Posts Tagged ‘Ron Gallo’

Stardust Birthday Party is about human evolution. Specifically, one humans evolution: mine, Ron Gallo. That’s the name my parents gave me. At one point, I was a very lost mid-twenties person living in Philadelphia, in a relationship with someone struggling with mental health issues and crippling heroin addiction. I was asleep. I didn’t know how to handle my life. I was also writing songs for Heavy Meta – my “frustrated with humanity” album. I laugh about it all now, but at the time it all felt like an absolute nightmare. It was the perfect doorway to look inside the place I’d been avoiding forever: myself.

Stardust Birthday Party is about what is happening underneath all of this life stuff. My path inward. The details of my path are pointless because everyone’s path is different. It is about me sitting with myself for the first time and confronting the big question “WHAT AM I, REALLY?” It’s about the love and compassion for all things that enters when you find out you are nothing and everything. I think at one point I wanted to change the world, but now I know I can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. And that’s what this album is about, it’s me dancing while destroying the person I thought I was, and hopefully forever.

In the liner notes of John Coltrane’s album A Love Supreme (which we pay tribute to on this album) he wrote: “During the year 1957, I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life. At that time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music.” That’s it. That is the pure essence of creativity. Someone embodying what they have realized about themselves and the world that surrounds them. That is why this album exists. Thank you for letting me share this with you. Ron Gallo.

Ron Gallo’s  debut LP Heavy Meta was released toward the very beginning of 2017, making it easy to forget that its opening cut, “Young Lady, You’re Scaring Me” was one of the most electrifying songs of the year. Gallo combines balls-to-the-wall garage psych with the kind of social anger and biting snark that keeps getting him compared to a young Bob Dylan (the voluminous ‘fro helps too.) The bitter humor of “Why Do You Have Kids?” and “All the Punks Are Domesticated” show there’re some real brains behind all the fuzzed-out brawn, while the stellar stand-alone singles he released last month (“Temporary Slave” “Sorry Not Everybody Is You”), have us hopeful he’s not slowing down anytime soon. it’s a classic album.

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The album of the week shines in every facet of its existence. Phosphorescent (aka Matthew Houck) has meticulously crafted an intensely warm album of americana pop, drawing together a multitude of instrumental textures – from guitars and pedal steels, to synths, to his own voice – and yoking them into perfect harmony. his lush melodies are executed with the utmost sincerity, giving his music a widescreen poignancy.

There are many more tasty treats out this week…big thief vocalist Adrianne Lenker has struck out on her own with an absolute pearl of an album. sweet & understated, this collection of songs poured out of her in the moments between performing & practicing with her band, resulting in her most intimate work yet. that’s on very limited glow-in-the-dark vinyl, for people who like to listen with the lights off. picking up the tempo a little, Molly Burch’s country pop sophomore features that same beautiful, warbling voice channelled through a stronger, more confident set of songs founded upon indelible melodies.. we’ve also been loving the debut from kentucky’s the Other Years, whose angelically pure vocal harmonies, underpinned by a sweet backing of violin & banjo, are a thing of simple beauty. this is the perfect album to come home to after a strenuous day – trust. predictably, Cat Power’s new album is a stone-cold stunner! her largely acoustic set of folk-tinged, blues-tinted songs continue to prove her to be one of the strongest songwriters working today.

Further recomendations Throwing Muses’ Kristin Hersh delivers another powerful solo album of darkly melodic scuzz-songwriting Will Hoge injects his rumbly-voiced country with an invigorating dash of soul and an exhilarating bolt of rock bravado;  it’s also worth knowing that Blood Orange’s ‘negro swan’ is finally in on vinyl, amy helm’s red vinyl lp has finally popped in & settled its round little body into our shelves. & Marie Davidson’s excellent new record – which had me & mark jiving away.

Reissues this week, Bloc Party‘s classic debut ‘silent alarm’ arrives for the very first time on sturdy 180 gram vinyl. john Lennon’s ‘imagine’ gets a new stereo remaster, along with a bounty of alternate mixes & alternate takes that offer tremendous insight into his recording process. and possibily the greatest guitar album ever Television’s very seminal ‘Marquee Moon’ is in on blue vinyl, with a bonus disc of alternate versions – yum!

