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Death and grief are universal, but on Boston band Vundabar’s Smell Smoke, these themes feel timelier than ever. In 2018, as each day in America offers a new and urgent political crisis, societal problems find ways to seep into our daily routines and private lives. For Brandon Hagen, the past few years have been impossibly difficult; while making music and touring with his busy and pretty successful rock band, Hagen found himself forced to care for a dying loved one. That unfortunately very real, and very relatable pain fueled Vundabar’s most recent release, a feverish collection of personal and political turmoil that highlights the many flaws of modern culture.

During their recent Paste studio session, Vundabar played three songs from the new album “Smell Smoke”, including deceptively jaunty album opener “Acetone.” In the track’s video, Hagen dances around a grave, but he’s the one eventually buried inside it. “Acetone,” about fake “bleached personas,” suggests the dark fate of someone who is detaching from reality. Other tracks like  “Big Funny” tackles the controversial topic of American healthcare. “Hospital receipts, they make a coffin seem so cheap,” Hagen sings. “It’s just wild,” Hagen said “When we go to other countries that have really solid government programs for healthcare and art and everything… how don’t we have this yet? I don’t know.”

Vundabar – “Acetone” Recorded Live Version: 1/3/2018 – Paste Studios – New York, NY

Half Waif, the Brooklyn-based synth-pop trio made up of Nandi Rose Plunkett, Adan Carlo and Zack Levine, will release their Cascine Records debut on April 27th. The album is called Lavender and another track  “Torches,” is an evocative and elemental balancing act between freedom and comfort.

“I know somewhere to my left is an undying coast / I think of it in the night when I know I need it most,” Plunkett sings, taking solace in the distant presence of vast and calming waters while she traverses a world of fire and blood. “I see the way the landscape burns / Upturned by the violence / Are these torches meant to fill the unending silence?” she wonders, her delicate voice complemented by a skittering beat and pulsing synths.

Plunkett says of the song: “Torches” opens with the terror of a world that burns, tempered by the cool reminder of an undying coast somewhere nearby. It then imagines what happens when that lit darkness reaches you before you can reach the water’s edge—when you come to feed off it, called by the scream of the open, endless road. It’s probably not surprising that I wrote this song in the days immediately after Trump’s election, driving through Texas on a stretch of highway.

Lavender was unveiled a month ago today, along with lead single “Keep It Out,” the track is a “spectral and beautiful” exploration of “isolation and longing” with “an elegant and minimal beat.” In other words, Plunkett and company are two for two. Half Waif recently expanded their spring tour, adding co-headlining dates with Hovvdy and support dates with Mitski, both wonderful combos.

Listen to “Torches” and revisit “Keep It Out”

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Advertisement for Talking Heads’ ‘Psycho Killer’ single, 1977. Saw TH in Swindon, 1977, supporting Dire Straits

Classic performance at the Boarding House, San Francisco from 16th September 1978. Includes the entire KSAN-FM broadcast. Digitally remastered for enhanced sound quality. Byrne’s unholy pact with loathing is primed, funked and punked for the stoically impassioned, but in contrast to the detached state of suburbia up front, the band party hard with a deep sense of funk and engaged complexity. The set draws from their debut album Talking Heads ’77‘ and the follow-up ‘More Songs About Buildings And Food’ taking it all to the flaming crescendo of ‘No Compassion’.

The wait is over. After a month of speculation, anticipation and rumour, we can now announce the first acts of what’s shaping up to be a legendary Meltdown festival line-up. We’re delighted to confirm that Deftones, The Libertines, Manic Street Preachers, Mogwai, My Bloody Valentine, Nine Inch Nails, Placebo, The Psychedelic Furs, 65daysofstatic, Alcest, The Anchoress, Kristin Hersh, Kathryn Joseph, MONO, and The Notwist will all be appearing at the 25th edition of our iconic music festival, curated by Robert Smith – the first of many more acts to be announced.

Meltdown is famed for bringing to life the world of its director here on the banks of the River Thames. And this jubilee year will be no different, with Robert Smith scouring the globe to hand-pick some of his favourite bands, bringing together trailblazers and pioneers from the worlds of indie, pop, glam, industrial, shoegaze, post-rock, electro, metal and beyond. Seminal alternative rock group The Psychedelic Furs will open Smith’s Meltdown, delivering an opening night performance on Friday 15th June, with Placebo (Saturday 16th June) and The Libertines (Sunday 17th June) also appearing on the Royal Festival Hall stage on the festival’s first weekend.

