Posts Tagged ‘Adrianne Lenker’

Lenker

Adrianne Lenker has been writing songs since she was ten years old. Her “back story” has been well documented in various interviews and profiles for Big Thief over the last three years. Despite, or more likely because of the constant touring and studio work, the last few years have been some of the most prolific for Lenker as a writer. Songs pop out at soundcheck. They pop out on late night drives between cities. They pop out in green rooms, hotel stairwells, gardens, and kitchens around the world. In the hands of Lenker songwriting is not an old dead craft. It is alive. It is vital. With little regard for standard album cycle practice or the idea of resting at all, Lenker set out to make a document. Songs can be slippery and following a 2+ years on the road with Big Thief, Lenker felt a growing need to document this particular time in her life in an intimate, immediate way. The result is her new album, abysskiss.

The Big Thief singer Adrianne Lenker excels by tapping into the core of the human soul in the most tender, gentle and vivid way possible and her new solo LP, absysskiss, is no exception. Through just vocals, acoustic guitar and intermittent keyboards, Lenker conjures up something magical and weighty with so few elements. The 10 songs that make up abysskiss toggle from intoxicating love to somber grief and it spans many feelings in between. Lenker uses nature metaphors to tackle heavy subject matters like mortality, love, birth, friendship and youth, but she doesn’t hide behind these metaphors. She uses them to boil down complex topics into something familiar, immediate and sentimental.

The album’s two singles, “Cradle” and “Symbol,” are highlights with the candid, understated beauty of the former and the haunting, hypnotic mysticism of the latter. Fans of Big Thief should latch on to this record as Lenker’s evocative storytelling, oneness with nature, unique vocal tones and her ability to arouse grandeur from the mundane are all apparent on this record. Lenker has proved herself to be one of the most captivating songwriters, not just in indie-folk, but of the present day. Providing newfound comfort and warm familiarity, abysskiss is a record that will quickly find its way into your heart and slowly caress your soul.

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The album of the week shines in every facet of its existence. Phosphorescent (aka Matthew Houck) has meticulously crafted an intensely warm album of americana pop, drawing together a multitude of instrumental textures – from guitars and pedal steels, to synths, to his own voice – and yoking them into perfect harmony. his lush melodies are executed with the utmost sincerity, giving his music a widescreen poignancy.

There are many more tasty treats out this week…big thief vocalist Adrianne Lenker has struck out on her own with an absolute pearl of an album. sweet & understated, this collection of songs poured out of her in the moments between performing & practicing with her band, resulting in her most intimate work yet. that’s on very limited glow-in-the-dark vinyl, for people who like to listen with the lights off. picking up the tempo a little, Molly Burch’s country pop sophomore features that same beautiful, warbling voice channelled through a stronger, more confident set of songs founded upon indelible melodies.. we’ve also been loving the debut from kentucky’s the Other Years, whose angelically pure vocal harmonies, underpinned by a sweet backing of violin & banjo, are a thing of simple beauty. this is the perfect album to come home to after a strenuous day – trust. predictably, Cat Power’s new album is a stone-cold stunner! her largely acoustic set of folk-tinged, blues-tinted songs continue to prove her to be one of the strongest songwriters working today.

Further recomendations Throwing Muses’ Kristin Hersh delivers another powerful solo album of darkly melodic scuzz-songwriting Will Hoge injects his rumbly-voiced country with an invigorating dash of soul and an exhilarating bolt of rock bravado;  it’s also worth knowing that Blood Orange’s ‘negro swan’ is finally in on vinyl, amy helm’s red vinyl lp has finally popped in & settled its round little body into our shelves. & Marie Davidson’s excellent new record – which had me & mark jiving away.

Reissues this week, Bloc Party‘s classic debut ‘silent alarm’ arrives for the very first time on sturdy 180 gram vinyl. john Lennon’s ‘imagine’ gets a new stereo remaster, along with a bounty of alternate mixes & alternate takes that offer tremendous insight into his recording process. and possibily the greatest guitar album ever Television’s very seminal ‘Marquee Moon’ is in on blue vinyl, with a bonus disc of alternate versions – yum!

