Posts Tagged ‘Kristin Hersh’

Image result for images of vinyl records

The album of the week shines in every facet of its existence. Phosphorescent (aka Matthew Houck) has meticulously crafted an intensely warm album of americana pop, drawing together a multitude of instrumental textures – from guitars and pedal steels, to synths, to his own voice – and yoking them into perfect harmony. his lush melodies are executed with the utmost sincerity, giving his music a widescreen poignancy.

There are many more tasty treats out this week…big thief vocalist Adrianne Lenker has struck out on her own with an absolute pearl of an album. sweet & understated, this collection of songs poured out of her in the moments between performing & practicing with her band, resulting in her most intimate work yet. that’s on very limited glow-in-the-dark vinyl, for people who like to listen with the lights off. picking up the tempo a little, Molly Burch’s country pop sophomore features that same beautiful, warbling voice channelled through a stronger, more confident set of songs founded upon indelible melodies.. we’ve also been loving the debut from kentucky’s the Other Years, whose angelically pure vocal harmonies, underpinned by a sweet backing of violin & banjo, are a thing of simple beauty. this is the perfect album to come home to after a strenuous day – trust. predictably, Cat Power’s new album is a stone-cold stunner! her largely acoustic set of folk-tinged, blues-tinted songs continue to prove her to be one of the strongest songwriters working today.

Further recomendations Throwing Muses’ Kristin Hersh delivers another powerful solo album of darkly melodic scuzz-songwriting Will Hoge injects his rumbly-voiced country with an invigorating dash of soul and an exhilarating bolt of rock bravado;  it’s also worth knowing that Blood Orange’s ‘negro swan’ is finally in on vinyl, amy helm’s red vinyl lp has finally popped in & settled its round little body into our shelves. & Marie Davidson’s excellent new record – which had me & mark jiving away.

Reissues this week, Bloc Party‘s classic debut ‘silent alarm’ arrives for the very first time on sturdy 180 gram vinyl. john Lennon’s ‘imagine’ gets a new stereo remaster, along with a bounty of alternate mixes & alternate takes that offer tremendous insight into his recording process. and possibily the greatest guitar album ever Television’s very seminal ‘Marquee Moon’ is in on blue vinyl, with a bonus disc of alternate versions – yum!

Imagine (2018 reissue)

John Lennon  –  Imagine (2018 reissue)

this truly unique edition of one of the most iconic albums of all time sees the timeless record remastered with a new stereo remix and some additional non-album singles.

digging through extensive archival content, Yoko and her team deliver us an incredibly personal journey through the entire songwriting and recording process – from the very first writing and demo sessions at John’s home studio at tittenhurst park through to the final co-production with Phil Spector – providing a remarkable testament of the lives of John Lennon and Yoko Ono in their own words. ***the deluxe 2cd comes with an extensive bonus disc of different mixes, demos and alternate takes. *** ***the super deluxe boxset comes with an incredibly vast array of different mixes, demos and alternate takes, the restored ‘Imagine’ and ‘Gimme Some Truth’ films and a 120 page hardcover book documenting the album’s creation***

Abysskiss

Adrianne Lenker – Abysskiss

the big thief vocalist lays down a mesmerising set of songs that are hushed & disarmingly intimate, in which we climb into her consciousness without encountering any barriers & revel in the sweet beauty of her gentle melancholy.

the songs chosen for this collection were the songs that felt the most alive in the room. these are not castaways or b-sides. some of these songs have been alive for years while some were written just days before the recording session. with this collection, Lenker further illuminates to the listening public that she is a songwriter of the highest order, following her voice & the greater voices that pass through her with an unflinching openness & clarity of translation. “it’s an invitation to peer into the hidden spaces of an extraordinary modern songwriter, where calm & quiet moment prompt superlative work”

C’est La Vie

Phosphorescent  –  C’est La Vie

Matthew Houck has crafted an electrifying collection of songs that blend a dreamy, psychedelic americana aesthetic with solid pop foundations that never fail to engage.