Imagine (2018 reissue)

John Lennon  –  Imagine (2018 reissue)

this truly unique edition of one of the most iconic albums of all time sees the timeless record remastered with a new stereo remix and some additional non-album singles.

digging through extensive archival content, Yoko and her team deliver us an incredibly personal journey through the entire songwriting and recording process – from the very first writing and demo sessions at John’s home studio at tittenhurst park through to the final co-production with Phil Spector – providing a remarkable testament of the lives of John Lennon and Yoko Ono in their own words. ***the deluxe 2cd comes with an extensive bonus disc of different mixes, demos and alternate takes. *** ***the super deluxe boxset comes with an incredibly vast array of different mixes, demos and alternate takes, the restored ‘Imagine’ and ‘Gimme Some Truth’ films and a 120 page hardcover book documenting the album’s creation***

Abysskiss

Adrianne Lenker – Abysskiss

the big thief vocalist lays down a mesmerising set of songs that are hushed & disarmingly intimate, in which we climb into her consciousness without encountering any barriers & revel in the sweet beauty of her gentle melancholy.

the songs chosen for this collection were the songs that felt the most alive in the room. these are not castaways or b-sides. some of these songs have been alive for years while some were written just days before the recording session. with this collection, Lenker further illuminates to the listening public that she is a songwriter of the highest order, following her voice & the greater voices that pass through her with an unflinching openness & clarity of translation. “it’s an invitation to peer into the hidden spaces of an extraordinary modern songwriter, where calm & quiet moment prompt superlative work”

C’est La Vie

Phosphorescent  –  C’est La Vie

Matthew Houck has crafted an electrifying collection of songs that blend a dreamy, psychedelic americana aesthetic with solid pop foundations that never fail to engage.

this album reveals a crystallisation of what made ‘Muchacho’ such a breakout record release — a little sweetness and a little menace, sometimes boot-stomping and sometimes meditative. the magic of Matthew Houck’s music has always been the way he weaves shimmering, almost golden-sounding threads through elemental, salt-of-the-earth sounds. it’s not experimental, exactly, but it’s singular and it’s definitely not traditional. that knack, the through-line across the phosphorescent catalogue, is front and centre here. fans of bon iver, iron and wine, bonnie prince billy, damien jurado and okkervil river will love this! “songs of experience make up Matthew Houck’s heavenly seventh”

First Flower

Molly Burch  –  First Flower

a walk through Molly Burch’s most intimate thoughts – broken friendships, sibling relationships and overwhelming anxiety – ‘First Flower’ is a bright, beautiful album peppered with moments of triumph with Burch’s voice as strong and dexterous as ever.

opening track “Candy” is a swinging, playful hit, while “Wild” deals with pushing away fear. title track “First Flower” is classic Burch, a simple love song that gives you goosebumps when she breaks into the chorus. but the album’s true stand-out is “To the Boys”, a courageous, sassy fuck-you to her own self-deprecation where she learns to love all the things she hated about herself. if you enjoyed angel olsen’s ‘My Woman’, this is the album for you. “more dreamy, torchy country-pop goodness from this Austin breakout”

Stardust Birthday Party

Ron Gallo –  Stardust Birthday Party

Ron Gallo’s punk-poet persona remains intact, backed by a generous injection of scuzz and fuzz.

“the details of my path are pointless because everyone’s path is different. it is about me sitting with myself for the first time and confronting the big question ‘what am i, really?’ it’s about the love and compassion for all things that enters when you find out you are nothing and everything. i think at one point i wanted to change the world, but now i know i can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. and that’s what this album is about, it’s me dancing while destroying the person i thought i was, and hopefully forever”. fans of oh sees, ty segall and warm drag should check this out

WANDERER

Cat Power  –  Wanderer

Chan Marshall’s return to the folkier, bluesier side of the tracks is very welcome on this lustrous set of understated, yet quietly powerful, acoustic ballads.

produced in its entirety by Marshall, ‘Wanderer’ includes appearances by long-time friends & compatriots, as well as guest vocals courtesy of Lana del Rey & an exquisite cover of Rihanna’s ‘Stay’. the 11 tracks encompass “my journey so far,” says Marshall. “the course my life has taken in this journey – going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. folk singers, blues singers, & everything in between. they were all wanderers, & i am lucky to be among them.” “the set has both strength & a lean, lustrous beauty, tapping Carole King-style classicism & american folk standards”

