Peel Dream Magazine is the nom de plume of New York City-based musician Joe Stevens. A nod to BBC Radio 1 legend John Peel, arbiter of all things underground, Peel Dream Magazine is highly evocative of a certain strain of independent music. Stevens harkens back to the early 1990s, when The Velvet Underground resurged as an inspiration to a new set of bands wielding synthesizers, off-set guitars, and a political bent. The Peel Dream experience is defined by a gentle, fuzzy psychedelia —it’s a hypnotic bit of mod-ish lo-fi pop, recalling the best of early Stereolab, Lilys, and other shaggy haired kids with vintage fuzz pedals, slim trousers, and good record collections.

Written and recorded over a four-week period in the fall of 2017, Peel Dream Magazine’s debut album “Modern Meta Physic” fixates on the New Age universe of the Catskills region of New York. Stevens deals in esoteric bohemian fare — Far East philosophy, Native American tradition, mid-century modern cool — as he appraises the world according to privileged urban expats who increasingly call the upstate paradise home.

Leading off the album, “Qi Velocity” is a metronomic take on French pop that yields to a lush chorus reminiscent of Belle and Sebastian. “Deetjen’s,” named after the much-loved bed & breakfast in Big Sur, would fit snugly on Unrest’s best Teen Beat material. “Due to Advances in Modern Tourism” displays a soft take on Neu!, while the organ that enters could be a sly wink to Steve Reich’s “Four Organs.”

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There is an economy to these tracks — everything is distilled down to it’s essential elements, no gestures are wasted, no superfluous ornamentation taking up space. While Stevens is more than happy to show his influences on his sleeve — mind you, they’re great influences — it’s clear Peel Dream Magazine isn’t just a “sound.” The guy can write songs. Where he goes next is anybody’s guess.

While the influence of John Peel has never been in doubt, we must admit we were a little surprised to hear that a young, New York based songwriter, would have named his band after the great man – yet that’s exactly what Joe Stevens did. That band, Peel Dream Magazine, are set to release their latest record, Modern Meta Physic in October, and listening to the latest cut from it, Qi Velocity, we are certainly transported back to late nights in the late 1990’s listening to that wonderful strain of indie music Mr Ravenscroft Senior used to play to us so regularly.

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Peel Dream Magazine’s sound is a winning blend of pop-drenched melodies and fuzzy production, marking them out as part of the same lineage of The Velvet Underground through to Jesus & Mary Chain and Belle & Sebastian. The trick here, on Qi Velocity, is the way nothing is wasted, nothing is superfluous, just an expertly judged production that flows perfectly. Biting guitars provide bursts of energy one second, then warm buzzes of organs and electronic twinkles offer moments of dreamy escapism, the whole thing held together by Joe’s unwavering, almost unemotive vocal. Old influences, stitched together into a perfect modern tapestry, in our opinion, Peel Dream Magazine are doing music exactly the way it should be done.

Modern Meta Physic is out October 5th via Slumberland Records.

Riotous guitars, insistent beats, and captivating melodies: this is the essence of The Oceans. Formed in 2014 by Copenhagen multi-instrumentalists Dan Joe & Linus Valdemar, the duo sounds like their city feels – a pulsing, paradoxical sea of chaos, noise, and serenity.

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Band Members
Linus Valdemar,
Dan Joe

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Liverpool’s Shards deliver their sublime recent single ‘Reflections‘ its landscape of simmering textures is infused with heart-tugging vocals. Echoing with the themes of faded memory, regret and moving on, this is a gorgeously drawn first single that touches upon how all of our lives are affected by our pasts. The final portions glacial guitar riffs bare the hallmarks of the widescreen wistfulness of mid-period Ride or the Cure but retain a personality that makes these comparisons a bit moot, as they possess a wealth of personality and promise. ‘Reflections’ achingly draws on universal themes and brushes them into such a shimmering picture, it’s an impressive and affecting first taste.

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Band Members
Alex McKenzie,
Paddy Gullidge,
Dan Jones,
Cain Garcia

 

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The self-titled Isaac Gracie album is released through Virgin EMI. It was largely produced by Markus Dravs at RAK Studios in London and features eleven tracks including the recent singles Terrified and The Death of You and I. Isaac Gracie has been finding his feet and working out who he is and discovering what he wants since the industry spotlight fell on him. The fuss was caused by a dusty-sounding, careworn home recording of Last Words that was uploaded online without expectation and any anticipation of what might follow. The voice behind it was completely new to the premise of where writing a great song might lead him. Even now he’d tell you that he’s still slowly working it all out, but this debut collection sounds as fully-realised and confident as any of recent memory. Isaac Gracie is a new British voice, A singer songwriter poetic in his placement of words and accomplished in their delivery.

Isaac Gracie – running on empty video directed by stephen agnew

Isaac Gracie’s eponymous debut album is out now

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In 2016, Jon Anderson, Trevor Rabin and Rick Wakeman brought together their incredible talents and long experience of working in Yes to take to the road for a series of concerts celebrating Yes’ musical legacy of the seventies, eighties and nineties. Yes featuring Jon Anderson, Trevor Rabin and Rick Wakeman toured first in North America and then brought their live show to the UK in early 2017, including this performance captured at the Manchester Apollo. The band are in superb form in front of a sell-out crowd who are clearly loving every minute of the show which includes classic tracks such as Roundabout, Owner Of A Lonely Heart, And You And I, Hold On, Heart Of The Sunrise, Rhythm Of Love, I’ve Seen All Good People and many more.

