Posts Tagged ‘New York’

May be an image of 4 people and text that says 'The Muckers (us) "One of New York's most exciting new bands" NME EU/UK TOUR 2021 SAT 23/10 SUN 24/10 MON TUE WED THU UK, GLASGOW UK, MANCHESTER UK, LONDON UK, BRISTOL UK, BRIGHTON BE, LEFFINGE BE, BRUSSELS AMSTERDAM NIJMEGEN COPENHAGEN HAMBURG DE. BERLIN NL, ROTTERDAM PARIS FR, LE HAVRE The Flying Duck Gullivers Shacklewell Arms Latest Rough Music Bar De Zwerve Botanique Paradiso Doornroosje Loppen Hafenklang Urban-Spree Rotown Supersonic Mc Daid's WED 03/11 FRI 05/ MON 08 WED 10/11'

We are beyond stoked to welcome NYC’s The Muckers to the Greenway Records Family! “Roll The Dice” the first single from their upcoming debut album is out now,  The Muckers a Brooklyn outfit fronted by Iranian émigré Emir Mohseni, fall on the buttoned-up end of that spectrum. “Endeavor”, is the group’s debut album, a wide-eyed paean to the comforts of ’80s radio rock, a mild and uptempo album that revels in Quaalude choruses and room-temperature licks.

In terms of delivery, it’s hard not to draw comparisons to New York proto-retro-rockers The Strokes, whose lyrics are barely more incisive but worlds more convincing. 

Each of these 10 sunny songs plays clean, save for a bit of fuzz. “Roll the Dice” has the sheen and charm of “Jesse’s Girl,” with insistent guitars and a melody that begs for an arm out the window on the turnpike, a smokestack spewing in the background. Anthony Azarmgin’s bass rumbles underneath “Suspended” like a fist pumping to a Springsteen song. “Thunderstorm” and “That’s All I Want” showcase the group’s nimble guitar work, swerving seamlessly between structure and embellishment to flesh out what would otherwise be a series of plodding power chords. 

Greenway Records 2020,

Released March 20th, 2020

No photo description available.

Anything and everything can happen in a Voidz song. Acoustic blues, heavy metal, deep prog, funk, pop, the 8-bit Freon-chill a bank of synthesizers creates — sometimes individually, sometimes en masse. This three-guitar sextet firmed and led by Strokes frontman Julian Casablancas pursue this alchemy with true heart and enthusiasm, a go-for-broke gusto that makes 2014’s Tyranny, 2018’s Virtue, and a handful of 2019 one-off cuts a stoner’s sonic amusement park. Here, Casablancas has free rein to indulge his whims beyond the sleek, robotic rock-populism the Strokes are constitutionally mandated to champion. His accompanying sentiments — a mélange of Trustafarian contrarianism, personal philosophy, and passive-aggressive winks allegedly targeting different Strokes — complement a musical aesthetic inclined to melodic overload. This excess sidles to tender, epic life on the 11-minute “Human Sadness” and informs “Wink,” a roiling, cutting synth-pop bop that threatens to transform into reggae or an alternate 90210 theme. Theirs are consummate “older brother” records, arriving a couple of decades too late.

The syncopated, Pacific Coast haze of 2018’s “Permanent High School,” complete with plastic falsetto.

CharlyBliss_Spinelli.jpg

To fully understand the energy of frontwoman Eva Hendricks and Charly Bliss, you gotta see them live. I learned that when the Brooklyn four-piece totally smashed the stage the first time I saw them. Not sure why I was surprised, but any doubts I might’ve had about Charly Bliss were effectively squashed. Hendricks is a dynamic instrumentalist and her distinctive high-pitched voice stands delightfully front and centre on a range of harmonies. This is a killer indie power-pop band.

Indie rock quartet Charly Bliss have an otherworldly knack at rendering certain playful images just as sinister: “cardboard cereal,” a bleeding snow cone, a mouth red with Gatorade. 2017’s Guppy established the band as masters of this subversion. Their crunching guitars and Eva Hendricks’ sweet, pointed vocals sliding through increasingly pop arrangements are the vehicle for a creeping dark that filters through each track’s observations of the mundane humour and horror of human affection. 2019’s stellar Young Enough polished its predecessor’s frayed, glittering edges for a slow burn of synthesizers and sharpened focal points; that cleaner sound also made room for a deeper emotional reservoir. Both are examples of kinetic and potential energy refined to an art.

“We’re young enough / To believe it should hurt this much.” They’re old enough to recognize it.