Fall Into the Sun

Swearin’ – Fall Into The Sun

their scuzztastic reunion has gifted us a blissful set of melodic bangers that go hard on distortion and easy on the ears.

much like the band’s previous albums, Gilbride anchored the recording and producing of the record, but this time around, the band worked to make the process feel more collaborative than ever before. “i feel like this was the first time i could look at a Swearin’ record and say that i co-produced it, and that felt really good,” said Crutchfield. Crutchfield and Gilbride always had an innate ability to mirror the other’s movements in songs, but here, they build a focused lyrical perspective across their songs, one that’s thankful for their past, but looks boldly toward the future. fans of rilo kiley, the beths, speedy ortiz and forth wanderers need to check this out!

Masana Temples

Kikagaku Moyo – Masana Temples

the psych-prog quintet return with a serene set of wah-heavy motifs, seasoned with moments of exquisitely delicate, hushed vocals.

more than the literal interpretation of being on a journey, the album’s ever-changing sonic panorama reflects the spiritual connection of the band moving through this all together. inspecting the harmonies and disparities between their evolving perspectives, the group reflects the emotional impact of their nomadic paths. the music is the product of time spent in motion and all of the bending mindsets that come with it. fans of minami deutsche and sundays & cybele should check this out.

Possible Dust Clouds

Kristin Hersh  – Possible Dust Clouds

enveloping the juxtaposition of the concept of ‘dark sunshine’, this brooding solo album expands her off-kilter sonic vision; a squally, squeaky cocktail of discordant beauty.

feedback and phasing gyrate from simply strummed normality, imagine Dinosaur jr and My Bloody Valentine cranking up a Dylan couplet. messing with both extremes of the sonic spectrum: atonal and arrhythmic, a unique sound and a glorious return to form for one of alternative rock’s true innovators. “sometimes the most subversive thing i can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we’ve heard before, twisted into different shapes” – Kristin Hersh, july 2018. “the prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician.”

LIVE AT THIRD MAN RECORDS

Father John Misty – Live at Third Man Records

Live at Third Man Records covers songs from the first three of his albums, heard here stripped totally bare, you lucky tikes.  In September last year, Josh Tillman stopped by Third Man’s Nashville headquarters on an otherwise ordinary Tuesday afternoon and surprised them with a lunchtime solo, acoustic set before his sold-out Ryman Auditorium performance. They, of course, had our 1955 Scully Lathe warmed at the ready to capture the occasion. As is typical for direct-to-acetate recordings in the Blue Room, Josh warmed up the room (and our engineers) with two songs before they started cutting the LP. He began with the debut performance of his newly penned Mr. Tillman(foreshadowing its release as the first single on God’s Favorite Customer 9 months later). They then used the second song as an opportunity to carve a 12” on-the-spot single of Now I’m Learning to Love the War, which was promptly handed it to a lucky attendee for safe keeping. If you want to know more about that, you’ll have to scour the depths of FJM’s fan net. Live at Third Man Records covers songs from all three Father John Misty albums out at the time of its recording, heard here stripped totally bare

my american dream

Will Hoge  –  My American Dream

Hoge gives it his all on this blazing album of gritty, country soul, newly infused with a furious rock energy.

with ‘My American Dream’, Hoge hopes that others will follow his lead, see the world through someone else’s eyes, and maybe begin to fix the mess we’re living in. “i don’t want to write songs telling people how they should feel” Hoge says. “if anything, maybe there’s a 16- or 17-year-old kid in the small-town south who has rumblings of these feelings but doesn’t have anybody in his little community to go, ‘hey man, think about it like this for a second. here’s another group of people’s perspectives’”. fans of chris stapleton, lydia loveless, steve earle’s ‘copperhead road’ and nikki lane will love this!

ICON OF EGO

Arc Iris  –  Icon of Ego

the trio’s third is a vividly expressionistic record that reflects their protean talents, creating an avantgarde experimental pop that’s entirely their own.

‘Icon of Ego’ finds a stronger, more experienced band. the band has evolved into a concentrated pop-prog explosion, mixing styles with disparate elements that captivate and surprise. with heavy synthesiser work by Tenorio and Jocie Adams, and seemingly impossible transitions executed effortlessly by Belli, the songs here carry a thick, analogue electronic sound that harks back to the ’70s. presiding over these are Adams’ powerful vocals that house the energy under pop forms. fans of cocorosie and deerhoof should check these guys out.