Imagine (2018 reissue)

John Lennon  –  Imagine (2018 reissue)

this truly unique edition of one of the most iconic albums of all time sees the timeless record remastered with a new stereo remix and some additional non-album singles.

digging through extensive archival content, Yoko and her team deliver us an incredibly personal journey through the entire songwriting and recording process – from the very first writing and demo sessions at John’s home studio at tittenhurst park through to the final co-production with Phil Spector – providing a remarkable testament of the lives of John Lennon and Yoko Ono in their own words. ***the deluxe 2cd comes with an extensive bonus disc of different mixes, demos and alternate takes. *** ***the super deluxe boxset comes with an incredibly vast array of different mixes, demos and alternate takes, the restored ‘Imagine’ and ‘Gimme Some Truth’ films and a 120 page hardcover book documenting the album’s creation***

Abysskiss

Adrianne Lenker – Abysskiss

the big thief vocalist lays down a mesmerising set of songs that are hushed & disarmingly intimate, in which we climb into her consciousness without encountering any barriers & revel in the sweet beauty of her gentle melancholy.

the songs chosen for this collection were the songs that felt the most alive in the room. these are not castaways or b-sides. some of these songs have been alive for years while some were written just days before the recording session. with this collection, Lenker further illuminates to the listening public that she is a songwriter of the highest order, following her voice & the greater voices that pass through her with an unflinching openness & clarity of translation. “it’s an invitation to peer into the hidden spaces of an extraordinary modern songwriter, where calm & quiet moment prompt superlative work”

C’est La Vie

Phosphorescent  –  C’est La Vie

Matthew Houck has crafted an electrifying collection of songs that blend a dreamy, psychedelic americana aesthetic with solid pop foundations that never fail to engage.

this album reveals a crystallisation of what made ‘Muchacho’ such a breakout record release — a little sweetness and a little menace, sometimes boot-stomping and sometimes meditative. the magic of Matthew Houck’s music has always been the way he weaves shimmering, almost golden-sounding threads through elemental, salt-of-the-earth sounds. it’s not experimental, exactly, but it’s singular and it’s definitely not traditional. that knack, the through-line across the phosphorescent catalogue, is front and centre here. fans of bon iver, iron and wine, bonnie prince billy, damien jurado and okkervil river will love this! “songs of experience make up Matthew Houck’s heavenly seventh”

First Flower

Molly Burch  –  First Flower

a walk through Molly Burch’s most intimate thoughts – broken friendships, sibling relationships and overwhelming anxiety – ‘First Flower’ is a bright, beautiful album peppered with moments of triumph with Burch’s voice as strong and dexterous as ever.

opening track “Candy” is a swinging, playful hit, while “Wild” deals with pushing away fear. title track “First Flower” is classic Burch, a simple love song that gives you goosebumps when she breaks into the chorus. but the album’s true stand-out is “To the Boys”, a courageous, sassy fuck-you to her own self-deprecation where she learns to love all the things she hated about herself. if you enjoyed angel olsen’s ‘My Woman’, this is the album for you. “more dreamy, torchy country-pop goodness from this Austin breakout”

Stardust Birthday Party

Ron Gallo –  Stardust Birthday Party

Ron Gallo’s punk-poet persona remains intact, backed by a generous injection of scuzz and fuzz.

“the details of my path are pointless because everyone’s path is different. it is about me sitting with myself for the first time and confronting the big question ‘what am i, really?’ it’s about the love and compassion for all things that enters when you find out you are nothing and everything. i think at one point i wanted to change the world, but now i know i can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. and that’s what this album is about, it’s me dancing while destroying the person i thought i was, and hopefully forever”. fans of oh sees, ty segall and warm drag should check this out

WANDERER

Cat Power  –  Wanderer

Chan Marshall’s return to the folkier, bluesier side of the tracks is very welcome on this lustrous set of understated, yet quietly powerful, acoustic ballads.

produced in its entirety by Marshall, ‘Wanderer’ includes appearances by long-time friends & compatriots, as well as guest vocals courtesy of Lana del Rey & an exquisite cover of Rihanna’s ‘Stay’. the 11 tracks encompass “my journey so far,” says Marshall. “the course my life has taken in this journey – going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. folk singers, blues singers, & everything in between. they were all wanderers, & i am lucky to be among them.” “the set has both strength & a lean, lustrous beauty, tapping Carole King-style classicism & american folk standards”

Fall Into the Sun

Swearin’ – Fall Into The Sun

their scuzztastic reunion has gifted us a blissful set of melodic bangers that go hard on distortion and easy on the ears.

much like the band’s previous albums, Gilbride anchored the recording and producing of the record, but this time around, the band worked to make the process feel more collaborative than ever before. “i feel like this was the first time i could look at a Swearin’ record and say that i co-produced it, and that felt really good,” said Crutchfield. Crutchfield and Gilbride always had an innate ability to mirror the other’s movements in songs, but here, they build a focused lyrical perspective across their songs, one that’s thankful for their past, but looks boldly toward the future. fans of rilo kiley, the beths, speedy ortiz and forth wanderers need to check this out!

