Posts Tagged ‘Cat Power’

Way back in July last year, Cat Power announced she had her tenth album “ready to go“. Now almost a year later, the follow up to her 2012 album Sun has been announced. Wanderer  released on October 5th via Domino.

The trailer for the new album, accompanied by new music. From what we’ve heard so far, it’s a step back into her folk rock roots. A big change after Sun which featured a lot of electronic elements.

Produced entirely by Chan Marshall AKA Cat Power herself, the album features guest vocals from Lana Del Rey whom Marshall was recently supporting on tour. The new record tells the story of “my journey so far” over 11 tracks says Marshall. “The course my life has taken in this journey – going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. Folk singers, blues singers, and everything in between. They were all wanderers, and I am lucky to be among them.”

In 2006, Chan Marshall was visiting a shop in Memphis when she happened upon an instrument—not necessarily one that most readers of this magazine would find covetable—that spoke to her. It was an abused, no-name nylon-string that cost only $40. Marshall, who performs under the stage name Cat Power (borrowed from a trucker’s hat decorated with the phrase Cat Diesel Power), has since relied on the instrument as her songwriting muse, and she used its subdued voice to excellent effect on her latest album, Wanderer, her first in six years.

At 46, Marshall, whose first name is pronounced Shawn, has long been an indie-rock icon. After a childhood spent in Georgia, North Carolina, and Tennessee, where she absorbed the region’s Baptist, blues, and country sounds, she moved to New York City in 1992 and was exposed to an entirely different scene of free jazz and improvisation. Her earliest shows in the city were semi-improvised, but beginning with her first full-length album, 1995’s Dear Sir—which she recorded with Tim Foljahn (Two Dollar Guitar) and Steve Shelley (Sonic Youth)—she focused on her songcraft.

On the strength of her earliest efforts, Marshall was signed to Matador Records, a premier indie-rock label. Over the course of seven albums for Matador—from 1996’s What Would the Community Think to 2012’s Sunshe laid the groundwork for contemporary independent singers like Phoebe Bridgers and Angel Olsen.

With songs like “The Greatest,” “Good Woman,” and “American Flag,” Marshall has created a body of work that is both strong and fragile—music that, in contrast to much indie rock, draws frequently from blues, country, and gospel.

Marshall’s guitar work—on the acoustic or her customary Danelectro or Silvertone—has always been a study in understatement. On the electric, she plays chiming, reverb-drenched parts, with rolling arpeggios and the occasional off-kilter harmony that perfectly complement her soulful, whiskey-toned vocals.

She was once known for sometimes-erratic performances, owing to anxieties and struggles with substance abuse, but in recent years she has made some transformations. Marshall recently cut ties with Matador, due to mutual creative differences. In interviews, Marshall’s explained that when she presented her latest album to the label, an executive played her an Adele recording to demonstrate how he thought it should sound. That obviously did not go over well.

At the same time, Marshall has stepped into the role of single mother. Her toddler son appears on the cover of Wanderer, next to the neck of her Danelectro. Motherhood has put her in a protective and nurturing place, which is apparent in the album’s generally quiet and cozy vibewith guitar- and piano-based songs that are produced much more sparsely than those on Sun, with its shimmering electronic layers.

The record will be supported by an international tour, For many years Cat Power had a reputation for disappointing live performances and cancelling tours. However in recent years, her performances have become more consistent.

Chan Marshall last visited to perform her album Moon Pix in full. The one off show was in celebration of the album’s 20th anniversary. Moon Pixwas recorded in Melbourne and is often referred to as her breakthrough album.

‘Wanderer’ is the new album from Cat Power, released 5th October on Domino Record Co.

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The album of the week shines in every facet of its existence. Phosphorescent (aka Matthew Houck) has meticulously crafted an intensely warm album of americana pop, drawing together a multitude of instrumental textures – from guitars and pedal steels, to synths, to his own voice – and yoking them into perfect harmony. his lush melodies are executed with the utmost sincerity, giving his music a widescreen poignancy.