this album reveals a crystallisation of what made ‘Muchacho’ such a breakout record release — a little sweetness and a little menace, sometimes boot-stomping and sometimes meditative. the magic of Matthew Houck’s music has always been the way he weaves shimmering, almost golden-sounding threads through elemental, salt-of-the-earth sounds. it’s not experimental, exactly, but it’s singular and it’s definitely not traditional. that knack, the through-line across the phosphorescent catalogue, is front and centre here. fans of bon iver, iron and wine, bonnie prince billy, damien jurado and okkervil river will love this! “songs of experience make up Matthew Houck’s heavenly seventh”

First Flower

Molly Burch  –  First Flower

a walk through Molly Burch’s most intimate thoughts – broken friendships, sibling relationships and overwhelming anxiety – ‘First Flower’ is a bright, beautiful album peppered with moments of triumph with Burch’s voice as strong and dexterous as ever.

opening track “Candy” is a swinging, playful hit, while “Wild” deals with pushing away fear. title track “First Flower” is classic Burch, a simple love song that gives you goosebumps when she breaks into the chorus. but the album’s true stand-out is “To the Boys”, a courageous, sassy fuck-you to her own self-deprecation where she learns to love all the things she hated about herself. if you enjoyed angel olsen’s ‘My Woman’, this is the album for you. “more dreamy, torchy country-pop goodness from this Austin breakout”

Stardust Birthday Party

Ron Gallo –  Stardust Birthday Party

Ron Gallo’s punk-poet persona remains intact, backed by a generous injection of scuzz and fuzz.

“the details of my path are pointless because everyone’s path is different. it is about me sitting with myself for the first time and confronting the big question ‘what am i, really?’ it’s about the love and compassion for all things that enters when you find out you are nothing and everything. i think at one point i wanted to change the world, but now i know i can only change myself, or rather just strip away everything that is not me to reveal the only thing that’s ever been there. and that’s what this album is about, it’s me dancing while destroying the person i thought i was, and hopefully forever”. fans of oh sees, ty segall and warm drag should check this out

WANDERER

Cat Power  –  Wanderer

Chan Marshall’s return to the folkier, bluesier side of the tracks is very welcome on this lustrous set of understated, yet quietly powerful, acoustic ballads.

produced in its entirety by Marshall, ‘Wanderer’ includes appearances by long-time friends & compatriots, as well as guest vocals courtesy of Lana del Rey & an exquisite cover of Rihanna’s ‘Stay’. the 11 tracks encompass “my journey so far,” says Marshall. “the course my life has taken in this journey – going from town to town, with my guitar, telling my tale; with reverence to the people who did this generations before me. folk singers, blues singers, & everything in between. they were all wanderers, & i am lucky to be among them.” “the set has both strength & a lean, lustrous beauty, tapping Carole King-style classicism & american folk standards”

Fall Into the Sun

Swearin’ – Fall Into The Sun

their scuzztastic reunion has gifted us a blissful set of melodic bangers that go hard on distortion and easy on the ears.

much like the band’s previous albums, Gilbride anchored the recording and producing of the record, but this time around, the band worked to make the process feel more collaborative than ever before. “i feel like this was the first time i could look at a Swearin’ record and say that i co-produced it, and that felt really good,” said Crutchfield. Crutchfield and Gilbride always had an innate ability to mirror the other’s movements in songs, but here, they build a focused lyrical perspective across their songs, one that’s thankful for their past, but looks boldly toward the future. fans of rilo kiley, the beths, speedy ortiz and forth wanderers need to check this out!

Masana Temples

Kikagaku Moyo – Masana Temples

the psych-prog quintet return with a serene set of wah-heavy motifs, seasoned with moments of exquisitely delicate, hushed vocals.

more than the literal interpretation of being on a journey, the album’s ever-changing sonic panorama reflects the spiritual connection of the band moving through this all together. inspecting the harmonies and disparities between their evolving perspectives, the group reflects the emotional impact of their nomadic paths. the music is the product of time spent in motion and all of the bending mindsets that come with it. fans of minami deutsche and sundays & cybele should check this out.