Listen / Buy Young Enough

Image may contain: 1 person

Laura Stevenson and Adult Mom are touring together in December, and to celebrate they’ve shared a new split single where each cover one of the other’s songs. Adult Mom covers “Dermatillomania” from Laura’s 2019 album “The Big Freeze”, while Laura takes on “Survival” from “Momentary Lapse of Hapily”, Adult Mom’s 2015 album.

http://

released November 22nd, 2019

Mirah Yom Tov Zeitlyn has been creating incorruptible independent pop music since the late 90’s. Mirah recently announced the reissue of her debut LP, You Think It’s Like This But Really It’s Like This, accompanied with a full tribute LP with contributions from over 20 artists. The reissue is out July 31st, 2020 on Double Double Whammy. 

Mirah has shared the full album streams for the double LP 20th anniversary reissue of You Think It’s Like This But Really It’s Like This. The reissue includes a remastered version of the record as well as a tribute to the album that features covers by Mount Eerie, Half Waif, Hand Habits, Palehound, Shamir, Sad13,Allison Crutchfield and more. The LP established Mirah as one of the smartest and most exciting young artists in America. It also went on to inspire a new generation of indie musicians, drawn in by Mirah’s deft and introspective songwriting.”

“To get to hear my songs performed by all of these amazing folks was like having a weird cool dream about my life 20 years ago,” Mirah said of the tribute album. “You know that way that dreams can feel both real and surreal at the same time? I love getting to float above myself and listen in on all of the brilliance that the musicians on the covers album gave to this project.”

Additionally, to celebrate the reissue, Mirah has announced a series of live streams featuring performances of songs from her first three records that kicks off on 8/11 with You Think It’s Like This But Really It’s Like This. 

20 Year Anniversary Reissue of Mirah’s first album You Think It’s Like This But Really It’s Like. This was originally released on K Records in 2000 and has been out of print on vinyl since 2014.

Double album with the first disc a straight repress, but the second has a long list of notable artists covering the record including Phil Everum, Hand Habits, Jenn Wasner, Half Waif and many others.

http://

Gatefold 2xLP featuring the remastered full album and tribute covers LP.

Released July 31st, 2020

The new record from Sufjan Stevens as he returned with new single “America,” the first offering from his upcoming album “The Ascension”.

He’s recently officially released the b-side of “America,” the equally lengthy 10-minute track “My Rajneesh.” It’s another sprawling epic that even goes back and steals from himself, using the flutes from Age Of Adz track “Vesuvius.” It’s another stunning offering from Stevens, maybe even the better of the two tracks and it’s just released as a b-side. Which makes us wonder how good the rest of the songs on The Ascension must be.

http://

Enjoy a listen to “My Rajneesh” .

Having recently put out their third album, ‘Interzone’, Brooklyn duo The Vacant Lots are today sharing a new video for ‘Fracture’. The song’s hazy 80s synth-pop paired with visuals recorded by the band in isolation and directed/edited by Sam Quinn.

Interzone is the third full-length album by New York’s electro post-punk duo The Vacant Lots, to be released on Fuzz Club Records, Friday, June 26th, 2020. A genre-blending synthesis of dance and psych, Interzone is made for secluded listeners and all night partygoers, meant for headphones and the club.

Uninhibited by the limitations of two people and continuing their mission of “minimal means maximum effect,” The Vacant Lots’ Jared Artaud and Brian MacFadyen create an industrial amalgam of icy electronics and cold beats with detached vocals and hard hitting guitars. Interzone’s trance-like opener ‘Endless Rain’ and the kinetic krautrock stomper ‘Into The Depths’ are followed by scintillating dark disco anthems ‘Rescue’ and ‘Exit’. Side 2 kicks off with 80’s synth-pop track ‘Fracture’ and haunting after-hours minimal wave ‘Payoff,’ while ‘Station’ and album closer ‘Party’s Over’ deal with disillusionment and conquering one’s indifference to make real change.

The album creates order from chaos and delves into escapism, isolation, relationship conflicts, and decay. With nods to William S. Burroughs and Joy Division’s song of the same name, “Interzone is like existing between two zones,” Jared says. “Interzone doesn’t mean one thing. It can mean different things to different people.

“Jared and I bounced ideas back and forth while working in seclusion on opposite coasts. We would just send files to each other until the songs were arranged. Then we met up at the studio in Brooklyn where we were fortunate enough to borrow Alan Vega’s Arp synth and finished recording with engineer Ted Young. We then worked with Maurizio Baggio to mix it,” recalls Brian. After the band finished producing Interzone, long term visual collaborator Ivan Liechti designed the album artwork.

