Posts Tagged ‘John Doe’

They were started in the fall of 1977 by punk poet Chris Desjardins, a singer known for morbid lyrical themes. Their first gig was December 21st, 1977 at The Masque in Los Angeles. Musicians in various Flesh Eaters line-ups have included Stan Ridgway (Wall of Voodoo), John Doe (X), DJ Bonebrake (X), Dave Alvin (The Blasters), Bill Bateman (The Blasters) and Steve Berlin (The Blasters, Los Lobos). Considered by many to be a precursur of Death Rock, their music was a pastiche of rockabilly, road-house blues, punk rock and jazz.
The Flesh Eaters initially broke up in 1983. Desjardins performed with his new band, The Divine Horsemen until 1988. In 1989 Desjardins recorded an LP with the one-time group Stone-By-Stone. Shortly after this they changed their name back to The Flesh Eaters. They continued to perform on the west coast, ultimately recording two albums. They discontinued performances in the Spring of 1993. Since then, Desjardins has performed intermittently with a variety of musicians under this name. The most recent Flesh Eaters album Miss Muerte was released in 2004 on Atavistic Records. This label has also reissued “No Questions Asked” & “Hard Road To Follow”.

In February 2006 it was announced that the original Flesh Eaters would perform several live shows. This particular line-up of The Flesh Eaters had not played together since the Spring of 1981. John Doe and DJ Bonebrake from X, Dave Alvin and Bill Bateman from The Blasters and Steve Berlin from Los Lobos were scheduled to appear for these shows.

The second single from the Flesh Eaters forthcoming album “I Used To Be Pretty” is “My Life To Live”, an updated recording of the song that originally appeared on their 1982 album Forever Came Today

The Flesh Eaters, Los Angeles’s unconventional “supergroup”, reunites classic 1981 lineup of Chris D, Dave Alvin, John Doe, Bill Bateman, Steve Berlin, and DJ Bonebrake for their first new recording in more than 35 years. Ghost Cave Lament is a new song written by Dave Alvin and Chris D.

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Founded 40-odd years ago by sole permanent member Chris Desjardins (known as Chris D.), the Flesh Eaters came from the same late-’70s Los Angeles. scene that yielded bands including X, the Blasters and Los Lobos—all of whom lent members to the Flesh Eaters’ touchstone 1981 album A Minute to Pray, a Second to Die. As luck would have it, that’s the roster that reconvened for the first time since then to back Desjardins on I Used to Be Pretty, the Flesh Eaters’ first new album in 15 years. Dave Alvin and Bill Bateman of the Blasters; John Doe and DJ Bonebrake of X; and Steve Berlin from Los Lobos form a powerful combo, surging along with Chris D. in what amounts to a master class in taut punk-rockology, with an antagonistic streak. Chris D. makes the most of his all-star lineup, revisiting songs from throughout the Flesh Eaters catalog and laying down what in most cases are definitive new versions. Though the versions of the songs on I Used to Be Pretty sound fantastic, it can be tricky messing around with the alchemy of previously recorded music. There was a certain charm to the ramshackle, handmade feel of these tunes as they appeared on the original albums. That said, these gussied-up, more professional arrangements show Chris D.’s songs in the best possible light. Their power, their attitude and their sheer trashy abandon have never been more evident, which means Desjardins in a way is finally getting his due.

The Flesh Eaters, LA’s unconventional “supergroup”, reunites classic 1981 lineup of Chris D, Dave Alvin, John Doe, Bill Bateman, Steve Berlin, and DJ Bonebrake for their first new recording in more than 35 years. The third single from the Flesh Eaters forthcoming album “I Used To Be Pretty” is “Black Temptation”, a new song written by Dave Alvin and Chris D.

NOTHING – TIRED OF TOMORROW

Philadelphia’s Nothing return with ‘Tired Of Tomorrow’, their beautifully profound follow-up to 2014’s widely-acclaimed ‘Guilty Of Everything’. Recorded over the course of a month at Studio 4 with Will Yip (Circa Survive, Title Fight), ‘Tired Of Tomorrow’ is a modern, nihilistic take on the triumphant fuzzed-out guitar rock of the 90’s, replete with huge hooks and brooding melodies. Much like the events it’s based on, the album displays an unparalleled balance of opposites and contradictions, rife with sweet-and-sour themes, downcast grooves, infectious choruses, and blissfully expansive washes of sound. With ‘Tired Of Tomorrow’, Nothing have worked the deepest influences of their youth and maturation into a confident, memorable album that is sure to soothe old wounds while simultaneously opening up new ones. Recommended if you like: Smashing Pumpkins, Ceremony, Merchandise, My Bloody Valentine, Diiv and Radiohead.
LP – Rough Trade Exclusive – 300 Copies on Grey Vinyl with Download.
LP+ – Standard Black Vinyl with Download.