There are many more tasty treats out this week…big thief vocalist Adrianne Lenker has struck out on her own with an absolute pearl of an album. sweet & understated, this collection of songs poured out of her in the moments between performing & practicing with her band, resulting in her most intimate work yet. that’s on very limited glow-in-the-dark vinyl, for people who like to listen with the lights off. picking up the tempo a little, Molly Burch’s country pop sophomore features that same beautiful, warbling voice channelled through a stronger, more confident set of songs founded upon indelible melodies.. we’ve also been loving the debut from kentucky’s the Other Years, whose angelically pure vocal harmonies, underpinned by a sweet backing of violin & banjo, are a thing of simple beauty. this is the perfect album to come home to after a strenuous day – trust. predictably, Cat Power’s new album is a stone-cold stunner! her largely acoustic set of folk-tinged, blues-tinted songs continue to prove her to be one of the strongest songwriters working today.

Further recomendations Throwing Muses’ Kristin Hersh delivers another powerful solo album of darkly melodic scuzz-songwriting Will Hoge injects his rumbly-voiced country with an invigorating dash of soul and an exhilarating bolt of rock bravado;  it’s also worth knowing that Blood Orange’s ‘negro swan’ is finally in on vinyl, amy helm’s red vinyl lp has finally popped in & settled its round little body into our shelves. & Marie Davidson’s excellent new record – which had me & mark jiving away.

Reissues this week, Bloc Party‘s classic debut ‘silent alarm’ arrives for the very first time on sturdy 180 gram vinyl. john Lennon’s ‘imagine’ gets a new stereo remaster, along with a bounty of alternate mixes & alternate takes that offer tremendous insight into his recording process. and possibily the greatest guitar album ever Television’s very seminal ‘Marquee Moon’ is in on blue vinyl, with a bonus disc of alternate versions – yum!

Imagine (2018 reissue)

John Lennon  –  Imagine (2018 reissue)

this truly unique edition of one of the most iconic albums of all time sees the timeless record remastered with a new stereo remix and some additional non-album singles.

digging through extensive archival content, Yoko and her team deliver us an incredibly personal journey through the entire songwriting and recording process – from the very first writing and demo sessions at John’s home studio at tittenhurst park through to the final co-production with Phil Spector – providing a remarkable testament of the lives of John Lennon and Yoko Ono in their own words. ***the deluxe 2cd comes with an extensive bonus disc of different mixes, demos and alternate takes. *** ***the super deluxe boxset comes with an incredibly vast array of different mixes, demos and alternate takes, the restored ‘Imagine’ and ‘Gimme Some Truth’ films and a 120 page hardcover book documenting the album’s creation***

Abysskiss

Adrianne Lenker – Abysskiss

the big thief vocalist lays down a mesmerising set of songs that are hushed & disarmingly intimate, in which we climb into her consciousness without encountering any barriers & revel in the sweet beauty of her gentle melancholy.

the songs chosen for this collection were the songs that felt the most alive in the room. these are not castaways or b-sides. some of these songs have been alive for years while some were written just days before the recording session. with this collection, Lenker further illuminates to the listening public that she is a songwriter of the highest order, following her voice & the greater voices that pass through her with an unflinching openness & clarity of translation. “it’s an invitation to peer into the hidden spaces of an extraordinary modern songwriter, where calm & quiet moment prompt superlative work”

C’est La Vie

Phosphorescent  –  C’est La Vie

Matthew Houck has crafted an electrifying collection of songs that blend a dreamy, psychedelic americana aesthetic with solid pop foundations that never fail to engage.

this album reveals a crystallisation of what made ‘Muchacho’ such a breakout record release — a little sweetness and a little menace, sometimes boot-stomping and sometimes meditative. the magic of Matthew Houck’s music has always been the way he weaves shimmering, almost golden-sounding threads through elemental, salt-of-the-earth sounds. it’s not experimental, exactly, but it’s singular and it’s definitely not traditional. that knack, the through-line across the phosphorescent catalogue, is front and centre here. fans of bon iver, iron and wine, bonnie prince billy, damien jurado and okkervil river will love this! “songs of experience make up Matthew Houck’s heavenly seventh”

First Flower

Molly Burch  –  First Flower

a walk through Molly Burch’s most intimate thoughts – broken friendships, sibling relationships and overwhelming anxiety – ‘First Flower’ is a bright, beautiful album peppered with moments of triumph with Burch’s voice as strong and dexterous as ever.