Possible Dust Clouds

Kristin Hersh  – Possible Dust Clouds

enveloping the juxtaposition of the concept of ‘dark sunshine’, this brooding solo album expands her off-kilter sonic vision; a squally, squeaky cocktail of discordant beauty.

feedback and phasing gyrate from simply strummed normality, imagine Dinosaur jr and My Bloody Valentine cranking up a Dylan couplet. messing with both extremes of the sonic spectrum: atonal and arrhythmic, a unique sound and a glorious return to form for one of alternative rock’s true innovators. “sometimes the most subversive thing i can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we’ve heard before, twisted into different shapes” – Kristin Hersh, july 2018. “the prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician.”

LIVE AT THIRD MAN RECORDS

Father John Misty – Live at Third Man Records

Live at Third Man Records covers songs from the first three of his albums, heard here stripped totally bare, you lucky tikes.  In September last year, Josh Tillman stopped by Third Man’s Nashville headquarters on an otherwise ordinary Tuesday afternoon and surprised them with a lunchtime solo, acoustic set before his sold-out Ryman Auditorium performance. They, of course, had our 1955 Scully Lathe warmed at the ready to capture the occasion. As is typical for direct-to-acetate recordings in the Blue Room, Josh warmed up the room (and our engineers) with two songs before they started cutting the LP. He began with the debut performance of his newly penned Mr. Tillman(foreshadowing its release as the first single on God’s Favorite Customer 9 months later). They then used the second song as an opportunity to carve a 12” on-the-spot single of Now I’m Learning to Love the War, which was promptly handed it to a lucky attendee for safe keeping. If you want to know more about that, you’ll have to scour the depths of FJM’s fan net. Live at Third Man Records covers songs from all three Father John Misty albums out at the time of its recording, heard here stripped totally bare

my american dream

Will Hoge  –  My American Dream

Hoge gives it his all on this blazing album of gritty, country soul, newly infused with a furious rock energy.

with ‘My American Dream’, Hoge hopes that others will follow his lead, see the world through someone else’s eyes, and maybe begin to fix the mess we’re living in. “i don’t want to write songs telling people how they should feel” Hoge says. “if anything, maybe there’s a 16- or 17-year-old kid in the small-town south who has rumblings of these feelings but doesn’t have anybody in his little community to go, ‘hey man, think about it like this for a second. here’s another group of people’s perspectives’”. fans of chris stapleton, lydia loveless, steve earle’s ‘copperhead road’ and nikki lane will love this!

ICON OF EGO

Arc Iris  –  Icon of Ego

the trio’s third is a vividly expressionistic record that reflects their protean talents, creating an avantgarde experimental pop that’s entirely their own.

‘Icon of Ego’ finds a stronger, more experienced band. the band has evolved into a concentrated pop-prog explosion, mixing styles with disparate elements that captivate and surprise. with heavy synthesiser work by Tenorio and Jocie Adams, and seemingly impossible transitions executed effortlessly by Belli, the songs here carry a thick, analogue electronic sound that harks back to the ’70s. presiding over these are Adams’ powerful vocals that house the energy under pop forms. fans of cocorosie and deerhoof should check these guys out.

I

Terry – I’m Terry

the Melbourne quartet capture their particular kind of witty diy, garage pop beautifully on this lp.

there are few rules in Terry’s world. “they seem to make a song out of whatever sounds good to them. the only stylistic consistency is in their hat wear. terry are like Steely Dan or 10cc. both bands make me queasy after a certain point. Terry probably also make me a bit queasy, singing about police beatings and nationalism and all that. but they’re not out to hurt you. they’re like the kindly bearer of bad news. Terry puts it in terms that speak to me. it’s a tragicomedy.” – fans of the go-betweens, courtney barnett and rolling blackouts coastal fever need to hear this.

henry / I

Soccer Mommy – Henry / I’m on Fire

Soccer Mommy aka Sophie Allison puts her own heavenly spin on the boss’ timeless classic, plus reworks the lead track from her obscure 2016 album ‘For Young Hearts’, previously only physically available as a rare cassette release. we think she’s done Bruce proud. Soccer Mommy is a must for fans of snail mail, phoebe bridgers, lucy dacus and julien baker.

