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Matt Piucci broke the news yesterday; for long-time fans of the Paisley Underground it called for an extended “wow”. The Bangles, The Dream Syndicate, The Rain Parade and The Three O’Clock had all convened (or re-convened) to record a set of each other’s songs. It’s kind of like Rainy Day II. Rainy Day being a compilation from back in the 80s of the same bands covering earlier songs that had influenced them.

At the dawn of the 80s these were new bands in Los Angeles forming the core of the small yet influential Paisley Underground scene. In 2013, the four ensembles got back together to share the bill at L.A.’s Fonda Theatre for a charity concert to benefit the non-profit Education Through Music. The show went so well and everybody had so much fun that Danny Benair (The Three O’Clock), Steve Wynn (Dream Syndicate), and Vicki Peterson(The Bangles) started talking about doing some type of album to celebrate their Paisley Underground beginnings.

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The idea quickly formed that each band would cover one song of the three’s. Plans were discussed but lingered. The project didn’t take off until Benair mentioned it to Yep Roc Records co-owner Glenn Dicker, who loved the idea. The four groups then got to work, resulting in the terrific twelve-song collection succinctly entitled 3 x 4: The Bangles, The Three O’Clock, The Dream Syndicate, Rain Parade which Yep Roc will issue on purple swirl vinyl double LP and CD for Black Friday Record Store Day (November 23rd, 2018) with a wider release (including digital formats) coming on January 11th, 2019.

The album’s dozen tracks represent a wonderful melding of the original rendition with the personality of the new interpretation. Rain Parade retain the wild sonic assault of the Dream Syndicate’s ‘When You Smile’ but add a twist by going acoustic on the chorus. The Bangles enlist an Indian percussionist to enhance the dreamy quality of Rain Parade’s ‘Talking In My Sleep’, while swapping guitars for the keyboards that were on The Three O’Clock’s original ‘Jet Pilot’.

Because these bands were, and remain, friends who started off performing together at the same time and places, 3 x 4 holds a more personal quality that most tribute projects don’t have. The tunes that each group chose to cover all had deep connections to them. These were their friends’ songs that they admired, that they saw played originally in tiny clubs, in studios, or at parties.

Michael Quericio (Salvation Army/Three O’Clock/Permanent Green Light) recalls, in the liner notes, of being shocked and awed when he first heard ‘Getting Out Of Hand’ by the then-still-named Bangs and Rain Parade’s ‘What She’s Done to Your Mind’ on the radio. Wynn, similarly, remembers how he was blown away when he listened to the first Salvation Army single after it came into the record store where he worked; he also admits to just how personal the Bangles’ ‘Hero Takes a Fall’ is to him.

Without giving away too many stories, the liner notes are packed with fond, and perhaps not so fond, remembrances from members of the four groups. They reveal the importance of backyard BBQs and KROQ DJ Rodney Bingenheimer, as well as offering several different recollections about an ill-planned group trip to Catalina Island. Quercio and Benair both share their memories of being asked during an interview with the L.A. Weekly if there was a name for their collection of bands, and Quercio casually blurting out “Paisley Underground,” although no one had used that term before. British rock mags soon picked up on the phrase, however, and the name “Paisley Underground” got stuck on them, for better or worse.

Paisley Underground, in fact, wasn’t so much a musical genre as a small scene. The bands didn’t share a specific sound but rather similar musical sensibilities. They were all record geeks who were — as Steve Wynn says of the Salvation Army/Three O’Clock in the liner notes — “hip to the grooviest sound of the ’60s but at the same time had been informed by punk rock.” Taking elements of the Velvets’ drone, Sunshine Pop harmonies, British Psychedelia, and choice Nuggets pieces, each group mixed them in varying amounts to create their own distinct sound.

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As Vicki Peterson relates in the liner notes: “We joke about it now, but it really is like we went to school together. Paisley High, Class of ’83. We were each a little different: diligent students and fuck-ups, eager newbies and experienced band veterans … but we all shared an anachronistic fascination for the music and culture of the 1960s. When we eventually found each other, in 1981 and ’82, we bonded together like social outcasts on the Quad”.