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Terry – I’m Terry

the Melbourne quartet capture their particular kind of witty diy, garage pop beautifully on this lp.

there are few rules in Terry’s world. “they seem to make a song out of whatever sounds good to them. the only stylistic consistency is in their hat wear. terry are like Steely Dan or 10cc. both bands make me queasy after a certain point. Terry probably also make me a bit queasy, singing about police beatings and nationalism and all that. but they’re not out to hurt you. they’re like the kindly bearer of bad news. Terry puts it in terms that speak to me. it’s a tragicomedy.” – fans of the go-betweens, courtney barnett and rolling blackouts coastal fever need to hear this.

henry / I

Soccer Mommy – Henry / I’m on Fire

Soccer Mommy aka Sophie Allison puts her own heavenly spin on the boss’ timeless classic, plus reworks the lead track from her obscure 2016 album ‘For Young Hearts’, previously only physically available as a rare cassette release. we think she’s done Bruce proud. Soccer Mommy is a must for fans of snail mail, phoebe bridgers, lucy dacus and julien baker.

LIVE AT THIRD MAN RECORDS

Kevin Morby – Live at Third Man Records

Kevin Morby performs two tracks for third man, stripping them down and revealing something completely new, in relation to their studio counterparts.

Formally a member of New York folk group Woods, Kevin Morby has made a name for himself with his four acclaimed solo releases. these songs, “Destroyer” and “Black Flowers”, come from his third record ‘Singing Saw’. “Destroyer” is an autobiographical minimalistic keyboard ballad, a distant cousin of the full band album version. “Black Flowers” on this single borrows less from the sweeping orchestras of leonard cohen’s catalogue and more from the melancholic austerity of bert jansch.

Stardust Birthday Party

Leaving his well-mannered past as a roots rocker behind, Ron Gallo showed off a lean-and-mean sound and a lyrical style full of snarky wit on 2017’s Heavy Meta, and he’s dug in deeper with his second album from his eponymous band. 2018’s Stardust Birthday Party is dominated by no-frills melodies rooted in Gallo’s sharp, choppy guitar figures and the taut, efficient rhythms of bassist Joe Bisirri and drummer Dylan Sevey, which isn’t that far off from the formula on Heavy Meta. But this time out, the angles in these songs are a good deal sharper, and there’s a willful eccentricity to the keyboard overdubs and an eagerness to mess with the vocal and instrumental sounds that makes this album sound less organic and more exploratory than the debut. And if the thank yous to Alan Watts, Adyashanti, Eckhart Tolle, and J. Krishnamurti in the liner notes didn’t tip you off,

Stardust Birthday Party finds Gallo examining his own neuroses and looking for spiritual and philosophical truths as he bashes away at his electric guitar. While Gallo clearly isn’t above letting the funny side of his journey show on occasion, the tone of Stardust Birthday Party is ultimately serious and often urgent, and Gallo sounds ferocious as he charges through numbers like “Do You Love Your Company?” and “Party Tumor.” Unlike most musicians who are looking for the answers to life’s larger questions, Gallo isn’t interested in navel gazing so much as breaking through to the other side in the here and now, and while not everything he has to say sounds like he knows where he’s headed, he makes the search sound vital and compelling. Stardust Birthday Party is not always what one would have expected from Ron Gallo on the basis of his previous work, and for the most part that works in its favor; this is passionate and exciting music, thoughtful but never staid, and it shows Gallo to be an artist with some surprises up his sleeve.

‘Stardust Birthday Party,’ available October 5th

Garage-punk raconteur Ron Gallo has shared the second single from his forthcoming album Stardust Birthday Party, due out October. 5th via New West. “Always Elsewhere” is an oddball odyssey of self-discovery: “Talking, talking / Never listening,” Gallo sings over post-punk guitar chromatics.”Always elsewhere / searching, searching.” In the song’s bridge, he launches into a verbose, new-age spiritual tirade, proclaiming that the meaning of life “is just to be alive.”

The songs on Stardust Birthday Party emerged from a period of soul-searching for Gallo. He describes the album as a “spiritual 180” from his wonderful debut album, Heavy Meta. In early 2018, following the hectic dissolution of a relationship, he booked a trip to California for a silent meditation retreat, where he found a path towards inner enlightenment. The album “is about human evolution,” Gallo said. “Specifically, one humans evolution: mine, Ron Gallo … It’s me dancing while destroying the person I thought I was, and hopefully forever.”

