Posts Tagged ‘New York’

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Despite being only 22, Samia has a self-awareness beyond her years. The indie singer-songwriter is masterful in her sharp lyrics, which capture common anxieties and frustrations with a poet’s charm. She finds painful moments and leans into their messy, ugly details, transforming them into defiant common touchstones speckled throughout life. One breakup song ends mid-sentence, evoking the discomfort and anticipation of separation, while another is inspired by a high-school memory of boys groping her breasts, using the experience to inspect the politics and power of women’s desirability.

But, the New York singer offers more than poignant confessional lyrics. She also crafts striking compositions, which range from dramatic, wailing folk ballads backed by simple piano or acoustic guitar accompaniments to gritty and grungy rock anthems. Always at the forefront is her crystalline voice, carrying each number with its deft transitions between ranges and its emotional power.

Using this idea of two distinct selves as framework, the indie rocker teamed with director Nick D’agostino to craft a music video that illustrates the disparity.  My first album is called “The Baby” and it’s coming out via Grand Jury on 28th August. made it with my friends caleb hinz, jake luppen, nathan stocker and lars stalfors kramer
2nd single off the record is called Fit n Full and i wrote it with Tom D’Agustino and it’s out now!!

Official music video for Samia’s “Is The Something in the Movies?,” from her debut album The Baby, coming August 28th.

Cigarettes After Sex is an ambient pop collective led by songwriter Greg Gonzalez & is currently based out of Brooklyn, NY.  “I’ve always avoided studios,” says Cigarettes After Sex frontman Greg Gonzalez. “There’s something special about recording out in the world, some kind of X-factor that comes from the character and atmosphere of wherever it is that you’re working that becomes essential to the feeling of the music.”

That marriage of sound and setting is the heart and soul of Cry, Cigarettes After Sex’s riveting sophomore album. Recorded in a stunning house on the Spanish island of Mallorca, the collection reflects the uneasy beauty, erotic longing, and stark minimalism of the space, all smooth lines and soft light. Energized by the fresh palette and setting, Gonzalez would write songs just minutes before recording them with the band—drummer Jacob Tomsky, bassist Randy Miller, and keyboardist Phillip Tubbs. He engineered and produced the sessions himself, with an emphasis on capturing live performances and exploring the material together in dialogue with the house and with each other.

Clocking in at nine songs, Cry is a compact collection, but its brevity belies its depth. While the band’s sound may be most associated with the romantic pop music of the late 50’s and early 60’s, Gonzalez pushes into more unexpected sonic territory on Cry, reaching back to his childhood in El Paso, Texas, to draw subtle melodic influence from 90’s Tejano stars like Selena and mainstream pop country artists like Shania Twain. Gonzalez pushes himself lyrically on the album, too, tackling sex with the graphic frankness of Henry Miller or Leonard Cohen as he renders unabashed, sometimes explicitly erotic scenes with a casual candor. Writing with a filmmaker’s eye, he captures tiny moments with a rich, cinematic detail that manages to locate the profound within the mundane.

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Cigarettes After Sex return with their anticipated sophomore album – Cry via Partisan Records. Recorded during night time sessions in a mansion on the Spanish island of Mallorca, the album is a lush, cinematic meditation on the many complex facets of love – meeting, wanting, needing, losing…sometimes all at once. The album was self-produced and engineered by Greg Gonzalez, and mixed by Craig Silvey (Arcade Fire, Yeah Yeah Yeahs).

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Cigarettes After Sex made a hushed and sensual splash with their 2017 self-titled debut, and the Greg Gonzalez-led indie-pop project are returning with their second record, “Cry”, out now on Partisan Records. The band recorded Cry during nighttime sessions at a mansion on the Mediterranean island of Mallorca, with Gonzalez self-producing and engineering the album, and Craig Silvey (Arcade Fire, Yeah Yeah Yeahs) mixing it. “The sound of this record is completely tied to the location for me,” says Gonzalez.

“Ultimately, I view this record as a film. It was shot in this stunning, exotic location, and it stitches all these different characters and scenes together, but in the end is really about romance, beauty & sexuality. It’s a very personal telling of what those things mean to me.  Raunchier yet equally as romantic and sentimental, Cry doesn’t necessarily break new ground, but continues to explore the band’s noir atmosphere.

Cigarettes After Sex is an ambient pop collective led by songwriter Greg Gonzalez & is currently based out of Brooklyn, NY.

Released October 25th, 2019

After a near 11-year long period the The Fiery Furnaces came back on Thursday with the new single “Down at the So and So on Somewhere,” courtesy of Third Man Records. The last we heard from the brother/sister duo of Eleanor and Matthew Friedberger was 2009’sI’m Going Away, released in November of that year. “Down at the So and So on Somewhere” is being released as a 7-inch vinyl by Third Man. The songs were recorded in New York City and a few hours north of New York City on February 3rd and February 10th – 12th, 2020,” the band collectively say in a press release. “‘Down at the So and So on Somewhere’ is a regretful song about having regrets. Now it seems even more sad than we thought it was back then: ‘Will you meet me.’”

Starting off with a dark synth, midi-drums and a single piano note, the track nostalgically looks back at what could have been. The chorus then picks up with some brighter synth, additional keys and airy falsetto wondering: “Don’t you remember we were happy then?/Can you remember we’re right now?”  Bittersweet and gorgeous, fits perfectly among the poppier tracks they’ve done before while having a hidden melancholic edge.

