,” he says. “My family has raised children here and are proud to be a part of this country. Most of what I’ve seen as of late is misplaced fear. I wanted to write about that fear and how, instead of benefiting us, it sends us spiralling out of control.”
Tracks like “Stone Age” bridge the years nicely with his enduring sardonic lyrics sung with his weary and incredible voice.
The new album, We’re Not Going Anywhere out 9/8/17
Ahead of the album’s release, we’re premiering this beautiful video for “Time”, a song which looks at how memories and relationships develop, and features Ramirez’s bandmates Sam Kassirer (producer), Simon Page, Mark Wright, Ari Bernstein and Zach Hickman.
Ramirez says: “I went into the studio with plans to document our time there and by the second day, after recording most of the song “Time”, I knew I wanted it to be the backdrop for the film. It’s easily one of the dreamiest songs I’ve ever recorded, and framed against the black and white montage of memories from the studio, it comes across with more nostalgia than heartbreak.”

Cale Hawkins creates his original music from a small, windowless room in Brooklyn. He is currently releasing two new songs every two months. He writes, produces, engineers and plays all the instruments except violin & cello on his songs. Cale Hawkins was that artist that bought out something a little special. This song, “The Ferryman” has some of the most sophisticated songwriting and lyrical content that I’ve heard in years. This is poetic and moving, deeply stirring far beyond what any genre convention could explain.
Past credits include work with Quincy Jones, Wyclef Jean, Nate Ruess, Blue Note Records, Nikki Yanofsky, Miguel Atwood-Ferguson, Grace Weber, Gabriel Garzon-Montano, Carrie Manolakos, KAMAU, and No Wyld. Hawkins is also a proud collaborator and contributor to the original music of Ben Talmi, Arthur Moon, Sulene, J3PO, and several other New York-based artists.
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