The video for “Always Elsewhere” makes his journey of self-discovery literal. It revolves around Gallo walking across the country and through various surreal set-pieces with a box labeled “SELF,” and features the sort of artfully odd imagery one would expect from him.

Gallo will be touring in support of Stardust Birthday Party for the rest of the year.

From the new album ‘Stardust Birthday Party,’ available October 5th.

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Ron Gallo is delightfully hard to figure out. He takes the free-spirited, anti-capitalist ethos of 60s rock and mixes it with what the Black Keys think they sound like ,His lyrics are incessantly entertaining, making it almost OK that he named his debut LP HEAVY META. On album opener “Young Lady, You’re Scaring Me,” Gallo sings, “Let’s get a house, you and me and your 12 cats.” His delivery is sneeringly reminiscent of Dylan, singing such lines with a sincerity and confidence, as if the listener is crazy for smirking at this shack with a dozen cats. He should scan as annoying, but there’s something deliriously charming about this fractured soul spelling out the ills of humanity one song at a time.

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The Philly born, now Nashville-based songwriter first emerged with the modern Americana/folk band, Toy Soldiers, before leaving Pennsylvania for the warm grasp of country music’s capitol, introducing the city to a defiantly unsatisfied debutante, eager to take you out to lunch and then spit in your face because your politics are wack. Gallo has this innate ability—a tremendously tricky skill to hone to dose his songs with humour, all the while lacing them with scathing social commentaries and a level of depth most garage rock acts never reach, let alone aim for. On Heavy Meta, Gallo proved that he’s just a wiser and sharper songwriter than most people doing it. That trend continues on “It’s All Gonna Be OK,” the first single from Gallo’s forthcoming LP, Stardust Birthday Party, out October 5th via New West.

“It’s All Gonna Be OK,” is nervous and twitchy, hallucinatory and repetitive with its scratchy and fidgeting guitar parts, until Gallo, sensing the growing unease, sings, “It’s all gonna be OK.” Good to know. Gallo rattles off all of the shit tearing us apart before easing us with his oddly placating aphorism. Gallo’s philosophy comes as a sort of self-medication, as he tries to convince himself that this broken world can get better, Gallo works his way through insecurities and finds this blind faith to be comforting. He tells us:

it’s all gonna be OK, no matter what it is, because all feeling, thought and experience is temporary. could be in one second or 20 years but, to trust that it’s all going exactly as it should, is true and liberating. i like to remind myself of this often and figured might as well share this thought with others via a mostly one chord song featuring my trumpet debut heard in the outro of the song. it’s all gonna be OK is the main message, and “stardust birthday party” is me explaining WHY? from my own experience looking inside.

A documentary film about Ron Gallo, and the creation of ‘Really Nice Guys.’ The new EP is available

Starring: Ron Gallo as “Ron” Dylan Sevey as “Dylan” Joe Bisirri as “Joe” Thank you to the supporting cast: Coco Reilly, Alex Collier, Chris Sunday, New West Records staff, The East Nashville Steak Ramblers, Liz Cooper, William Lee, Dominic Billett, Caroline Bowman.

Really Nice Guys is a concept mini album by Thyme Magazine’s ‘Man Of The Year’, Ron Gallo. The release is another thought provoking and inspired instalment, extending an already prolific calendar year by Gallo which saw the release of the critically acclaimed full length album Heavy Meta, as well as the 7” singles, Temporary Slave and Sorry Not Everybody Is You. Really Nice Guys finds Gallo exploring new sonic frontiers and instrumentation in the form of what might be called a conceptual art piece. Whatever you call it is wholly original and Gallo continues to melt faces and free minds. For fans of Parquet Courts, Ty Segall, Courtney Barnett, Mac Demarco etc.

Ron gallo really nice guys

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The RON GALLO III is a rock and roll trio lead by a tall, big-haired weirdo of the same name. As the former frontman of Toy Soldiers, Gallo spent a decade as a fixture in the burgeoning Philadelphia music scene. Now solo, Gallo has completed his second full-length record “Heavy Meta”. Embracing his love for fuzz, psych, garage, and early punk, Heavy Meta is a stark contrast to the “Harry Nilsson-meets-Father John Misty” sound of the previous record RONNY. After undergoing a shattering year of love, loss, purging, and a musical reinvention, Gallo sought a change of scenery and a fresh start.

