Posts Tagged ‘Dave Benton’

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Since his old band LVL UP broke up, Dave Benton has shifted his focus towards his solo project Trace Mountains. His new album “Lost In The Country” is coming out in a couple of weeks, and we’ve already heard a couple of songs from it, the title track and “Rock & Roll.”

He’s sharing another new track, the lovely daydream “Me & May.” “There are two worlds,” Benton sings. “The one you’re making every day/ And the one that always gets away/ So just sing your silly song/ And someday soon we’ll all be/ Waking up on a hazy afternoon/ Drifting straight into a dream with only good things.”

“‘Me & May’ is a loose story about past-life connections,” Benton explains in a statement. “I wrote it right before we went into the studio to track drums. Our bass player Sean wants to open a café and call it Gasoline Horseys, inspired by the Sparklehorse song and the song is sort of about me & him. I asked my friend Carmen Perry to sing on the track.”

“Me & May” Lame-O Records Released on: 2020-03-26

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Trace Mountains is the lo-fi project of Dave Benton, who as one quarter of LVL UP and also co-founder of indie label Double Double Whammy. The band’s album, “A Partner to Lean On”, features plenty of Benton’s observational and self-deprecating lyrics—his outlook is sometimes bleak, but often humorous. While there are plenty of anticipated, precise rock riffs, there’s also the occasional messy, unhinged guitar (“Forgiveness”) and experimental flourishes of captivating, oddball synths (“Cary’s Dreams”). This album is spectacular from start to finish. One of the best of 2018 album release . I was taken by Cary’s Dream, which popped up in a playlist, and immediately listened the whole album, and I’m so impressed.

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These songs make me think of a time when i thought I was going to move to a little shack in the woods by a lake. I had dreams of recording alone there but it never happened. when i listen to this album, though, sometimes it feel like it did. A Partner to Lean On is easily one of my top favourite albums of all time. I heard it for the first time about 5 months ago and have essentially had it on repeat ever since. I’ve been basically unable to listen to anything else.

Dave Benton (Voice, Guitar, Synthesizer)
Nick Corbo (Bass)
Susannah Cutler (Voice)
Jim Hill (Guitar, Synthesizer)
Kyle Seely (Drums)
Ben Smith (Voice)

Originally released March 30th, 2018

“A Partner to Lean On” by Trace Mountains

Under the moniker Trace Mountains, Dave Benton writes music that asks large questions in quietly profound ways. On the project’s earliest release, the 2014 compilation Buttery Sprouts & Other Songs, these thoughts appeared as lo-fi scraps of wit and tenderness. But by the time A Partner to Lean On, Trace Mountains’ debut full-length, arrived in 2018, Benton’s perceptive indie rock had matured into more existential meditations about identity, existence, and finding sense in an increasingly chaotic world.

In the two years since A Partner to Lean On, Benton’s life has undergone several large changes, namely the dissolution of LVL UP, the indie rock quartet he co-founded in college, and a move to Kingston, a small city in New York’s Hudson Valley. Composed during—but not directly inspired by—this transition, Trace Mountains’ second record, Lost in the Country, reflects Benton’s need to reconnect with his inner world.

Prompted by an urge to access a more authentic voice, Lost in the Country finds Benton digging deeper into candid songwriting. “I wanted to open myself up and write lyrics that are a little bit more direct,” he explains. “I write a lot of songs that are about myself and a lot of songs that aren’t, but on this record, the focus is turned inward either way.” The result is Trace Mountains’ strongest and most assured record yet, 10 songs driven by a desire for introspection and self-discovery. The backdrop for this insularity is an expanse of wide blue skies, seas of trees, and winding roads, ideal locales for thoughts to blossom into greater reflections of the outer world. The slow-burning “Absurdity,” which Benton modestly says is about “hiking and standing in the country,” uses the sublimity of the wilderness to comment on technology’s inescapable presence. Similarly, the driving opener “Rock & Roll” transforms the premise of a “simple song about being a rocker” into a stream-of-consciousness, apocalyptic poem about delusions, regrets, and getting lost in your own limited perspective. This self-examination culminates with the record’s ambitious and anthemic title track. Channeling the cosmic sprawl of the War on Drugs or Kurt Vile, Benton recalls a moment of deep loneliness and depression outside a concert venue in the Netherlands, and how an unexpected moment of compassion led to a moment of awakening.