LIVE AT THIRD MAN RECORDS

Kevin Morby – Live at Third Man Records

Kevin Morby performs two tracks for third man, stripping them down and revealing something completely new, in relation to their studio counterparts.

Formally a member of New York folk group Woods, Kevin Morby has made a name for himself with his four acclaimed solo releases. these songs, “Destroyer” and “Black Flowers”, come from his third record ‘Singing Saw’. “Destroyer” is an autobiographical minimalistic keyboard ballad, a distant cousin of the full band album version. “Black Flowers” on this single borrows less from the sweeping orchestras of leonard cohen’s catalogue and more from the melancholic austerity of bert jansch.

Advertisements

When, The Cure’s Robert Smith announced the first dozen hand-picked artists for this year’s Meltdown Festival, with KRISTIN HERSH numbering among them. Having just finished her U.S. tour with Grant Lee Phillips and with a sold-out Meltdown show on her hands, she’s just announced a 6-date whirlwind U.K. tour following the festival, which will take her to Glasgow, Newcastle, Halifax, Cambridge, Ramsgate and Brighton.

Whether or not you reside in the vicinity, you may still be thrilled at the fact that she is previewing a new track, called ‘Lax’. This is a rough version of the track, as the final version will be on her album ‘Possible Dust Clouds’, r released later this week.

Indie rock legend Kristin Hersh, is most recognised as the front person for the influential art-punk band Throwing Muses and power trio 50FOOTWAVE, she has a short visit to the UK this summer with her sold-out performance at Robert Smith’s Meltdown Festival.

‘LAX’, a track from of her forthcoming album ‘Possible Dust Clouds’,Throwing Muses first gained traction in the early ‘80s, playing with similarly singular artists, such as The Pixies and Dinosaur Jr. They continue to release groundbreaking music, most recently with 2013’s double CD masterpiece ‘Purgatory/Paradise’

. Kristin’s solo career spun off in 1994 with the release of ‘Hips and Makers’, a widely acclaimed album that included ‘Your Ghost’, a duet with R.E.M.’s Michael Stipe. Since then, Kristin has released a steady stream of distinctly individual solo albums, including 2010’s ‘Crooked’, released as her first in the inventive book/CD format for which she is now known.

2016’s ‘Wyatt at the Coyote Palace’, on which Kristin played all of the instruments, received rave reviews; an explosive defined by blistering guitars, powerful drumming and her signature visceral vocal technique. Her poignant true stories bring the listener into what the BBC calls Hersh’s “dark and dizzy world”.

In 2004, Kristin formed the noise rock power trio 50FOOTWAVE, releasing a series of frighteningly intense mini-albums, all available for download free of charge. Their most recent ‘Bath White’ EP was described as “a series of loud explosions, of velvet like dreams all intermingled at the same time. Bath White takes no prisoners.” 

Kristin’s writing career has flourished with the highly acclaimed ‘Paradoxical Undressing’ (released as ‘Rat Girl’ in the USA) and the award winning  ‘Don’t Suck, Don’t Die’, a personal account of her long friendship with the late Vic Chesnutt, as well as the enchanting books which now accompany each of her record releases.

Kristin Hersh’s prolific career has seen her heralded queen of the alternative release. Her tenth studio album, ‘Possible Dust Clouds’ is a highly personalised sociopathic gem delivered as a futuristic rewriting of how music works, a melodious breeze with a tail wind of venomous din.

Enveloping the juxtaposition of the concept of ‘dark sunshine’, a brooding solo record created with friends to expand her off-kilter sonic vision; a squally, squeaky mix of discordant beauty.
Feedback and phasing gyrate from simply strummed normality, imagine Dinosaur Jr and My Bloody Valentine cranking up a Dylan couplet.