opening track “Candy” is a swinging, playful hit, while “Wild” deals with pushing away fear. title track “First Flower” is classic Burch, a simple love song that gives you goosebumps when she breaks into the chorus. but the album’s true stand-out is “To the Boys”, a courageous, sassy fuck-you to her own self-deprecation where she learns to love all the things she hated about herself. if you enjoyed angel olsen’s ‘My Woman’, this is the album for you. “more dreamy, torchy country-pop goodness from this Austin breakout”

Stardust Birthday Party

Ron Gallo –  Stardust Birthday Party

Ron Gallo’s punk-poet persona remains intact, backed by a generous injection of scuzz and fuzz.

“the details of my path are pointless because everyone’s path is different. it is about me sitting with myself for the first time and confronting the big question ‘what am i, really?’ it’s about the love and compassion for all things that enters when you find out you are nothing and everything. i think at one point i wanted to change the world, but now i know i can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. and that’s what this album is about, it’s me dancing while destroying the person i thought i was, and hopefully forever”. fans of oh sees, ty segall and warm drag should check this out

WANDERER

Cat Power  –  Wanderer

Chan Marshall’s return to the folkier, bluesier side of the tracks is very welcome on this lustrous set of understated, yet quietly powerful, acoustic ballads.

produced in its entirety by Marshall, ‘Wanderer’ includes appearances by long-time friends & compatriots, as well as guest vocals courtesy of Lana del Rey & an exquisite cover of Rihanna’s ‘Stay’. the 11 tracks encompass “my journey so far,” says Marshall. “the course my life has taken in this journey – going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. folk singers, blues singers, & everything in between. they were all wanderers, & i am lucky to be among them.” “the set has both strength & a lean, lustrous beauty, tapping Carole King-style classicism & american folk standards”

Fall Into the Sun

Swearin’ – Fall Into The Sun

their scuzztastic reunion has gifted us a blissful set of melodic bangers that go hard on distortion and easy on the ears.

much like the band’s previous albums, Gilbride anchored the recording and producing of the record, but this time around, the band worked to make the process feel more collaborative than ever before. “i feel like this was the first time i could look at a Swearin’ record and say that i co-produced it, and that felt really good,” said Crutchfield. Crutchfield and Gilbride always had an innate ability to mirror the other’s movements in songs, but here, they build a focused lyrical perspective across their songs, one that’s thankful for their past, but looks boldly toward the future. fans of rilo kiley, the beths, speedy ortiz and forth wanderers need to check this out!

Masana Temples

Kikagaku Moyo – Masana Temples

the psych-prog quintet return with a serene set of wah-heavy motifs, seasoned with moments of exquisitely delicate, hushed vocals.

more than the literal interpretation of being on a journey, the album’s ever-changing sonic panorama reflects the spiritual connection of the band moving through this all together. inspecting the harmonies and disparities between their evolving perspectives, the group reflects the emotional impact of their nomadic paths. the music is the product of time spent in motion and all of the bending mindsets that come with it. fans of minami deutsche and sundays & cybele should check this out.

Possible Dust Clouds

Kristin Hersh  – Possible Dust Clouds

enveloping the juxtaposition of the concept of ‘dark sunshine’, this brooding solo album expands her off-kilter sonic vision; a squally, squeaky cocktail of discordant beauty.

feedback and phasing gyrate from simply strummed normality, imagine Dinosaur jr and My Bloody Valentine cranking up a Dylan couplet. messing with both extremes of the sonic spectrum: atonal and arrhythmic, a unique sound and a glorious return to form for one of alternative rock’s true innovators. “sometimes the most subversive thing i can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we’ve heard before, twisted into different shapes” – Kristin Hersh, july 2018. “the prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician.”

