Posts Tagged ‘Australia’

BATTS – ” Gun “

Posted: September 10, 2018 in MUSIC
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BATTS, the project name of Tanya Batt, has been in featured ever since our we heard of her single ‘Shame’, back in April. ‘Shame’: “That layer, in this song, makes it unique. It’s ‘folk, plus’. Where not only just a lazy layer of attempts are arranged, but the delectable honey of Tanya’s folk talents just enhance the pop bleed, into another level.”

The melancholic debut of her EP ’62 Moons’ is out Now, and demonstrated by her tact on each and every part of each single. And as always, the best part of BATTS is well, Tanya’s voice, It is magnetic, strong, with the kind kind of empathetic ’causes’ that singers like many country & contemporary ballad singers of the past.

“I wasn’t feeling inspired by my own life, and didn’t feel any urge to become self-destructive like I had in younger years to create,” Tanya explains. “I remembered how much I loved to write stories as a child, and thought I’d start writing fictional stories into songs, and creating the music to set the vibe and world around it.”

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The ‘sadness’ of ‘Gun’ is heartfelt and beautiful to listen to. Despite our antics in our posts, we really dig and respect the kind of lyrical construction Tanya does so well. Her work is mesmerizing, truly.

End Of The Road 2018

Breaking out of Australia with the stark and poignant Boys Will Be Boys, Stella Donnelly was hailed an overnight feminist folk hero. Taking inspiration from the likes of Angel Olsen, and with a slight nod to the lyrical prowess of fellow Aussie Courtney Barnett, Donnelly’s debut and wonderfully titled Thrush Metal EP just got a re-issue on Secretly Canadian with full marks from most music press, including us. Most certainly one to watch and fawn over.

Donnelly played “Talking” in Conductors and Resistance, an art installation by the Israeli artist Ronen Sharabani that’s on display as part of the SXSW Art Program. Like Donnelly’s direct and feminist folk songs.

Stella Donnelly so far has only one EP to her name, but that’s been enough to make her sharp wit come through in sweet, quiet songs that rage loudly. The Australian singer-songwriter’s Thrush Metal EP was recently reissued in the U.S. with a bonus track, “Talking,” which she performs here surrounded by video of wires, a weaving machine and woolen yarns.

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I’ve recently been turned on by this track from another Australian great psyche band; SONS OF ZÖKU’s new EP Can Dead DanceSONS OF ZÖKU’s latest offering Can Dead Dance is full of fuzzy, bright, old-school garage, with no shortage of good times to be found within.

Based out of Adelaide,  SONS OF ZÖKU are made up of Ricardo Da Silva, Ica Quintela, Jordan Buck, and Jacob Otto, who together jump through gloriously fuzzed out, psychedelic-tinged, garage rock. Over the course of the five tracks, the band somehow create a perfect balance between frenzied chaos . On Mauvause Foi, the four-piece belt through bright, jangly guitar chords and incredibly infectious, lo-fi vocal hooks to deliver a truly memorable surfy alt-garage-pop tune.

Yet on Big Rich Man or Wild Eyes they’re hitting more of a saunter; a lackadaisical take on psych that will whisk you off to somewhere you’d rather be. Unsurprisingly, all tracks on the EP were recorded in one day. This comes through in the EP’s charming sense of urgency.

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Released April 2nd, 2018

Ricardo Da Silva – Vocals, Guitar.
Ica Quintela – Keys, Vocals, Percussion.
Jordan Buck – Bass.
Yuk – Drums.

thanks Happymag

DIY pop charmers School Damage release their second album A To X today!