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The 7-inch includes the additional track “The Fortune Teller’s Revenge” on the B-side. A portion of proceeds will also be donated to Black Lives Matter and AACM Chicago, the duo’s hometown city.
The Fiery Furnaces were scheduled to perform at this year’s Pitchfork Music Festival, which was unfortunately cancelled due to the coronavirus. In the last decade the duo has released eight solo albums collectively .Released June 18, 2020 Producers: Eleanor Friedberger, Matthew Friedberger

We last heard from Torres, the musical moniker of Mackenzie Scott, back in 2017 around the release of her sublime third album, Three Futures. That album was in many ways an exploration of physicality, a lusty collection in contrast to the more cerebral tones of her break-out record, Sprinter. Some two years later, after finding a new home on Merge Records, Torres is set to make her next artistic statement with the January release of her fourth album, Silver Tongue, which was previewed this week in the shape of new single, Good Scare.

If Torres’ music up until now has existed largely inside Mackenzie, whether that be body or brain, perhaps Silver Tongue is a step into the wider world of connections, desires and other people. Take Good Scare, this is a track about embracing the fears, and resultant bravery, that come with infatuation, as Torres explains, using a caving analogy, the superman crawl: “when certain passages are too narrow, a person has to hold one arm against the body and the other above the head, all while trying to crawl forward. When you fall in love with someone, it’s scary like the Superman’s crawl, but you have no choice but to keep moving forward even though you have no idea what’s ahead of you”.

Good Scare is Silver Tongue’s opening track, a sort of leap into the unknown, chasing your dreams, without any sort of back-up plan in place, “you might give me a good scare for a minute there, but I’ll say “Well, I’ve seen that look from you before”, when you start eyeing all the exits”. Musically too, this is a fine return; the dense primal pound of drums rattles around the headphones, contrasted with bright guitars, warm electronic tones and Mackenzie’s prominent, gently distorted vocal, as arrestingly wonderful as ever. A welcome return from one of the world’s most fascinating musical voices, Torres might just be the sound of 2020.

Performed by
Mackenzie Scott: vocals, guitar, synths, drum machines
Erin Manning: Moog, synths
J.R. Bohannon: pedal steel
Bryan Bisordi: drums

“Silver Tongue” is out January 21st via Merge Records. 

After two decades of successfully pursuing simple truths in popular music, Matt Pond has recently begun to take on projects that stretch beyond the conventional trajectory of independent rock and roll. Other projects explore artist relationships over mediums and miles, where the aural meets the visual and beyond (-ond -ond -ond). 

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Released February 7th, 2020

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In her new video for the cryptically titled “Too Big for the Glory Hole,” Mackenzie Scott of TORRES captures domestic solitude in her now-iconic cowboy boots. But Scott and the world seem light-years away from the “Dressing America” video, set in that same home. The sparse keys and solemn delivery of lines such as “Must be that God can take a joke / To make the one I like best the one I fear most” push “Too Big for the Glory Hole” into near-hymn territory. I wrote this song when I was living alone in the East Village, before I moved in with my girlfriend. I was lonely. It was recorded in Brooklyn last fall, but Jenna made this accompanying video on her iPhone in quarantine.

The song, partially influenced by Florine Stettheimer’s painting The Cathedrals of Wall Street, was recorded during the Silver Tongue sessions and featured on a free 7-inch included with the album’s Peak Vinyl edition. It’s available today on all streaming platforms.

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Released June 3rd, 2020, The single, “Too Big for the Glory Hole,” is out now on Merge Records.

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On his first album in almost four years, New York singer/songwriter Ben Seretan makes stirring folk-rock with an impressive level of dynamism. The album highlight, “Am I Doing Right By You?” features layers of clamorous guitars and busy horns, but there are also bare passages that give way to Seretan’s hushed, introspective vocals. It’s an unpredictable thunderstorm—complete serenity one minute and ground-shaking bluster the next. With each listen, another sprinkle of intriguing, atmospheric sounds pours out, but its vast emotional capacity remains a constant.

“Am I Doing Right by You?”  Ben Seretan Whatever’s Clever
Released on: 2020-02-11

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Trace Mountains is the lo-fi project of Dave Benton, who as one quarter of LVL UP and also co-founder of indie label Double Double Whammy. The band’s album, “A Partner to Lean On”, features plenty of Benton’s observational and self-deprecating lyrics—his outlook is sometimes bleak, but often humorous. While there are plenty of anticipated, precise rock riffs, there’s also the occasional messy, unhinged guitar (“Forgiveness”) and experimental flourishes of captivating, oddball synths (“Cary’s Dreams”). This album is spectacular from start to finish. One of the best of 2018 album release . I was taken by Cary’s Dream, which popped up in a playlist, and immediately listened the whole album, and I’m so impressed.

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These songs make me think of a time when i thought I was going to move to a little shack in the woods by a lake. I had dreams of recording alone there but it never happened. when i listen to this album, though, sometimes it feel like it did. A Partner to Lean On is easily one of my top favourite albums of all time. I heard it for the first time about 5 months ago and have essentially had it on repeat ever since. I’ve been basically unable to listen to anything else.

Dave Benton (Voice, Guitar, Synthesizer)
Nick Corbo (Bass)
Susannah Cutler (Voice)
Jim Hill (Guitar, Synthesizer)
Kyle Seely (Drums)
Ben Smith (Voice)

Originally released March 30th, 2018

“A Partner to Lean On” by Trace Mountains

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We decided to cover a song from Frank Zappa’s first album “Freak Out” released back in 1966. It’s called “Trouble Every Day” and we found it very relevant to these times which is strange and sad that after all these years we’re still on the first page! We are condemning these horrible nonsense actions against the Black Community and condemning police brutality! We need to learn more and these actions against black people need to stop right now and we need to stop it. All proceeds goes to NAACP Legal Defense Fund. We all need to listen more and learn more and if you see something that we’re doing wrong call us out and we will do better. Let’s keep fighting for Justice and Peace! Black Lives Matter! Spread the word.

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released June 6th, 2020
Lyrics – Frank Zappa

Greenway Records 2020