Masana Temples

Kikagaku Moyo – Masana Temples

the psych-prog quintet return with a serene set of wah-heavy motifs, seasoned with moments of exquisitely delicate, hushed vocals.

more than the literal interpretation of being on a journey, the album’s ever-changing sonic panorama reflects the spiritual connection of the band moving through this all together. inspecting the harmonies and disparities between their evolving perspectives, the group reflects the emotional impact of their nomadic paths. the music is the product of time spent in motion and all of the bending mindsets that come with it. fans of minami deutsche and sundays & cybele should check this out.

Possible Dust Clouds

Kristin Hersh  – Possible Dust Clouds

enveloping the juxtaposition of the concept of ‘dark sunshine’, this brooding solo album expands her off-kilter sonic vision; a squally, squeaky cocktail of discordant beauty.

feedback and phasing gyrate from simply strummed normality, imagine Dinosaur jr and My Bloody Valentine cranking up a Dylan couplet. messing with both extremes of the sonic spectrum: atonal and arrhythmic, a unique sound and a glorious return to form for one of alternative rock’s true innovators. “sometimes the most subversive thing i can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we’ve heard before, twisted into different shapes” – Kristin Hersh, july 2018. “the prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician.”

LIVE AT THIRD MAN RECORDS

Father John Misty – Live at Third Man Records

Live at Third Man Records covers songs from the first three of his albums, heard here stripped totally bare, you lucky tikes.  In September last year, Josh Tillman stopped by Third Man’s Nashville headquarters on an otherwise ordinary Tuesday afternoon and surprised them with a lunchtime solo, acoustic set before his sold-out Ryman Auditorium performance. They, of course, had our 1955 Scully Lathe warmed at the ready to capture the occasion. As is typical for direct-to-acetate recordings in the Blue Room, Josh warmed up the room (and our engineers) with two songs before they started cutting the LP. He began with the debut performance of his newly penned Mr. Tillman(foreshadowing its release as the first single on God’s Favorite Customer 9 months later). They then used the second song as an opportunity to carve a 12” on-the-spot single of Now I’m Learning to Love the War, which was promptly handed it to a lucky attendee for safe keeping. If you want to know more about that, you’ll have to scour the depths of FJM’s fan net. Live at Third Man Records covers songs from all three Father John Misty albums out at the time of its recording, heard here stripped totally bare

my american dream

Will Hoge  –  My American Dream

Hoge gives it his all on this blazing album of gritty, country soul, newly infused with a furious rock energy.

with ‘My American Dream’, Hoge hopes that others will follow his lead, see the world through someone else’s eyes, and maybe begin to fix the mess we’re living in. “i don’t want to write songs telling people how they should feel” Hoge says. “if anything, maybe there’s a 16- or 17-year-old kid in the small-town south who has rumblings of these feelings but doesn’t have anybody in his little community to go, ‘hey man, think about it like this for a second. here’s another group of people’s perspectives’”. fans of chris stapleton, lydia loveless, steve earle’s ‘copperhead road’ and nikki lane will love this!

ICON OF EGO

Arc Iris  –  Icon of Ego

the trio’s third is a vividly expressionistic record that reflects their protean talents, creating an avantgarde experimental pop that’s entirely their own.

‘Icon of Ego’ finds a stronger, more experienced band. the band has evolved into a concentrated pop-prog explosion, mixing styles with disparate elements that captivate and surprise. with heavy synthesiser work by Tenorio and Jocie Adams, and seemingly impossible transitions executed effortlessly by Belli, the songs here carry a thick, analogue electronic sound that harks back to the ’70s. presiding over these are Adams’ powerful vocals that house the energy under pop forms. fans of cocorosie and deerhoof should check these guys out.