A To X is the second album by Melbourne DIY pop quartet School Damage . The new album focuses their simultaneously sharp and wobbly DIY pop aesthetic, taking in the woozi- ness of Young Marble Giants, the bite of Devo and the busy melodies of the Television Personalities.
A To X comes hot on the heels of School Damage’s instantly loveable 2017 self-titled debut, which earned the band raves from Brooklyn Vegan, Noisey and BBC6 among others.
Formed as a bedroom pop project for Carolyn Hawkins (Chook Race, Parsnip) and Jake Robertson (Ausmuteants, Hiero- phants, Frowning Clouds), School Damage now include Jeff Raty on drums and Dani Damage on bass. They have released cassettes and 7”s on various labels, including a recent single for UK label Upset The Rhythm.
They’ve played King Gizzard’s festival Gizzfest and shared stages with The Bats, Tropical Fuckstorm and NO ZU.
About the new album, Carolyn says: “A To X is about trying (and failing) to find patterns in the overwhelming jumble of activities involved in being alive. We were going to call it In Alphabetical Order but I guess we never quite made it to Z!”
“Charming off-kilter pop” – Noisey
“Like Custard giving The Vaselines a nipple cripple” – The Herald Sun
“Their songs deal with crises of everyday life, set to wobbly pop that recalls bands like Tronics, The Vaselines, and early ’80s Sydney band The Particles.”

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Just over a year since their self-titled instant classic debut, A To X focuses School Damage’s simultaneously sharp and wobbly DIY pop aesthetic, taking in the wooziness of Young Marble Giants, the bite of Devo and the busy melodies of the Television Personalities.
It has already had love from around the world, including BBC 6Music airplay and rave reviews from Brooklyn Vegan, Loud & Quiet, Raven Sings the Blues, Clash and elsewhere.

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First rule of band names: make sure your name doesn’t contain the genre of music you play. The band’s colossal, eccentric pop/rock sound is undeniably psychedelic and it’s kind of cheesy to have the genre explicitly in the title. After giving them a pass for a corny, playfully ridiculous name, you can let yourself wander in their magical, sweeping soundscapes. Singles like “Social Candy” and “Marmalade March” invoke equal amounts of high-spirited fun and virtuoso musicianship. Listening to their music requires listeners to abandon their inhibitions and embark on whatever gleaming psych-pop joyride they offer. Their sound is accessible and melodious enough to appeal to pop/rock fans while their musical proficiency and wacky euphoria will also gel with diehard psych fans.

This Brisbane-based group taps into the mystic energies of both ‘60s flower power and the 1980s days of wine and roses. Their organ has a nasty bite, their guitars leak fuel all over the place, the drums soundtrack a “youth in revolt” movie. With disaffected alternative vocals moaning lines like “listen up, disengage, fade away” over wah-wah pedals and sitar, it’s not hard to figure out what shrines they worship at. Still, on Trail to Find, they mix together the mysterious and the upbeat with unfettered verve.

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Like a better version of Murder of the Universe, Gizzard’s raw early side is the best. Eyes Like the Sky is the second studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 22nd February 2013 on Flightless Records

Not only is the album unlike any other of theirs, described as a “cult western audio book”, the album is narrated and written by Broderick Smith – who tells a story of outlaws, child soldiers, native Americans and gun fights, all set in the American frontier. As it turns out, the roots of Eyes Like the Sky lie in King Gizzard’s debut album, 12 Bar Bruise.

Stu Mackenzie – “the weird, genius savant of that band” – and Smith both share a similar obsession of the Wild West, so Mackenzie approached his bandmate’s father (who is a respected musician in his own right) to pen the lyrics to a single track he had written. When asked about the album’s influences, Stu Mackenzie alluded to the spaghetti western influence throughout the album, stating “I love Western films. I love bad guys and I love Red Dead Redemption. Oh, and I love evil guitars”

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It was the book My 32 Years Among the Indians by Richard Dodge where Smith found his inspiration.

“There was a section in the book called Sam Cherry’s Last Shot… about Sam Cherry who was a scout that was killed by the Indians.”

Smith took that story and narrated it for the band, and that tune became Sam Cherry’s Last Shot on their debut album. When the band looked at doing a second record, Mackenzie simply contacted Smith and asked if he’d like to do a full album. When it came to a story for the album, Smith again turned to American history. Specifically, he looked at a time in Texas in the 1840’s where Comanches (a population of Native Americans from the south) were raiding white settlements and kidnapping the young boys to raise as their own.

Smith tells. Through this historical lens, he created a story not only about American history, but one that also explores the importance and struggles of heritage and identity.

