Posts Tagged ‘Jen Cloher’

The debut self-titled album from Dyson Stringer Cloher (out Oct 4th) was recorded at Wilco’s The Loft studio in Chicago April 2019 with Grammy Award winning engineer Tom Schick and Wilco’s Glenn Kotche on drums.

There’s an undeniable intimacy to this collaboration between Jen Cloher, Mia Dyson and Liz Stringer. The powerhouse singer-songwriters released an EP and toured extensively under the Dyson Stringer Cloher moniker in 2013, before splitting off to conquer their own corners of the local and international indie music scenes.

It’s quite a show. The trenchant, Cloher-led rocker Falling Clouds frames the album as a manifesto for women and gender non-conforming artists too often relegated to a supporting role: “Nothing against Paul or Nick, but if you want to be remembered then you better have a dick.” Such gendered iconoclasm broils along in the background and comes to a head later on in the album with the equally resounding Be Alone, a boot-stomping statement about self-actualisation, where to be alone is a gesture of power rather than passivity or failure.

Dyson Stringer Cloher’s ten tracks happily plumb an array of modes and moods. There’s an energy to the album that seems to have absorbed the entire oeuvre of women-led rock music. With My Hands delivers its chunky guitar riff and rimshot-driven chorus with a swagger worthy of The Runaways; it is tailor-made to get audiences jumping. Elsewhere Believeris stadium-sized rock that winks at The Jezabels.

Now, nearly three decades later, these three artists are inspiring a new generation. Supergroups don’t always work, but this is a winner.” – STACK

“A manifesto for women and gender non-conforming artists too often relegated to a supporting role.” – The Music 

“An album that celebrates the importance of music in each of their lives.” – The Australian

‘With My Hands’ from Dyson Stringer Cloher’s self-titled album is out October 4th, 2019 on Milk! Records.

The arrangements and musicianship are as solid as the songwriting is memorable – from the tightly wound beats and dialogical guitar section that steer future road trip anthem The Other Side down its sombre highway, to the brushed snare and picked guitar that bring colour and texture to the bitingly confessional Young Girls. All of which provides a perfect setting for the three-pronged vocal onslaught, the contrast and complementarity of the singers’ voices helping to ensure that this collaboration is as aurally rich as any.

Lest you fear that Dyson Stringer Cloher are taking themselves too seriously, for a change of pace there’s, well, Too Seriously a tongue-in-cheek gospel-country romp delivered with alternating lead vocals and honky-tonk flair, and more than a little Wilburys-esque goofiness. It’s a moment to both celebrate and lampoon this whole supergroup business, albeit coupled with a little obligatory hard-bitten wisdom about rising above life’s more bruising knocks.

Be Alone’s pounding drums and haze of fuzz guitar bring things to a rousing climax ahead of the album’s stunning benediction, Can I Borrow Your Eyes. Sung largely a cappella, aside from a wafer-thin bed of synth, the closing track finds the singers’ voices blended in perfect three-part harmonies, their contrasting styles united into a singular vision. It sums the album up nicely, and leaves the listener to slip back into the world warmed by the knowledge that these are three artists who’ll be remembered, together and alone.

Mia Dyson – Vocals / Guitar / Bass
Liz Stringer – Vocals / Guitar / Bass / Keys
Jen Cloher – Vocals / Guitar
Glenn Kotche – Drums / Percussion

In 2013,Jen Cloher, Mia DysonandLiz Stringercame together in the spirit of collaboration and experimentation to release an all-too-brief 3-track EP. They took their music deep into the heart of the country, playing more than 40 shows across every state and territory. Dyson Stringer Cloher was a moment in time that showed extraordinary promise. In the intervening six years they all pursued their solo careers – releasing a combined 8 studio albums, winning multiple awards and touring globally. Now, the trio mark their return with a new single & video ‘Falling Clouds’ out now on Milk! Records.

‘Falling Clouds’ reminisces a time when Jen saw The Clouds and Falling Joys at an underage gig in her hometown of Adelaide in the early 90s. “You kicked the door wide open so I could walk onto that stage”  Jen sings, paying tribute to the axe wielding women in Australian music who showed those coming up that it could be done. In the same songthe band questions the absence of Australia’s female poet laureate, “Nothing against Paul or Nick, but if you want to be remembered, then you better have a dick.”