‘Possible Dust Clouds’ is a glorious return to form for one of alternative rock’s true innovators. “She’s still as powerful a presence as she ever was.” Pitchfork
“The prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician.” The Quietus
Throwing Muses became a byword for college-rock feminism in the late 80s, largely because of Hersh’s uncompromising impressionist poetry of emotional anguish, subjugated womanhood and mental illness.” The Guardian

http://

releases October 5, 2018

Wyatt at the Coyote Palace artwork

Throwing Muses frontwoman Kristin Hersh dropped by the studios of Seattle radio station KEXP last November while touring in support of her new solo album Wyatt At The Coyote Palace, and performed a four-song set and discussed her music with host Larry Rose.

The 25-minute video — recently posted by KEXP — includes Hersh’s performances of “Bright,” the opening track to her new album, as well as “Sunray Venus,” off the Throwing Muses’ 2013 album “Purgatory Paradise” , and two other solo cuts.

Kristin Hersh performing live in the KEXP studio. Recorded November 29th 2016.
Songs:
Bright
Sunray Venus
Mississippi Kite
Krait

16 09 26 pil

Metal Box was the band’s second album, originally released on 23rd November 1979. Metal Box is issued in a square metal tin (CD and LP) (the 1979 original was issued in a round metal film canister) with an embossed PiL logo. Include a 72 page booklet together with an exclusive poster, art-prints (LP version) and postcards (CD version). With all lyrics written by John Lydon ‘Metal Box’ was recorded with original PiL members Keith Levene and Jah Wobble. Original drummer Jim Walker had left, to be replaced by a succession of drummers. ‘Metal Box’ came out less than a year after PiL’s debut ‘Public Image: First Issue’ yet it was nothing like its predecessor. Things had changed, and so had PiL. While outside pressures mounted PiL channeled their energies (negative and positive) into a record that would set them apart back in 1979, and indeed today in 2016. Whether it be John’s powerful and passionate vocals; Keith’s wailing guitar and melodic synths; Wobble’s sub-disco reggae basslines; or the crashing rhythm that holds it all together, ‘Metal Box’ has many strengths. The album was originally released as 3 x 45rpm 12″ singles, housed in a metal ‘film’ canister. As made by ‘The Metal Box Company’ in London’s East End; hence the name. The deluxe edition includes rare and unreleased mixes from the recording sessions, along with B-sides and BBC sessions, plus a live recording from a now legendary unplanned show at Factory Records Russell Club in Manchester arranged on the day of a Granada TV appearance in 1979.

106324

Limited copies come with a bonus CD of Dan Carey dubs / mixes / re works of album tracks. Toy return with a new 10 track album Clear Shot on Heavenly Recordings. Splitting their time between Tom Dougall and bassist Maxim Barron’s place in New Cross and Dominic O’Dair’s flat in Walthamstow, where they set up a makeshift studio and laid down the early album demos, Clear Shot began to take shape in the first half of 2015. Taking inspiration from an esoteric blend – Radiophonic Workshop, Comus, the scores of Bernard Herrmann, John Barry and Ennio Morricone Fairport, Coum, Acid House, Incredible String Band, The Langley Schools Project, The Wicker Man soundtrack and even the direction behind Electric Eden, Rob Young’s book about the development of folk music in the U.K. – by the time they entered Eve Studios in Stockport in October 2015 with producer David Wrench, the band were clear about the direction the album should take. The result is their most coherent and confident album to date; lushly cinematic, shot through with their most expressive melodies thus far and coated with a ‘sheen’ courtesy of Chris Coady (Beach House, Smith Westerns, Yeah Yeah Yeahs), who mixed the album in LA with some of the reverbs and vocal processors used on Purple Rain, across the 10-tracks strands of ideas appear, sink and re-emerge in an almost modal jazz manner. Clear Shot sees Toy working both in bigger colours and more minutely crafted detail, achieving an altogether higher level of artistry than before