These grads of Paisley High, Class of ’83, all went on to enjoy long careers in music, and are still active today. The Three O’Clock released several albums in the 80s for Frontier, I.R.S., and Prince’s Paisley Park labels. They reformed in 2013, with principal members Michael Quercio (vocals/bass),Louis Gutierrez (guitars) and Danny Benair (drums) along with keyboardist recruit Adam Merrin, to perform at the Coachella Music Festival. The Bangles enjoyed wide success on Columbia Records throughout the 80s with hits like ‘Manic Monday’, ‘Walk Like An Egyptian’, and ‘Eternal Flame’. Their 3 x 4 recordings feature a lineup consisting of all four original members, including bassist Annette Zilinskas.

Rain Parade made albums on Zippo and Island during the 80s before splintering.Matt Piucci spent time with Crazy Horse. David Roback formed Opal with Dream Syndicate’s enigmatic, Kendra Smith, before teaming up with Hope Sandoval in Mazzy Star (‘Fade Into You’ fame). Roback’s brother Steven founded Viva Saturn with fellow Rain Parader John Thoman in the 90s. Those two joined Piucci in reviving Rain Parade in 2012. Between 1982-89, Dream Syndicate put out a quartet of acclaimed albums. After years of solo or short-term group projects, Steve Wynn reconstituted Dream Syndicate in 2012 with original drummer Dennis Duck, long-time bassist Mark Walton, and guitarist Jason Victor.

3 x 4: The Bangles, The Three O’Clock, The Dream Syndicate, Rain Parade winds up not just celebrating these bands’ shared past but also celebrating how the musicians are today. As Steve Wynn puts it: “I’m glad we’ve kept this thing going. I’ll go on a limb here and say that we all like and respect and admire each other as much as we did back in 1982, maybe even more. We’ve lived lives and learned a few things and know how important and lucky it is when like-minded souls find each other and collide on something really exciting. It’s all still happening!”

CD Track List:

1. Getting Out Of Hand (The Bangles) – The Three O’Clock

2. That’s What You Always Say (The Dream Syndicate) – The Bangles

3. You Are My Friend (Rain Parade) – The Dream Syndicate

4. As Real As Real (The Three O’Clock) – Rain Parade

5. Tell Me When It’s Over (Dream Syndicate) – The Three O’Clock

6. When You Smile (The Dream Syndicate) – Rain Parade

7. Talking In My Sleep (Rain Parade) – The Bangles

8. Hero Takes A Fall (The Bangles) – The Dream Syndicate

9. Jet Fighter (The Three O’Clock) – The Bangles

10. Real World (The Bangles) – Rain Parade

11. What She’s Done To Your Mind (Rain Parade) – The Three O’Clock

12 She Turns To Flowers (The Three O’Clock) – The Dream Syndicate

Road To Ruin (40th Anniversary Deluxe Edition)(3CD/1LP)

On September 22nd, 1978, The Ramones unleashed their fourth album on the world: Road to Ruin.  On September 21st of this year, almost forty years to the day, Rhino Records will reissue Road as part of the label’s ongoing series of Ramones box sets.  It will arrive as a 3-CD/1-LP box set and a single-CD remaster of the original album.

For Road to Ruin, Dee Dee, Joey, and Johnny were joined for the first time by drummer Marky Ramone (who replaced founder Tommy Ramone, who’d left the ranks to focus on producing and writing for the band).  The album introduced the now-classic “I Wanna Be Sedated,” which is just one of the tracks that will be heard in never-before-released versions on the 40th Anniversary Deluxe Edition.  Disc One of the box set has the remastered version of the original album mix along with a 2018 stripped-down “Road Revisited” remix crafted by original producer Ed Stasium.  This remix is also included in the set on a 180-gram vinyl LP.  CD 2 boasts period rough mixes of every album track as well as bonus material such as single versions, backing tracks, two outtakes (“I Walk Out” and “S.L.U.G.”), the 1988 “I Wanna Be Sedated” Ramones-on-45-Mega-Mix, and more.  The third CD premieres a 1979 concert recording from the band’s homebase of New York, captured at the late, lamented Palladium and first broadcast on WNEW-FM.

The limited and numbered edition of 7,500 copies worldwide is packaged in a 12×12 hardcover book-style format.  Author Roy Trakin, album cover artist John Holmstrom, and Stasium have all contributed essays to the booklet.  Photos and rare artwork are also featured, including an alternate cover for the album.