I

Terry – I’m Terry

the Melbourne quartet capture their particular kind of witty diy, garage pop beautifully on this lp.

there are few rules in Terry’s world. “they seem to make a song out of whatever sounds good to them. the only stylistic consistency is in their hat wear. terry are like Steely Dan or 10cc. both bands make me queasy after a certain point. Terry probably also make me a bit queasy, singing about police beatings and nationalism and all that. but they’re not out to hurt you. they’re like the kindly bearer of bad news. Terry puts it in terms that speak to me. it’s a tragicomedy.” – fans of the go-betweens, courtney barnett and rolling blackouts coastal fever need to hear this.

henry / I

Soccer Mommy – Henry / I’m on Fire

Soccer Mommy aka Sophie Allison puts her own heavenly spin on the boss’ timeless classic, plus reworks the lead track from her obscure 2016 album ‘For Young Hearts’, previously only physically available as a rare cassette release. we think she’s done Bruce proud. Soccer Mommy is a must for fans of snail mail, phoebe bridgers, lucy dacus and julien baker.

LIVE AT THIRD MAN RECORDS

Kevin Morby – Live at Third Man Records

Kevin Morby performs two tracks for third man, stripping them down and revealing something completely new, in relation to their studio counterparts.

Formally a member of New York folk group Woods, Kevin Morby has made a name for himself with his four acclaimed solo releases. these songs, “Destroyer” and “Black Flowers”, come from his third record ‘Singing Saw’. “Destroyer” is an autobiographical minimalistic keyboard ballad, a distant cousin of the full band album version. “Black Flowers” on this single borrows less from the sweeping orchestras of leonard cohen’s catalogue and more from the melancholic austerity of bert jansch.

The rise of Big Thief has been a charmingly old-fashioned one, built on hard work, word of mouth and wonderful music. The band have become one of the alternative-scenes most loved acts, and done it entirely on their own terms. Continuing that theme of doing things your own way, the band’s vocalist Adrianne Lenker has this week announced, not a new Big Thief record, instead a return to her solo career. Adrianne is set to release “Abysskiss”, the follow-up to 2014’s, Hours Were The Birds, in October and has shared the first taste of it, Cradle.

While much of Adrianne’s work has dealt with her youth, her past if you will, for Abysskiss, she has set out to document the here and now. Much of this record was written on the road and in studios as Adrianne lived the musicians life. It serves as an intimate and immediate documentation of where both her songwriting and life currently stand, in her own words, an attempt to, “archive the songs in their original forms”.Listening to Cradle, you feel like you’re almost listening to a demo, a song still having the life breathed into it as it’s performed; it’s not lo-fi per se, in fact it sounds lush and perfectly unadorned, allowing her unmistakable vocal and gentle backing plenty of room to breath. Lyrically, it seems to dance with half-finished images; there’s an underlying feeling of discontent, yet it seems to be more with an inability to accept the potential for happiness than any underlying sadness. As a snapshot of a songwriter at the peak of their powers, Cradle suggests Adrianne Lenker remains one of music’s most vital voices.

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Releases October 5th, 2018
Performed and written by Adrianne Lenker “Abysskiss” via Saddle Creek Records. 

We are happy to share some nice news with you. Adrianne Lenker of Big Thief has made a stunning new solo album and Saddle Creek Reords are proud to be releasing it. A songwriter who has undoubtedly made an impact on many lives, Lenker set out to make an intimate and immediate document of a particular time in her life after 2 years on the road with Big Thief. ‘Abysskiss’ is the result it is out on October 5th.

Adrianne Lenker, is the lead singer of Brooklyn based rock band Big Thief,  To coincide with the news, Lenker has also shared the single from the forthcoming album, it is called ‘Cradle’. “I want to archive these songs in their original forms every few years,” Lenker said in a statement.

“My first solo record I made was Hours Were the Bird. I had just turned 21 and moved to New York City where I was sleeping in a warehouse, working in a restaurant and photographing pigeons. Now five years later, another skin is being shed.”

Adrianne LenkerCradle From the album Abysskiss – Out 10/5/18

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It’s heartening that a new voice can still come along that requires you to stop everything, take notice and listen. The owner of these beautiful vocals is Adrianne Lenker, singer and guitarist with Big Thief, a four-piece from New York, who have more than delivered on their early potential.