106776

Midlake celebrate the 10th anniversary of ‘The Trials of Van Occupanther’ with a deluxe reissue via Bella Union on 180 Gram gold vinyl, complete with a B2 pull-out poster, handwritten lyrics and previously unseen photos. The cover artwork has been reimagined in a fittingly flushed, hallucinatory painting by neo-impressionist (and pavement-scorching skateboarder) Brian Lotti. The original album is accompanied by a special bonus 7″ featuring two previously unreleased tracks, the plaintive rolling lament of ‘The Fairest Way’ and the revelatory psychedelic swirl of ‘Festival’, two tracks recorded before original vocalist Tim Smith departed the band. In 2006, Van Occupanther was hailed as an instant classic and over the course of the next year proved to be the band’s commercial breakthrough. While their debut, 2004’s ‘Bamnan and Slivercork’, had drawn acclaim alongside comparisons to Grandaddy and Radiohead, Midlake looked further afield and deeper within for the follow-up. Suffused with a romantic yearning for the simpler life, this was a record pitched between 1871, 1971 and somewhere out of time: between Henry David Thoreau and Neil Young’s ‘After the Gold Rush’, between 1970s Laurel Canyon thinking and a longing for something more mysterious. Rich reserves of wistful melody, dreamy horns, rolling guitars and plaintive pianos reflect its elusive, idiosyncratic narratives: a couple long to be robbed by bandits so they can start anew, an outcast scientist ponders his pariah status, a woman chases a frisky deer, a river leads who knows where yet leaves you little choice but to follow… Famous admirers included Thom Yorke, Beck, The Flaming Lips, Paul Weller, James Dean Bradfield, St Vincent, actor / skateboarder Jason Lee and The Chemical Brothers, and the album went on to secure high placings in the end-of-year polls. Since then, their influence has perhaps been felt in the breakthrough of many a band or singer at one with the stuff of beards, bucolic yearning and blissful West Coast harmonies, from Fleet Foxes to Band of Horses, The Low Anthem, Jonathan Wilson, Matthew E White and beyond. Not that Midlake stood still to lap up the praise: a band acutely attuned to nature’s shifts, they embraced change. In 2010 they ventured into darker psych-folk thickets for The Courage of Others and backed John Grant on his celebrated breakthrough album, ‘Queen of Denmark’. When Tim Smith subsequently departed, guitarist / singer Eric Pulido stepped up to the lead vocal role for 2013’s freshly exploratory ‘Antiphon’. Since then, Pulido and various Midlake members have embarked on a new musical project with a cast of all-stars including members of Grandaddy, Franz Ferdinand, Band of Horses and Travis, for an album due for release next year. All of this serves to reminds us what fertile seeds were sown with ‘The Trials of Van Occupanther’: a modern classic, made of vintage craft and timeless magic.

9769bcd5 affe 4d64 8df9 d4907a16a355

Third World Pyramid is the first album that was fully recorded and produced at Anton’s new Cobra Studio in Berlin . It is the 15th full length release from the Brian Jonestown Massacre recorded from early 2016. Featuring Ricky Maymi, Dan Allaire, Joel Gion, Collin Hegna and Ryan Van Kriedt from the band. Also Emil Nikolaisen from the Norwegian band Serena-Maneesh joins the band on this album, plus vocal performance Tess Parks and Katy Lane.

Iggy pop live album

Iggy Pop’s Post Pop Depression album, a collaboration with co-writer and producer Joshua Homme from Queens Of The Stone Age, is his most critically acclaimed and commercially successful album for many years. On 13th May 2016, Iggy Pop brought his Post Pop Depression live show to London’s revered Royal Albert Hall and almost tore the roof off! With a backing band including Joshua Homme and Dean Fertita from Queens Of The Stone Age and Matt Helders from the Arctic Monkeys, Iggy delivered a set focused almost entirely on the new album plus his two classic David Bowie collaboration albums from 1977, The Idiot and Lust For Life. Fans and critics alike raved about the performance and this will definitely be remembered as one of Iggy Pop’s finest concerts.