Influential welsh rock band Manic Street Preachers return to Southbank Centre for the first time since 2008 on Tuesday 19 June, whilst Deftones fly in for their only UK show the following night. Glasgow rock stalwarts Mogwai also play a one-off Royal Festival Hall gig on Thursday 21st June, with Nine Inch Nails making their debut on the same stage a day later. And on Saturday 23rd June shoegaze pioneers My Bloody Valentine return to the Royal Festival Hall stage for their first UK show in five years.

Robert Smith’s Meltdown festival takes place across Southbank Centre from 15th-24th June 2018, with performances in our 2,500 capacity Royal Festival Hall, and in our newly refurbished Queen Elizabeth Hall and Purcell Room. More acts and dates will be confirmed in the coming weeks and months, so do stay tuned for further announcements.

Filmed in 1999 at the San Francisco Fillmore, this opens up to an audio and visual montage of urban America, Tom’s problem has always been he makes it look all so easy. Nobody else does that jingle jangle with such skill, power, commitment and consistency.

The lights go up and the high grass dogs stroll onto the stage and blast into `Jammin’ Me’. using multiple cameras from a variety of angles to catch the band, interspersed with shots of impressed looking girls, using a quality sound mix throughout. Between songs they have added backstage and street shots of anonymous roadies, interjecting odd sound bites, wheeling crates up ramps and so on, all of sometimes breaks the flow of a great gig, The idea comes together when the film closes with the gear being loaded up, but this music really doesn’t need adorning.

The laconic stoner / polite Southern Gent Tom Petty fronting proceedings appears in good humour, on top form and to be clearly enjoying himself as he works his way through an assortment of acoustics, Teles and Flying V’s to present a selection from his impressive catalogue. We hear several tracks from the about-to-be-released Echo album (which underwhelmed the critics, it must be said), reworked acoustic versions of several gems (including a superb version of ‘Walls’ – much better than the original), and highlights from Wildflowers and Full Moon Fever. `Mary Jane’ particularly is a show stopper, after which Bo Diddley embellishes the primal strains of `Mona’, this is followed a more acoustic section including a bluegrassy `Lay Down My Guitar’, a great `Even The Losers’ to which Tom Petty charmingly and repeatedly fluffs the opening lines – `act like you don’t know anything’s going on’, he drawls. After which the band – including Mick Cambell, Benmont Tench and the sorely missed Howie Epstein, abetted by Scott Thurston and Steve Ferrone – rock their way out.

High Grass Dogs: Filmed at The Fillmore in San Francisco, California on March 15th and 16th, 1999

The Heartbreakers Band: 

  • Bass, Guitar, Vocals – Howie Epstein,
  • Drums – Steve Ferrone
  • Guitar, Vocals – Mike Campbell
  • Guitar, Vocals, Keyboards – Scott Thurston
  • Keyboards, Vocals – Benmont Tench
  • Vocals, Guitar – Tom Petty 

Setlist:

0:04 “Intro / California” 2:12 “Jammin’ Me” 6:26 “Runnin’ Down A Dream” 11:14 “Swingin'” 18:05 “Breakdown” 23:33 “Listen To Her Heart” 27:02 “You Don’t Know How It Feels” 34:05 “Mary Jane’s Last Dance” 40:28 “Mona (Featuring Bo Diddley)” 46:20 “Lay Down My Old Guitar” 50:08 “Even The Losers” 53:54 “Walls” 57:00 “Angel Dream” 1:00:06 “Room At The Top” 1:05:44 “County Farm” 1:11:37 “You Wreck Me” 1:16:45 “I Don’t Wanna Fight” 1:19:35 “Free Fallin'”

Having reached the age of retirement this weekend, I’ve decided not to retire and instead play even more shows. I had a great birthday at home in Nashville with my friends and felines. We capped off the celebrations with an epic karaoke groove.
Thanks to everyone who sent birthday wishes, I love you all. I’m a dismal Brit in many ways, but I’m also I’m a chronic sentimentalist. Go Pisces! Wait ’til you see the silk fish shirt I bought to celebrate my 65th.

