The ORANGE KYTE – ” The Orange Kyte Says Yes! “

Posted: March 12, 2018 in CLASSIC ALBUMS, MUSIC
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The Orange Kyte is an experimental music project with a manifesto to release music in various shapes and forms varying in fidelity and approach but always drawing heavily from a love of ethereal tones, fuzz, reverberation and all things psychedelic. Introducing Stevie Moonboots and a revolving cast of collaborators and cohorts, musical and otherwise. Vancouver, British Columbia’s The Orange Kyte is an exercise in boundless sonic tomfoolery with an emphasis on mind expansion and continuous evolution.

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NEW CANDYS – ” Tempera “

Posted: March 12, 2018 in CLASSIC ALBUMS, MUSIC
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New Candys - Bleeding Magenta

New Candys have shared the mesmerising visuals for ‘Tempera’ from their third LP ‘Bleeding Magenta‘, out now on Fuzz Club Records.

New Candys hail from Venice, Italy and formed back in 2008.  After recently reissuing their highly-praised first two LPs ‘As Medicine’ and ‘Stars Reach The Abyss’, the four-piece are teaming up with Fuzz Club for the release of their third album, ‘Bleeding Magentas’.

Their latest effort is a seriously impressive collection of dark, swirling psych-rock – atmospheric yet overdriven, pacing but ethereal, brooding at times but always wallowing in a dazed pop sensibility, ‘Bleeding Magenta’ see’s New Candys’ songwriting at its best.

On the video, the Venice band explain: “We were interested in giving life to the imaginary of the album artwork, playing with natural and surreal elements, balancing what is real and what is artificial.”

“Tempera” from the album “Bleeding Magenta” out 6th October 2017 on Fuzz Club Records.

LABELS WE LOVE – Little Cloud Records Portland Oregon

Posted: March 12, 2018 in CLASSIC ALBUMS, MUSIC, WE LOVE
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Little Cloud Records was founded in October 2016 by Mike Nesbitt, Josiah Webb and Mike’s twin brother, Joe. What started as a way to release Magic Shoppe records has become a vehicle for releasing vinyl for other bands we dig. This includes releases from Pete International Airport (Pete Holmström of Dandy Warhols), New Candys (dark psych rockers from Venice, Italy), The Orange Kyte (tripped-out Irish transplants living in Vancouver, BC), Firefriend (São Paulo psych warlords) , Heaven (Brooklyn based psych rock) and Arizona’s Wiccan Godesses, Burning Palms. 
 
We’re partnering with a Portland, OR vinyl based plant and Joe runs a Chicago based printing facility. This allows us to produce all records, printing jacket design / printing and vinyl pressing in-house. We have been established by Cobraside in the United States and Fuzz Club Records in the UK. For digital distribution we use our own department to plaster your bit Across the usual suspects … like Spotify, iTunes, Google Play Music, Amazon Music, YouTube Music and many more.
 

PARQUET COURTS – ” Wide Awake “

Posted: March 12, 2018 in CLASSIC ALBUMS, MUSIC
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Parquet Courts - Wide Awake!

Parquets Courts’ fifth album Wide Awake! – produced by Danger Mouse – is a groundbreaking work, an album about independence and individuality but also about collectivity and communitarianism. The songs, written by Andrew Savage and Austin Brown but elevated to even greater heights by the dynamic rhythmic propulsion of Max Savage (drums) and Sean Yeaton (bass), are filled with their traditional punk rock passion, as well as a lyrical tenderness. The record reflects a burgeoning confidence in the band’s exploration of new ideas in a hi-fi context.

From Parquet Courts’ album ‘Wide Awake!’, out 18th May on Rough Trade Records.  *deluxe vinyl with 16-page double booklet of art and illustration by A. Savage available

Parquet Courts get funky on their latest with a little help from producer Danger Mouse. Whistles! Parquet Courts’ new album, Wide Awake! is out May 18th.

ELIOTT – ” Over & Over “

Posted: March 12, 2018 in MUSIC
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Melbourne-based singer-songwriter Charlotte Gemmill, who releases music under the moniker Eliott, dropped her second single this week. As in, second song ever. It’s kind of unfair how some people are just really good from the get-go, Eliott’s debut EP is released April 20th.

The singer has already received praise from Clash Music and MTV, as well as being featured on Apple Music’s New Artist of the Week. Her single release comes alongside news of a debut EP, .

On the new track, Eliott says, “It’s a love song. Not necessarily a romantic love, but a relationship between two people that no matter how much time they spend apart, days, months, years, they’ve always got your back – a kind of love you very rarely find.”

The video was directed by Maddy King, shot in NSW’s Blue Mountains.

PALACE WINTER – ” Empire “

Posted: March 12, 2018 in MUSIC
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Palace Winter are Copenhagen-based Australian Carl Coleman and Dane Caspar Hesselager.
Having played in bands separately for years, a mutual respect for each other’s styles encouraged them to start writing together. Carl coming from a song-writing background. Caspar, a producer and classically trained pianist. Both, however, appreciate a strong melody, which is evident throughout the atmospheric dark-pop they create.