Screen shot 2016 09 21 at 22.04.11

8CDs, Collectors Box Set with 16 Page Full Colour Booklet with Background Liners and Rare Images.
Exhilarating live performances across 4 decades of Bob Dylan masterpieces. Since coming to prominence in 1962, Bob Dylan has never ceased to create and innovate, his remarkable songwriting being matched by the quality and quantity of his live performances. This 8-disc set gathers several historically important sets, all originally recorded for broadcast on various different stations, including WBAI-FM, WNBC-FM and others. They find him playing intimately and in front of huge crowds, with material ranging from protest folk to rock’n’roll, and are accompanied here by background notes and images.

600x600xthe courteeners lj 120816.jpg.pagespeed.ic.uvwu5jvd6t

Mapping The Rendezvous is the fifth studio album from Courteeners and follows the spectacular success of 2014’s Concrete Love and the subsequent tour that saw the band sell out venues all across the country before playing a record breaking seven nights at the Manchester Apollo last Christmas

283d9f5a 758a 4fe9 b48c 292b585bc578

Psych-pop fuzz freaks The Lovely Eggs tell it like it is with their new single Drug Braggin. The Lovely Eggs are back again with another fuccked up, fuzzed out freak single . Released on eye-watering psychedelic swirl vinyl. The limited edition 7” sludge pop mind-melter sees the pair (Holly Ross and David Blackwell) take on their latest pet hate: drug posers. Sick of hearing people crowing about how many drugs they’ve done on a night out or at a festival, The Lovely Eggs retort with a big fuck-you to the pricks with a typically surreal insight in to their crazy world. The B-Side On the Line is another new song, which was recorded with an electronic voice unit with a strange disembodied American accent after Holly was diagnosed with a vocal nodule. This brand new material represents yet another twist and turn in The Lovely Eggs‘ musical odyssey, cementing their reputation as one of the most exciting, innovative and genuine bands on the UK underground scene. In keeping with their other recent releases, Drug Braggin is accompanied by artwork and video by cult underground artist and baboon keeper Casey Raymond. The artwork has been created so that it seems never ending as it is joined at every corner in a self repeating pattern, keeping the viewer trapped inside The Lovely Eggs self contained world. It shows Holly and David having a mental meltdown as a result of too much exposure to drug braggin’.

Wyatt

Wyatt At The Coyote Palace is a book of essays and lyrics with two CDs included. It gets its name from an abandoned apartment building behind Kristin’s studio that her son Wyatt spent the majority of this recording session exploring.

With the full studio album on CD, photographs and artwork by Dave Narcizo and Kristin Hersh. Lyrics for each song stories and essays by Kristin Hersh to accompany each track

Throwing Muses founder Kristin Hersh will soon release a new album alongside a book, the third album/book combination thus far in her career, in the form of Wyatt at the Coyote Palace and taken from the album we have a stream of the curiously titled ‘Soma Gone Slapstick’ .

http://

The track, like much of the album, is a continuation of the confessional songwriting that Hersh has come to be known for as a solo artist and as part of Throwing Muses. She has written extensively about the track itself and you can check out her full account of the ideas behind it and its production in full below.

Last year, Hersh released Don’t Suck, Don’t Die  her second memoir and a moving ode to her friend and tourmate, the late Vic Chesnutt. 50 Ft. Wave released Bath Light earlier this year, while Throwing Muses’ book and album Purgatory/Paradise came out in 2013. And then there was Rat Girl, Hersh’s incredible 2010 memoir which, if you haven’t read it already and have even a passing interest in the 80s / 90s alternative underground, you need to grab a copy soonest.

The album and book will be available together in the UK and Australia from October 28th with a US release following on November 11th. It was recorded at her favourite studio in Portsmouth, Rhode Island, with Hersh at the helm of all the sounds featured, taking on duties on guitar, bass, drums, piano, horns, cello and field recordings. The album was written over the course of the last five years and inspired by the thoughts of her son Wyatt, who is on the autism spectrum.

Kristin Hersh says of the track above: “I hate getting drum takes. I mean, I hate when I get them right, because then I have to go back to playing finger-slicing guitar or the big old mean piano, all the notes in a long, bossy row. Even bass – which is pretty fun, to be honest – means being trapped on the leash of a cord connected to an amp. And vocals! Ugh. So disconcerting to hear the sound of your clothes inside your own head. Once the mic picked up a cricket in the studio. Really creepy, like the insect was burrowing into my brain. And singing is so dumb. An instrument you can’t tune, that doesn’t play right if you have a cold or hurt feelings. Drumming is better: goofy and falling and precise and muscular. Like a body telling a good joke. Well, it is when you do it right.