Drawn to the rock ‘n’ roll music currently being made by his friends in back alleys of Tennessee’s “Music City,” Gallo and his very own record label American Diamond Recordings relocated to the Bordeaux neighborhood of Nashville on New Years Day 2016. Throughout his career, Toy Soldiers and solo combined, Gallo has released three full length records and three EPs working with various small independent labels in Philadelphia and New York City. He has shared the stage with legends such as Wanda Jackson, Dr. Dog, Deer Tick, Dr. John, The Walkmen, J. Roddy Walston, among others. Gallo has previously been featured among USA Today’s “Bands to Watch,” Paste Magazine’s “Philly Bands You Should Listen to NOW” and has garnered appearances on PBS SUN Studio Special, Daytrotter, Audiotree, and many more. On stage, Gallo is a huge force to be reckoned with. He is a true showman with a knack for grabbing the audience’s attention and leaving them in awe. He sings his ass off and thinks it’s important to laugh at yourself.

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Really Nice Guys is a concept EP by Thyme Magazine’s “Man Of The Year,” Ron Gallo. The EP is another thought provoking and inspired installment, extending an already prolific calendar year by Gallo which saw the release of the critically acclaimed full-length album Heavy Meta as well as the 7” singles, “Temporary Slave” and “Sorry Not Everybody Is You.” Really Nice Guys finds Gallo exploring new sonic frontiers and instrumentation in the form of what might be called a conceptual art piece. Whatever you call it is wholly original and Gallo continues to melt faces and free minds.

Really Nice Guys is 8 “tracks” that are more like blended music/comedy/conversation sketches.

The opening track Rough Mix, is a literally-titled, rough mix of a potential new song. Gallo sings about not having enough lyrics and how he spent 12 hours on a new song with only the rough mix to show for it. The song fades into a version with “full production,” but really, it’s Gallo and gang experimenting with corny saxophones and auto-tune before finally giving up and ending the song as a “mix.” The “song” sets the tone for the rest of the EP.

Gallo’s mother’s boyfriend, Jerry makes several unannounced cameos throughout the record. East Nashville Kroger Conversation, is exactly what it sounds like, but there are definitely a couple of complete workings. like the title-track, Really Nice Guys and the instrumental, Youtubularbut even they provide a social commentary on the clusterfuck of the music industry, media and perhaps the Nashville social scene. It is clear Ron Gallo and band do not take themselves too seriously and that is unquestionable a part of the charm of Really Nice Guys.

As jokey and opinionated as Really Nice Guys is, Ron Gallo is interesting enough to make it worth the listen and laugh along with him.

Ron Gallo – Really Nice Guys (New West) From the new EP ‘Really Nice Guys,’ available January 19th.

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The video for “Really Nice Guys” it’s technically a song about people in bands who are fine but are way better at not being a musician. “Really Nice Guys” is the latest single from Ron Gallo’s upcoming EP of the same name. The whole EP is a sarcastic, literal response to people telling Gallo to write what he knows, but also pokes fun at Gallo himself. It follows Gallo’s most recent release, Heavy Meta, which was released earlier this year on New West Records.

When asked to provide a little background about the video for this, Gallo said: “The song is about bands that are better at being humans than making music. So the video, modeled after an early 2000’s skateboarding video part, is me, to the best of my ability, being bad or at very best underwhelming at skating synced to the song.” Meta, man! Like Father John Misty with a skateboard.

Really Nice Guys is out January 19th, 2018 via New West Records.

From the new EP ‘Really Nice Guys,’ available January 19th.

Anyone who thinks the days of glam, garage and blistering rock and roll are relegated to classic rock “deep tracks” satellite stations hasn’t spun Ron Gallo’s solo debut. The young ex-Toy Soldiers guitar-slinging singer-songwriter brought his tough Philadelphia bona fides when he relocated to Nashville, churning up a rugged racket of riveting riffs without the tentative self-consciousness you might expect from a first album. When he closes the set asserting “All the Punks are Domesticated,” with a laconic talk-sung sneer, it’s clear he won’t be ending up there. These songs, full of sweat and swagger, show why. check out the single release another new 7” coming out . This one is a split with our dear friends Naked Giants. Then we go on tour together

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