As the front cover may allude to (it features vocalist Adrianne Lenker being held by her young Uncle), Big Thief’s sophomore album delves deep in to family history. There are stark accounts of death, domestic abuse as well as guttural romances themes littered throughout the LP. Though the true theme lie in the duality of life and the continued fight between the two. It’s a piece of work that sees Lenker and Co. at the height of their powers.
Intense yet generous, Capacity makes you wonder what the big deal is with second albums. That just 14 months separated the release of Masterpiece and Capacity ensured the band wouldn’t overthink their next move, but there’s more to it than prolificness. Adrianne Lenker’s lyrics and the music they inhabit rarely subvert each other via the more familiar way of placing words and melody at opposite emotional poles. Equally fluent in metaphor and memoir, Lenker blurs the two in a way that resists strict autobiography, while still inviting you into her worlds.

Only formed in 2015, the band are already onto their second album – Capacity is the follow-up to last year’s well-received debut Masterpiece – and the band have long been championed by BBC 6 Music.

The album’s cover – Adrianne Lenker’s uncle cradling her when she was a baby – gives a clue to the themes of family explored on the record. Standout track Mythological Beauty, recalls a childhood accident that almost killed Adrianne, considering the impact it had on her mother. In an interview reflecting on the familial story-telling, she reveals “I’m not quite sure if I’m writing the songs from myself to my future child, or to my inner child, or from my mother to me.”

Expect to hear more from this group as 2017 continues to unfold. They’ll be visiting the UK for gigs .

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To open the fourth season of the Gladden House Sessions, Big Thief’s lead singer and songwriter Adrianne Lenker stopped by to perform an intimate and haunting solo set in the early evening of that Thursday. The intense and soft-spoken Lenker, armed only with an acoustic guitar, captivated the festival goers in attendance with a curated selection of songs.

Lenker opened with a gorgeous rendition of the title track from Capacity (Saddle Creek). Her second song was an unexpected treat; an unreleased, and hereto yet to be recorded, song that she has rarely performed. This new track was a delight to the many fans of Lenker’s enthralling approach to performance. Lenker closed the set with another track off of “Capacity”, the album opener “Pretty Things.”

We are excited to announce Big Thief’s highly anticipated second album,“Capacity”, will be out June 9th. The trails that the band takes us down on Capacity are overgrown with a wilderness of souls. These are carnivorous stories, with pangs of sadness and joy. Songwriter Adrianne Lenker shows us the gentle side of being ripped open, and then recounts the second act of pulling oneself back together to prepare for it all to happen again.

The first song to be shared (which will also be available on Record Store Day as a 7″ Vinyl single b/w non-album track “Breathe in My Lungs”) is the utterly captivating and semi-autobiographical “Mythological Beauty” (learn more about the song via her interview with NPR Music’s Bob Boilen on All Songs Considered.

The video for “Mythological Beauty” features a cameo by Lenker’s mother (who also graced the cover of Masterpiece). The gorgeous video, directed by Vanessa Haddad and Adam Gundersheimer, leaves itself open to interpretation as it follows a resolute woman played by Adrianne carrying a stricken man played by Buck Meek through the woods.

Big Thief – Mythological Beauty
From the upcoming album Capacity – Out 6/9/17!

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The Brooklyn-based indie-rock outfit Big Thief made the trip to the Late Night Show With Seth Meyers to perform the title song from their aptly named album “Masterpiece. The band seemed at home on set, with frontwoman Adrianne Lenker even busting a few moves on stage. Even more exciting, however, is Seth Meyers promise at the end of the show that the band has a new album in the works, to be released this comimg summer.

2017 is off to a busy start for Big Thief ! Last night they performed the title track from last year’s beloved album “Masterpiece” on Late Night with Seth Meyers

They also captivated a massive crowd at NPR’s SXSW 2017 showcase earlier this month. You can now watch the entire set recorded at Stubbs BBQ..

For Big Thief, fragility and power come inextricably intertwined. Singer and guitarist Adrianne Lenker may let her songs sit and seethe for long stretches, but those slow builds only maximize the catharsis of the big, loud, high-volume bursts of force that follow.
Onstage at Stubb’s BBQ in Austin, Texas — recorded live Wednesday as part of NPR Music’s SXSW showcase — Lenker brought a mix of new material and songs from last year’s terrific Masterpiece. Throughout the set, Big Thief’s sound billowed out in grand waves, matching the large stage and open-air setting, and by the end of “Masterpiece” (the band’s signature song so far), Lenker was on her back, lost in the intensity of the moment. It felt like just the beginning for a band with a big, bright future.