The band were on superb form. Wakeman’s keyboard sorcery wove its spell alongside Rabin’s masterly guitar skills and founding member Jon Anderson’s unique vocal and lyrical prowess to create a special night of musical alchemy for their fans. This glorious show captures the true, enduring nature of this ever-powerful band.

This stunning show is available on Blu-ray, DVD, 2CD or a limited edition triple LP, pressed on 180-gram orange vinyl!

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The Australian band Baby Grande surely would’ve been lost to history if not for the work of HoZac Records. The label has unearthed the Baby Grande tapes, which date from the mid 1970s, but weren’t released. The group features future members of the famed band the Church, but that’s not the sole reason the material is interesting. Formed during the period when glam was on the way out, but punk wasn’t a thing yet, Baby Grande were a little bit of both. Their glam/punk songs are really quite good, which makes their impending album of archival recordings something to get excited about.

Baby Grande got going in 1975. Singer Steve Kilbey and drummer Peter Koppes had previously played together in another band, the Precious Little. Baby Grande were based in Canberra, and started playing area clubs, though it was hard to get the attention of attendees, who were mainly there to booze it up. Even a high profile gig opening for AC/DC didn’t result in any new fans. Not helping matters, the group found they had few contemporaries, as most of the other Canberra outfits only did covers.

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Koppes eventually switched to second lead guitar and a new drummer was brought aboard, but then Koppes left the band when gigs became few and far between. The remaining four members realized they really only needed one lead guitarist anyway, with Kilbey playing rhythm guitar as needed. Despite the fact that they didn’t have much of a following, Baby Grande got their big break, signing with EMI Records. In January 1977, they went into the studio to record what they thought was a demo, but after submitting the tapes to the label, they were dropped. Turns out, the suits were expecting a finished product and were disappointed with the results. It wasn’t long before Baby Grande had broken-up.

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HoZac Records drops the album of Baby Grande studio recordings, which is entitled 1975-77, on October 5th.  Dangerous Minds is thrilled to have the premiere of one of the highlights of the record, the exhilarating glam/punk rocker, “Zephyr.” The track was amongst those rejected by EMI for being too raw, but that quality is part of what makes this and other Baby Grande songs so exciting Looking back, Kilbey is more amused than anything by the Baby Grande tunes, yet even he has to concede that the upcoming record—over forty years in the making“certainly rocks.” .The Church broke through in 1981

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I’m so happy to share news of my new record “Aviary”, due out October 26th.

I hope whoever listens will choose their own way to listen and find their own path with it, not necessarily start to finish or all at once. It’s all the winged things flying around in the head, the memories and the current thoughts, all at once. This is a record I feel so fortunate to have been able to make–a lot of it is built upon different improvisatory moments of cathartic music-making at a time where it’s hard to find the words to express oneself, indulging in sound, almost like therapeutic or something. And then working with old friends/collaborators Cole MGN and Kenny Gilmore to develop the sounds of these moments and record many more of them in the studio with great musician friends (Corey Fogel, Devin Hoff, Dina Maccabee, Sarah Belle Reid, Andrew Tholl, Tashi Wada). It was a wonderful journey. Thanks as well to my good friend Dicky Bahto for his beautiful artwork.

Thank you so much for listening

Julia Holter – “I Shall Love 2” from ‘Aviary’, released 26th October 2018 on Domino Record Co.

It’s a beautiful exciting week in the land of Speedy Ortiz because they released a new song! I am pumping it right now and this rips!

The song is called “Blood Keeper,” and it’s a Liz Phair cover in celebration of Speedy Ortiz joining Liz Phair on tour starting today . “Blood Keeper” is available on Bandcamp and all proceeds for the single are being donated to purchase venues along the tour copies of Making Spaces Safer, a how-to guidebook from AK Press by Shawna Potter of War on Women!

n celebration of their tour with Liz Phair, Speedy Ortiz has covered this track a Scream 2 soundtrack outtake, written by Phair. The pay-what-you-want Bandcamp proceeds will fund providing each venue on the tour with copies of Shawn Potter’s (War On Women) pocket guide, “Making Spaces Safer.”

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This October, Speedy Ortiz is also touring the UK for the first time in three years! The shows begin on Wednesday, October 17th in London until Thursday, October 25th in Bristol! More info is available in the TOUR DATES section!!

Released September 5th, 2018
Recorded by Speedy Ortiz
Mixing & artwork by Sadie Dupuis
Sadie Dupuis – guitar, synth, vocals
Michael Falcone – drums
Darl Ferm – bass
Andy Molholt – guitar, synth

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The Apparition / Melt the Arms is the third release from Los Angeles band Flat Worms (Tim Hellman, Justin Sullivan, Will Ivy) released on New York’s Famous Class Records. The 7″ single follows their debut LP on Castle Face records. These songs were recorded with Ty Segall in his home studio during a global heatwave.

“The dream was an apparition.”  Teju Cole Open City

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Back again and this time with a killer new 7” from LA rippers Flat Worms. We’ve been hounding these guys to do a record ever since their first 7” dropped back in 2016, so we are thrilled to have them on board now. Flat Worms consist of Will Ivy (Dream Boys, Wet Illustrated), Justin Sullivan (Night Shop, Kevin Morby, The Babies) and Tim Hellman (Oh Sees). Their debut LP on Castle Face dropped last year and the boys have been touring like mad men ever since.

Releases October 12th, 2018