“Which I refused to do. I made this drum part last all night, through a blizzard, so that I wouldn’t have to walk home in the dark. Kept making (faking) mistakes so that I could keep all four limbs flying, do pretty math while pretty snow blew sideways past the window behind me. I heard Soma move through seasons: fall on the rebound, a manic spring, a cruel winter, and through places: California, Chicago, New Orleans, a protest march in Koreatown. When I finished, it was dawn, my engineer and I had coffee and I walked home through fat flakes falling down instead of sideways. Goofy + falling + precise + muscular = soma with a healthy dose of slapstick.”

Hersh will tour the UK and Ireland in the wake of the album’s release across November.

50FOOTWAVE has just released their ‘Bath White’ EP via HHBTM Records. This is their sixth mini-album since forming in 2004 and their first release since 2012’s ‘With Love From The Men’s Room’. Once again, they dish up addictive power chords, sublime hard rock riffs and complex structures that fuel raw emotion.

Packing an album’s worth of ideas into six songs, ‘Bath White’ is loud and highly dynamic, with change-ups and massive drive, delivering some of the band’s most powerful material to date.

The EP was produced by Los Angeles producer Mudrock, best known for his work with Godsmack. As Mudrock states, “These are the best musicians I’ve ever worked with, easily the most facile…they’re pros and they’re good people. 50FOOTWAVE is why I do what I do.”

Comprised of Kristin Hersh and Bernard Georges of Throwing Muses, and monster drummer Rob Ahlers, this LA-based power trio is known for pioneering the name-your-own-price movement, which began with their 2005 release “Free Music”.

Named after the lowest note audible to human ears, 50FOOTWAVE was intended as an outlet for the noise/math rock pieces that didn’t fit the aesthetic of Throwing Muses or Kristin Hersh’s solo work. Their most successful and influential release, 2009’s Power + Light, is thirty minutes of non-stop music, a barrage of free-form sound that found the band challenging its own complex song structure.

http://

50FOOTWAVE’s early releases are available for download free of charge here http://50footwave.cashmusic.org/freemusic/ and licensed for sharing via Creative Commons. In this relation, Kristin co-founded the non-profit Coalition of Artists and Stake-Holders (CASH Music) in 2007. Over the past few years, CASH has not only completely funded Kristin’s own output, but has also powered dozens of other artist and label projects and has grown into a widely-recognized powerhouse of technical tools that enable commerce, communication and sustainability for artists.

TRACKLIST
1. Bath White
2. God’s Not A Dick
3. Human
4. Ratted Out
5. St. Christopher
6. Sun Salute

‘Bath White’ is available through HHBTM Records or via digital download from Bandcamp

https://50footwave.bandcamp.com/album/bath-white. Deluxe 12” color vinyl packages also include full-size artwork, a screen-printed tote bag and a limited edition button.

50-foot-wave

Kristin Hersh’s power trio 50 Foot Wave released their new EP, “Bath White”, a few weeks back via Happy Happy Birthday to Me Records and it’s a sonically complex record, shifting from punk to psychedelic elements in each song. As mentioned, Kristin will be doing a solo set opening for Violent Femmes in Prospect Park on Saturday (6/18), which is part of this year’s BRIC Celebrate Brooklyn! Festival.

This LA-based power trio formed in 2003 by Kristin Hersh and Bernard Georges of Throwing Muses (with Rob Ahlers ondrums), was named after the lowest note audible to
human ears. The band was intended as an outlet for the noise/math rock pieces that
didn’t fit the aesthetic of Throwing Muses or Kristin Hersh’s solo work.

This year’s Bath White is their sixth release.

Kristin Hersh released new 50 Foot Wave EP

http://

50Foot Wave is Rob Ahlers, Bernard Georges and Kristin Hersh