Posts Tagged ‘Nathaniel Walcott’

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When Bright Eyes announced their first new album since 2011, the media excitedly reported on the band’s reconciliation. But, in reality, Bright Eyes never really broke up. They wandered in different directions, sure, but there were no hard feelings. Gathering to record “Down In The Weeds Where The Worlds Once Was” was a matter of good timing and schedules aligning. Frontman Conor Oberst suggested the idea for a new record at bandmate Nathaniel Walcott’s Christmas party in 2017, and the pair called the third member of their trio Mike Mogis from the bathroom to pitch the idea. “It was just something we wanted to do for ourselves, because we were all in this stage of our lives…” Oberst says. “Between kids being born and people dying and divorces and people falling in love and all of the crazy amount of life that’s transpired for the three of us, personally… It was just like, what are we going to do? Let’s do the thing we do best. Let’s make a record.” They certainly did some of their best work on Down In The Weeds… The album sounds undeniably like a Bright Eyes record, but it ebbs and flows with new anxieties and darknesses. Fans will delight in a true-to-style Bright Eyes record, but, at the same time, any music fan will be able to appreciate the gruesome grandeur of this folk-rock mastery.

“Mariana Trench” the new song by Bright Eyes off ‘Down in the Weeds, Where the World Once Was’ out August 21 on Dead Oceans.

Bright Eyes, photo by <a href="http://shawnbrackbill.com/">Shawn Brackbill</a>

Conor Oberst were coming to New York, L.A., England, and Japan, Bright Eyes signed to Dead Oceans for a new album and then announced their first live performances in more than nine years. Conor Oberst was about to play England’s End of the Road festival festival in September. befor the lockdown happened.

Dead Oceans co-founder Phil Waldorf said in a press release, “Bright Eyes is not just a formative artist for me personally, but for countless people who work at Dead Oceans. To get to work with a band that is part of our own origin stories in falling in love with music is the rarest of privileges. We are thrilled to be part of another great chapter in Bright Eyes enduring legacy.”

Bright Eyes’ last studio album was 2011’s The People’s Key. Earlier this month, the group launched an Instagram account, posting a mysterious teaser video. They’ve also shared images of posters plastered on city walls via their Instagram stories. Conor Oberst, Mike Mogis, and Nathaniel Walcott signed to Dead Oceans and have been recording, with intentions to release new music this year. The band have also shared a teaser video featuring them recording in the studio with an orchestra.

Their shows were to include a stop at Dorset, England’s End of the Road festival, There has been speculation that there might be more in the works from Bright Eyes this year after the band popped back up on social media recently.

Since Bright Eyes went on hiatus, Mogis has kept busy as a producer and Walcott has worked as a film composer. Oberst’s punk band Desaparecidos also reformed for 2015’s Payola.

“Persona Non Grata” features Conor Oberst (vocal, piano), Mike Mogis (bajo sexto), Nathaniel Walcott (Hammond organ, electric piano), Macey Taylor (bass), Jon Theodore (drums, percussion), Joe Todero (bagpipes), Malcolm Wilbur (bagpipes), Joe Fuchs (bagpipes), and Susan Sanchez (vocals).

It is produced by Bright Eyes, engineered by Mike Mogis with assistance from Adam Roberts. Mixing by Mike Mogis. Mastering by Bob Ludwig.

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Bright Eyes are the Omaha, Nebraska based band consisting of Conor Oberst, Mike Mogis, and Nathaniel Walcott.

Bright Eyes have returned with new song “One and Done,” the third track released from their upcoming new album, following the previously shared “Forced Convalescence” and “Persona Non Grata.”

“One and Done” is built with some lovely string arrangements that give reminds a bit of some of The Last Shadow Puppets earlier work, just with a more introspective and vulnerable folk performance from Obsert as well as some welcome horns.

It’s another wonderful new track from the band who are back in fine form. We need that album as soon as possible.

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Released May 27th, 2020

Bright Eyes (Conor Oberst, Mike Mogis, and Nathaniel Walcott) have shared their first new song in nine years, “Persona Non Grata.” The band previously announced that they had signed to Dead Oceans and had been recording, with intentions to release new music this year. They also previously announced a world tour. In January they also shared a teaser video featuring them recording in the studio with an orchestra. Check out the track “Persona Non Grata” below, followed by a statement from the band and the band’s tour dates (hopefully they won’t be postponed or cancelled due to COVID-19).

While Oberst has kept busy in the last decade with solo and collaborative projects (such as last year’s Better Oblivion Community Center duo with Phoebe Bridgers), the band with which he made his name have not released an album since 2011’s The People’s Key.

In a previous press release Dead Oceans co-founder Phil Waldorf had this to say about signing the band: “Bright Eyes is not just a formative artist for me personally, but for countless people who work at Dead Oceans. To get to work with a band that is part of our own origin stories in falling in love with music is the rarest of privileges. We are thrilled to be part of another great chapter in Bright Eyes enduring legacy.”

Since Bright Eyes went on hiatus, Mogis has kept busy as a producer and Walcott has worked as a film composer. Oberst’s punk band Desaparecidos also reformed for 2015’s album release Payola.

“Persona Non Grata” by Bright Eyes out now on Dead Oceans Records.

Conor Oberst Releases "No One Changes" and "The Rockaways"

Conor Oberst dropped two new gloriously melancholy singles on Bandcamp Wednesday morning: “No One Changes” and “The Rockaways” The former is a somber, introspective piano number which elegantly drops lyrics like “a goddamn shit show.” The latter is somber, introspective, post-breakup acoustic song with Bright Eyes’s  Nathaniel Walcott contributing keyboard parts.

The songs can be purchased digitally now and will be made available as a double A-side 7″ single on February 1st, 2019.

In August, the Oberst’s song “LAX” was featured on the soundtrack to the Ethan Hawke film Juliet, Naked. Hawke covered the song as his aging Gen X singer-songwriter from the film. Oberst then re-recorded a new version of the song with Phoebe Bridgers added vocals for Amazon Music’s “Produced By” series. The track was produced by Simone Felice of the Felice Brothers (his backing band) for Amazon Music’s “Produced By” series. Felice’s session also features songs by Bridgers, Wesley Schultz (the Lumineers), and more. Oberst’s song, indeed, does take its name from the Los Angeles airport. The artist formerly known as Bright Eyes includes lines in his bittersweet narrative like “It’s raining in L.A./and everyone’s gone mad” and “I’ll pick you up, just tell me when you land” over simple solo piano chording and snippets of electro acoustic ambience.

Conor Oberst’s last proper full-length Salutations came out in 2017, which was mainly a reworking of his 2016 album Ruminations.