LIVE AT THIRD MAN RECORDS

Father John Misty – Live at Third Man Records

Live at Third Man Records covers songs from the first three of his albums, heard here stripped totally bare, you lucky tikes.  In September last year, Josh Tillman stopped by Third Man’s Nashville headquarters on an otherwise ordinary Tuesday afternoon and surprised them with a lunchtime solo, acoustic set before his sold-out Ryman Auditorium performance. They, of course, had our 1955 Scully Lathe warmed at the ready to capture the occasion. As is typical for direct-to-acetate recordings in the Blue Room, Josh warmed up the room (and our engineers) with two songs before they started cutting the LP. He began with the debut performance of his newly penned Mr. Tillman(foreshadowing its release as the first single on God’s Favorite Customer 9 months later). They then used the second song as an opportunity to carve a 12” on-the-spot single of Now I’m Learning to Love the War, which was promptly handed it to a lucky attendee for safe keeping. If you want to know more about that, you’ll have to scour the depths of FJM’s fan net. Live at Third Man Records covers songs from all three Father John Misty albums out at the time of its recording, heard here stripped totally bare

my american dream

Will Hoge  –  My American Dream

Hoge gives it his all on this blazing album of gritty, country soul, newly infused with a furious rock energy.

with ‘My American Dream’, Hoge hopes that others will follow his lead, see the world through someone else’s eyes, and maybe begin to fix the mess we’re living in. “i don’t want to write songs telling people how they should feel” Hoge says. “if anything, maybe there’s a 16- or 17-year-old kid in the small-town south who has rumblings of these feelings but doesn’t have anybody in his little community to go, ‘hey man, think about it like this for a second. here’s another group of people’s perspectives’”. fans of chris stapleton, lydia loveless, steve earle’s ‘copperhead road’ and nikki lane will love this!

ICON OF EGO

Arc Iris  –  Icon of Ego

the trio’s third is a vividly expressionistic record that reflects their protean talents, creating an avantgarde experimental pop that’s entirely their own.

‘Icon of Ego’ finds a stronger, more experienced band. the band has evolved into a concentrated pop-prog explosion, mixing styles with disparate elements that captivate and surprise. with heavy synthesiser work by Tenorio and Jocie Adams, and seemingly impossible transitions executed effortlessly by Belli, the songs here carry a thick, analogue electronic sound that harks back to the ’70s. presiding over these are Adams’ powerful vocals that house the energy under pop forms. fans of cocorosie and deerhoof should check these guys out.

I

Terry – I’m Terry

the Melbourne quartet capture their particular kind of witty diy, garage pop beautifully on this lp.

there are few rules in Terry’s world. “they seem to make a song out of whatever sounds good to them. the only stylistic consistency is in their hat wear. terry are like Steely Dan or 10cc. both bands make me queasy after a certain point. Terry probably also make me a bit queasy, singing about police beatings and nationalism and all that. but they’re not out to hurt you. they’re like the kindly bearer of bad news. Terry puts it in terms that speak to me. it’s a tragicomedy.” – fans of the go-betweens, courtney barnett and rolling blackouts coastal fever need to hear this.

henry / I

Soccer Mommy – Henry / I’m on Fire

Soccer Mommy aka Sophie Allison puts her own heavenly spin on the boss’ timeless classic, plus reworks the lead track from her obscure 2016 album ‘For Young Hearts’, previously only physically available as a rare cassette release. we think she’s done Bruce proud. Soccer Mommy is a must for fans of snail mail, phoebe bridgers, lucy dacus and julien baker.

LIVE AT THIRD MAN RECORDS

Kevin Morby – Live at Third Man Records

Kevin Morby performs two tracks for third man, stripping them down and revealing something completely new, in relation to their studio counterparts.

Formally a member of New York folk group Woods, Kevin Morby has made a name for himself with his four acclaimed solo releases. these songs, “Destroyer” and “Black Flowers”, come from his third record ‘Singing Saw’. “Destroyer” is an autobiographical minimalistic keyboard ballad, a distant cousin of the full band album version. “Black Flowers” on this single borrows less from the sweeping orchestras of leonard cohen’s catalogue and more from the melancholic austerity of bert jansch.

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Normally I’d say you’re setting yourself up for a very public and humiliating defeat by trying to cover the ever popular Rihanna, but there’s nothing normal ever about Cat Power. Chan Marshall has the voice of an angel with a pack-a-day habit, so whatever she sings sounds like some sort of badass divine intervention. Her cover of Rhianna’s 2012 hit ‘Stay’ is the second single off her new album, “Wanderer”and it’s really something special. According to Chan, covering songs is a tradition that is “one of the highest compliments you can pay another artist. It’s one of the great traditions in American music and one of the true pleasures of music history.”