Despite its frequently bucolic setting, Lost in the Country’s underlying current is an urgent commitment to Trace Mountains and “finding a creative process that requires me to be honest with myself.” “I know I sing to forget, I sing to hold my breath, to feel the thumping in my chest,” Benton sings on “Cooper’s Dream.” This line is “rooted in the importance of music in my life, it’s definitely a reflection on that and how I can keep it in my life, because if I’m not careful and I don’t nurture it, I could lose it.” The self-imposed pressure has been empowering for Benton. “I really like having full control in making a record, deciding what songs are going to be on it, as well as shaping the vibe or narrative of the whole thing,” he says. “It brings a peace of mind knowing that I am responsible for just my voice.”

While Benton is Trace Mountains’ songwriter, he asserts that Lost in the Country is by no means a solo effort. Collaboration is crucial to the project and Benton is quick to credit the contributions of his bandmates, which include Jim Hill (Slight Of), Greg Rutkin (LVL UP, Cende), Sean Henry and Susannah Cutler (Yours Are the Only Ears). “It’s definitely our record,” Benton says. “I couldn’t make this thing without them.” After beginning the recording process at Brooklyn’s Studio G with engineer Matt Labozza, Benton finished Lost in the Country at his home studio in Kingston, where he also added contributions from Carmen Perry (Voice), Stew Cutler (Guitar, Lap Steel), Dan Goldberg (Synthesizer) and ARTHUR (Samples, “AB” by ARTHUR). It was then mixed by Mike Ditrio and mastered by Ryan Schwab

Former LVL UP member Dave Benton makes music as Trace Mountains, and Lost in the Country is his second full-length record. He wrote the album during a period of transition, following the 2018 end of LVL UP and his relocation from Brooklyn to Kingston, New York. Ahead of the LP’s release, Benton shared “Lost in the Country,” “Rock & Roll,” and “Me & May.”

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The Band:

Dave Benton (Voice, Guitar, Mellotron, Saw)
Jim Hill (Guitar, Organ, Bass, Voice)
Greg Rutkin (Drums)
Susannah Cutler (Voice, Synthesizer)
Sean Henry (Bass)
Carmen Perry (Voice)
Stew Cutler (Guitar, Lap Steel)
ARTHUR (Voice & Drum Samples – “AB” by ARTHUR)
Matt Labozza (Effectron II)
Dan Goldberg (Synthesizer)

released April 10th, 2020

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More spicy-hot gumbo to spoon into your ears. LVL UP write great songs and there is just something charming  about them. This band is simply infectious! For me, The Closing Door might be among my favorite songs thus far of theirs. It hits all the right spots and is a song anyone can get into. Definitely recommend giving this band a listen. Hopefully some new product will be out this year.

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Originally released July 16th, 2015

LVL UP is Greg Rutkin, Nick Corbo, Dave Benton and Mike Caridi. Susannah Cutler makes keyboard contributions on The Closing Door.

The character in ‘Blur’ is a person who despite his demeanors, is living in loneliness and nostalgia. There’s something subtly striking and tragic about someone living in the past, which the character in Blur is doing, in an increasingly monotonous and cyclical sense throughout the video.” the idea of a character doing burnouts in an empty lot. I thought that was a hilarious but depressing visual, that said so much to me about this character’s inner life, and we jumped off from there. Mike’s songs deal a lot with nostalgia, loneliness, and memory, so it felt right to document and dramatize parts of his life that he’s put into the music as well.”