Of the video directed by Annelise HickeyJen explains, “Drag has always been a fun way to explore gender through performance. ‘Falling Clouds’ examines how the rules and privileges of gender have shaped the careers of women and non binary artists in Australia. Whilst it’s a serious subject, we decided to have some fun with it. Choosing to take on three of glam rocks most revered icons, we discovered that even masculinity is a performance. Ru Paul nailed it when he said, “We’re all born naked, the rest is drag.”

‘Falling Clouds’ is out now on Milk! Records:

Jen Cloher is a highly respected recording and performing artist and co-founder of Milk! Records.

From the artwork of the album down to the songs themselves everything about this album is soaked in drama, What makes “Dead Wood Falls” so fantastic is its simplicity. It combines honesty and minimal folk styling’s to explode a wonderful collection of songs that showcase a very disciplined artist. Every song is carefully crafted and placed on this album to give a continuity that is vital to helping you the listener connect to all of the stories being expressed.’s hard to believe this album was released back in 2006, but then again a classic album is by definition timeless. There’s a certain simplicity to this album – despite all the bluesy, country and rock touches, it is Jen Cloher’s sombre and poignant vocals that pierces the blackness that hold the listener enthralled…”

The albums seventh track “Rain” is a highlight and an example of the Jen Cloher magic. The song itself flirts with that storytelling tradition but the song doesn’t slip into the cliché’s that often come along with that creative template. There is still a healthy dose of fiction acting as the safe place for the real hurt of this piece of communication to be buried so that you get the perfect mix of personal pain and metaphors. Regardless of all this scientific dissection the fact remains that the song “Rain” has a powerful dialogue capable of cutting you deep and hitting you directly. When you hear those lyrics you know that Jen lived every inch of them and like all of the classic songwriters of our time it connects to your story and helps give light to both the confusion and conclusion needed to discover that brand new start.


Originally released April 1st, 2006

Almost a year after the release of her extraordinary self-titled fourth album, Jen Cloher releases a gorgeous acoustic EP ‘Live at The Loft and Loew’s’.

The live EP features exquisite performances captured at Wilco’s famous Loft studios in Chicago and from within the decaying glory of New Jersey’s iconic Loew’s Theatre. These are performances of sparse beauty, laying bare the elegance, simplicity and rawness of Cloher’s songwriting. They are a reminder that the multi-award-winner’s recent albums have established her as one of the most important song-writing voices in the country.  l love Jen stripped back to acoustic, you can hear her gentle, luring vocals that take you into the beautiful songs, she sings with feelings and emotions.

The Live at The Loft and Loew’s EP will be available as a super-limited edition vinyl pressing available only at Cloher’s upcoming shows.


Released July 20th, 2018

Recorded by Tom Schick at The Loft, Chicago, OH USA and Loew’s Jersey Theatre, Jersey City, NJ in 2018

Jen Cloher is a master storyteller. Her dissonant, rambling guitar work adds an explosive element to the vivid indie punk ballads she writes. The band’s newest, self-titled release showcases Cloher’s slow-burning, insightful lyrical style and limber song construction.

Band Members
Jen Cloher – Vocals and Guitar
Courtney Barnett – Vocals and Guitar
Andrew ‘Bones’ Sloane – Vocals and Bass
Jen ‘Sholaki’ Sholakis – Vocals and Drums

Released August 22, 2018


This is a photo of us taken backstage in Birmingham on our U.K tour in February. I’m pretty sure we were a little delirious after a couple of days of long drives and late nights. Our whirlwind tour also took us to the States for our first ever headline shows. No matter where we played in the world we were greeted by beautiful, attentive audiences who had genuinely connected with our music. It’s not lost on me that at the age of 44 I’m touring to different parts of the world and playing sold out club shows. Amazing! Thanks to each and everyone of you for coming out to show your support or buy an album. It means the world to us.

Lastly, I wanted to offer you a little gift as a token of my appreciation for the support you have shown me and my band this year. I’ve put together an 8 track EP of songs from all different projects. Some of them you may have already but just in case you don’t head over here and enter $0 into the payment field, then enter your email and it’s yours.
Sending lots of love,
Jen x

Image result for jen cloher

Picture this, on tour in the UK recently Jen Cloher, and her band of Courtney Barnett, Bones Sloane and Jen Sholakis enter a room. They take up their respective instruments, all facing one another from their respective stations. Greg Walker presses record. As R.E.M. once sang, sweetness follows. Jen Cloher abandoned her folk-rock roots some five years ago and has never looked back. It’s given her a Dylan-goes-electric reinvention, a second shot at glory and unquestionably her strongest album release to date. It all starts here for Cloher’s eponymous fourth album, and once that groove is locked in there’s no getting out of it. You’ll see it coming, believe.