In May I’ll be playing solo and band dates in the UK. In June you’ll find me in Ireland and France. Full details on my website.
In other news, in 1982 I went to Norway and I never came back. The place has an empty ghostliness that entered my soul for life. My 2011 album “Tromsø, Kaptein” was released in Norway only as a loving tribute. I’m happy to say the album is now available in the US, UK and other countries by request. CDs are ready to be shipped and vinyl pre-orders will be sent out in April. I’ve been playing these songs live for quite a while, so you may have already heard “The Abyss”, “Old Man Weather” and “Light Blue Afternoon”.
By the by, my occasional collaborator and harmony singer Emma Swift has recorded a gorgeous version of Neil Young’s ‘Mellow My Mind”.

If you’re looking for something new to watch on tv, I can recommend “Electric Dreams”. I contributed a cover of Syd Barrett’s “Octopus” featuring Graham Coxon from Blur on lead guitar and harmonies. I was delighted to watch the episode it appears in and see Steve Buscemi apparently listening to it on repeat. Good on you, Steve! Good on you, Syd! . 

It’s a nice rainy night here in Tennessee, so I am going to curl up with the cats and a new book. Don’t worry, I’m still addicted to social media and if you want to keep in touch, Peace, love, polka dots.
Robyn H x

From the new self titled record from Robyn Hitchcock – out now on Yep Roc Records

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It’s a sad fact that whenever anyone goes to a gig, they run a very real risk of being assaulted, attacked, or harmed in some way. While it’s not a new trend, the modern age we live in allows for these heinous acts to receive greater attention, and thankfully allows for those responsible to be called out and brought to justice.

As we reported earlier this year, numerous artists, such as Melbourne’s Camp Cope, have joined the #ItTakesOne campaign, intended to make everyone more safe at gigs. Camp Cope’s end goal is obviously to see this behaviour stamped out completely, but the #ItTakesOne campaign’s first step is to ensure that environments exist in which this behaviour is not tolerated at all. With the rising popularity of the campaign, we’re becoming ever-closer to a point in which we will hopefully never have to hear about people being assaulted at gigs.

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Let’s be fair, ticket touting is one of the most frustrating aspects of being a music fan. You could spend hours in front of your computer, getting ready to buy tickets to an upcoming gig, only to see that touts have beaten you to the punch, and have listed those same tickets for three times the price on resale sites.

One of the most recent artists to come out against this holy unfair practice is Vance Joy. As reported a couple of days ago, Vance Joy has partnered up with ticket resale service Twickets to ensure that those who wish to purchase or sell tickets to his upcoming concerts don’t get ripped off, or manage to rip anyone else off. It is a much-needed approach to ticket sales in Australia and definitely should be practised here in the UK, and here’s hoping that Vance Joy’s involvement in the service leads to most, if not all, musicians supporting a platform like this, crushing those awful scalpers in the process.

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Recorded last December at the Halle de la Courrouze in Rennes, France, during Trans Musicales 2017, watch London-based Italian art-rockers Husky Loops perform live four songs from last year’s self-titled debut EP: ‘Tempo’, ‘Fighting Myself’, ‘Dead’; and ‘Fading Out’ from ‘EP 2’ released at the end of 2017.

Catch Husky Loops on tour from this week.
FEBRUARY
26 Newcastle upon Tyne, Think Tank? w/whenyoung
27 Leeds, Church Leeds w/whenyoung
28 Southampton, Joiners
MARCH
01 Oxford, The Cellar

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Formed in the honest grit of Hamilton, Ontario, Basement Revolver have seen a quick and notable ascent into the spotlight with their unique brand of 90’s infused indie-rock. The band has been able to formulate a captivating and refined hypnotic aural experience typically found with those who are well beyond their years.

Basement Revolver released their first EP in 2016 and it quickly proved to be a grand success, eventually racking up over 600,000+ plays on Spotify and nearly 100,000 plays on SoundCloud. ‘Johnny’ and their second single ‘Words’ reached the higher echelon of the Hype Machine chart while the EP has made various ‘best of 2016’ listings around the blogger community.

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