YAK  –  ALAS SALVATION

Just over a year since their first single ‘Hungry Heart’ was released – a period that saw their unpredictable gigs and electrifying clutch of studio recordings earn them a reputation as the most exciting and talked about new act in the UK – Yak have channelled their ferocious live experience into their debut album ‘Alas Salvation’. Recorded with Pulp’s Steve Mackey, it’s a wired and ambitious record that refuses to be pigeonholed. Yet beneath all the head-spinning chaos lies a beating heart of great melodicism and a hyperactively eclectic and inventive approach to making.

EAGULLS  –   ULLAGES

Rough Trade exclusive with a Zine – Procrastination Compilation George Mitchell – Limited to just 500 Copies. Releasing their much-acclaimed self-titled debut-album in 2014, the following 12 months saw the fiercely independent Leeds-based band go from strength to strength. Highlights of the year included taking both Later… With Jools Holland and The Late Show With David Letterman in the U.S. by storm, sharing the stage with the likes of Arcade Fire and Pharrell while scooping a major prize at the NME Awards and playing across the globe at some of the world’s most renowned festivals including Coachella, Latitude, Field Day and Reading / Leeds. Retreating to their rehearsal space to begin work on their second album, ‘Ullages’ (an anagram of the band’s name) gradually took shape over long days and nights in the converted Catholic Church in Leeds. Intent on breaking new ground, drawing out the textured melodies that lay discreetly amongst the speed, intensity and heady fuzz of their debut and creating an altogether different record, ‘Ullages’ is a near perfect distillation of their agenda; a record that recalls the shimmering opulence of the Cocteau Twins and the melancholic majesty of Disintegration / Pornography-era The Cure.
LP – Black Vinyl with Download.
LP+ – Limited Green vinyl with Download. 500 Copies only for the UK.

JOHN DOE  –  THE WESTERNER

John Doe is a founding member of the seminal L.A. punk rock band X and the country spin-off band The Knitters. The album features ten new tracks from Doe with guest appearances from Chan Marshall of Cat Power, Debbie Harry of Blondie, Cindy Wasserman of Dead Rock West and Tom Brosseau. ‘The Westerner‘ was produced by Howe Gelb (Neko Case, M. Ward), Dave Way (Fiona Apple) and Doe. The album’s artwork was designed by Shepard Fairey and Aaron Huey to support Native American rights via a campaign called Protect The Sacred, with additional photography by Jim Herrington.
LP – With Download.

RED HOUSE PAINTERS –  OLD RAMON

Released almost concurrently with head Red House Painter Mark Kozelek’s solo venture ‘What’s Next to the Moon’ (a selection of deconstructed AC/DC covers), ‘Old Ramon’ allows the rare opportunity to hear an artist both then and now. Recorded in 1997, ‘Old Ramon’ languished in the limbo of label fallout, finally to be rescued and released by Sub Pop in 2001. Meanwhile, though, it seemed Kozelek had moved on, releasing a flurry of projects with nary a look back, making ‘Old Ramon’ almost seem like an afterthought. But what a lovely afterthought it is. The trademark features of the Red House Painters are all here: the songs are long and meandering, the guitars seesaw languidly, the drums plod, dissonant harmonies moan and Kozelek’s olive-oil voice seeps around everything. The best tracks include the light and airy ‘Wop a Din-Din’, an homage to Kozelek’s cat; the dark and beastly ‘Byrd Joe’ and the understated ‘Cruiser’.
LP+ – Limited Double Vinyl with Download.