Jen Cloher

Jen Cloher’s fourth album is the culmination of a period of artistic and personal growth in which the artist took her rightful place as a punk-rock figurehead of Melbourne’s famous DIY music scene. She is an outspoken advocate for artist rights and co-founder of the incredible Milk! Records label, which includes the likes of Courtney Barnett and Fraser A. Gorman among its luminaries. Since 2014, her output has been increasingly biting, witty and poetic, with her last album, the critically lauded In Blood Memory representing an artistic apex for the artist and garnering her a prestigious Australian Music Prize nomination. The self-titled album, Jen Cloher, represents another quantum leap forward for the artist. Recorded amidst the rolling greenery of South-Eastern Australia and mixed at Jeff Tweedy’s famous Loft Studios in Chicago, the songs are split by Courtney Barnett’s extraordinary lead guitar and anchored by the rhythm section of Bones Sloane and Jen Sholakis. The end result is bold, assured, and piercingly observed, seeing Cloher face up to painful truths with unwavering honesty and emerge triumphant.

Strong Woman is taken from Jen Cloher’s self-titled album out now Released through Milk! Records :

Starring Jen Cloher, Courtney Barnett, Bones Sloane & Jen Sholakis.

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“It’s self-titled.”  The three-word answer is all that Jen Cloher requires to describe her recently completed fourth album, a letter in triplicate addressed to themes of Love, Music and Australia (the beautiful and the terrible). Jen likes best to tell the truth.

Jen Cloher is the culmination of a period of artistic and personal growth in which the artist took her rightful place as the punk-rock figurehead of Melbourne’s famous DIY music scene. The NIDA Graduate is an outspoken advocate for artist rights and the co-founder of the incredible Milk! Records label (Courtney Barnett, Loose Tooth, Fraser A. Gorman, Jade Imagine, East Brunswick All Girls Choir). Cloher’s fascinating life-story and compelling political voice is enough justification to pay her attention, but it’s the music that will have you returning again and again.

Image may contain: one or more people, people on stage, people playing musical instruments, night and concert

Since 2014, Jen’s regular musical contributions to Milk! Record’s discography of 7″ releases and compilations have been increasingly biting, witty and poetic. It’s fair to say that she was in a purple patch when she put the finishing touches to her stunning new record with engineer Greg Walker amidst the rolling greenery of Jumbunna in Victoria’s Gippsland. The band that first played together four years ago on Cloher’s acclaimed third album, the Australian Music Prize nominated In Blood Memory, are bold and assured, the songs split by Courtney Barnett’s extraordinary lead-guitar and anchored by the rhythm section of Bones Sloane and Jen Sholakis. The record was completed in March 2017 with Tom Schick at Jeff Tweedy’s famous ‘Loft’ Studios in the depths of the Chicago’s winter.

Second single from Jen Cloher’s self-titled album released in August 2017.

The best part about finding out about Jen Cloher on her fourth album is that I feel like I just got four great albums to listen to. She has a certain swagger and cool about her that is some sort of a mix between Patti Smith and Chrissy Hynde. Songs chug along meaty hooks as her throaty voice delivers the goods.

For those not in the know, Jen Cloher is the wife of Courtney Barnett. this album stands on its own merit. But the main reason, for mentioning her relationship with Barnett is that it plays a role. As mentioned, Cloher has 3 prior albums and is Barnett’s senior by 10 years. To see her wife hit international acclaim on her first LP would shake anyone. She delves into shit with Forgot Myself and Sensory Memory. It doesn’t come across as bitter; more honest than any person would feel.

Second single from Jen Cloher’s self-titled album out August 2017

But lest you think this LP is all about her and Courtney. She hits on some heavy subjects and takes the religious right down a peg on Kinda Biblical. The following track is Great Australian Bite, a track about how Australian artists suffer from a grueling touring schedule to make any sort of an international name for themselves.

This is an absolute gem of an album. Jen Cloher deserves all the plaudits she gets.