The Vacant Lots have released singles with Mexican Summer and Reverberation Appreciation Society, collaborated on their debut album Departure with Spacemen 3’s Sonic Boom, their second album Endless Night with Alan Vega, and most recently on their two EPs, Berlin and Exit, with Brian Jonestown Massacre’s Anton Newcombe at his studio;s in Berlin.

released June 26th, 2020

Image may contain: one or more people, text that says 'LOUREED REED DVD'

A newly remastered deluxe edition of Lou Reed’s “New York” will include 26 previously unreleased recordings.  The 1989 album will be given its first remastering in a massive deluxe edition by Rhino Records, out September 25th.

Originally released in 1989, New York marked the 15th album of Reed’s solo career. Hailed by critics and fans alike, the LP would go down as one of the rocker’s strongest efforts, earning Reed his first Grammy nomination. Notable tracks from the LP include “Busload of Faith” and the modern rock chart-topper “Dirty Blvd.”

The new expanded reissue of New York will include a remastered version of the original album on CD and vinyl, along with 26 previously unreleased studio and live recordings culled from Reed’s archives. These include demo versions and alternate mixes of many of New York’s songs. Bonus material includes live renditions of the Velvet Underground classic “Sweet Jane” and “Walk on the Wild Side,” Reed’s hit single from 1972’s Transformer. The first CD makes up the remastered album, the second CD consists of live versions and the final disc contains unreleased early versions of the album’s tracks.

A concert film, The New York Album, will also be included in the set. The recording, which captures Reed performing the entire LP live in Montreal at the Theatre St. Denis, was previously released in 1990 on VHS and laserdisc. The long out-of-print video makes its DVD debut here; it’s also being made available on streaming services.

A hardcover book accompanies the New York: Deluxe Edition set. It features new liner notes written by David Fricke, along with essays from archivist Don Fleming. Reed’s widow, Laurie Anderson, and recently deceased music producer Hal Willner also contributed to the book’s publication.

The New York: Deluxe Edition comes out September. 25th. It’s available for pre-order now.

AMSTERDAM, NETHERLANDS - JUNE 18TH: American musician Lou Reed performs live on stage at Carré in Amsterdam, Netherlands on 18th June 1989. (photo by Frans Schellekens/Redferns)

Grabbing guitars this time around, although “The Fight” sees The Overcoats with a slightly rockier and grittier sound, its anchor is still the amazing harmonies that Hana Elion and JJ Mitchell produce. The album is a battle cry; a rallying call as the band forged a new identity. Released at the start of March, it’s almost like they released the perfect album to get us through this pandemic without even knowing it.

Tempering punk energy with vulnerable vitality and irresistible catchiness, The Fight is a ten-song battle-cry. It’s the kind of record that might inspire you to quit your job, run a marathon, divorce your husband, change your life in the way you always wanted to, but needed an extra push for. The Fight is the push. “The idea you have to fight for who you are, what you want, and what you hope to see in the world became poignant for us,” says Overcoats. “We realized the thing to do is not to wait for life to get easier, but to start fighting harder.”

Case in point – the soaring Fire & Fury thanks to its ascending refrain, “We’ll get through it.” If that doesn’t give you the motivation to get through whatever it may be, you’re ice cold. New album The Fight, released March 6th, 2020 Loma Vista Recordings

Band Members: Hana Elion, JJ Mitchell

Worriers are a band from Brooklyn, New York, centered around the songwriting of Lauren Denitzio, with the help of friends Mikey Erg, Nick Psillas, and more. They released their 2nd LP Survival Pop   SideOneDummy Records and have toured with John K Samson, Against Me!, Julien Baker, Anti Flag, and more. Worriers’ debut album “Imaginary Life” was produced by Laura Jane Grace of Against Me! 

http://

Lauren Denitzio has been one of pop-punk’s sharpest songwriters, and Survival Pop is the personal, affecting album that scene has long needed. Worriers are a melodic punk band from Brooklyn. The band’s music is centered around the songwriting of Lauren Denitzio, with the help of friends Mikey Erg, Lou Hanman, and Nick Psillas, among others. They’ve released records with Don Giovanni, No Idea and Yo-Yo Records. Worriers‘ first LP “Imaginary Life” was produced by Laura Jane Grace and was released on Don Giovanni Records in 2015. 

http://

Worriers have done something rare: made a big rock record with subtle melodies that continue to flourish over time.

All songs written by Lauren Denitzio (BMI)

On this record, Worriers is:
Lauren Denitzio – vocals, guitar, keys
Mikey Erg – drums
Nick Psillas – bass
Frank Piegaro – guitar

Released March 6,th 2020