“Stay” features on ‘Wanderer’, the new album from Cat Power, out 5th October on Domino Record Co.

Revered indie singer-songwriter Chan Marshall a.k.a. Cat Power takes inspiration from well-traveled folk and blues musicians on Wanderer, her first album in six years (and tenth overall). The 11-track project will include the rumbling, soulful single “Woman” (featuring recent tourmate Lana Del Rey) as well as what Marshall promises are appearances from “longtime friends and compatriots.” In a statement announcing the LP, Marshall said, “Wanderer, the album, represents the course my life has taken in this journey  going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me … They were all wanderers, and I am lucky to be among them.”

Chan Marshall is preparing to release her 10th album under the alias Cat Power. While she’s known for her inventive covers (her latest triumph a take on Rihanna’s “Stay”), Marshall has remained an independent and innovative songwriter since debuting in the ’90s, recently influenced by big changes: motherhood, a six-year musical hiatus and a new label, Domino Recordings (her former label, Matador Records, passed on Wanderer). Despite a somewhat winding road since her last record, 2012’s SunCat Power is poised to make a victorious return. If “Stay” and the record’s other two singles, “Woman” and the title track, are any indication, Wanderer is headed for husky pop glory.

Sonic and emotional economy tend to be Chan Marshall’s greatest strengths. Her albums as Cat Power sound like eavesdropping on intimate confessions bolstered by stark musical accompaniment. Even though Marshall has moved beyond guitar-and-voice compositions as her career has progressed—1996’s What Would The Community Think incorporated smoldering pedal steel; 1998’s Moon Pix featured contributions from members of the Dirty Three; and 2006’s The Greatest was brightened by horns—her overall aesthetic remains unvarnished sparseness.

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Last month, Chan Marshall, aka Cat Power, teased the release of her 10th album with 80 seconds of scenic views and husky, hymn-like vocals. The visual featured a snippet of the album’s title track: Wanderer, out this fall via Domino Recordings, The release will break the artist’s six-year hiatus following the release of Sun.

Marshall has now shared the first single from Wanderer: “Woman,” featuring supporting vocals from her former tour-mate Lana Del Rey. It’s a pulsing Americana track, with thick vocals from Marshall intermingling with Del Rey’s whispery tones. The track is bolstered by a solid guitar riff that reflects hazy late nights and Marshall’s southern roots. The singers repeat “woman” over and over until it becomes an icy affirmation against the backdrop of a vast landscape. “I’m a woman of my word / Now you have heard / My word’s the only thing I truly need”—a testament to feminine power.

The song also comes with a video directed by Greg Hunt. It’s a simple visual, switching between shots of Marshall and her band on a rooftop at sunset, and in a studio with deeply saturated blues and pinks.

Wanderer was written, recorded and produced by Marshall herself, and it reflects the themes of rootlessness that come with being a touring musician. The album comes out on October. 5th, but you can watch the video for “Woman” below.

“Woman (feat. Lana Del Rey)” features on ‘Wanderer’, the new album from Cat Power, out 5th October on Domino Record Co.

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Cat Power and Jakob Dylan performing the Turtles’ “You Showed Me” (written by The Byrds’ Roger McGuinn and Gene Clark).

Echo In The Canyon – A special night on October 12th at THE ORPHEUM THEATRE featuring the Music of The Byrds, The Beach Boys, Buffalo Springfield, The Mamas & The Papas, The Association, Love & more. Performed By Fiona Apple,Beck, Jakob Dylan, Cat Power Sun, Regina Spektor, and Jade (formerly of Edward Sharpe)

Celebrating the 50th Anniversary of the birth of the Southern California folk rock scene.

With a studio album to be released in spring 2016; Listen/share new Cat Power/Jakob Dylan recording of The Turtles’ “You Showed Me”  with the mysterious Echo In The Canyon band musicians, you might wonder…? Well, on the album and on the stage, for the most part: Bass and BGVs –Dan Rothchild loves music. Drums – Matt Tecu. Keyboards – Jordan Summers. Guitars – Geoff Pearlman & Fernando Perdomo. BGVs Justine Bennett.

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Dinosaur Jnr frontman J Mascis, has a new solo album available “Tied To a Star” world weariness vocals featuring backing vocals from Cat Power.