Their debut single was released in 2015, followed by an EP and in the summer of 2016, their debut album, “Waiting for the World to Turn” arrived. All released via Copenhagen-based label Tambourhinoceros.
The support that followed was widespread. Number 1 on Hype Machine and overwhelming reviews from heavy hitters like The Guardian, NME and Line of Best Fit. Radio support came from Guy Garvey, Lauren Laverne and Tom Ravenscroft at BBC 6 Music, KCRW, KEXP, Norway’s P3 and Denmark’s P6.

The band have successfully brought their cinematic psych-pop to the stage. With an increasing number of sold out live shows under their belts, fans have not been left disappointed by their hypnotic and mind-blowing live sets.
Having already supported Noel Gallagher and played Guy Garvey’s Meltdown, Roskilde, Green Man, Sziget in Budapest, Latitude and Secret Garden Party, amongst many others, Palace Winter are well placed to blow the roof off 2018.

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Palace Winter are
Carl Coleman & Caspar Hesselager.
Live Team adds:
Jacob Haubjerg – Guitar
Jens Bach – Drums

“Empire” is taken from the album Nowadays, out on May 4, 2018

FRANCOBOLLO – ” Hoo Ha “

Posted: March 12, 2018 in MUSIC
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Well, this is all a bit of a ‘Hoo Ha‘ isn’t it? The latest tune from London via Sweden quartet Francobollo is a bit of guitar-led, slacker goodness that’s sure to get you feeling nice and dreamy.

Named as a tribute to one of their favourite bands (the excellent Hoo Ha’s), the Francobollo boys keep things suitably off-kilter as they flick away with guitar riffs that keep reality at busy. There’s plenty of space in between the flutters of genius and the band show an impressive patience – they know things are always ready, simmering, on the verge of kicking off but their restraint in holding back until they’re all set to release hell makes that sweet, sweet chorus even tastier. It’s the final 20 seconds or so when everything breaks down that Francobollo come into their own, keeping those good vibes going just that little bit longer so you’re getting close to your three minutes worth out of them.

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Band Members
Sean Bean, Simon Nilsson, Petter Grevelius & Sven Bailey.

LUCY ROSE – ” Somethings Changing ” Documentary

Posted: March 12, 2018 in CLASSIC ALBUMS, MUSIC
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Lucy Rose has been around for a little while, but is one of those artists that just keeps getting better & better. She’s sublime, I think as a songwriter , It will be really interesing to watch her further progress in 2018 . Lucy’s third album ‘Something’s Changing’, released a mini-documentary and gone on a tour of cinemas across the country.

As 2018 begins Lucy’s not putting her feet up with a cuppa. Instead, she’s shared a brand new track, ‘End Up Here’, which was recorded during the sessions for ‘Something’s Changing’. It’s a sparse, guitar-led number that puts Lucy’s vocals and words at the forefront.

This is the official video for ‘End Up Here’ by Lucy Rose

Lucy Rose’s splendid return ‘Something’s Changing’ was another record we’ve had listening too on heavy rotation since the summer. After you’ve dug into the stunning record, watch the moving documentary of the same name to learn about the inspiration behind the songs.

Something’s Changing is out now on Communion Records.

DR DOG – ” Buzzing In The Light “

Posted: March 12, 2018 in MUSIC
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Here is the third track from Dr. Dog’s upcoming, much anticipated, upcoming record Critical Equation. The hazy psychedelia and slow burn of Buzzing In The Light boasts some beautifully layered harmonies and is another massive appetite whetter for the album! . The Philly indie rockers Dr. Dog have been readying their new Critical Equation for a month or so now.

Philadelphia’s beloved Dr Dog are today sharing their new single, ‘Buzzing In The Light’, the latest to be taken from their forthcoming album Critical Equation, due for release via We Buy Gold Records/Thirty Tigers on April 27th, 2018. This new cut follows in the footsteps of the track ‘Go Out Fighting’ and is the third to be taken from the Gus Seyffert-produced (Beck, Michael Kiwanuka, The Black Keys) album. Dr Dog will support the new release with a full UK tour throughout autumn 2018 with dates to be announced imminently.

Check out “Buzzing In The Light” below, and grab Critical Equation when it is released April 27th.

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MANIC STREET PREACHERS – ” Dylan And Caitlin “

Posted: March 12, 2018 in CLASSIC ALBUMS, MUSIC
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The legendary Manic Street Preachers have released a new track called ‘Dylan and Caitlin’ off their forthcoming album ‘Resistance is Futile’ due out 1th3 April 2018.

The track is a “conversation between Dylan and Caitlin Thomas at the apex of their alcohol soaked relationship” James Dean Bradfield explained. Nicky Wire added “The story itself rolls through their relationship – drinking, fighting and ended up broken by America. The conversational nature of the lyrics lent themselves to a duet so we asked Catherine AD (aka the Anchoress) to provide the female perspective. She’s a hugely talented kindred spirit.”

It has all the hallmarks of the Manics – an impassioned, literate and melodic anthem with the Anchoress’s softer vocals counterbalancing Bradfield’s distinctive gruffness.

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