PUMAROSA –  CECILE

Limited beautiful White Vinyl 12″ with Download. London five-piece, Pumarosa are a band who assembled from unexpected and varied quarters. Isabel met drummer Nick at a rehearsal for a new band in a rundown Homerton pub and when no one else showed up the pair formed a guitar-and-drums Punk duo and began writing and rehearsing in the basement. After moving to a warehouse in Manor House, they met Henry, Tomoya and Neville and began a period of intensely hot rehearsal in a 10′ x 10′ chipboard room. In the summer of 2015, the band was offered a residency in the cavernous disused cinema of an Italian surrealist, situated within the cliffs of Calabria. Scraping together a van and driving non-stop to Italy, the band worked on new material in beguiling forty degree heat, developing further their expansive sound. It was also in Italy that they settled on the name Pumarosa: in part reflecting Isabel’s Chilean roots, but also the lurid-looking jungle fruit of the same name. In September 2015 Pumarosa released debut single “Priestess’, produced by Mercury-nominated Dan Carey (Kate Tempest, Bat For Lashes, Toy) via Chess Club / Mom + Pop (US). Zane Lowe on Beats 1 had the world’s first play and within three days ‘Priestess’ was the second most blogged about song worldwide.

THE BIG MOON – CUPID

Limited 7″ only. The Big Moon release a new single ‘Cupid’, their first through Fiction Records. It was produced and mixed by Catherine Marks (Foals / Wolf Alice), and follows their two acclaimed singles to date, ‘Sucker’ and ‘The Road’. It has been an exciting introductory year for Juliette, Fern, Soph and Celia of The Big Moon. Releasing their first recordings to widespread acclaim in 2015, the band have been busy selling out their shows across the UK, and performing to expansive audiences on high-profile support tours with the likes of The Vaccines, Ezra Furman and their new label mates The Maccabees. The band return with another bullet of a track that heightens their already sky-high appeal. ‘Cupid’ is everything that The Big Moon have already promised and more. A track full of punch, verve and a knowing swagger, capped by vocalist Juliette Jackson’s wry snarl of a delivery, and her bandmates pin-sharp harmonies. It’s a smart and confident next step forward.

BRYDE  –  EP1

Exciting new London solo-artist Bryde releases her debut EP, simply entitled ‘EP1’ via Seahorse Music. The release contains previous singles ‘Wait’ and ‘Help Yourself’ alongside two brand new tracks (‘Nectar’ and ‘To Be Loved’) which have already been making an impact at her live shows around the country. Earning comparisons to the Sharon Van Etten, PJ Harvey, Jeff Buckley and London Grammar, her powerful vocals, sharp, evocative lyricism and searing guitar tones have won plaudits from the likes of NYLON, The 405 and The Line Of Best Fit, with the latter declaring Bryde’s heady concoction as “tearjerk folk-pop”. Limited to 500 copies on transparent light blue vinyl.

CAT’S EYES –  TREASURE HOUSE

If Cat’s Eyes self-titled debut was grown in the dark, then ‘Treasure House’, their second, is born in light. If the nocturnal interiors of Cat’s Eyes were a cult flick viewed in smudgy black and white on cathode ray, then ‘Treasure House’ takes everything into the great outdoors and shoots it in Technicolor on wide silver-screen; an old school blockbuster, of the kind they no longer make. This is the third album by Rachel Zeffira and Faris Badwan, previous albums include Cat’s Eyes self-titled 2011 debut and last year’s European Film Award awarding wining soundtrack to Peter Strickland’s film, ‘The Duke of Burgundy’.

ULTIMATE PAINTING – LIVE AT THIRD MAN RECORDS

Ultimate Painting is a young, yet already distinguished UK duo comprised of Jack Cooper and James Hoare. As the story goes, these two spent time touring together with Cooper’s band, Mazes, supporting Hoare’s band, Veronica Falls. A fateful friendship developed and, to make it quick, demos were recorded and swapped, which all eventually led to their debut seeing release on Trouble In Mind. The project has been so thoroughly adored for its uncomplicated, beautifully calm approach to VU-style riff-making and loose-but-biting vibes that the follow up, ‘Green Lanes’, was released a mere ten months later. Needless to say Third Man Records are so glad they carved their way through the great land of Nashville, TN. Recorded direct-to-tape, ‘Live at Third Man Records’ is an impeccable document of English rock ‘n’ roll. The band is in top form here and their set consists of the finest material from the band’s first and second albums, ‘Ultimate Painting’ and ‘Green Lanes’ respectively, with a handful of extended jams featured here. This live record is a must own for fans of the band, not to mention anyone smitten with mellow guitar magic that absolutely explodes into some true, stately mayhem.