Let’s now turn to the band itself. Formed out of casual jam sessions with mates, King Gizzard & the Lizard Wizard have become a staple on the Australian indie music scene. They have cemented themselves a place among the most ambitious artists in the world today, from having two drummers  to releasing five albums in a single year.

Art As Catharsis is proud to announce the release of Strings, a colourful four-track journey from the mind of Sydney based art-folk virtuoso Bonniesongs.

While drawing subtle influence from Jim Black’s improvised jazz record AlasNoAxis, Bonnie Stewart’s efforts on Strings sit closer to experimental folk. All in all, Strings bears similarities to Joanna Newsom’s fluttering melodies, Cat Power’s more stripped back songs or Carla Kihlstedt’s rich compositions.

Beyond these comparisons, Stewart is also neck-deep in the Australian indie scene – performing with the likes of Emma Davis, Alyx Dennison and many more.

Backed by collaborators Freya Schack-Arnott on Cello and Sascha Bota on Viola, Stewart’s composition dances between conventional and uninhibited. Through challenging modern conventions the Australian folk scene is oft beholden to, Strings in its entirety offers refreshing bursts of complexity and wonder. Stewart’s voice calls as clearly and distinctly as birdsong, while every instrument wonderfully accentuates its surroundings. For lovers of atmosphere, shifts in feeling and distinctively airy vocals, this one is for you.

released August 16th, 2018

Bonnie Stewart: Vocals, effect/loop pedal, guitar, drums
Freya Schack-Arnott: Cello
Sascha Bota: Viola

Bonniesongs is Bonnie Stewart. Strings is a special collaboration with friends Freya and Sascha. Six days after their one-off performance as a trio, they made a recording of their experimental, textural and improvised variations on Bonnie’s songs.

Four kids from the Sydney & Melbourne. Bloods have been peddling their garage-punk-pop tunes since 2011, playing alongside bands like Dum Dum Girls, Redd Kross, DZ Deathrays &more, A happy, upbeat, sunny album that reminds me of The Go-Go’s, The Courtneys and Beverly.

“Rambunctious and spunky… their rugged energy reminiscent of likeminded acts Diet Cig and Hinds.” 
– Consequence of Sound

“it’s hard not to be pretty instantly smitten by lead vocalist MC’s razor-sharp sass, buzzing guitars and a good dose of reverb” The Music

Feelings sees Bloods songs evolve from garage-punk fun to fully realised pop-punk anthems. The song-writing on Feelings is proof of a band that has grown together and learned to embraced their collective love of pop hooks and wall-of-sound distortion. Pushing themselves further than ever before, Feelings was written over a tumultuous eighteen month period and while lead singer MC was processing the end of a ten year relationship, which inevitably crept into so many of the songs that make up the record.
All songs performed by: Marihuzka Cornelius, Dirk Jonker and Victoria Zamora
Additional guitar on ‘Feelings’ by Mike Morgan
released August 17th, 2018

With her Redemption Tour kicking off , Tori Forsyth has announced her debut album Dawn Of The Dark (Produced by Shane Nicholson) It will feature the second single ‘In The Morning’ and along with first single ‘Grave Robber’s Daughter’ and the previously unreleased ‘Kings Horses’, available as an instant track with album pre-order.

The alt-country artist who will also perform at this year’s SXSW Festival, has also shared the video for the single which even though was a last-minute addition to the album, still beams with honest songwriting and musical maturity far beyond her 22 years.

‘In The Morning’ was a last minute addition to the record so it’s funny that it’s risen to the top as a second single,” says Tori. “The song has a few different meanings to me, it was a written in a darker time of my life and there’s definitely that theme to the song, but I think it’s also a song that basically rides on gender equality, the idea that a woman can do everything a man can.”

Directed by Brad and Rick from Spilting films, the ‘In The Morning’ video is Tori’s second collaboration with the duo who perfectly capture her gritty persona and complex song-writing subject showcasing dual personalities across a dazzling dreamscape. The filmmaker’s transport us through twisting mazes and deserted dunes, both located on the fringes of Newcastle Australia.

In The Morning by Tori Forsyth taken from the album Dawn of the Dark