Ready to celebrate the 40th anniversary of a punk classic?  Road to Ruin: 40th Anniversary Deluxe Edition is currently available

Ramones, Road to Ruin: 40th Anniversary Deluxe Edition (Sire/Rhino, 2018)

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“Weight” is the first single from the eagerly anticipated self-titled debut album from Naarm (Melbourne) band Cyanide Thornton. Featuring members of Two Steps On The Water, the band was founded in early 2016 and has been steadily gaining traction in Melbourne’s alternative rock circuits. While incorporating elements of folk and rock, Cyanide Thornton transcends its composite parts, moving into a space of raw emotion and fierce determination. Ellah Blake (drums) and David Pesavento (bass) provide understated yet resolute punctuation for each song, holding together the music with a remarkable tenderness and affection, and providing a cradle for Sienna Thornton’s masterful and harrowing lyrics and guitar work. Thornton’s voice is at once wistful and melancholic, painting narratives with a tender immediacy. The album evokes a sense of magical realism, with its lyrics transforming painfully human experiences of love and loss into magical and ethereal moments. Cyanide Thornton is a record wreathed in tenderness, honesty and intimacy, and will guide you from the dark corners of your mind to somewhere unearthly and supernatural. Album out November 9th thru Bedroom Suck / Remote Control Records.

I feel like I’ve really struck gold with this Melbourne three-piece Cyanide Thornton . The band release their debut self-titled record on November 9th, and this is the first single off of it. I was more than happy to sit back and listen to what I thought was an entirely instrumental track, only to be gleefully surprised with singer Sienna Thornton’s vocals at the near three-minute mark. Feeling really good about this one.

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The Australian singer-songwriter has a knack for packing an emotional punch with her deceptively fragile sound, exhibited on Jacklin’s 2016 debut Don’t Let the Kids Win. While a follow-up release has yet to be announced, it seems that something is on the horizon, as seen in the release of a new video, “Body”

The song’s visual treatment directed by Jacklin’s high school friend Nick McKinlay, who also shot the videos for “Don’t Let the Kids Win” and “Coming of Age” — places the viewer in the passenger seat of Jacklin’s scenic drive through the New South Wales countryside.

Julia Jacklin is the best artist in Australia right now. She is consistently brilliant in both her musical and visual output. Her voice is a rare gift, and her songwriting is magnificent. These are all facts that I state and therefore are total and irrefutable truths. I know the last time we had a woman named Julia leading the country it didn’t work out so well, but I think if Jacklin gave it a go, we’d be in good hands. Nothing she can’t do. Julia Jacklin 2019 (or whenever the government randomly decides to throw the next election). You heard it here first.

“Nick and I drove out to the Hay Plain, which is one of my favourite parts of Australia, and filmed this clip,” Jacklin says. “We spent about 14 hours in the car, jumping out when something looked beautiful. Whenever I listened to this song, I knew the clip had to be a driving one, destination unknown.”

“Body” is equal parts rugged and elegant, mirrored by Jacklin wearing a formal dress against the backdrop of the austere landscape in the video. The track evokes an overwhelming feeling of defeat, as Jacklin repeats the phrase, “Well I guess it’s just my life / And it’s just my body.”

“The song speaks for itself, but I’d say it’s just a very long and exaggerated sigh,” Jacklin says, “Born from feelings of powerlessness when it comes to the impossible task of representing yourself the way you think is right, personally and professionally; when you feel like everything is for the taking, no matter what you do.”

New single ‘Body’ out now

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Normally I’d say you’re setting yourself up for a very public and humiliating defeat by trying to cover the ever popular Rihanna, but there’s nothing normal ever about Cat Power. Chan Marshall has the voice of an angel with a pack-a-day habit, so whatever she sings sounds like some sort of badass divine intervention. Her cover of Rhianna’s 2012 hit ‘Stay’ is the second single off her new album, “Wanderer”, and it’s really something special. According to Chan, covering songs is a tradition that is “one of the highest compliments you can pay another artist. It’s one of the great traditions in American music and one of the true pleasures of music history.”

“Stay” features on ‘Wanderer’, the new album from Cat Power, out 5th October on Domino Record Co.

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‘Come Home’ is the second single off of Pip Blom’s brand new debut EP, Paycheck. Hailing from Amsterdam, the band is named after its 22-year-old guitarist, singer, and songwriter. This song totally nails that whole ‘effortless effort’ vibe heaps of singers aim for but most miss. The band just supported The Breeders on their European tour, so it looks like I’m not the only one picking up what they’re putting down. Watch this space! they wil be your next fav band.

“Come Home” appears on the ‘Paycheck’ EP (10″ vinyl) on Persona Non Grata Records. In stores November 9th, 2018.