DEATH AND VANILLA  –  DEATH AND VANILLA EP

12″ Blue Vinyl EP / CD digipack. The first release for the Swedish Psychedelic dream-pop band, their self-titled EP caught the attention of French label ‘Hands In The Dark’. They originally released EP in 2010 on CD an extremely limited edition run of 100 copies. The EP will be reissued on blue vinyl to match the cover alongside the ‘From Above’ 7″ and their self-titled debut long player.

CLINIC  –  INTERNATIONAL WRANGLER  Reissue

Clinic’s long-awaited debut album Internal Wrangler fleshes out the sound the group crafted on their self-released EPs, and it also adds a few new twists. Though eerie, punk-tinged songs like “The Return of Evil Bill” and the title track sound like they could have appeared on the band’s first singles, Internal Wrangler’s best songs concentrate on the experimental yet accessible sides of Clinic’s sound. “The Second Line”‘s darkly catchy throb, the aptly named “2nd Foot Stomp”‘s organ-driven pulse, and “Voodoo Wop”‘s blend of surf and Krautrock are a logical progression from Clinic’s roots, but ballads like the “Pale Blue Eyes”-esque “Distortions” and the late-night calm of “Goodnight Georgie” are a leap into new territory for the band. Though some of the thrashier songs like “C.Q.” and “T.K.” and a bottom-heavy song sequence detract from the album’s flow, Internal Wrangler is still a strong debut from one of England’s most promising and distinctive indie bands.

CLINIC –   WALKING WITH THEE  Reissue

Right down to its gritty, mod-punk art direction, Walking With Thee seems like it should fit right in with Clinic’s previous work. Indeed, the group’s second full-length album could’ve been a carbon copy of their debut, Internal Wrangler, but to Clinic’s credit, the band makes a few changes, opting for a smoother production and a quieter, more implosive sound than their previous work offered. Frustratingly, though, most of these changes end up detracting from the group’s strengths and diluting the album’s impact. Walking With Thee’s production is far from slick, but a huge part of Clinic’s appeal was that the band seemed to record in an underwater garage, giving their songs a fuzzy, cavernous sound that made their messy, thrashy moments even more dangerously alluring and their ballads that much more affecting. Stripped nearly bare of reverb and static, much of Walking With Thee sounds incomplete, particularly on the almost-punk of “Pet Eunuch,” “Welcome,” and “The Equaliser,” which, with its rattling percussion and driving bassline, could’ve rivaled Internal Wrangler’s ugly-beautiful intensity if had a little more oomph. However, the album isn’t a total washout — for every lackluster moment, there’s one that connects. “The Vulture” and “Walking With Thee” nearly reach the frenzied, strangely sexy, bottom-dwelling heights (depths?) of Clinic’s best work. And beginning with the chilly, hypnotic opener, “Harmony,” many of the album’s quietest moments are the most compelling. Filmic tracks like “Come Into Our Room” and the dreamy finale “For the Wars” follow suit, though their brooding, stark sound will only strengthen the Radiohead comparisons. There’s a lot of promise on Walking With Thee, but nothing here touches the deadpan cool of Internal Wrangler’s “The Second Line,” the detached poignancy of “Distortion,” or the raw energy of “Second Foot Stomp.” The band sounds like they’re still figuring out how to make the urgency of their previous work jell with a more polished, experimental sound, which makes Walking With Thee not so much a progression or regression as a step sideways. Clinic is still one of the most intriguing acts around, and while this isn’t the masterpiece the band has the potential to deliver, an interesting disappointment from them is still better than a successful but boring album from a less-inspired group.
Signed Book: "Under the Big Black Sun"
£38 GBP (approx.)

Under the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it’s never been told before. Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary west coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Additional authors include: Exene Cervenka (X), Henry Rollins (Black Flag), Mike Watt (The Minutemen), Jane Wiedlin and Charlotte Caffey (The Go-Go’s), Dave Alvin (The Blasters), Chris D. (Flesh Eaters), Jack Grisham (TSOL), Teresa Covarrubias (The Brat), Robert Lopez (The Zeros, El Vez), as well as scencesters and journalists Pleasant Gehman, Kristine McKenna, and Chris Morris. Through interstitial commentary, John Doe “narrates” this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl—the place where he met his artistic counterparts Exene, DJ Bonebrake, and Billy Zoom—and formed X, the band that became synonymous with, and in many ways defined, L.A. punk.