Set List
“Orange”
“Real Love”
“Vegas”
“Shoulders”
“Paul”
“Shark Smile”
“Parallels”
“Masterpiece”
“Mary”

Now we’re excited to announce their first release of 2017, the “Mythological Beauty” , which will hit store shelves this Record Store Day (April 22nd). The RSD Exclusive version of the 7” is limited to 700 copies on opaque yellow vinyl and features the tracks “Mythological Beauty” and “Breathe in My Lungs.” Be sure to head out to your favorite local record store on April 22nd to pick up your copy!

Big Thief also have a long list of tour dates in the coming months. 

Big Thief

It takes nerve to title your debut album “Masterpiece”. As we noted on the midyear list, the Brooklyn band Big Thief has an awful lot of nerve. What is more important is that the group has excellent songs, which run on smoky, vulnerable vocals and superb melodies. Led by the midnight twang of Adrianne Lenker’s voice, Big Thief’s songs capture the rural desperation of a freight trainyard romance (“Paul”), a motel-screen movie marathon (“Vegas”) or an abusive family (“Real Love”). It is a taut, emotionally resonant collection of songs with a killer climax in “Parallels.” And among the group’s many recently converted fans is Jeff Tweedy, of Wilco fame, who tweeted: “Great guitars, great lyrics, great melodies…. What more could you possibly want?” It’s just that simple.

Big Thief’s Masterpiece is a shared experience. It was an album I’d put on riding in a car with friends, travelling to festivals and gigs . For their album debut, Big Thief added heft to these whispery tales. And that often comes in the form of Buck Meek’s guitar, as he underpins Adrianne Lenker’s chilling voice. I’ve listened to this album more than any other in 2016. It’s just about perfect. Calling your album “Masterpiece” is a bold statement, but Big Thief get closer than you’d think on the title track to their debut for Saddle Creek Records. Against a backdrop of beautifully ragged guitars, frontwoman Adrianne Lenker describes what sounds like a late-night bar crawl, always one drink ahead of loss and grief: “There’s only so much letting go you can ask someone to do.”

Big Thief - Masterpiece

Big Thief is muscular and frail. Its songs revolve around singer and guitarist Adrianne Lenker and her musical partner, guitarist Buck Meek. They’re storytellers as much as song makers and their distorted guitar-based music is a powerful underpinning to vivid and stark imagery:

“I’ll be your morning bright goodnight shadow machine.
I’ll be your record player baby if you know what I mean.
I’ll be your real tough cookie with the whiskey breath.
I’ll be a killer and a thriller and the cause of our death”
Masterpiece is one of the strongest debut albums of 2016. It’s an album on being human, finding compassion, being a lover or just a friend.

“Cry like a bird, fly like a baby
Mama got drunk and daddy went crazy.
If your speech slurs, if you feel shaky
meet me out back, I’ll be there waiting.”
Masterpiece shakes off the trite relationship cliches that are trappings of so much rock music. It’s a special world they’ve created and it lives in my head on repeat.

Sometimes the most revealing lyrics for a song can come from deep within one’s subconscious. For Adrianne Lenker of Brooklyn-based band Big Thief, that statement would likely ring true more times than not. Lenker feels that much of the lyrical content on Big Thief’s debut album Masterpiece—which came out in late May on Saddle Creek Records—spilled out from her subconscious. It’s like a volcano that had built up so much pressure that it erupted.

For example, on the album’s title track she sings, “Old stars / Filling up my throat / You gave ‘em to me when I was born / Now they’re coming out.” She says she was at songwriting festival, and that “there was a lot of stuff happening with friends and family and teachers.”

“I got my guitar and walked up to the top of hill and wrote the song and just sang it. I didn’t have anything with me to record it or write it down,” Lenker says. “All the verses came out at once. I guess it was just in the air.”

She’s joined by members Buck Meek, James Krivchenia and Max Oleartchik. The seeds for the band were planted several years ago when Lenker moved from Minnesota to New York and met Meek at a New York marketplace.

Lenker didn’t know anyone in the area, and he had been living in the city for awhile, so he offered to be her tour guide. That led to them playing songs together and going on tour They become as dynamic as tenacious as the old Dragnet episode that their band was named after. The band recorded Masterpiece over a 12-day period at a friend’s family’s old lake house with producer Andrew Sarlo. They worked in the makeshift studio they had built and used their own gear to record.r as a duo in a 1987 Conversion van. It became evident right away that Meek was someone that she wanted to work with.

Big Thief :: The Best of What's Next