BLOODS – ” Bug Eyes “

Posted: October 8, 2018 in CLASSIC ALBUMS, MUSIC
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This December, Bloods are excited to hit the road and will be throwing their Summer kick off album parties in Melbourne and Sydney in celebration of their new release, ‘Feelings’!

Bloods have also shared the new video for ‘Talk’, a homage to the humble karaoke video.
“Those videos are a marvel of the modern film, the way they use the cheesiest stock footage and often are completely unrelated to the sentiment of the song. We’ve spent so many nights in a dingy room, singing along to the midi arrangements and stock footage of couples staring longingly at each other, or a dog running on the beach. We thought that this concept was perfect for ‘Talk’ because the song is already a contradiction within itself – it’s a song that sounds like the sunniest, poppiest song, but it is actually about being really upset with someone and asking yourself how you’re going to get through a really rough patch” Bloods lead singer MC says of the video.
Shot by Blood band members MC and Dirk the video for ‘Talk’ picks up where the love story that ‘Bug Eyes’ left off, featuring MC and indie rocks most iconic heart-throb, Al Grigg (Straight Arrows/Palms/Red Riders).

From the forthcoming album ‘Feelings’

POND reveal new single ‘Sixteen Days’

POND have shared the video for their new song ‘Sixteen Days’.

“‘Sixteen Days’ is about, once upon a time, being jealous and paranoid, too ground down and mad to enjoy love and Genoa,” frontman Nicholas Allbrook says of the track. The video was directed by visual artist Kristofski, who also worked with the band on their video for ‘Fire In The Water’.

It’s their first new music since eight-minute-long spatial adventure ‘Burnt Out Star’ came out back in July. The band released their seventh album  ‘The Weather’ last year and are due to head on an extensive US tour this October and November.

‘Sixteen Days’ is the new song from POND

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The band recently linked with Alcopop! Records to launch their new album, with ‘Strange Entertainment’ set to be unleashed on October 26th. With a huge UK tour planned, Kagoule aren’t holding back – confident in themselves, and their new material, they want to pursue every opportunity, every chance placed in front of them.

New single ‘It’s Not My Day’ is online now, and it actually owes a debt to the heavy period of touring that surrounded their debut album ‘Urth’.

A biting return, it pits the seismic force of the Nottingham trio’s live attack against incisive lyricism that engages at every turn. With ‘Strange Entertainment’ incoming we decided to link with Kagoule, to find out more about their single, the new album, and their upcoming tour.

So ‘It’s Not My Day’ was the beginning of ‘Strange Entertainment’. It’s hard to remember the exact moments that inspired a song but I think this song is about keeping it together in front of people or situations that intimidate you. There was lots of changes happening at that time and I needed to remind myself to face up to them.

Check out ‘It’s Not My Day’ below,

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It’s Not My Day – taken from the forthcoming album, Strange Entertainment, on Alcopop! Records

Wide Swing Tremolo

Following the break-up of Americana standard-bearers Uncle Tupelo, singer-songwriter Jay Farrar and drummer Mike Heidorn recruited brothers Dave and Jim Boquist to form a new group – Son Volt – and signed to Warner Bros. The band’s third collection for the label, “Wide Swing Tremolo”, finds them leaning more toward the alternative side of alt-country,

From the vital drive of the opener with its distorted longing and its strained angst to the acoustic pulse of later tracks make this album a landmark in the now overpopulated landscape of country rock. The horror and fear that is all over “Jodel” gives way to the religious zealotry of Medicine Hat but redemption is found on the second half with the straight take on the country rocker that is Right On Through. If Question doesn’t get your foot tapping whilst making your head spin then you haven’t converted to the gospel of country and let me tell you, you’re missing out. Every generation an album arrives that signals a new direction and those who don’t see it will be left behind.

With energetic guitar rockers like “Straightface” and “Medicine Hat” practically jumping out of the speakers, even if Farrar’s enigmatic lyrics sometimes provide dark undercurrents. WIDE SWING TREMOLO was the final studio album from Son Volt’s original line-up, and we’ll crank it up now to celebrate the set’s 20th anniversary.

Wide Swing Tremolo is a wide-open, rocking album with precious little of the overt country influences found on previous Son Volt works. Instead, this album is driven by R.E.M.-like arpeggio guitar riffs and muscular, warm rhythms. It’s a strong album.