Under the Big Black Sun shares stories of friendship and love, ambition and feuds, grandiose dreams and cultural rage, all combined with the tattered, glossy sheen of pop culture weirdness that epitomized the operations of Hollywood’s underbelly. Readers will travel to the clubs that defined the scene, as well as to the street corners, empty lots, apartment complexes, and squats that served as de facto salons for the musicians, artists, and fringe players that hashed out what would become punk rock in Los Angeles.

THE JAYHAWKS – PAGING MR PROUST

Produced by REM guitarist Peter Buck, Tucker Martine, and Gary Louris, this is the first Jayhawks album since 2011’s ‘Mockingbird Time’ and is a return to the lineup of the band that made ‘Rainy Day Music’ in 2003 – the core band of Gary Louris, Marc Perlman, Tim O’Reagan, and Karen Grotberg. “It’s the start of a brand new adventure.” sings Gary Louris on ‘Quiet Corners and Empty Spaces’, the opening track on The Jayhawks‘ new album ‘Paging Mr. Proust’. The band formed in Minneapolis in 1985 and the album shows their commitment to adventure and forward motion which makes this collection of songs exciting and instantly memorable.
LP – Housed in Gatefold Sleeve with Download.
 john doe - the westerner

John Doe – The Westerner CD/LP (Cool Rock)

John Doe calls his new album The Westerner his “psychedelic soul record from the Arizona desert.” The album features 10 new tracks from Doe with guest appearances from Chan Marshall of Cat Power, Debbie Harry of Blondie, Cindy Wasserman of Dead Rock West and Tom Brosseau. The Westerner was produced by Howe Gelb (Neko Case, M. Ward), Dave Way (Fiona Apple) and Doe. The album’s artwork was designed by Shepard Fairey and Aaron Huey to support Native American rights via a campaign called Protect The Sacred, with additional photography by Jim Herrington. Of the album Doe says, “The Westerner is dedicated to Michael Blake, author of many books, including Dances With Wolves, who was a scholar and advocate for Native American rights. He was also one of my best friends for over 30 years. Michael taught me how to ride horses (we knocked each other off them several times) and we taught each other about writing, music and art. Many of these songs are about him or use him as the main character. His presence has been with me throughout the making of the record. It’s a wild, spread-out, desert-like life that we’ve lived.”

SUN KIL MOON / JESU – SUN KIL MOON / JESU

‘Sun Kil Moon / Jesu’ is a collaborative studio album by American indie folk act Sun Kil Moon and British experimental act Jesu. The album also features guests Will Oldham aka Bonnie ‘Prince’ Billy, members of Low, Rachel Goswell of Slowdive and Isaac Brock of Modest Mouse.
2LP – Double LP with wide spine sleeve and a copy of the album on CD.

KING GIZZARD AND THE LIZARD WIZARD – NONAGON INFINITY

Recording, releasing and touring a couple of albums in 18 months is beyond the realms of comprehensibility for most bands, but then King Gizzard And The Lizard Wizard aren’t ‘most bands’. Forget a couple of albums, Friday April 29th 2016 marks the release of ‘Nonagon Infinity’, their fourth long-player for Heavenly Recordings in a little under a year and a half. Workshy they ain’t! After the acid-flecked cosmic jazz of ‘Quarters’ and the hazy, pastoral, acoustic bliss of ‘Paper Mache Dream Balloon’, with ‘Nonagon Infinity’ the Gizzard once again dive head-long into the gonzo freak-beat frenzy that mark both their Heavenly debut ‘I’m In Your Mind Fuzz’, and their perpetually in motion, double-drummer propelled live show. Recorded by Wayne Gordon, Paul Maybury, Michael Badger and Stu Mackenzie at Daptone Studios in Brooklyn, in keeping with their indefatigable spirit the 9 track album may be the world’s first infinitely looping LP. Each of the nine, complex, blistering tracks on ‘Nonagon Infinity’ seamlessly flows into the next, with the final song linking straight back into the top of the opener like a sonic mobius strip.
LP – Black Vinyl in Gatefold Sleeve with Download.

Black Honey - Headspin EP 10"

BLACK HONEY  –  Headspin 10″ Vinyl

Tracklisting:

Side A
1. All My Pride
2. Headspin

Side B
1. On Your Time
2. Mocking Swing

THE BARR BROTHERS – ALTA FALLS

Limited Red Vinyl 10″. The Barr Brothers release a new EP called ‘Alta Falls’. The 5 songs on this record are some of their favourite misfits from the ‘Sleeping Operator’ sessions. The cover art is by their elusive friend Madame Gilles, whose posters have been anonymously gracing the telephone poles of Montreal for years.

THE LIMINANAS – MALAMORE

Working in the sweetly swinging tradition of Serge Gainsbourg and the ye-ye sound of the ’60s, the Liminanas have a sound that blends sunny psychedelia with vintage pop. Based out of Perpignan, France, the group is composed of drummer and sometime vocalist Marie Liminana and bassist, organist, and jack-of-all-trades Lionel Liminana, as well as a host of guest vocalists including MU. With its combination of fuzzy organ, half-spoken / half-sung vocals, and vintage production, the band captures the sexy, ultra-hip sound of classic French pop. After releasing a series of singles, the duo released its self-titled debut in 2010 through the Chicago label Trouble in Mind. The band continued to crank out singles, and a second album, ‘Crystal Anis’, followed in the summer of 2012. After taking some time to revamp the Liminanas‘ sound to introduce more elements of French and Italian soundtrack music, the duo returned quickly with its third album for Trouble in Mind. ‘Costa Blanca’ was issued in late 2013. The band are now back with a new release ‘Malamore’
.LP – Housed in gatefold sleeve with CD Version.

LUH  – SPIRITUAL SONGS FOR LOVERS TO SING

Rough Trade Exclusive with a Bonus Six Track CD ‘Spiritual Songs for Lovers to Sing – Prologue’. LUH (which stands for Lost Under Heaven) is Ellery Roberts and Ebony Hoorn. Over the past two years, they have been releasing music, art, photography, film and manifestos into the world, including 2014’s ‘Unites’ video and the expansive ‘Lost Under Heaven’ music and artwork package at the end of last year. Ellery’s name might be familiar as the frontman of WU LYF, whose raw and primal voice helped create a sound that shaped a new model for the untamed fury of youth. Ebony is an audio-visual artist based in Amsterdam, where the pair now live, and co-directed the new video with Florian Joahn. ‘Spiritual Songs For Lovers To Sing’ is the pair’s debut album and was produced by The Haxan Cloak (known for his own genre-bending experimental compositions and work on Bjork’s Vulnicura album) in 2015 on the remote island of Osea.
LP+ – Rough Trade Exclusive Vinyl – Limited to 350 Copies with a Lyric Booklet. Double vinyl (AB white vinyl / CD black vinyl), packaged in separate sleeves with an A2 newsprint style poster and encased in a printed PVC outer sleeve. Comes with Bonus CD and Download. Also comes with 3 limited edition prints.
2LP – Double vinyl (AB white vinyl / CD black vinyl), packaged in separate sleeves with an A2 newsprint style poster and encased in a printed PVC outer sleeve. Comes with Bonus CD and Download.
LP – Double vinyl (AB white vinyl / CD black vinyl), packaged in separate sleeves with an A2 newsprint style poster and encased in a printed PVC outer sleeve. The Indie Retail Vinyl includes 3 limited edition prints. Comes with Bonus CD and Download.
CD – Comes with Bonus CD.

Doe’s inspiration came in a feverish burst in Tucson, Arizona, where he was recording with Howe Gelb (of Giant Sand) and spent time with his friend, author Michael Blake (Dances With Wolves), hours before his death. From the opening rumble of The Westerner’s leadoff track “Get On Board,” Blake’s spiritual presence and the inevitability of mortality are threaded through the album.

“This may not be a country record but it is definitely a Western record,” Doe “It has all the horizon, sand and beautifully scary things of the desert.”

Reverb-heavy, twangy guitars punctuate “My Darling, Blue Skies,” propelled by Doe’s wild-eyed repetition and distorted stabs of organ that recall the Doors. “Alone in Arizona” is as desolate as its title, with narcotic acoustic guitar strums and ominous, trebly bursts of electric guitar accenting Doe’s narrative of loss and longing. Blondie’s Debbie Harry lends her voice to “Go Baby Go,” one of a handful of revved-up garage-rock tunes that act as a counterbalance to the album’s quieter moments.

Additionally, Doe’s first book Big Black Sun: A Personal History of L.A. Punk, will be published on May 1st. As an integral part of the scene with X, Doe’s own account of the time will be accompanied by contributions from members of other influential Los Angeles punk and hardcore bands.

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